Drawloom Windmill and Taildragger – Version 2

I’m curious. How much difference will it make to change the direction of the design? I wove the first Windmill and Taildragger from the side. (See Time Lapse: Windmill and Taildragger on the Drawloom.) This second one, I am weaving from bottom to top. For one thing, I know I can enlarge the image if I turn it upright, giving me more distinct details.

Windmill and Taildragger woven on the drawloom.
Windmill and Taildragger – Version 1, from the side. Beginning of Windmill and Taildragger – Version 2, upright.
Taildragger on the drawloom.
More detail is possible with the expanded size of the image. Center image and lower border use single-unit draw cords. Five pattern shafts are used for the side borders.
Temple in use on the drawloom.
Temple maintains the correct weaving width.
Glimakra Standard loom with Myrehed combination drawloom attachment.
Side view of drawloom with Myrehed combination attachment.

This second Windmill and Taildragger is indeed larger, with smoother detail lines. No surprise. What does surprise me is how much simpler this one is to weave! The single-unit pulls are more manageable now that the design is turned in a lengthwise direction. Enlargement, clarity, and ease—all from a single design adjustment.

Drawloom weaving.
Single-unit draw cords seen in the weaving of the windmill’s blades.
Windmill and Taildragger on the drawloom.
Windmill and Taildragger – Version 2
Drawloom weaving.
Version 1 and Version 2 – Windmill and Taildragger

Spoken wishes express our needs. Our wishes are sincere, but hold no power in themselves. What if we turn the direction of our wishes? When we turn those expressions upward to God they become prayer. Prayer is an expression of belief. Jesus invites us to tell him our needs through prayer. Prayer enlarges and clarifies our hopes. You may be surprised how simple it is to take your needs to the Lord in prayer.

May your prayers bring the help you need.

Peace to you,
Karen

6 Comments

  • Elisabeth says:

    Beautiful work!
    Isn’t it fascinating what we can learn from looking at something from a different perspective or doing something in a slightly different way? Like you said “Enlargement, clarity, and ease—all from a single design adjustment”. You say it so beautifully when it comes to prayer!
    I see the value of this in every task, every challenge, every day; How it helps turn something tedious, something I really cannot seem to enjoy but need to get done, into a not only enjoyable, but exciting task. Sometimes it’s a small adjustment of my approach, other times, an adjustment of my perspective. And I agree with you, the difference it makes is can be quite surprising

    Karen, thank you so much for you wise reminders of the beauty in life! You alway make me think!

    Love,
    Elisabeth

    • Karen says:

      Hi Elisabeth,
      You are right, a change in perspective can change everything. I am very happy to hear that someone like me can help a thinker like you to think.

      Love,
      Karen

  • Nannette says:

    Good evening Karen,
    What a beautiful day!!
    Stood in line for the first time outside the poling place for an election. About a half hour wait. A few texts and a conversation with the guy in front of me and voting ensued.
    It was a wonderful October day. On November 3. The blue-est sky.
    I was at the retirement house last week. Walked into the contents of two trips I missed. Both with 2 full vehicles and trailers. All was waiting for me to make organization out of chaos. Spare shelves. A cordless drill. A broom closet. The small kitchen electronics now have a home. A trip to Menard’s and a marked down indoor outdoor rug outlines the new sewing area in the basement… Now the electrician knows where to locate the overhead task lights and power boxes for the sewing machines and iron.
    No internet. The cell phone is sketchy at best. Starlink… hurry up!! Not able to enjoy this posting until this afternoon.
    I have been opening your post off and on and trying to absorb what you’ve done. The design has the feel of a classic. It is old and new at the same time. Usually given a choice one will usually appeal to me over the other. There is no favorite for me.
    Is there a change in the gage needed by rotating the design 90*
    The colors provide a timeless calm to me. Thank you.
    Nannette .

Leave a Reply


Process Review: Leftover Linen Waffle Weave Washcloths

This is the kind of weaving results that makes me giggle like a child. Waffle weave is one of those things I have been intrigued about for some time, and have wanted to give it a try. Will it really buckle up into waffled wrinkles? Will linen do that? Will it be even better than I expect? Yes, yes, and YES. Talk about transformation!

Using linen thrums for weft.
Taken from thrums, each length of thread is added with a square knot, which makes for slow quill winding. And slow weaving, as I untie each knot that comes along, and overlap weft tails in the shed.
Made with linen leftovers. Weft tails cover the surface.
Shaggy thick blue linen weft tails cover the surface.

Everything in these waffle weave washcloths is linen that has been leftover from previous projects. The tail end of linen tubes, quills that didn’t quite get used up, thrums, and threading missteps that gave me skinny warp chains of several meters. The warp is 16/2 linen, but the weft is everything from fine linen threads, to bundles of threads, to coarse linen rug warp. I discovered, as you will see, that the thicker the weft, the more pronounced the wrinkles. The thickest wefts have given me delightful accordion pleats.

Waffle weave washcloths made entirely of leftover linen.
Wet-finished linen waffle weave has a surprisingly soft hand. After hemming, I am trimming the weft tails to 1/4″, leaving a hint that this is made of leftovers.

Please enjoy this process video of the making of leftover linen waffle weave washcloths! Watch to the end to see the squishiness of this unusual cloth.

Don’t think that this is the end of waffle weave. I am already thinking of all the interesting possibilities…

May your best wrinkles make you giggle.

Happy Happy Weaving,
Karen

18 Comments

  • Geri Rickard says:

    I have been waiting to see the final results and they are super! What a cool idea!
    Enjoy using them, I’m sure they will feel wonderful!

  • Elisabeth says:

    I love that you made these beautiful washcloths out of “useless” material! I consider leftovers a precious resource, and I find so much joy in finding a purpose for them whether it’s yarn, thread, fabric, or food 🙂

    • Karen says:

      Hi Elisabeth, It’s satisfying to put some scraps back to use. I’ll save all my linen thrums again, and in a few years I’ll have enough to use them up again.

      Happy weaving,
      Karen

  • Betsy says:

    Those are great! I’ll bet they’ll feel great on your skin as well.

    I made waffle weave towels several years ago and loved how they came out. Unfortunately I gave them all away, so if I want some for myself, I’ll have to weave more. Maybe washcloths would be better. Or both!

    • Karen says:

      Hi Betsy, I made enough that I can keep a couple of them and use the rest as gifts. I would enjoy having this linen waffle weave as towels, or even bath towels.

      Thanks,
      Karen

  • Joanne Hall says:

    I too have saved my 16/2 linen thrums from my tapestry warps. This would be a fun project for making a couple bath towels. Thanks for the film.

    • Karen says:

      Hi Joanne, I can’t get myself to throw linen thrums away, so I was glad to have a way to use them up. Bath towels would be wonderful! I’m glad you enjoyed the film.

      Happy weaving,
      Karen

  • Laurie says:

    Very creative! I like the end result. Did you weave the hems in plainweave, and then fold over, or just fold over the waffle ends? I also like that you left ends as a reminder…..

    • Karen says:

      Hi Laurie, I did weave the hens in plain weave and folded them under twice. It turned out to be a very narrow hem. The little weft tails add an interesting touch, and makes the washcloths look a little…rustic. 🙂

      Thanks,
      Karen

  • Linda Cornell says:

    I’ve used waffle weave for baby blankets out of cotton and it makes a cozy blanket!

  • An interesting use of thrums.

    I’m wondering why you didn’t use a simple slip knot to join the pieces? It would make it much faster than untying square knots. I use them all the time if I have a break in my thread when winding bobbins.

    • Karen says:

      Hi Jenny, A slip would work great for this. I like the square knot because I can tie it with less thread, and it makes a small knot. Also, surprisingly, it’s one of the easiest knots to untie.

      I just pull one end straight, and the other end slips off. That’s not the best description, but it’s a snap to undo a square knot…most of the time.

      Happy weaving,
      Karen

  • Nannette says:

    Hi Karen,
    It was fun to watch the video. I wonder if a one of a kind scarf could be made with the hodge podge of thrums? Or, a gypsy skirt ala Stevie Nicks? LOL.
    Thank you.

    • Karen says:

      Hi Nannette, A hodge podge of thrums would make a terrific scarf. I’d like a linen waffle weave scarf, in fact. Maybe next time.

      All the best,
      Karen

  • Emily Lefler says:

    Wow! These turned out so fun! And I love the ki mark on the shuttle!!
    Love, Emily

    • Karen says:

      Hi Emily, Thanks for dropping by! I am thrilled with the way these turned out.
      Steve woodburns my initials on my shuttles and tools for me.

      All the best,
      Karen

Leave a Reply


Tried and True: Designing with Fibonacci

Before starting, I sketched out several versions of the finished blanket, showing different sizes and arrangements of the rectangle blocks. My favorite version is one with a random look. This twelve-shaft double weave has three blocks. Block 1 is a solid color across the warp. Block 2 has a narrow, vertical contrasting rectangle. Block 3 has a wide, horizontal contrasting rectangle. The warp threading determines the width of the rectangles. But the height of the rectangles is determined by the treadling pattern. I decided to use a Fibonacci sequence of numbers in random order to guide my treadling options as I weave.

Double weave blanket.
Rectangles vary in size.

Low-Tech Random Fibonacci Sequence

1 Determine the desired range of the Fibonacci sequence. 1, 2, 3, 5, 8, 13

2 Determine the number of repeat options for each block (one repeat is 4 picks per double-weave layer).

  • Block 1, solid color – 2 repeats every time
  • Block 2, narrow rectangle – 2, 3, 5, 8, or 13 repeats
  • Block 3, wide rectangle – 1, 2, 3, or 5 repeats

3 Write each number of the sequence on individual squares of paper. Make three sets of these numbers. 1, 2, 3, 5, 8, 13

4 Fold each paper square in half and place in a container at the loom. Mix thoroughly.

Designing with random Fibonacci numbers. Low tech!
Fibonacci numbers are ready for eyes-closed random selection.

5 Randomly select a paper square to reveal the number of repeats for the next narrow or wide rectangle block.

Fibonacci numbers as design tool.
Assignment for the next rectangle block – three repeats. The lines indicate that this number can be used for Block 2 (narrow, vertical) or Block 3 (wide, horizontal).

For this blanket I have a woven hem and border, and then two repeats of Block 1 (solid color) between alternating Block 2 (narrow) and Block 3 (wide) rectangles of varying heights.

Double weave wool blanket.
Back side has reverse colors.
Double weave Tuna wool blanket.
Block 1 (solid blue across) stays a consistent size between the white rectangles.

Surprise is built in which makes it hard to leave the loom. “Just one more block,” I tell myself…

Double weave blanket. Fibonacci for design.
View of the cloth beam reveals the variety of sizes of rectangles. Eager to see it off the loom!

May you be greeted by random (happy) surprises.

Happy Weaving,
Karen

18 Comments

Leave a Reply


Stained Glass Scarf Surprise!

A pleasant surprise arrived in the mail this week—the November/December 2018 issue of Handwoven magazine. Guess what?! My Stained Glass Scarf made it to the front cover!

Stained Glass scarf warp - brilliant blue!

Four shades of blue are carefully arranged to make a brilliant blue 8/2 cotton warp.

Stained Glass scarf - on the cover of Handwoven Nov/Dec 2018.

Two scarves. I wove one to keep, and one to send to the Handwoven editorial team.

Stained Glass scarf/wrap in Handwoven Nov/Dec 2018

Swedish lace adapted from a draft by Else Regensteiner in The Art of Weaving. Her draft was for a tablecloth. I made it into a scarf/wrap instead.

Stained Glass scarf from Handwoven Nov/Dec 2018

Twisting the fringe. This cotton scarf/wrap calls for fringe that is a little bit chunky. I feel like I’m dressed and ready for fun when I wear it!

Handwoven Nov/Dec 2018 - Stained Glass scarf on the cover!

Credit: Cover Photograph by George Boe from Handwoven November/December 2018 magazine. Copyright © F+W Media 2018. Photograph of magazine by Eddie Fernandez.

May your day be filled with pleasant surprises.

Happy Weaving,
Karen

27 Comments

Leave a Reply


Testing Color Surprises with My Little Helper

Twelve shafts and twelve treadles are all tied up. I found and fixed one threading error. And I am still making some adjustments on the tie-ups to get clean sheds. But for the most part, the Standard is ready to go! I have a week with this loom, to weave towels for my daughter. This colorful double weave looks promising.

My helper peers up at me as I tie on the warp.

My helper this week peers up at me as I begin to tie on the warp.

Dressing the countermarch loom.

Lower lamms and upper lamms are connected to the shafts before tying up the treadles.

Glimakra Standard with twelve-shaft double weave.

Arrangement of the heddles on the shafts give a clue to the three blocks in this twelve-shaft double weave.

Weaving with my granddaughter at my side.

Testing weft colors and patterns with granddaughter Lucia by my side.

Helper for managing the shuttles at the loom. :)

Two-year-old Lucia helps manage the shuttles.

Double-weave towels on twelve shafts. Beginning sample.

Design decisions for the towels will be made based on this beginning sample.
It’s surprising to see the array of colors produced by only four shades of cottolin thread.

When the loom is properly dressed and prepared, the weaving is delightful. Every pick of color is a pleasant surprise. Our Father knows our needs. He is the loom dresser. Everything is set up for the threads to make gorgeous cloth. Do we think prayer is all about asking God our Father for things? Yes, he does invite us to ask for the things we need. But let’s start with admiring his ways and works, with a heart of gratitude. Then, with the threads he puts in our hands, the future looks promising!

May your looms be ready for weaving.

Happy weaving,
Karen

12 Comments

  • When God blesses us with variables your loom demonstrates I believe He not only wants to meet our needs but wants to bring joy to our souls. Some people weave tabby with their lives. Some people live their lives weaving lizards while exploring the subtle variations in the process. I believe God wants us to explore and enjoy all the good He has to offer and dresses our individual looms to do that..

    Yesterday our second grandchild arrived. He is as perfect as his older sister. A day such as that makes it easy to forget all the threads that had to be re-sleighed along the way.

    Blessings to all

  • Laura says:

    Love the pattern and colors….

  • Lynette Glass says:

    Can I weave something similar with four shafts? Do you have any four shaft doubleweave pattern ideas or books that you know about? I like your colors very much!

    • Karen says:

      Hi Lynette, You can certainly do double weave on four shafts. I don’t personally have much information on the topic, though. I do know that Jennifer Moore is known for her work in double weave and has a book and video about it, as well as workshops that she teaches.

      I chose colors that were not in my usual palette, and I’m pleasantly surprised at how much I like them.
      Happy weaving,
      Karen

  • Susie redman says:

    This looks stunning – the colours are so complementary. Are you managing this double weave on only one back beam?
    Susie

    • Karen says:

      Hi Susie, I have only one back beam, and I don’t know the first thing about weaving with a second back beam. Is double weave like this something for which a second back beam is useful?

      Thanks!
      Karen

      • Susie says:

        Hi Karen,
        I have only experienced double weave on a table loom and it was fitted with a second beam – one for each layer. My own loom is a Glimakra Standard too and I’m heartened to see that you can achieve double weave with one back beam. I had thought that it would be out of the question.
        Many thanks,
        Susie

  • Rebecca Neef says:

    This is so beautiful and inspiring. What an adorable helper you have! I have a Glimakra Standard also, a 120cm model. Mine only came (used) with 8 shafts, although it has 12 treadles. Is yours a special model made for 12 shafts, or did you do anything special to accommodate the extra shafts? I’d sure love to be able to do some 12 shaft weaves on mine! Thanks.

    • Karen says:

      Hi Rebecca, I was surprised that my little helper would sit there as long as she did. There was a lot to keep her attention, I guess.

      My loom (120cm) also came with 8 shafts. I wrote to Glimåkra USA and told them I wanted to upgrade to 12 shafts and they listed all the parts I would need to do that, and then I ordered the parts.

      I don’t expect that I’ll use 12 shafts very often, but it’s nice to have them for a few special projects.

      Happy weaving,
      Karen

Leave a Reply