Applique from Handwoven Remnants

This is the Christmas-tree-skirt project. I wove 3 1/2 meters of background fabric with 8/1 Möbellåtta warp and 6/1 Fårö wool weft. Now, having sorted through all my handwoven remnants, big and small, I have colors and textures for telling the Nativity story in appliqué. My friend with appliqué experience has advised me on materials and technique, for which I am enormously grateful.

Applique from handwoven remnants.
Remnant from the warp for towels I wove for my daughter becomes part of Mary’s garment.
Handwoven remnants cut for applique Nativity.
Donkey shape is cut from remnants from my wool vest project on the drawloom. Paper is on both sides of the double-sided fusible product. One side is peeled off to adhere the fusible to the back of the appliqué piece. (Always remember to draw the reverse side of the image onto the paper on the fusible.)
Applique from handwoven drawloom fabric.
Appliqué piece is face up, ready to be fused to the background.
Making handwoven applique Nativity.
Blue star is from opphämta on the drawloom. Green palm trees are from a long-ago rigid heddle scarf and from a warp of cottolin towels. Manger is pieced from some of my earliest floor loom fabrics. Swaddling cloth is fine cotton M’s and O’s. Baby’s halo is from Swedish lace curtain fabric. Every piece of fabric has a story.

Using a double-sided fusible product, I carefully cut out each shape. After laying all the pieces out in the proper arrangement, I fuse them, layer by layer, to the background fabric. The Nativity narrative is formed, piece by piece. I still have handwoven remnants to add to the lower edge, and embroidery to stitch around some of the appliqué shapes. I’m hopeful to complete all of it before Christmas.

Making a handwoven Christmas tree skirt.
This is the felt tree skirt I saw every year around our family’s Christmas tree when I was a girl.
Handwoven Christmas tree skirt.
Planning the arrangement of the appliqué pieces onto the background fabric.
Making a handwoven applique Nativity scene.
I start by fusing the manger into place because the head of baby Jesus is at the very center of the whole length of cloth.
Handwoven applique Nativity scene.
Wide variety of handwoven fabrics tell the Nativity story. Threads of linen, cotton, wool, and bamboo.
Handwoven applique Nativity project.
Scraps of paper backing indicate that all the pieces have been fused into place. Next, embroidery and other handwork, while considering the meaning of Christmas.

My remnant scene tells the story of God with us. The holy babe in a pieced-together manger reminds us that God loved us by sending Jesus to our worry-ridden world. Worries are the little things and big things that we would like to control, but can’t. Can we add one moment to our lifespan by worrying? Trust in Jesus replaces worry because it puts control back in the right hands.

May you live worry free.

Love,
Karen

20 Comments

  • Beth Mullins says:

    Oh my goodness! It’s going to be a gorgeous heirloom! How will you keep the edges of the cut woven pieces of cloth from fraying? I can’t wait to see this finished. No doubt you will have it completed before Christmas.

    • Karen says:

      Hi Beth, I think you’re right that this will become a cherished heirloom. I envision having it out year after year.

      Most of the cut edges are secured with the fusible that I used. And the embroidery that I’m planning to do will serve a dual purpose – stitching around vulnerable edges, as well as being decorative.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,
    What did we do before fusibles?

    Textiles. Taking scraps of this and that and with blessings of creativity from God something wonderful happens where before for waste.

    Who knew playing with fluff would end up spun yarn? Or, looping that yarn would lead to cloth. Or stains would lead to dyes. Or mended holes would lead to lace.

    We are blessed with the end result of those ‘discoveries’ and the ever present ‘waste not want not’ that makes sure we use every last scrap of our hard work.

    Please forgive my getting into the weeds. I am trying to figure out how there are 6 plastic container lids of varying sizes left over from packing up my crafts. I think this is in the realm of socks and dyers….

    Beautiful tree skirt. I am looking forward to the finished project under the Christmas tree this year.

    Kind regards,

    Nannette

    • Karen says:

      Hello Nannette, I enjoy your thoughtful response so much. Using every last scrap has a way of showing us that when we think we are all used up, the Lord whispers that He’s not quite done with us.

      Thank you for your lovely communication,
      Karen

  • Karen says:

    Just beautiful!

  • Geri Rickard says:

    What an amazing project this is! Every piece tells a story, with each piece being a part of THE STORY. So meaningful in so many ways, and very inspiring. I can’t wait to see the finished tree skirt, but I say that about all of your projects! Thank you for sharing this process…

    • Karen says:

      Hi Geri, You express my sentiments perfectly, about being a part of THE STORY. What a grand story to be in. Thank you for contributing your thoughts!

      Thanks,
      Karen

  • Cynthia says:

    Wow please post when your finished, Would love to see.

  • Loyanne says:

    Oh! So very wonderful in so many ways. Thank you for sharing.

  • Karen Simpson says:

    This will be so moving…..

  • Elisabeth says:

    It is absolutely beautiful, what a treasure! And such a great use of remnants from all those projects.

  • Carolyn Penny says:

    That is just sweet. Blessings to you and yours!

  • Kristin G says:

    I’m very glad you’ve shared this process with us, Karen. It’s so inspiring! I love that you took what others might think of as waste and worthless (only to a non-weaver, of course ) and are turning it into a treasure! What a beautiful reminder of God’s redemption.

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Warp Sequence Planning

When I wrap potential warp sequences on folded index cards it brings design thoughts out into the open. It makes the ideas tangible, helping me plan a pleasing warp. For this 8/2 cotton warp I am choosing colors from the plentiful selection I already have on my shelves.

Planning warp stripes with 8/2 cotton.
8/2 cotton left from previous projects fills the shelves. Each warp wrapping sparks ideas for more possible warps.

This warp will be woven as eight-shafttwill yardage, about 15 1/2 inches wide. The fabric will be cut and hemmed to make colorful arm and headrest covers for my mother-in-law’s comfy off-white recliner. I will increase the width of the stripes proportionately to fill the warp width. My mother-in-law will have the final say, but if you could help her decide, which set of warp stripes would you choose? Please let us know in the comments.

Planning warp stripes.
Planning warp stripes.
Planning warp stripes with 8/2 cotton.

What if our attitudes were made tangible? What would our thoughts look like if they were out in the open, wrapped like colored threads around our actions? With the love of Christ in us, forgiveness is the recurring thread. Forgiveness is for the undeserving. That is who we forgive. Because that is who we are when we are forgiven by God.

May the thread of forgiveness be woven in your life’s fabric.

With you,
Karen

30 Comments

  • Jo says:

    Hi Karen,
    I have enjoyed your weaving and your threads of wisdom for quite a while. This post on forgiveness is on target . Thank you for your insightful messages. I would choose the blue with salmon , yellow and orange. The yellow stands out like sunshine (Sonshine) of God’s forgiveness.

    • Karen says:

      Hi Jo, Thank you for letting me know you are a part of this weaving journey. I enjoy hearing your reason for your choice of the warp wrappings.

      Hugs,
      Karen

  • Linda Cornell says:

    A very good reminder. We forgive because we are forgiven.

    The wraps are so beautiful in themselves. I lean toward 1 or 3 or 5…..blues with pop of color. It will be fun to see what your mother-in-law picks!

  • #2 and my reasoning is simple – bright, joyful and a reminder that your warmth and loving arms are surrounding her with the skills you have to share. Blessings!
    Bethany in Kingston ON Canada

  • Nannette says:

    Good morning Karen,

    Prefaced with not knowing what else is in the room and color preferences of your MOL…I am drawn to number 2.

    The warm colors bring a spark of excitement to the a
    off white chair.

  • Maria says:

    I look forward to reading your wonderful words each time you post. You inspire me to weave and be a better person! I would choose #3 and #5. I like the play of blue with the red and yellow.

    • Karen says:

      Hi Maria, I’m encouraged by your kind words. It’s a joy to have you along. Thanks for giving your opinion on the warp wrappings.

      All the best,
      Karen

  • patricia ahrens says:

    I agree with Karen. #2

  • Ellen Sturtevant says:

    #2 or 3. Like the pop of color in both. Hard to say tho without knowing what other colors are in her room. I’m sure you’ve considered color with all your selections.

    • Karen says:

      Hi Ellen, You are right, I tried to include colors that would work in her room. And I didn’t include green at all because I know it’s not one of her favorite colors.

      Thanks for participating,
      Karen

  • Linda Adamson says:

    For me personally I would pick 2 or 3. I like lots of color. If she doesn’t like as much color then 6 has potential as you get variations of blues with a touch of black. A more restful but interesting warp.

    • Karen says:

      Hi Linda, I included #6 for the very reasons you describe. It truly does look very restful. The black is actually navy blue. The iPhone camera does pretty good, but just can’t get it quite right. Thanks for your thoughtful response.

      Happy weaving,
      Karen

  • Charlotte says:

    Good morning, dearest!

    As I picture the off-white recliner…#6 seems to pop in my mind. It would hide possible soil marks and be stunning against the recliner. But, then…you might want something more cheerful. What is her personality? What are her favorite colors, I wonder. No matter the color choices…the end product will surely bless her more than there are color choices to make.

    • Karen says:

      Hi Charlotte, I like your reasonable approach. Yes, there are several factors to consider. Personality – delightful and fun. Favorite colors – I know she favors blue, and also likes other colors in colorful things. It will be a great pleasure for me to make these for the woman who has enriched my life so much.

      Thanks,
      Karen

  • Annie says:

    Good morning, Karen.

    Rather a scary premise to have all of our thoughts out in the open for everyone to see! However, I do believe that God sees them all and that knowledge keeps me working on improving.

    My eyes keep returning to wrap #3. Bethany said it best, though, when she said any of them will be a reminder of your warm and loving arms around your mother in law. She is very blessed to have you for a daughter in law.

    Can’t wait to see what she chooses.

    • Karen says:

      Hi Annie, Thankfully, God’s grace through Jesus supplies what we need to live for him. I’m glad to know your choice on the wraps. Yes, Bethany had a sweet way of expressing it.

      Thank you,
      Karen

  • Joanna says:

    Number three for this old lady. Blue for the sky of Heaven, yellow for the Light that shines upon us all, and red for the love of our Maker. Back to the primary, cheerful colors, unmuddied by doubt. Lucky Mama to get such a thoughtful gift!

  • Jan says:

    Good morning Karen

    I choose No 2 for your MIL to wrap around her gentle precious body.

    I enjoy reading your posts, thank you for your inspirations.

  • Joanne Hall says:

    When I saw #3, my immediate thought was that I need to remember this and use it on something sometime. Charlotte is right about the blue #6, very practical and blue is very calming. But that #3, I really like it.
    Joanne

    • Karen says:

      Hi Joanne, I, too, like #3. It seems well balanced and tidy, and most of all, cheerful. When I finished wrapping that one, it felt very familiar, as if I had done that same arrangement before. Maybe my memory copied a previous project?? 🙂

      Thanks for your input,
      Karen

  • Mary says:

    Hello, Karen! I like #1, which reminds me of a lovely sunset after a summer day filled with everything I love to do; #4 with a nod to the bright yellow that shines out of the dark contrasts, the light with which we are all acquainted; and am drawn to the orderliness of #3.And thank you for the gentle reminder of the importance of ‘forgiveness for the undeserving’. Important, yet challenging. I will work on that.

    • Karen says:

      Hi Mary, Oh yes, I can see the summer sunset in #1. What a wonderful description that fits. And the bright yellow in #4 does make the whole arrangement shine. Yes, #3 seems tidy to me, as I mentioned to Joanne. So many aspects to consider!

      Forgiveness for the undeserving is extremely challenging. I’m thankful we have been given an example.

      Thank you,
      Karen

  • Jenna says:

    great idea. I hate doing samples but I could handle wraping the warp around cards.
    Thanks
    Jenna

    • Karen says:

      Hi Jenna, This is very easy and pretty fun. I fold a regular index card in half and put double stick tape on the back side to hold the threads.

      Happy wrapping,
      Karen

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Time Lapse: Windmill and Taildragger on the Drawloom

Come, look over my shoulder as I weave a windmill and taildragger image on the drawloom. The central design is woven using 103 single-unit draw cords. I have a simple motif for the borders that uses only three pattern shafts. In the video below, watch as the three draw handles for those pattern shafts appear and disappear throughout the weaving.

Drawloom weaving, with time-lapse video.
Draw cords are used to raise single units of threads to create the image, one row at a time.
Windmill and taildragger woven on the drawloom.
Woven from the side.

I recorded my weaving in time-lapse form so you can watch three hours of effort compressed into three-and-a-half minutes. In the video you will see my hand pulling the draw cords, and then touching all the pulled cords from right to left to double check my work. That double checking saved me from dreaded do-overs.

Windmill and Taildragger Silhouette from an old "Flying" magazine.

When our good friends, Jerry and Jan, saw my drawloom they brought this picture to my attention. — Forty years ago Jerry discovered the silhouetted windmill and airplane tucked away on a back page in an old issue of Flying magazine. Because of his affinity for airplanes and windmills he cut out the tiny picture and saved it. Years later, Jan found the picture and had it enlarged and framed. — After learning about my loom’s pictorial capability, Jerry and Jan wondered aloud if this special image could be woven on a drawloom…

Windmill and Taildragger woven on the drawloom. With time-lapse video.

Enjoy the video, and hold on to your hat!

May you ride the wind.

Happy Weaving,
Karen

18 Comments

  • Ruth says:

    What I loved most was your DH appearing and disappearing at speed!

  • Joyce says:

    Very, very beautiful! And yes, the time lapse is great, but leaves out all the time and tedious work of creating such a work of art! Thanks for sharing! Happy Weaving! 🙂

    • Karen says:

      Hi Joyce, I know what you mean. The time lapse doesn’t show all the effort. Hopefully, it gives a snapshot of how much fun it is to weave on a drawloom.

      Thank you,
      Karen

  • AnneloesF says:

    That is stunning!

  • Cindy Bills says:

    Wow! That was so interesting to watch.Thanks for filming it. Your drawloom adventures are amazing!

    • Karen says:

      Hi Cindy, The drawloom is a fascinating contraption. In some ways it is very complex, but all the parts are actually pretty simple. It’s a fun learning journey. Thanks for joining in!

      Happy weaving,
      Karen

  • Cynthia H says:

    It just amazes me how you do this. Have you ever thought about weaving Navajo style?

    • Karen says:

      Hi Cynthia, I admire Navajo-style weaving, and have done a tiny bit of that type of weft-faced weaving. My main focus is on Swedish-style weaving and Swedish techniques. There are so many intriguing forms of weaving!

      Thanks,
      Karen

  • Marian says:

    Amazing!!

  • Annie says:

    I am gobsmacked!Airplanes and windmills are also my favorite things, as well as my husband’s. When we bought our home in the panhandle, we specifically looked for land with a windmill. Greg flies remote control planes and I joined the Air Force due to my fascination.

    If you are up to making a second one of these weavings, I would love to purchase it from you.

    As always, I cannot express enough my admiration for your creativity and talent.

    • Karen says:

      Hi Annie, I am thrilled to learn that airplanes and windmills are your favorite things! How fun to see how this woven image suits you and Greg.

      I will send you an email to answer your question about weaving another one.

      Hugs and well wishes, and THANK YOU for your service to our nation in the Air Force!
      Karen

  • kim says:

    Amazing! I am curious as to your decision to weave the image sideways instead of vertically. How did you choose to do that?

    • Karen says:

      Hi Kim, I like your question! To tell the truth, I wasn’t sure which direction would give best results. I wove this one from the side only because the width of the picture is shorter than the length. I plan to weave another one straight on, so I can see if one way is better than the other. That fits the purpose of this warp – experimental and sampling.

      Thanks,
      Karen

  • Nannette says:

    Hi Karen,
    Watching you weave at the draw down loom brought back memories of my Aunt practicing for Sunday service at the church organ. Both artists.

    Thanks for the long forgotten memory in the format of your 20th century subject..

    Nannette

    • Karen says:

      Hi Nannette, I have church organists in my extended family, too. I have often thought of my loom bench as an organ bench, and with the drawloom, even more so, as if I’m pulling stops, playing the keys, and working the pedals with my feet.

      How sweet that my weaving at the drawloom related to you in that way.

      Hold the memories,
      Karen

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Home in Texas on the Drawloom

The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.

Myrehed Combination drawloom - learning its potential.
Pattern shafts (the wood bars) and single units (with black and white draw cords) are combined for this warp. 36 pattern shafts, including the X shaft. 132 single units.
Setting up the Myrehed combination drawloom.
Central design area uses a repeat of 30 pattern shafts threaded in a straight draw. Side borders use a repeat of 5 pattern shafts. Lift heddles and lanyard clips on the single unit draw cords attach the draw cords to the all the individual units (single units) on the pattern shafts.

I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.

Making a gridded pattern for weaving on the drawloom.
Photo of our back deck. Using Affinity Photo, I set up a grid on the page to represent 30 pattern shafts. I then import my photo onto the gridded page.
Creating a simple gridded pattern on the computer.
Simple outline is created and saved as a separate image. The filled-in outline becomes my drawloom pattern.
Creating gridded designs in Affinity Photo.
Oak tree that I pass on the hill up to my drawloom studio. After importing the photo, I adjust the opacity to fade the picture, which makes tracing easier.
Tracing a tree in Affinity Photo to make a drawloom pattern.
I use a pen tool in Affinity Photo set at 3 pt to do the tracing. Now I can fill in the outline and copy and paste the image onto my chart that I will print and then use at the loom.
Drawloom weaving, using the Myrehed Combination.
Houses are woven with 30 pattern shafts. The hearts in the corners and the added details above the houses use the single unit draw cords. The tree is beginning to appear between the two houses on the left.
Myrehed Combination drawloom.
Two draw handles are pulled for the pattern on the side borders. Single unit draw cords are pulled and held in place on the hook bar above the beater.
Our Texas Home - woven on the drawloom.
Our Texas Home

The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.

Experimental warp on the drawloom.
More ideas are forming, even as this fabric begins to hug the cloth beam.

May your life reveal the Creator’s design.

Happy Weaving,
Karen

25 Comments

  • Kelly says:

    Wow, that is amazing!

  • Beth Mullins says:

    Mind blown! Wow!

    • Karen says:

      Hi Beth, The drawloom attachment changes everything. At the root of it all, though, is normal weaving. The draw handles and cords turn it into a giant counted cross stitch machine. 🙂

      Happy weaving,
      Karen

  • Wanda says:

    Fabulous! I love seeing what you weave!

  • Judy Goodwin says:

    I took a drawloom class at Vavstuga Studios in MA. I loved being able to create the designs. Would love to do more of it. Your work is wonderful

    • Karen says:

      Hi Judy, That’s great that you had the drawloom experience at Vavstuga. I’m sure it was wonderful! Creating the designs on the computer has been quite a learning curve for me. I’m beginning to enjoy it. 🙂

      Thank you,
      Karen

  • Kevin B says:

    Ah, so much to learn! As always your weaving is beautiful and very inspirational! Thank you for sharing!

  • Betsy says:

    Oh, wow!! Very cool.

  • Charlene says:

    There is a great deal more than the threads of fibre weaving through your blog posts and the story of your art. I catch a thread or two, sometimes in what you write; “May your life reveal the Creator’s design” and sometimes in the comments; “May I add, amen.”

    Comparatively, I find my own weaving journey so intimidatingly small as I read about your journey, but then I remember the joy isn’t in comparison, the joy is in our created uniqueness.

    It is fascinating – both in this created life God has given us and to share your unique contribution with you. Thank you for such detail in both photo and description. I thoroughly enjoy both.

    • Karen says:

      Hi Charlene, The underlying threads you insightfully detect are at the heart of all my intentions. I’m pleased to have you join me in this little corner of the created life God has given us.

      Your friend,
      Karen

  • Shari says:

    You have truly embraced weaving! So much to discover. When I was visiting my best friend Janet in Austin last October we went hiking at Enchanted Rock. Very special place. Be well.

    • Karen says:

      Hi Shari, I’m so happy to know that my little mention of Enchanted Rock meant something to you. Having had hiked Enchanted Rock a few times, it was very exciting to get to see it from the air!

      Be well to you and yours,
      Karen

  • Linda Adamson says:

    Lovely. How long does it take you to set up your loom? Where did you learn how?
    Linda

    • Karen says:

      Hi Linda, This warp took me a good 12 hours to set up. I was determined to get it done, so I spent about 3 hours, 4 days in a row. I enjoyed the process – it all seems so amazing how the systems work together. But this is why most drawloom weavers put on looooong warps. This current warp is only about 5-6 yards long because this is for planning out designs to use on larger pieces in the future. Besides, I still need the practice of dressing this loom often enough so that I don’t have to start from scratch with my memory.

      I took a drawloom class from Joanne Hall at her studio in Montana. It was excellent!

      All the best,
      Karen

  • Linda Cornell says:

    I enjoy your posts and weaving inspirations! I hardly know what a draw loom is but it’s cool to see what you produce in it! Most particularly, your intertwining of faith through your weaving is mist inspiring. God continue to bless you!

    • Karen says:

      Hi Linda, It wasn’t that long ago that I hardly knew what a drawloom was, either. It’s been an interesting learning journey.

      I’m glad the intertwining of faith through my weaving experiences resonates with you.

      Thank you,
      Karen

  • Connie says:

    All I can say is, WOW! Thanks for sharing.

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One More Swedish Art Weaves Bag

A warp is finished when the woven cloth has been taken to completion. At that point, the loom is free for a new warp. That is the rule I’ve given myself. If I ignore the rule and put on a new warp before its time, the unfinished cloth has a way of staying unfinished for too long.

Joanne Hall's Swedish Art Weaves workshop in San Antonio, Texas.
Ready to pack up after the Swedish Art Weaves workshop and take my loom back home. The Joanne Hall workshop was sponsored by the enthusiastic San Antonio Handweavers Guild a few months ago.
Monksbelt woven with pick-up.
Monksbelt pattern continued at home.
Swedish art weaves - dukagång.
Woven from the back, this dukagång pattern came from a Swedish publication I borrowed from the San Antonio Handweavers Guild library.
Weaving krabbasnår and other Swedish art weaves.
Krabbasnår, just behind the fell line, is from a pattern in Heirlooms of Skåne, Weaving Techniques, by Gunvor Johansson.

Thanks to that completion rule, I have a new bag. This fabric includes the various patterns that I wove in Joanne Hall’s workshop on Swedish Art Weaves several months ago. You will also see that I explored some patterns on my own at home. I gained two excellent outcomes from this finishing pursuit—a new bag to use, and a loom that is free for the next warp! (See the first bag here: Monksbelt Flowers on a Shoulder Bag)

Making a bag from Swedish art weaves.
Side piece, krabbasnår, is hand-stitched in place. From the top of the bag to the bottom – krabbasnår (krabba), rölakan, halvkrabba, dukagång, munkabälte (monksbelt), each section separated by plain weave stripe variations.
Handwoven bag made from Swedish art weaves.
On this side of the finished bag, from top to bottom – halvkrabba, dukagång, munkabälte. I made the hard decision to take out a section of rölakan I had woven in order to be able to put the knots from the linen warp at the top of the bag.
Handwoven bag made from Swedish art weaves.
Bag is lined and has pockets, and has a magnetic snap closure. The 6/2 Tuna wool shoulder strap was woven on my Glimåkra band loom.
Handwoven Swedish art weaves bag just finished. Now, on to the next warp!
Now, on to the next warp!

Left to myself, I’d rather do what I want. I’d rather start a new project than bring an “old” one to completion. I’m glad my Lord is faithful with me. He completes the work that he began. The Good Shepherd tends his sheep. He leads us to the still waters of peaceful perseverance, saving us from the regret of going our own way. And we have his perfect outcome to look forward to.

May you resist doing what you’d rather do.

With you,
Karen

14 Comments

  • Beth says:

    Wow! You never cease to amaze me, Karen. It’s lovely!

  • Karen says:

    Absolutely lovely…so colorful and lively. I just love this!

  • Joanne Hall says:

    Hi Karen, what a great bag you have made. I think you will have fun using it. It is so colorful and playful. Thanks for sharing this. I have a few samplers that I could make into more bags.
    Joanne

    • Karen says:

      Hi Joanne, I think this will become a favorite bag to use for special occasions. Every time I look at it I’m reminded of how much fun we had in that workshop! Making a bag is a great way to use a sampler.

      Thanks so much,
      Karen

  • Denise Schryver says:

    Very beautiful Karen!
    Our guild had a Swedish art weaves workshop with Joanne scheduled but was cancelled due to covid. I may have to try on my own after seeing your lovely work!

    • Karen says:

      Hi Denise, I hope you do give these beautiful weaves a try. The Väv 2/2013 issue has very good instructions, as well as the book I mentioned in the post. Nothing beats being taught by Joanne in person; however, you can still do it on your own. And hopefully after things get back to normal, your guild will have Joanne come then.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,

    Basis the condition of both our homes as we push through transition to retirement, I’ve been deaf to God’s direction for a long time.

    One hour home repairs finally done.

    Long forgotten ‘ must make ‘ textile projects rediscovered in a mystery bag stuffed in a basement box.

    Projects started by beloved long gone, and never finished.

    Love your posting.

    Nannette

  • Linda Adamson says:

    Love your “bag” which I would call a work of art. Thanks for sharing your posts. God Bless!!!

  • Elisabeth says:

    Beautiful, and great use of the Swedish art weave fabric!
    And I really like that rule, I don’t think we were meant to procrastinate 🙂

    • Karen says:

      Hi Elisabeth, Things go better if we don’t procrastinate. I’ve had to relearn that more than a few times. The Swedish art weaves are so beautiful, so it’s nice to have a way to show them off.

      Thank you,
      Karen

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