Mug Rugs to Remember

Knowing I would be away from my floor looms for a while, I put a narrow cottolin warp on my little Emilia rigid heddle loom to take with me. Mug rugs—perfect for travel weaving, to use bits of time here and there. I had some bulky wool yarn and a few rag rug fabric strips to take for weft. In a burst of hopeful inspiration, I grabbed a bag of Tuna/Fårö wool butterflies, leftover from my Lizard tapestry (see Quiet Friday: Lizard Tapestry) a couple years ago, and tossed it in my travel bag as we were going out the door.

Mug rugs on Glimåkra Emilia rigid heddle loom.
Glimåkra Emilia 35cm (13.5″) rigid heddle loom. Narrow cottolin warp is from a previous warp-winding error that I had chained off and saved.
Mug rugs on my Glimakra Emilia rigid heddle loom.
Blue bulky wool yarn left from a long-ago project makes a good thick weft for mug rugs. Picks of navy blue tow linen are woven between picks of thick weft on some of the mug rugs.
Weaving mug rugs on my Glimakra Emilia rigid heddle loom.
Wool butterflies for the weft are made of several strands of Tuna and Fårö yarn.

Those colorful wool butterflies turned out to be my favorite element! They not only gave me colors to play with, they also provided variety, the spice of weaving. The forgotten Lizard butterflies will now be remembered as useful and pretty textiles.

30 mug rugs on the rigid heddle loom.
The end of the warp.
Mug rugs just off the rigid heddle loom.
Rag rugs for mugs!
Rag rug fabric strips are used for a few of the mug rugs. Rag rugs for mugs!
Mug rugs ready to be hemmed.
Mug rugs are cut apart to prepare for hemming.
Making handwoven mug rugs.
Hems have been folded and pressed under. Choosing bobbin colors to sew the hems.
Wool handwoven coasters.
Wool butterflies provided many different colors.
Handwoven wool coasters woven on a rigid heddle loom.
Alternating two different colors of wool butterflies was my favorite way to play with color.
Mug rugs for gifts.
Completed mug rugs, ready to be sent out as gifts.

How do you want to be remembered? Like my tapestry-specific butterflies put away on a shelf, our carefully-crafted words will soon be forgotten. Actions speak longer than words. Our deeds of faithful love will outlive us. Our actions that reveal the kindness of our Savior will stand the test of time. And that is a good way to be remembered.

Coffee or tea, anyone? Handwoven mug rug.
Coffee or tea, anyone?

May you be remembered for your deeds of faithful love.

Happy Weaving,
Karen

15 Comments

  • Joyce Lowder says:

    Very lovely Mug Rugs, but even more, your words of faith and encouragement! Thanks for sharing your skills and your faith! Very inspiring! God Bless! 🙂

  • Karen says:

    Amazing! Love the usefulness of leftover yarn!!! Even the small butterflies! Lovely!

  • Nannette says:

    WELCOME BACK TO THE BLOG!!! Hope you had wonderful travels.

    I love your reference to our gifts of today out living us. I repurposed crocheted lace of my long gone great grandmother. Wearing it with pride.

    In the case of textiles…. Everyday reminders of those beloved we never knew except through the work of their hands. What a blessing.

    Nannette

    • Karen says:

      Hi Nannette, Thank you! It’s great to be back. Textiles are a vivid example of the work of our hands outlasting us. It is wonderful to see and use the quilts and needlework treasures of family members who came before us.

      Love,
      Karen

  • LJ Arndt says:

    Beautiful, I don’t have butterflies but I do have thrums that I think may fit the bill. I’ll have to take them on my next trip.

    • Karen says:

      Hi LJ, I think this would be a fabulous use of thrums! I definitely plan to make more of these mug rugs. Maybe I’ll need to start saving all my thrums again. Thanks for the idea.

      Happy weaving,
      Karen

  • Barbara says:

    To everything a purpose. Your little video and bursts of colour brought a smile to my face this morning.

  • Anastasia says:

    These are beautiful. What a great project.

    When you fold the hem bit under… do you fold it twice (back on itself), and stich through what would then be three layers? So that a little strip of the “between the tops weaving” would still be visible on the bottom, but the cut edge would be secured?

    Please pardon my newbie questions. 🙂

    • Karen says:

      Hi Anastasia, Newbie questions are the best! You described the hems perfectly. Only one more detail to add— I serged the edges before folding and pressing them under, so nothing will unravel over time.

      When I do this again, I may make the hems longer. In which case, the edges will be zigzagged or serged, and the hems folded under twice, then stitched. That way the hem will show at the edges, not just underneath. I like them either way— hems hidden underneath, or hems as visual borders.

      Thanks,
      Karen

  • Kim Mills says:

    Thank you for your post. I’ve now have a new way to use up all those leftovers I have been collecting. Thanks as well for your inspirational words.

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Handwoven Treasured Leftovers

In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.

Piecing handwoven fabric to make a large bag.
Piecing handwoven fabric to get the large side panels needed for the bag.
Making bag from handwoven fabric.
Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.
Patterned band woven on the band loom.
Patterned band woven on the band loom, used for straps on the bag.
Sewing a bag from handwoven fabric.
Topstitching with red thread.

I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shaft twill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)

Bag with Freja loom is ready for a travel excursion in the Casita.
Bag with Freja loom is ready for a travel excursion in the Casita.
In the Casita - handwoven articles.
In the Casita.
Bag from handwoven fabric for Freja tapestry loom.
Casita tapestry to work on in the Casita.
Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.
Bag for tapestry frame - made from handwoven cloth.
Blue cotton warp-printed fabric, red eight-shaft twill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.

Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.

Casita, ready to roll!
Ready to roll!

May you find treasures from the past.

Love,
Karen

8 Comments

  • Beth says:

    Great idea! Have a wonderful time!

  • Anonymous says:

    Very nice and inspiring!

  • Nannette says:

    No moss is growing under your feet. Enjoy the moment. Enjoy the memories. All are a gift from God.

    Nannette

    PS.. The snow is leaving us and the leaves of the spring flowers are pushing through, and the squirrels ate the kale seeds I planted.

    • Karen says:

      Hi Nannette, It is always interesting to observe the changing of seasons. Here, where we are this week, we see cactus in bloom, desert bluebonnets (they will die off as soon as the temps reach 95 degrees), and red-tipped ocotillo everywhere. Dots of brilliant color on a backdrop of desert brown. The rugged and massive mountains declare the glory of God!

      Love,
      Karen

  • Linda says:

    I have so many scraps of my handwoven fabrics that I try to find uses for. In the process of moving now, I find there are far too many and I’ve bagged many to throw away. Sad! Enjoy Big Bend. It’s one of my favorite places.

    • Karen says:

      Hi Linda, It is sad to say goodbye to scraps of handwoven fabric. But the good thing is, you still get to enjoy the memories of all that time at the loom.

      Big Bend is such a unique and remote place. At times, the terrain is such that it seems like it could be another planet. There is beauty all around, but it’s different. I’m glad to know you enjoy this place, too.

      All the best,
      Karen

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Process Review: Comfy Throw With Fringe

This throw has fringe. It seems appropriate for a homestyle cotton wrap. Fringe says comfortable, casual, and playful. I do not mind the time it takes to twist the threads to make this tactile edging. It’s a satifying close to a worthwhile project. After all, who can resist running their fingers through soft twisted fringes?

Finished handwoven cotton throw.
Knots on the ends of the fringes are trimmed off after washing and drying the throw.

Reminisce with me through the start-to-finish process of making this eight-shaft undulating twill throw for my lovely daughter-in-law Lindsay.

Beaming the warp.
Dressing the Great Room loom.
Heddles are threaded.
Sleying the reed on Glimakra Standard.
Ready to tie on.
Eight shafts.
All tied on.
Testing, testing...
Eight-shaft undulating twill in 8/2 cotton.
Cloth beam is filling!
Weave to the end mark.
Hemstitching at the end of the cotton throw.
Playing with pattern. 8-shaft twill.
End of warp is near.
8-shaft twill. Fun with patterns.
Cutting off!
Getting ready to twist fringe.
Twisting fringe on cotton throw.
Before wet finishing.
After wet-finishing.
Trimming off the knots at the end of fringes.
Finished 8-shaft twill cotton throw. With fringe!

May you have plenty of fringe benefits.

Happy Weaving,
Karen

16 Comments

  • Maria says:

    Really nice- what are the dimensions?

    • Karen says:

      Hi Maria, Thanks! The hand and drape are just what I was hoping for.

      This had a lot of weft-wise shrinkage. On the loom, 109.3 cm width x 166 cm length (43″ x 65″), not including fringe. Finished piece after wet finishing is 86 cm x 149.5 cm (34″ x 59″). That’s about 21% shrinkage in width and 10% in length. The fringe length before twisting was 20 cm (8″), and finished is 12 cm (4.75″).

      All the best,
      Karen

  • Susan Gruen says:

    Love the colors looks so soft
    How did you wet finish?susan Gruen

    • Karen says:

      Hi Susan, The cotton does feel nice and soft, which I like.

      I washed it in cool water on the delicate cycle, and no spin. I used Eucalan wash and included a couple Color Catcher sheets (which both turned dark blue). I squeezed water out of it with a large beach towel and then put it in the dryer on a medium heat setting, along with the beach towel. I pulled it out of the dryer while it was still a little damp.

      I will tell my daughter-in-law that she can throw this in the washer and dryer without worry. It may shrink a little more, and it will be wise to use a Color Catcher for a couple more washes.

      Thanks for asking,
      Karen

  • Marjorie says:

    How big are your tie-on bundles? You are such an inspiration to me! Love your color choices!

    • Karen says:

      Hi Marjorie, I am honored that you would consider anything from my hand an inspiration for you!

      I tie on in 1-inch bundles, and 1/2-inch bundles at the selvedges. These small bundles help evenly distribute the ends and make for an easy start to weaving.

      Happy weaving,
      Karen

  • Nflood says:

    Thank you for your inspiration. Love to see the progress pictures.

  • Laura says:

    Like your threading hook, what brand is it?
    Your throw is beautiful! Thanks for all your inspiration. Where to you find the time?!

    • Karen says:

      Hi Laura, I use the Vavstuga Reed Hook. It fits really well in my hand. You can get it at Vavstuga.com.

      I’m glad you like the throw. I tried wrapping up in it, and I like it, too! 🙂

      Where do I find the time? Haha, I never feel like I spend enough time at the loom. I always wish I had more time for this!

      Happy weaving,
      Karen

  • Maggie Ackerman says:

    This really beautiful. I love the colors. I noticed you had 2 knots in your twisted fringe. Could you tell me why?
    Maggie

    • Karen says:

      Hi Maggie, You asked a great question!

      I tie a preliminary knot on each group of fringe ends first. I do it for two reasons – 1. It’s easier for the alligator clip of the fringe twister to grasp a small knot than a group of threads. 2. After wet finishing I cut off the knot, which has all the fuzzy ends from going through the washer and dryer. And I’m left with clean-cut ends. I have a video about using the fringe twister that explains it a little more: How to Use a Fringe Twister. It’s part of this post – Quiet Friday: Cotton Scarves. And here’s another post about twisting fringe – Tools Day: Fringe Twister.

      And one happy coincidence – Today, I happen to be wearing the cotton scarf that’s in the video.

      Happy weaving,
      Karen

  • Alice says:

    This throw is gorgeous! I love the color and drape. Wow! It looks like the way you tie on to the loom allows you to get started weaving right away.

    • Karen says:

      Hi Alice, You make me smile with your enthusiasm!

      Yes, two things make it easy to start weaving the warp right off. 1. Tie small bundles, as mentioned earlier. 2. Tie on a leveling string. This is really the magic. You can read about it in this post – Tools Day: Leveling String .

      Happy weaving,
      Karen

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Weaving History Carries Memories – Year in Review Video

Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizard tapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.

Removing the warp beam. Relocating the loom.

Steve unscrews a bolster that holds one side of the warp beam so I can remove the warp beam.

I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year. Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.

Hemstitching at the beginning of the cotton throw.

Cotton throw has hemstitching at the beginning. The ends will be twisted for fringe when it’s taken from the loom.

Eight-shaft twill in an undulating pattern. Lightweight cotton throw.

Eight-shaft twill in an undulating pattern. Single-shuttle weaving gets me off to a fast start for 2019.

2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.

May you have much to look forward to.

Blessings to you,
Karen

8 Comments

  • Beth Mullins says:

    You’ve had an exciting and productive year. Wishing you all the best in 2019 and beyond.

  • Diane Leblanc says:

    I look forward to each post. I have had my loom for 38 years and it is retirement that finally gave me the time to weave and learn as I have always wished for. I am learning so many things I am inspired by weavers in my guild into their 80’s who are still weaving and learning. I wish us both a good weaving year in 2019

    • Karen says:

      Hi Diane, It is wonderful to have fellow weavers like you on this journey with me. Learning new things is one thing I look forward to in 2019!

      Happy weaving,
      Karen

  • ellen santana says:

    well i’m real happy to have you too. i did that undulating twill in wool a couple of times and it shrank like crazy. do you find that in cotton also? happy new year to you and your husband. ellen

    • Karen says:

      Hi Ellen, It’s good to hear from you!

      I haven’t done undulating twill in cotton before, so we shall see about the shrinkage. I’ll be sure to mention it when I take measurements after washing.

      Blessed new year to you,
      Karen

  • Nannette says:

    Remarkable year!!

    Please continue sharing.

    Kind regards,

    Nannette

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Tried and True: Threading Eight Shafts

Threading four shafts is straightforward because the heddles fit perfectly between four fingers and a thumb. Threading eight shafts is tricky because we don’t have that many fingers! Thankfully, threading eight shafts can be as straightforward as threading four shafts. I like to think of it as four shafts in the back, and four shafts in the front.

For a review of threading four shafts, watch the short video in this post: You Can Prevent Threading Errors.

Threading Eight Shafts – Straight Draw

  • Set a small group of heddles apart on each shaft to prepare for threading the next group of ends.
  • Pick up the next threading group of ends and bring it to the front, on the left side of the separated heddles.
  • Lace the threading group of ends under, over, under, over the fingers of your left hand, palm up.

Threading eight shafts - the easy way.

Left hand becomes tensioning device for threading the heddles. I like to put my index finger in between the two parts of the cross, as separated by the lease sticks.

  • Wrap left hand index finger around the group of heddles on shaft one (the shaft nearest the back of the loom), the middle finger around heddles on shaft two, the ring finger around heddles on shaft three, the pinky around heddles on shaft four, and bring the thumb around to hold it all loosely together.

Threading eight shafts - the easy way.

Each warp end is taken in order from between the lease sticks, and then threaded through the heddles in order.

  • Thread the first four heddles—1, 2, 3, 4.
  • With the right hand, hold the group of warp ends taut, and open the fingers of the left hand to release the heddles.
  • Keeping the group of warp ends loosely laced around the fingers, slide the left hand toward you to thread the next four heddles—5, 6, 7, 8. Position your fingers around the heddles on each shaft, as you did for the first four shafts.

Threading eight shafts - the easy way.

Left hand slides toward the front of the loom to thread the next four heddles. It helps to hold the warp ends taut with the right hand while the left hand is repositioned.

  • After threading the second set of heddles, follow the same procedure as before and slide the left hand back again to thread 1, 2, 3, 4.
  • Continue sliding the left hand forward and back, until the threading is completed for that group of ends.
  • Check the threading group for accuracy, and then tie the group of ends together in a loose slip knot.

Threading eight shafts.

Always check for accuracy before moving on to the next threading group.

Complete the threading across the warp. And then, step back and admire the beauty of a beamed and threaded loom.

Glimakra Standard. Threading the loom.

Shafts are raised high for good access and visibility for threading, and for checking for accuracy.

Threading is complete. 8-shafts undulating twill.

Threading is complete. Cotton throw. 8/2 cotton, undulating (wavy) twill on eight shafts.

May you find efficient methods for the work of your hands.

Happy weaving,
Karen

8 Comments

  • Cynthia says:

    Love those colors, can’t wait to see finished

  • Good morning Karen,

    I really appreciate it when you post photos of your weaving space. It answers many unspoken questions about how to design a work area.

    The space has a tile floor with a rug placed immediately under the loom.

    There are no electronics to be seen.

    The floor is clean of lint.

    Plenty of natural light, with a view.

    Thank you.

    Nannette

    • Karen says:

      Hi Nannette, All of that is correct, except there is no rug under the loom. The loom sits on a square patch of wood floor. The original owners of this house designed that spot specifically for their baby grand piano. Since I don’t have a baby grand, a Glimåkra Standard seems the next best thing.

      After having carpet under my looms, it’s really nice to have a smooth floor under them now. It’s much easier to collect all those dust bunnies that hold meetings under there.

      Happy weaving,
      Karen

  • Annie says:

    Good morning, Karen!
    I am going to print and keep the information on the post since I have plans to order and 12 shaft Louet Delta after Christmas. I haven’t even threaded more than 4 shaft so this post is much needed!
    Thank you so much for sharing yourself with the weaving world. I have learned a great deal from you.
    May your hands always be busy weaving.

    • Karen says:

      Hi Annie, I’m excited for you! You’ll find that there are several ways to do just about everything. It’s good that you are collecting information that you can use for reference later.

      Happy weaving,
      Karen

  • Jean Flores says:

    Exactly how I do it! I just posted a video of me threading last week on Instagram. lol.

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