We weavers are resourceful. We enjoy finding solutions that make our time at the loom more efficient, while raising the quality of our weaving. We’ve done some of these little tricks so much we don’t think about them anymore. And then, some innovations are things we think up on the spot because necessity, as you know, is the mother of invention.
Necessity: Keep from losing my place with treadling repeats. Solution: A strip of blue painter’s tape with “3 2 1” and a rubber band, placed on the breast beam. Move the rubber band on the tape (from right to left) to track repeats.
Necessity: Keep from fumbling the catch, having to reposition the shuttle in my hand to send it back across the warp. Solution: Keep my eye on the shuttle. If I turn my head to watch the movement of the shuttle, my catching and throwing improves immediately. This makes my selvedges improve, too.
Leave No Trace
Necessity: Keep from leaving slightly perceptible lines in the woven cloth that reveal every time I stop to move the temple and advance the warp. Solution: When it is almost time to advance the warp, I move the temple and then weave one or more pattern sequence(s) before advancing the warp. This helps me leave no trace of starting and stopping.
Do you have a simple tip that improves your efficiency and/or quality at the loom? Please share in the comments.
When I pick up a color of thread I don’t want to have to guess if it’s the right color. Four of the five blues in the weft sequence are close neighbors in value. The one color that is easy to identify is the navy blue, which provides a good contrast among the blues.
The weft order matches the warp order, and is marked out on a ribbon. I am using a separate boat shuttle for each shade of blue. But how do I know which color is which, when the difference is subtle from one color to the next?
Simplify Subtle Color Changes
Give each color a number. Write the numbers next to the colors of the warp order on the Project Notes.
Label the thread tubes with a small piece of blue painter’s tape. Each tube of thread is numbered to correspond with the numbers on the Project Notes.
Label each boat shuttle with its assigned color number, using a small piece of blue painter’s tape.
Place wound quills under the rubber band of their respective thread tubes.
It is easy to keep track of these five numbers as I follow the weft sequence that is marked on my reference ribbon. Now, it’s shuttle #4’s turn…
I would like to finish this skirt project in time to wear the skirt this summer. Huckaback (huck lace) is easy to weave, but it takes time. All I need is time.
Linen weft threads pack in tighter and make better selvedges when they are dampened. I need a tight weave to square the pattern that is coming on the next two skirt tiers. And the edge of the skirt flounce is a selvedge that will be fully exposed, so tidy selvedges are a must. It takes a little bit of time to hold a damp cloth against the thread as I wind a quill, or to wrap a damp cloth around a quill that’s already wound. It’s worth it. In the scheme of things, that little bit of time is nothing…and everything.
We all have a little bit of time. Look at your hand. A lifespan is no longer than the width of your hand. A lifetime is one moment to God. Our life begins and ends in one breath of God. This little bit of time we have is nothing…and everything. This is how God loved us in our little bit of time: he gave his one and only Son, so that everyone who believes in him would not perish but have timeless life with him.
In the September, 2004 issue of Complex Weavers Journal, Jette Vandermeiden wrote about weaving small serviettes to place between her good dishes so they don’t scratch each other. That sparked the idea for me to use my learning experience with the Myrehed combination drawloom attachment to make these small pieces of cloth. The various designs will bring delight as they are uncovered, one by one, when we set the table in our home with the good dishes.
Enjoy this review of the process of setting up and weaving on this playground.
May you have not-so-hidden treasures in your home.
Take a short stroll through our home and you will see and touch linen in all its superb versatility. Linen warp and weft speaks of elegance. Yet, this natural fiber is right at home with ordinary daily living. Linen, oh, how it sings!
I am thrilled to be dressing the Julia now with 16/2 linen on eight shafts. We will have another linen highlight to grace our home—a table runner for our dining room table.
Is there anything more vibrant than the sheen of linen saturated with color? And, have you noticed that plain unbleached linen is anything but plain? Linen fills both ends of the spectrum—glowing exuberant color and natural wrinkled humility. Linen, oh, how it sings! There’s always room for more music in the home.