Let it snow indoors! New Christmas snowflake banners are suspended up high, above our kitchen counter, facing our open living room. The three mostly-blue banners hang in mid-air so they can be viewed from either side. These are lasting treasures from the drawloom that I can bring out year after year. They’ll never get old.
Making loops from a handwoven band for hanging the banners. First, I zigzag to secure ends, and then cut the strips apart.Handwoven linen band is cut into segments.Loops are machine-stitched to back of banner hem with two rows of straight basting stitches (easy to remove later).
Christmas is new every year. There are new sights and sounds that add to the season. The message of Christmas is the same as always, though, that God loved us in this way—he sent his Son Jesus to be born into our world so that whoever believes in him may be born into God’s family. The newness is in God’s mercy, new every morning.
Ready for display!
Raise banners of joy to celebrate. Glory to the newborn King.
Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.
Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.Weaving to the end.Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.
Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.
Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.
Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.
I am finishing up a few meaningful (surprise) gifts for certain dearly-loved individuals. Christmas presents. Shhhh… The drawloom part represents untold hours at the loom. The band-loom part is the blink of an eye in comparison.
Still enough warp for four more towels. I follow Amy Blair’s instructions for this maneuver: A Way to Cut Off the Loom Mid-Warp. This makes it possible to resume weaving with little fuss. First few pieces are being removed for finishing as gifts.
For the band, I am using the same blue and gray 16/2 cotton that is in the drawloom warp. I quickly wind a very narrow warp the shortest distance possible on my warping reel—116 centimeters. It’s a snap to beam it on the band loom, thread it, and start weaving. In no time at all, while listening to Christmas carols, I’m at the end of the warp, and cutting off the new woven band. Wouldn’t it be sweet to tie up every gift with a handwoven band? This band, however, will be inside the wrapping, as an embellishment on the gifts.
Glimåkra two-treadleband loom. Set up is a breeze.Band weaving begins with 8/2 cotton for weft. I quickly decide that the finer thread of 16/2 cotton is what I prefer.Jingle bells add festive cheer to the left hand coordination of band loom weaving, while Christmas carols ring out in the house.Plenty!Perfect embellishment for the gifts that will soon be wrapped.
Melodies are an embellishment of the heart. They can arise in a few moments, yet they are connected to heart-filled sentiments that have taken years to develop. In this Christmas season, songs that are prayers become gifts for the newborn King Jesus. Prayers as songs and songs as prayers open our hearts to worship (adore) the Lord. “O Come, let us adore Him, Christ the Lord.”
Jubilation Bath Towels are completed, just in time for Christmas! They go with the Jubilation Hand Towels I wove earlier this year, named with my father in mind. (See Process Review: Jubilation Hand Towels.) Nothing deterred my father from deep abiding joy. These bath towels are a tribute, as well, to my husband’s patience. He requested handwoven bath towels a few years ago. Laughably, my first eager attempt resulted in towels scratchy enough to be used as sandpaper back scratchers. Now, finally, we have absorbent and soft handwoven cottolin bath towels suitable for my Prince Charming.
Jubilation Bath Set. Four bath towels, four hand towels, two wash cloths. Cottolin warp and weft. Six-shaft broken and reverse twill.
Don’t you love it when the end of the warp yields bonus results? Just enough warp to make a pair of wash cloths, in which every one of the seven colors of quills was emptied. Hurrah!
Cottolin bath towel set, soft and absorbent. All quills were emptied off in the final length of warp, making colorful wash cloths.
Enjoy the start-to-finish process with me in this slideshow video:
“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.
Glossary
Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.
Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.
Weaving Continuum ~ The cycle for each loom that is continually repeated.
When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.
First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.
Finishing
Dressing
Weaving
Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.Glimåkra two-treadleband loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestrysample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.
Give Thanks ~ Live with a thankful heart.
Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.
