Process Review: Weaving Rhythm

“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.

Glossary

Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.

Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.

Weaving Continuum ~ The cycle for each loom that is continually repeated.

When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.

First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.

  1. Finishing
  2. Dressing
  3. Weaving

Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.

Weaving bath towels on the Glimakra Standard.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.
Weaving hanging tabs for bath towels.
Glimåkra two-treadle band loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.
Glimakra 100cm Ideal. Sweet little loom.
Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.
Hand-built Swedish loom.
Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestry sample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.
Sweet little Glimakra Julia 8-shaft loom.
Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.
Weaving lettering on the drawloom.
Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.

Give Thanks ~ Live with a thankful heart.

Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.

May you always give thanks.

With a grateful heart,
Karen

22 Comments

  • Den says:

    Your weaving is always an inspiration. I look forward to each post. Thank you.

  • Karen says:

    You amaze me! I have too many different hobbies and have to dedicate hours each day to different projects!

    • Karen says:

      Hi Karen, You have some wonderful experiences with using your gifts. I have so much more I want to learn about weaving, and I enjoy digging in to this weaving arena.

      Happy weaving and everything else,
      Karen

  • marianne poling says:

    I love your idea of a “weaving rhythm…” immersing oneself in a “weaving life” that will increase skills and enjoy the gifts weaving brings every day! I tend to weave as a “reward” after all the daily tasks are completed. unfortunately, weaving gets pushed to the back of the line and then I don’t weave as much as I would like to. This was eye-opening for me and I am going to try and find my “weaving rhythm!”

    I really enjoy your blog!
    Marianne

    • Karen says:

      Hi Marianne, I like that you identified increasing skill and enjoying the gifts. That does explain why I focus on getting a good rhythm. There are always other necessary things to do to care for family and friends, but it’s good to be mindful of being stewards of the gifts we’ve been given, too. All of life deals with finding priorities and balance.

      Thank you for your thoughtful words,
      Karen

  • Elisabeth says:

    Thank you so much for inspiring me to think through my own processes and priorities! My challenge is that I make things in a variety of techniques: knitting, weaving, sewing, and quilting…I am so happy I eliminated the rest of them

    Since I only have one floor loom I decided to think of these techniques as my “looms”. Each “loom” requires a slightly different process, and it was very useful to actually take the time to think through each of them, what part do I enjoy the most and what do I tend to put off. You have mentioned that you put finishing first to make sure it gets done. It is interesting how people are different, finishing is the easiest part for me, while dressing the loom tends to be put off, even with a warp waiting.
    Another interesting part for me is to pay attention to which of the different technique requires almost no motivation to get going. Do you see a difference when it comes to your looms? Or the kind of projects you are working on?

    Thank you again for inspiring me to learn and grow!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, From one thinker to another… There’s a fascination to figuring out structures and processes in life. I’m glad to hear this post prompted you to think through some things. You have certainly helped me to think through things, too.

      As far as motivation on different sorts of projects, I do find that I tend to be drawn to the fascination of the drawloom, to weaving a tapestry, and to weaving rag rugs. I need no motivation for those at all. Even so, I find enjoyment in every stage of the process on every one of the looms.

      Thanks for helping me think,
      Karen

  • Pamela Graham says:

    Wow, impressive! You are clearly an inspiration. I am curious about the drawloom; I thought you could only add a drawloom to a VERTICAL countermarch loom.
    Thanks,
    Pam

    • Karen says:

      Hi Pam, It is certainly easier to add a drawloom to a vertical countermarch. We (meaning Steve) modified the horizontal countermarch to fit with the drawloom frame.

      All the best,
      Karen

  • Beth Mullins says:

    Happy Thanksgiving, Karen!

  • Helen P. says:

    Hello. I liked reading your posts a lot and here last I can see that you have a Glimåkra Ideal, I have the same. Unfortunately, I have a lot of problems getting the scales accurately, even though I know how to regulate various things. Maybe you can help me. Do you have an approximate measure of the basic binding to the Ideal loom. That is, the measure from shaft to short stool, the measure from short stool to long stool, the measure from long stool to tramp. Just like that, as a guide. Thanks in advance. Sincerely, Helen Pedersen.

    • Karen says:

      Hello Helen, Yes, I have a Glimåkra Ideal. Approximate measurements – from bottom of shafts to the short lamms is about 18cm, from short lamms to long lamms is about 18cm, from long lamms to treadles is about 23cm. The warp is not tied on yet, so these measurements are not exact.

      How many shafts are you using? Sometimes with more than 4 shafts, it is a little tricky to get everything to balance.

      Thank you,
      Karen

  • Nannette says:

    Hi Karen,
    I noticed you begin planning the next project while weaving the current project.
    Just one future project? 😉

    HAPPY THANKSGIVING!!!!

    Nannette

  • Angela M Roberts says:

    Amen xoxo

  • Angela M Roberts says:

    One Question ? Do you keep them all warped and working,Simultaneously ??
    Or one at a time ?

    • Karen says:

      Hi Angela, Each loom is on its own independent schedule. They are rarely synchronized so that they are all in weaving mode at the same time. Usually, the looms are operating in different phases of the weaving continuum. So, each day I decide which loom to focus on next. I can only weave on one loom at a time, so sometimes a warp sits on the loom for a while until I can get back to it.

      All the best,
      Karen

  • Hi Karen,
    I have a similar process, and have three looms that are usually active.
    When I was a fairly new weaver, I remember Anita Meyer saying that she has one project in the planning stage, one project in the weaving stage and one project in the finishing stage, and then working within the rhythms of her days. I follow a similar rhythm and it keeps me happy. I also have a fourth stage which is documentation and learning. Documentation so that I don’t forget what I have done, and learning because learning is a continuous lifelong adventure.
    Thanks for the inspiration today.
    Barbara

    • Karen says:

      Hi Barbara, You have a great system. Documentation is important, yes. I include it in my finishing stage. And I’m with you, learning is a lifelong adventure!

      Thanks for your great input,
      Karen

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My New Glimåkra Julia Loom

My family of looms just welcomed a new little sister—Julia! This 8-shaft countermarch is Glimåkra’s smallest floor loom. I dressed the loom right away in 6/2 Tuna wool for 4-shaft Jämtlandsdräll to try out the loom. So far, so good. An 8-shaft project using 20/2 Mora wool is up next. Would you believe this is my new portable loom? Surprisingly, the Julia fits in the back of our vehicle, without disassembling. This is the loom you can expect to see with me at future workshops.

My new Glimakra Julia Loom delivered!
One of the boxes delivered to my front door.
Assembling my new Glimakra Julia loom!
Loom assembly in our foyer.

My Julia Observations:

  • It goes together like you’d expect from a Glimåkra. Instructions are minimal, and quality is high. It’s a well-designed puzzle.
  • The assembled loom is easy to move around to gain space needed for warping, or simply to change location for any reason.
  • The breast beam is not removable like it is on my other Glimåkra looms, which makes it a stretch to thread the heddles from the front. However, by hanging the shaft bars from the beater cradle at the very front I can thread the heddles without back strain. (Or, if you are petite and don’t mind climbing over the side, you can put the bench in the loom for threading.)
  • Tying up lamms and treadles is not much different than it is for my Ideal. Everything is well within reach from the front. It helps to take the lamms off the loom to put in the treadle cords, and then put the lamms back on the loom. With one extra person available, it is entirely feasible to elevate the loom on paint cans, upside-down buckets, or a small table to make tie-ups easier, but I didn’t find it necessary to do that.
Swedish loom corner in the living room. New Glimakra Julia.
Loom that Steve built sits near the windows in our living room. Julia sits nearby. Sister looms.
Glimåkra Standard and Glimåkra Julia in the living room.
Glimåkra Standard sits by the windows at the front of the living room. Julia sits a few steps away. Loom sisters.
  • Weaving on the Julia is a delight, as it is with my other countermarch looms. Everything works. With four shafts, the sheds are impeccable.
  • The bench adjusts to the right height.
  • The hanging beater is well balanced, sturdy, and has a good solid feel. I can move the beater back several times before needing to advance the warp.
  • I thought the narrower treadles might prove annoying, but I’ve been able to adjust quickly. After weaving a short while, I forget about the treadle size.
Jämtlandsdräll in Tuna wool.
Double-bobbin shuttle for the pattern weft, and new boat shuttle that came with the loom for the ground weave weft. All 6/2 Tuna wool. Jämtlandsdräll.

Steve is the loom assembler in our family. I stand by and give a hand when needed. I hope you can feel our excitement as you watch this short video of us discovering what’s in the boxes and figuring out how it all goes together.

May you enjoy the puzzles that come to your doorstep.

Happy Weaving,
Karen

26 Comments

  • Nannette says:

    Too cool.
    What a great video of putting together the 3d wooden puzzle. It reminds me of sewing a tailored jacket. All those pieces with no rhyme nor reason until it starts to come together.
    When I think about it… That is what weaving is.
    Thanks for sharing.

    • Nancy says:

      Thank you for the glowing review! I was ready to purchase one, but was told it isn’t the wood like in the regular Glimakra loims, but plywood. Also told the front and back beams get grooves in them from the warp threads.
      Waiting for your updates in about 2 months.
      Thanks!

      • Karen says:

        Hi Nancy, If you haven’t heard enough about it in a couple months, send me a note and I’ll give an honest update.

        The wood is most definitely beautiful solid wood, not plywood at all. Any wooden breast beam and back beam will show wear from warp threads and beam cords. This loom is no different. I don’t think it’s a problem.

        Happy weaving,
        Karen

        • Anonymous says:

          Thank you very much! I will get back to you! Perhaps this dealer was trying to upsell me?
          Nancy

          • Karen says:

            Nancy, I look forward to hearing from you. I hope the dealer had better intentions than that. Anyway, if you keep doing your research you will end up with a good loom.

            Karen

          • Nannette says:

            Hi Nancy,
            Decades ago I was enamored with English smocking and took two classes from two different instructors.on maintenance and care of the pleater. The first class I took we were told to NEVER EVER take the pleater completely apart as it was not possible to ever get it back together and working properly. The second class I took began with the instructor ‘accidentally’ dismantelling the pleater. We were taught how to care for a very simple tool.
            Maybe your dealer is not familiar with the loom?
            It sounds like you have a support system in this blog to help you through any challenges.
            Nannette

    • Karen says:

      Hi Nannette, It’s very interesting how all those tinker-toy sticks fit together perfectly!

      Happy weaving,
      Karen

      • Nancy says:

        Karen, is there some way you can email with me?
        My email is camel heights at msn dot com.
        Strange I know, it’s a street I lived on in Evergreen, Colorado. On the side of a mountain.
        I have more questions about this loom.
        Thank you very much!
        Nancy

  • Betsy says:

    She’s adorable! May you have many happy workshops together.

  • Kristin G says:

    Loved the video – I could feel the excitement! I’m looking forward to seeing the beautiful items you will create with her 🙂

  • Julia says:

    I can agree with you there. The Julia is a great little loom, I speak from the experience of a proud owner. I can therefore fully understand the joy of unpacking, because it was very similar to me last fall, only that it was my first loom… Greetings from Berlin, Julia

    • Karen says:

      Hi Julia, It’s good to hear from you. Oh, the excitement of putting together your first loom! That is the best of all. The Julia is a perfect first loom! Or second, or third, or fourth, or fifth… 🙂

      Very Happy Weaving,
      Karen

  • Annie says:

    What a darling little loom! I wish I had room for one more. I don’t always reply but always read you posts, Karen. Not only do I always learn something but I just enjoy feeling that we are keeping in touch.

    Please tell Steve I think he is the best husband a weaver could ever have!

    • Karen says:

      Hi Annie, It’s satisfying to know you read these posts. I do like keeping in touch, too.

      I’ll tell Steve. He’s definitely the best husband this weaver could ever have!
      Love,
      Karen

  • Gretchen says:

    Congratulations on your new loom Karen! How exciting!! And there os just nothing more beautiful than a new loom! May Julia bring you many happy hours of weaving. Sending love from WA. Gretchen

  • marlene toerien says:

    i am green with envy, I would love to own a Julia, or even a Mighty Wolf from Schacht, as I am living in South Africa where looms are a big luxury at the moment with our exchange rate, and my studio space is taking over our home, it will stay a dream. I do have 5 Varpapu looms, 3 table looms, 2 floor looms.

    • Karen says:

      Hi Marlene, Thanks for chiming in!
      I’m glad that you have some good Varpapu looms to work with. The Julia is a sweet little loom in the family of Glimakra looms. The Glimakra Standard is still my favorite.

      Happy weaving,
      Karen

  • Marina says:

    Great video! What are the thingies under the feet of the loom in the background?

    • Karen says:

      Hi Marina, I’m glad you enjoyed the video! What you are seeing under the feet of my other looms are Stadig Loom Feet. They keep the loom from “walking,” and they help absorb the impact of the beater when firm beating is needed, such as for weaving rugs. I get them from GlimakraUSA.com.

      Thanks,
      Karen

  • […] My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.) […]

  • MitzyG says:

    Is your Julia made of pine?

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Swedish Art Weaves with Joanne Hall

Krabbasnår (or Krabba), Rölakan, Halvkrabba, Dukagång, and Munkabälte (Monksbelt). These unique weaves have intrigued me since I first saw photos of them. Some of the designs look like hand-stitched embroidery. The Swedish Art Weaves workshop with Joanne Hall introduces the simple techniques used for weaving these traditional patterns. I’m thankful to have the opportunity to learn how to weave these beautiful designs for myself.

Swedish Art Weaves workshop with Joanne Hall.
Joanne brought examples of Swedish art weaves for the students to view.

Joanne’s presentation to the San Antonio Handweavers Guild was enlightening. Photos of her travels to Sweden show how the rich weaving heritage there continues to thrive. That, along with Joanne’s knowledge of Swedish weaving traditions, gives context to these Swedish art weaves.

Krabbasnår, a Swedish art weave.
Krabbasnår (krabba) is a laid-in technique with a plain weave ground. The pattern uses three strands of wool Fårö yarn. The warp is 16/3 linen.
Weaving Krabba, a Swedish art weave.
Besides maintaining warp width, the temple is useful for covering up the weft tails to keep them out of the way.
Workshop with Joanne Hall. Swedish Art Weaves.
Joanne explains the next step to workshop participants.
Swedish Art Weaves sampler, with Joanne Hall.
Dukagång is another laid-in technique with a plain weave ground. A batten is placed behind the shafts to make it easy to have the pattern wefts cover two warp threads. (A jack loom can do the same by using half-heddle sticks in front of the shafts.) Dukagång can be woven as a threaded pattern, but then the weaver is limited to that one structure, instead of having different patterns all in the same woven piece.
Fascinating way to weave monksbelt!
With threaded monksbelt, as I have woven previously, the monksbelt flowers are in a fixed position. With this art weaves monksbelt, the monksbelt flowers can be placed wherever you want them. Half-heddle sticks at the back, batten behind the shafts, and a pick-up stick in front of the reed–a fascinating way to weave this traditional pattern.
Swedish Art Weaves workshop with Joanne Hall. So much fun!
Last loom standing… Time to pack up. As I prepare the loom for transport, I detach the cloth beam cords. Now we can see the right side of what I have woven.
Swedish Art Weaves with Joanne Hall. Fun!
From the top: Krabbasnår, Rölakan Tapestry, Halvkrabba, Dukagång, and Munkabälte.

Väv 2/2013 has instructions for the art weaves. I have the magazine issue, but Joanne’s workshop brings the historical techniques to life and makes them understandable. That is exactly the prompting I needed to begin exploring these fascinating patterns on my own loom.

Weaving Swedish art weaves from the back.
Back at home, my little loom is getting ready to weave some more beautiful Swedish art weave designs.

May something historical be your new interest.

Happy Weaving,
Karen

19 Comments

  • Beth says:

    Beautiful! I’m curious, how long did it take to weave this piece?

    • Karen says:

      Hi Beth,

      As with most weft-faced weaves, this is not fast weaving. I was happy to be able to finish this much in a 2 1/2-day workshop. I’m eager to do more of this slower-paced weaving at home.

      Thanks,
      Karen

  • Charlotte says:

    Brilliant that you were able to take your loom…your beautiful loom…your piece is absolutely lovely. The colors in your top match the colors in your cloth. Fun!!!! And, lovely cloth!!!!

    • Karen says:

      Hi Charlotte,

      I’m fortunate to have a countermarch loom small enough to be dismantled and relocated. It was a satisfying workshop. So enjoyable to make these unique patterns in the cloth!

      Thank you,
      Karen

  • Vivian says:

    Your explanation is bright and helpful. I will shelve these weaving methods. I have been interested in the weaves and you have helped untangle the concepts as well as highlight the various groups of Swedish weave structures.

  • Cindie says:

    How timely, I’ve just written my deposit check this morning for a guild workshop we’ll be having with Joanne this coming fall.

  • Jane Milner says:

    I recently took the same class with Joanne Hall at the Eugene Textile Center in Eugene, Oregon. Lots of fun, and I learned a lot!

    Is your small loom a Glimakra? What is it?

  • Anonymous says:

    I just got myself a 32 in Heddle. I’d like to make small Matt’s and runners. I live in Chilliwack B.C. Can you direct me to a class?

    • Karen says:

      Hi new weaver, I am not connected with any rigid heddle loom classes. There are some good books on rigid heddle weaving. A book by Syne Mitchell, Liz Gipson, or Jane Patrick would be a great place to start.

      All the best,
      Karen

  • Ladella Williams says:

    Ladella from Portland Oregon actually knows Joanne Hall! Also she went to college with my cousin! I highly recommend her as a weaver with considerable experience! She has a wealth of knowledge and experience! Happy Weaving! I have been weaving forever it seems!

    • Karen says:

      Hi Ladella, How wonderful that you have a personal connection with Joanne. Her weaving knowledge and experience can’t be matched. What I love about Joanne is her kind and gentle manner as she patiently passes on her knowledge to her students.

      Thank you for chiming in!
      Happy weaving,
      Karen

  • Arlene says:

    Facinating.. can you suggest a book but I could follow the technique …thanks in advance Arlene

    • Karen says:

      Hi Arlene, Yes, I recommend Heirlooms of Skåne: Weaving Techniques, by Gunvor Johansson. Vavstuga.com carries the book. The author covers all these techniques in detail. It’s a beautiful book.

      Happy weaving,
      Karen

  • […] Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in […]

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Weaving through The Big Book

It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaft double-weave blanket I had on the loom in June? That is the final project in the book.

Handwoven double weave blanket. 12 shafts.
Double-weave wool fabric is ready for wet finishing, where it will be transformed into a soft, cozy blanket.

In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.

For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.

I. Secrets to success:

  • mindset of a student
  • determination
  • eyes on the goal
  • no option other than completion

One loom dedicated to the book.


II. Lessons learned:

  • technique
  • processes
  • planning
  • drafting
  • Swedish practices

Any mistake can be remedied.


III. Treasures gained:

  • patience
  • humility
  • endurance
  • focused attention
  • problem solving
  • creative freedom

Confidence.


IV. Prized perspectives:

  • new experiences
  • delight of dressing the loom
  • wonder of cloth-making
  • fresh ideas
  • joy of discovery
  • knowledge and understanding of the loom

Getting lost and absorbed in the whole process of weaving.

V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)

Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.

May you be a lifelong learner.

Happy Weaving to you,
Karen

43 Comments

  • Susie Redman says:

    Well done. It’s such a great book. I’m picking and choosing from the book – its a great way to learn.

  • Beth Mullins says:

    Your work is so inspiring, Karen. I recall many of these projects, here and in Handwoven. Do you have a personal favorite? One that you’ll perhaps explore even further? Kudos!

    • Karen says:

      Hi Beth, Thank you so much! My personal favorite is the monksbelt piece—the large multicolor runner on the dining room table. And yes, I have monksbelt ideas that I would like to explore. Another one I’d like to play around with and learn more about is the turned rosepath—the long narrow red band. There are so many possibilities!

      Thanks for asking,
      Karen

  • Geri Rickard says:

    What a splendid presentation, Karen! You have accomplished so much, and each one is beautiful! Thanks for sharing, it was fun!

    • Karen says:

      Hi Geri, I’m glad you enjoyed the presentation. It was a lot of fun for me to put together, going back in time remembering all the projects.

      Thank you!
      Karen

  • Betsy says:

    Such a feast for the eyes!

  • Cindy Bills says:

    Wow and Wow! Such an accomplishment! And your lovely home showcases all those projects beautifully. Thanks for making this video and thanks for your encouragement. I’m currently doing the Jane Stafford online guild lessons with a new video lesson and project every five weeks. Sometimes it feels a bit overwhelming but I’m determined to try each one. I’ve already learned so much!
    Thanks again for your encouragement and dedication, both to your weaving and for sharing your weaving and faith with others. It DOES make a big difference to many.

    • Karen says:

      Hi Cindy, I know how you feel. Many times I was overwhelmed and even discouraged about completing this mammoth dream. Keep pressing on with your lessons, it WILL be worth it–I promise! And between the hard parts, I really had a lot of fun! So enjoy it, too.

      I really appreciate your encouragement to me. It means more than you know.

      Happy Weaving,
      Karen

  • Annie says:

    Hi, Karen! I remember that you recommended this book to me last July was exploring what loom to purchase for my first multi shaft loom. I ended up purchasing a small table loom, a Louet Erica Loom so decided not to purchase the book since I would not have the capacity to work many of the projects.

    However, I recently purchased a larger loom and now, I believe that I will purchase this book. Thank you for sharing this and tweaking my memory of your recommendation.

    Everything you make is so beautiful! You are a wonderful inspiration to a beginning weaver.

    • Karen says:

      Hi Annie, The Big Book of Weaving has been my tutor. I started with it as a complete beginner. It was written as a curriculum, so it has everything I needed to gain skill and confidence. I hope you find it a great resource for learning.

      Happy weaving,
      Karen

  • Karen Simpson says:

    That video is amazing. As I hadn’t found you then, I didn’t know that you were following this book and studying your way through it. What a lovely compilation of work and color. Thank you

    • Karen says:

      Hi Karen, Only a handful of people knew I was working my way through the book. I have mentioned The Big Book of Weaving here many times, but this is my first time to mention here on the blog that I was going through the book, step by step. I didn’t want too many people to “guess” what project I would do next… 🙂

      Thank you!
      Karen

  • D’Anne says:

    Congratulations, Karen! I remember when you started working through The Big Book of Weaving, but I didn’t remember it had been 7 years. What a great learning experience! Did you use all the same yarns as the projects called for?

    • Karen says:

      Hi D’Anne, It’s hard to believe it’s been 7 years, isn’t it? For most of the projects I used the yarns that were called for, but in colors of my choosing. I did change a few, though. For instance, two projects call for paper yarn. I didn’t know a good resource for that, so I substituted 8/2 cotton for one, and 16/1 linen for the other. So, for those I have beautiful scarves instead of room screens, which suits me better anyway.

      Happy weaving,
      Karen

  • Joanna says:

    Karen, I’m speechless. There are no words for my admiration of not only your artistic vision, but also the incredible amount of work clearly visible in the lovely video. Thank you for all the encouragement and advice you’ve given us you worked through the Big Book. MORE happy weaving to you. Joanna

    (My v. Favorite piece of your is also that fantastic monks belt. I think you captured all the lovely colors of the Texas Hill Country. It couldn’t be more perfect.)

    • Karen says:

      Hi Joanna, I’m fortunate to have a place where I can talk about things that I learn! Thanks for joining in!
      Every time I look at that monks belt piece, I get warm and fuzzy feelings. It’s so cheerful! I’m happy you like it, too!

      All the best,
      Karen

  • kerimae says:

    You inspire me! As you know! 🙂

  • Carolyn Penny says:

    Truly inspirational. Thank you for your diligence and following the goal.
    What a lesson in perseverance. Warm glow…… -Carolyn Penny

  • Vida Clyne says:

    Congratulations on completing such an amazing and inspirational project. I love all the patterns and the lovely colours. I have not got the book but your lovely video makes me think I will buy it. Thanks for sharing.

    • Karen says:

      Hi Vida, I am very happy to hear your thoughts about my adventure! This is one weaving book I wouldn’t do without. 🙂

      Thank you very much!
      Karen

  • Gail Goodrick says:

    What an inspiration this is! Your work is wonderful. I love your color choices. Love, love love…

  • Sue Blanding-Wilson says:

    So inspiring! I will look at my book with new eyes!

  • Maria Hanson says:

    Wow! I so enjoy following your work, but seeing everything in one video is just amazing! Congratulations on such a major accomplishment!

  • Penelope kept the suitors at bay for 10 years weaving one tapestry. What a remarkable legacy of a textile artist in 7 years!
    AND.. the hand wovens are not kept in a chest to pull out and admire. Basis the hems on the towels, they are being used. Beautiful!!
    Thank you for sharing. PS welcome back from your sabbatical.
    Nannette

    • Karen says:

      Hi Nannette, Thank you for noticing. Yes, the articles were made to be used, and they are used and enjoyed.

      It’s good to be back.
      Karen

      • Anonymous says:

        One of the sweetest moments was when I saw one of my patched blankets worn to the point of being hand mended. Textiles will age one way or another. It fills my heart knowing the ones that pass through my hands are used daily.

        • Karen says:

          That is sweet to think of your handiwork being used to the point of needing hand mending. I agree that the best handwoven items are the ones being used.

          Karen

  • Cindy Buvala says:

    Wow! I am very impressed! A 10 minute video doesn’t do justice to the hours and hours of weaving work that precedes it. You are an inspiration! Thank you for sharing your talent.

  • Karen Reff says:

    I haven’t looked at that book in so long. I’m definitely going back for another look! I hope you realize what an amazing thing you’ve done!

    • Karen says:

      Hi Karen, I frequently go to the book for reference. It answers so many questions for me.

      I just took one step, and then the next step, and so on. I’m not sure I would have started had I known how long it would take me. But I’m very happy to have taken that first step…and so on.

      Thanks for your sweet encouragement,
      Karen

  • […] in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of […]

  • Rebecca says:

    I just bought this book this week after purchasing (and setting up) an Oxaback Lilla. I have spent years happily weaving on a LeClerc Nilius jack loom but wanted to try something different. Well … right now my head is exploding! Such a challenging process. This video is the inspiration I need right now to carry on during these confusing first few weeks. Your work is absolutely extraordinary! Beautiful … thank you for sharing with us.

    • Karen says:

      Hi Rebecca, Congratulations on your determination to learn something new! It all happens a step at a time… Before you know it, you are weaving the beautiful fabrics you imagined.

      Happy weaving,
      Karen

  • Roelline says:

    Hello Karen,

    So inspirational what you have done, I haven’t seen anyone doing such a fine job as you Did, before .
    At the moment I’m working my way through the JST course. But the way you did it I will surely remember to pick up after that! Probably not as thorough as you did. But I try to make my way through. Thank you very much for your inspirational idea

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Pictorial Tapestry Weaving

Inspired by some of Joanne Hall’s exquisite large tapestries, I have been taking steps to learn her techniques. This fascinating style that is unique to Joanne enables her to weave large tapestries at a comfortable pace. My Lizard tapestry last year was a step in this direction. (See Quiet Friday: Lizard Tapestry.) One thing that the lizard taught me is how much more I need to learn. So, you can imagine my delight in having the opportunity to take a Pictorial Tapestry Weaving workshop taught by Joanne Hall last week! (Contemporary Handweavers of Texas Conference in Fort Worth was the setting.)

Texas Wildflowers, tapestry by Joanne Hall.
Texas Wildflowers, tapestry by Joanne Hall. Photo credit: Steve Isenhower 2013
Detail of Texas Wildflowers, tapestry by Joanne Hall.
Detail of Texas Wildflowers. Threaded in rosepath, with a linen warp. Woven with butterfly bundles of wool yarn. Photo credit: Steve Isenhower 2013

Things to remember: Don’t beat hard. Bubble the weft more. Color theory is invaluable for adding depth and intensity. Simplify the cartoon. And countless more bits of insight and instruction! I am invigorated in my pursuit to develop these tapestry skills. Expect to see a tapestry on my 120cm Glimåkra Standard in coming days.

Workshop looms.
My hand-built countermarch loom is perfect for a tapestry workshop. Betsy brought her Glimåkra Julia loom.
Tapestry sampler in Joanne Hall's workshop.
Workshop sampler gives students various tapestry techniques to practice. We learned techniques of other tapestry weavers, such as Hans Krondahl and Helena Hernmarck, as well as Joanne’s unique approach.
Tapestry workshop with Joanne Hall.
Fellow student Cindy created this pear, taking advantage of the rosepath threading to add pattern to the image.
Joanne Hall's tapestry workshop.
Joanne, center, explains the process of creating a cartoon. She spreads out photos of flowers as a starting point for students’ cartoons.
Joanne Hall's tapestry sample.
Joanne’s tapestry sample demonstrates the outcome of her process. A portion of the photo was enlarged from which she drew the cartoon.
Tapestry workshop.
Fellow student Deborah creates a flower from her original cartoon.
Making a tapestry cartoon.
I am choosing to make my cartoon from an enlarged portion of a lily photo.
Weaving from a cartoon in tapestry workshop.
Color studies and technique exercises all come together in the last part of the tapestry sampler. Weaving from a cartoon.
Tapestry progress.
Time to take the loom apart and head home. Checking my progress with the photo before packing up.
Lily sample from tapestry workshop with Joanne Hall.
Lily sample is finished at home.

I find myself pondering how experiences fall into place in our lives. There are times when the stepping stones seem to be set out before us, showing the way, when we don’t know exactly where we are going. The Lord knows where I am going. He knows me. And he kindly sets out the next steps. Perhaps he smiles as he sees our delight when we figure out that we are the bundles of yarn in his tapestry.

May your joy in learning never cease.

Happy Weaving,
Karen

21 Comments

  • Petrina says:

    Thank you for sharing this. It is so interesting.

  • Beth Mullins says:

    Beautiful! Looking forward to seeing your progress. I don’t have the patience for tapestry.

    • Karen says:

      Hi Beth, You might be surprised. In some ways it is similar to the inlay I’ve seen you do, but on a larger scale.

      In any case, I’m pleased that there are so many directions we can go with yarn and threads and a loom.

      Happy weaving,
      Karen

  • Annie says:

    Wow! Karen, you are always doing something amazing! Thank you for sharing the workshop since I was unable to attend any this year.

    I am curious as to how you were able to bring your loom. It doesn’t look very portable.

    • Karen says:

      Hi Annie, The whole conference was a great experience. Maybe you will be able to attend next time, 2021 in San Antonio.

      These Swedish looms are easy to take apart and put back together. Think of it as large Lincoln Logs. The side gables are the biggest pieces. The rest —beams, crossbars, treadles, lamms— all fit into two large duffel bags. The gables and the duffel bags fit in the back seat of our Toyota Tacoma.

      Karen

  • Charlotte says:

    Oh my darling Karen! It is wonderful, reading your blog, this morning. En route to the Navajo Nation, our vehicle died in Albuquerque. What a story I have to share…His goodness to us…to place His people in our path…each one learning of us and needing prayer for themselves and their families. What a miraculous day He had planned.
    Thank you for being YOU! Thank you for taking such grand pictures from our workshop with Joanne. It passed by us all too quickly.

  • Betsy says:

    So fun to re-live the class through your pictures! Love your lily, that came out very well. I still haven’t put the Julia back together, I want to give it new dowels, so a trip to Lowe’s is on the list.

    • Karen says:

      Hi Betsy, I’m so glad my CM loom had a sister in the room! It was fun to get to weave side-by-side with you.

      Happy weaving,
      Karen

  • Vivian says:

    It is so uplifting to learn from your heroes. It is a well of kindness that keeps on giving. Thank you for sharing. I appreciate the breakdown of technique and you were able to make tapestry seem just a little more approachable.

    • Karen says:

      Hi Vivian, “Hero” is a good word to describe Joanne. We are fortunate that she is so willing to share her expertise.

      If tapestry weaving seems more approachable, then I’ve accomplished one of my goals. Thanks!

      Happy weaving,
      Karen

  • Joanna says:

    Hi Karen, thanks for another great post. Joanne’s wildflower tapestry is a marvel. I’m wondering where she managed to find so many colors in what appears to be the same weight of yarn. Was it perhaps woven in the era of the famous Paternayan yarns (gone now and sadly missed)?

    • Karen says:

      Hi Joanna, That’s a great question about the yarn. If Joanne sees this maybe she will leave a comment.

      In the workshop we used mostly 6/2 Tuna wool and 6/1 Fårö wool. We made butterflies with the equivalent of 4 strands of Tuna wool. Using several strands together introduces great ability for variety of color and shading.

      I agree that Joanne’s tapestries are marvels.

      Happy weaving,
      Karen

      • Joanna says:

        Back in the day I did a lot of needlepoint using Paternayan Persian wool yarn. The yarn came as 3 strands of 2-ply yarn and that put-up, combined with an incredible color range, enabled the stitcher to create the exact shade needed. It spoiled me. Do you know the date of JH’s wildflower tapestry?

        • Karen says:

          Joanna, I’m sure your needlepoint images were spectacular!

          Joanne Hall’s Texas Wildflowers tapestry was installed the summer of 1995.

          Karen

    • Anonymous says:

      Hi Joanna,
      As Karen said, we used 2 ply Swedish wools, Tuna, 109 colors available from Glimakra. We can extend the color choices by also using the Faro yarn,an additional 74 colors, using two strands as one. I did some dyeing for the Texas Wildflowers tapestry, as it is hard to get clear pastel colors.
      Joanne

  • Amazing. Beautiful.
    Right place. Right time. The rose path warp on my loom is exceeding my filler on some rag rugs. This technique has inspired me to weave the last rug as a tapestry in a simple design from stringers of red currants.
    Always an inspiration. Always a blessing.
    Thank you.
    Nannette

    • Karen says:

      Hi Nannette, I would love to do some tapestry rag rugs at some point. I was thinking about that earlier this morning. Good for you!

      All the best,
      Karen

  • Cindy says:

    What a treat to open your blog for the first time since I signed up and see my little pear! I had so much to learn and Joanne stuffed as much as she could into my sponge of a brain. Not sure where it will lead, but such an intriguing path!

    • Karen says:

      Hi Cindy, Your pear deserved to be seen! It’s good to go as sponges. It will be interesting to see where all this leads!

      All the best,
      Karen

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