When I pick up a color of thread I don’t want to have to guess if it’s the right color. Four of the five blues in the weft sequence are close neighbors in value. The one color that is easy to identify is the navy blue, which provides a good contrast among the blues.
The weft order matches the warp order, and is marked out on a ribbon. I am using a separate boat shuttle for each shade of blue. But how do I know which color is which, when the difference is subtle from one color to the next?
Simplify Subtle Color Changes
Give each color a number. Write the numbers next to the colors of the warp order on the Project Notes.
Label the thread tubes with a small piece of blue painter’s tape. Each tube of thread is numbered to correspond with the numbers on the Project Notes.
Label each boat shuttle with its assigned color number, using a small piece of blue painter’s tape.
Place wound quills under the rubber band of their respective thread tubes.
It is easy to keep track of these five numbers as I follow the weft sequence that is marked on my reference ribbon. Now, it’s shuttle #4’s turn…
I distinctly remember the thrill of weaving my first two-block twill on eight shafts. It was a linen table square woven on a Glimåkra Standard loom in Joanne Hall’s delightful Montana studio. That classy linen table square came home with me, …and my first floor loom came soon after–a Glimåkra Standard of my own!
I can still hear Joanne’s gentle instruction about holding the shuttle. “Palms up.” This way is easy on the hands and wrists. I’ve had considerable practice since those lessons in Montana. Now, I send the shuttle across the warp and catch it securely with ease. That same two-block twill “Linne” pattern is on my Julia loom now, bringing back those fond memories. It comes as no surprise that watching threads on eight shafts become woven cloth is just as thrilling now as it was that very first time.
Deliberate hands send the shuttle through the shed, and receive it as it comes through to the other side. God’s hand is faithful. Trust-worthy. Think of his hand as open, palm up. Carrying, sustaining, and holding us securely. Trust puts us into the Lord’s faithful hand.
Take a short stroll through our home and you will see and touch linen in all its superb versatility. Linen warp and weft speaks of elegance. Yet, this natural fiber is right at home with ordinary daily living. Linen, oh, how it sings!
I am thrilled to be dressing the Julia now with 16/2 linen on eight shafts. We will have another linen highlight to grace our home—a table runner for our dining room table.
Is there anything more vibrant than the sheen of linen saturated with color? And, have you noticed that plain unbleached linen is anything but plain? Linen fills both ends of the spectrum—glowing exuberant color and natural wrinkled humility. Linen, oh, how it sings! There’s always room for more music in the home.
The blue threads for this project are delightful! Four shades of blue, from pale blue to sapphire, play across the warp, accented with navy blue stripes. Lucious 8/2 cotton is threaded in eight-shafttwill. The hand of the fabric will be well suited for the chair arm- and headrest- covers I have planned. This blue color sequence is the winning combination from the thread wrappings I showed you in October. (See Warp Sequence Planning.)
My warp planning had a calculation error. I went on my merry way, winding the warp, beaming the warp, and threading the heddles. Until, …Surprise! I have three extraends left after all the heddles are threaded. Fortunately, there is grace at the loom. I pull the navy blue border threads and three light blue threads out of their heddles and re-thread the navy blue border stripe. The three light blue ends will hang off the back, unused. All is well.
Grace is like that. We mess up, find and admit our wrong, and the Lord Jesus forgives, granting us a new start. When we are wrong we need grace. What about when others are wrong? When the errors of others affect us, what shall we do? Forgiveness is our only option. There is no good reason to hold those error threads and weave them into our fabric.
I waded into deflected double weave for the first time. It took me one full scarf to figure out what I was doing. By the second scarf, I had a much better sense of how the pattern fits together and what to do with the shuttles (most of the time). Both scarves are quite imperfect (no one will ever know…). The loom behaved perfectly, though. This is my Julia’s first project using all eight shafts. Now, I know that this sweet loom is up to any challenge I give her.
By the way, I like the finished airy scarves, even with their flaws.