This is the moment Miss Fit and I have been waiting for! We have come to the beginning of the end of the real tiered skirt. Or, maybe I should say it’s the end of the beginning, since weaving is just the beginning of this skirt. My next step is to finish the fabric: find and repair errors, wash, dry, press. And then, on to construction: detail studies, measure, cut, gather, sew seams. And lastly, of course, I will find an occasion to wear the summery subtly-patterned huckaback skirt, even if summer has already slipped into hiding until next year.
Handwoven textiles help make our house a home. Home is where the heart is. And our home is where the art of the heart is. The most recent addition is a linen runner for our dining room table. I also wove a small table mat from the same warp. Linne Runner, design by Joanne Hall. 16/2 linen warp and weft, 8-shaft two-block broken twill. Glimåkra Julia countermarch loom.
Watch the process for creating this runner from beginning to end in this short slideshow video:
I allowed the remaining warp to sit on the loom for a little while after cutting off the Eye of the Beholder tapestry. It crossed my mind to be completely done with it. Go ahead, discard the bit of warp that is left, I told myself. But this is linen. I have a hard time discarding linen.
The warp on the loom is threaded in rosepath, with a coarse sett of 3 ends per centimeter (7.5 ends per inch). The potential weaving length is no more than 20-30 centimeters. Then, the “what if” happens. What if…I use leftover butterflies from the tapestry as weft for a short rosepath design? One thing leads to another. Now, I have a new favorite purse. The tapestry memories live on!
I started planning this tapestry portrait of my mother one year ago. As I was concluding her portrait on my loom, it became evident that her real-life tapestry was also coming to a conclusion. I arrived at Mom’s bedside with the portrait in hand, warp ends dangling. Her smile in that cherished moment is one I will never forget. In the days that followed, she quietly slept. I silently braided the warp-end edging, trimmed the tails on the back, stabilized the tapestry through the lining, and stitched the lining in place. I carefully secured the last stitch. In the wee hours of the next morning, while she was asleep, the Lord Jesus called my mother home. Tapestry complete. Beautiful.
Eye of the Beholder is about my mother who taught me to appreciate beauty. This is a portrait of a woman with an eye for beauty, with beauty in her eyes.
I humbly share my process of weaving Eye of the Beholder in this video:
Cutting off is like reading the ending of a good short story. Even though you are eager to get to the end, when you reach the final paragraph it seems to soon for the story to be over. Fortunately, even though I am cutting off these happy blues, I still get to enjoy the fabric a while longer as I bring it through the finishing process.
The 8/2 cotton fabric is woven, washed and dried (multiple times), and ready for its final step. I will cut and hem individual pieces to be used as covers for the arm rests and the headrest for my mother-in-law’s recliner. I can’t think of a better place for this story to end up.
Enjoy this little video slideshow of the making of this cloth: