My grandmother believed in wearing clothing until it wore out; and even then, she would darn thin areas inconspicuously, to make something last longer. So, it made perfect sense for her to turn scraps of dresses into quilts, and anything that was left could go to the lady across town who made rag rugs. Fortunately, I have a few of Grandma’s hand-sewn quilts, and two of those memory-filled rag rugs. As I weave new rag rugs, I think of the stories woven into her old rugs.
This old rag rug is made of clothing fabrics that are very similar to those in this quilt my grandmother hand-stitched.This old rug is right beside my big loom. I like to imagine that the green denim in this rug was my grandfather’s worn out overalls he wore on the farm.Close-up view shows the interesting pattern in the rug.Rag rug on the loom, with the distinctive Swedish rosepath motif right at the breast beam. (Click picture to enlarge)In contrast to the muted tones of my grandmother’s rugs, the new cotton fabrics I used in these rosepath rag rugs are colorful and bright.Double-faced rag rug. Flip the rug over for a different look. (Click picture to enlarge)Twill rag rug in the making.Sturdy rug, perfect for the entry hall. This is our “Welcome to our home” rug.The treadling pattern in this diamond twill rag rug took full concentration. I did a fair amount of “unweaving” and do-it-over’s with this rug. Perhaps someday a grandchild of mine will put this rug in a special place and wonder about the stories woven into it.
May you find something old and something new; ponder stories of the past and make new stories yourself.
We (truthfully, my husband) turned a 100 centimeter (39+”) Glimåkra Ideal loom into a 70 centimeter (27+”) loom by creating all new horizontal pieces. I can select either size loom–it is convertible! I plan to use the 70 centimeter loom for workshops, since I am able to break it down with a warp on it and and set it back up. Singlehandedly.Not kidding! Steve spent hours of measuring, cutting, creating, and fitting. All in a hot Houston garage. A lot of love went into this cute little loom.Here’s our story in pictures.
After months of searching for a second-hand 70cm Glimåkra Ideal, we found this 100cm one, right here in Houston, that was looking for a new home. So we took her in. Now, we just needed to figure out how to take her down in size. (Click picture to enlarge)Steve started with the most challenging part, the octagonal cloth and warp beams. One end is precisely shaped to fit into a round hole on the side of the loom; the other end also has the round shape, but then is squared to fit exactly into the turn handle, with a rectangular hole for the wedge that holds it in. Whew, he did it!After making all the beams, Steve said this horizontal countermarch mechanism was a piece of cake.New pieces for the 70cm loom being added: treadle beam at the back, foot beam at the front, and upper and lower lamms in the middle. No need to replace the treadles, seen on the floor in front of the old 100cm treadle beam.Last step before putting a warp on the cute little loom. With classical music in his ears, Steve is making 70cm slats to use for warping. The hat is to keep sawdust out of his hair. The fan is to keep him alive.Ready to weave! Besides being cute, this loom could well be the world’s first convertible loom. Two looms in one! Have you ever seen a loom that could convert to two different sizes? (Click picture to enlarge)For the first warp, I used a simple plain weave draft from “Simple Weaves” (Nya Vävar) by Björk and Ignell, p.22, just long enough for two small rag rugs. This first rug, Lime Green and Blue Stripe, is happy proof that everything works!One rug done, one to go. First rug is cut off, and warp ends are tied in overhand knots in front of the reed. Now I bundle up the reed and shafts with the warp beam, and completely disassemble the loom. Can I get it all back together in working order? By myself? (Click picture to enlarge)Loom is reassembled (took me 28 minutes, 30 seconds) and Red Flame rag rug is in the making. The cherrywood ski shuttle is another one of Steve’s lovely creations.Two simple rag rugs, a test for this old-new loom. This cutest loom ever passed the test with flying colors, and oh so much love!
May you enjoy a quiet day of love – some old, some new.
Warp bouts, under tension, being beamed. Choke ties, which keep the threads from shifting, are removed as they move close to the breast beam.
Pair of lease sticks across width of warp keep warp ends in the same order they were wound on the warping reel. (Click picture to enlarge)
Each warp end is threaded through the eye of a heddle.
After the heddles are threaded, each warp end is pulled through a dent in the reed. This warp has one end per dent. There are 22.5 dents per inch in this reed.
With the reed placed in the beater, one-inch sections of warp ends are smoothed out and tied onto the front tie-on bar.
Like getting into a secret playhouse, I sit under the warp at the back of the loom to attach the lamms and tie up the treadles. This view is looking up from my secret hideout.
After everything is tied up, the shaft holders removed, and the locking pin taken out, this makes me rejoice — A Perfect Shed!
Let the weaving begin! Come back soon to see the Swedish lace curtains being woven.
Most of the intricacy is achieved through detailed arrangement of warp threads, using a turned rosepath draft. The design comes alive like magic as it’s woven with a rosepath treadling pattern.
Weaving draft with complex threading pattern is hanging in view for constant reference while threading.
Cords from the back of the loom to the front keep the shafts stable, made necessary by the very narrow weaving width.
First little bit is rough at the edges, but being my second attempt at starting, I’m simply thrilled it’s working! (First attempt had to be un-woven, un-tied, re-sleyed, and re-tied. Whew!)
First yard woven. Six to go.
Slat separates the pattern threads (which weave in at a lesser rate of take-up than the plain weave threads) at the warp beam, and is drawn down with elastic cords. View is from the back of the loom.
Weaving is progressing rhythmically. The taut band makes a nice deep musical pitch when “plucked” on its way to the cloth beam. (I find it hard to resist making music.)
Woven band follows its path to wind around the cloth beam, layer upon layer.
