Drawloom Rag Rug Color Transition

This is a huge project. Four shades of blue from dark to light span the nearly one-and-a-half-meter-long rug. I have reached the final color-transition section. I am eagerly awaiting the day this rug will be rolled out!

Rag rug on the drawloom. Color transition.
Transitioning from one color to the next.

My measuring ribbon shows me where to make the color changes. I alternate two weft colors (C and D) through the transition area to blend the hues. All the while, I stop after every half-unit of four picks to manage the draw cords. A graphed chart tells me exactly which of the 164 draw cords to pull or release. In this way the graphic designs are woven into the rug, row by row. I weave in quiet, allowing me to put full attention on each move.

Drawloom rag rug.
View of the underside of the rug as it goes from the breast beam to the knee beam.
Single unit drawloom rag rug.
Draw cords are arranged by tens, alternating black cords and white cords. I pull the cords as they correspond to the prepared chart hanging at the left side of the loom.

We need hope in these unsettling times. Jesus invites us to admit our fears and failures, and put our trust in him, and follow him. And this is the message Jesus gives his followers: I am always with you. The Lord gives strength and courage. As our Grand Weaver, he has his full attention on us. So be strong and take courage.

May you have hope that lasts.

Love,
Karen

6 Comments

  • Linda Cornell says:

    Thank you for the words of encouragement today.

    God bless you.

  • Linda Adamson says:

    Please send a photo when the rug is finished. Happy Easter! He is risen!

  • Nannette says:

    Pretty colors. I noticed the pattern is reversed on the back. Or, is there an actual back once it is cut from the loom?

    We now have a Palm Sunday grandson. He came quickly. 15 minutes from leaving the house.

    In their hospital, dads were allowed in with admission, but have to stay the entire time. They are not allowed in if they leave. This is where modern technology comes to play. 31 seconds of video played over and over by the toddler who is fascinated by his baby brother.

    We are watching the toddler and entertaining him with driveway chalk art. The neighbors are enjoying this as much are he is.

    The stories to be told at future Thanksgiving tables…. none of which are relevant to your beautiful weaving. Except… the enjoyment of God’s gifts.

    And of course. This is Wisconsin. The game playing with this year’s election. It makes my head hurt.

    This is a remarkable Holy Week.

    Thank you for making the world a better place.

    • Karen says:

      Hi Nannette, You are correct, the pattern is reversed on the back. Who knows, maybe I’ll use the back as the main side. Or, probably flip it over from time to time.

      I’m glad your new grandson had a healthy entrance. Congratulations!

      With resurrection in mind,
      Karen

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Tried and True: Designing with Fibonacci

Before starting, I sketched out several versions of the finished blanket, showing different sizes and arrangements of the rectangle blocks. My favorite version is one with a random look. This twelve-shaft double weave has three blocks. Block 1 is a solid color across the warp. Block 2 has a narrow, vertical contrasting rectangle. Block 3 has a wide, horizontal contrasting rectangle. The warp threading determines the width of the rectangles. But the height of the rectangles is determined by the treadling pattern. I decided to use a Fibonacci sequence of numbers in random order to guide my treadling options as I weave.

Double weave blanket.
Rectangles vary in size.

Low-Tech Random Fibonacci Sequence

1 Determine the desired range of the Fibonacci sequence. 1, 2, 3, 5, 8, 13

2 Determine the number of repeat options for each block (one repeat is 4 picks per double-weave layer).

  • Block 1, solid color – 2 repeats every time
  • Block 2, narrow rectangle – 2, 3, 5, 8, or 13 repeats
  • Block 3, wide rectangle – 1, 2, 3, or 5 repeats

3 Write each number of the sequence on individual squares of paper. Make three sets of these numbers. 1, 2, 3, 5, 8, 13

4 Fold each paper square in half and place in a container at the loom. Mix thoroughly.

Designing with random Fibonacci numbers. Low tech!
Fibonacci numbers are ready for eyes-closed random selection.

5 Randomly select a paper square to reveal the number of repeats for the next narrow or wide rectangle block.

Fibonacci numbers as design tool.
Assignment for the next rectangle block – three repeats. The lines indicate that this number can be used for Block 2 (narrow, vertical) or Block 3 (wide, horizontal).

For this blanket I have a woven hem and border, and then two repeats of Block 1 (solid color) between alternating Block 2 (narrow) and Block 3 (wide) rectangles of varying heights.

Double weave wool blanket.
Back side has reverse colors.
Double weave Tuna wool blanket.
Block 1 (solid blue across) stays a consistent size between the white rectangles.

Surprise is built in which makes it hard to leave the loom. “Just one more block,” I tell myself…

Double weave blanket. Fibonacci for design.
View of the cloth beam reveals the variety of sizes of rectangles. Eager to see it off the loom!

May you be greeted by random (happy) surprises.

Happy Weaving,
Karen

18 Comments

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Tame the Wool

I am in Germany this week, but before I left home I started the blue wool blanket. Twelve shafts and twelve treadles is challenge enough. Double weave with a sett of 5 EPC (12 EPI) per layer in 6/2 Tuna wool adds to the challenge. This wool stubbornly clings to itself in this sett. I don’t care to fight defiant wool to get a clean shed on every treadle! I could re-sley to a coarser sett. But I want to keep the sett as is, as written for this project in The Big Book of Weaving, by Laila Lundell. Cowboy Magic to the rescue! I discovered this horse mane detangler when I wove a mohair throw a few years ago. It rinses out nicely in the wet finishing. It worked magic for me at that time. Now, with a small amount of slick detangler on my fingers I can tame these blue wool fibers. Voila! No more fighting to get a clean shed.

Cowboy Magic to the rescue to tame wool yarn double weave.
Twelve treadles means clearing and adjusting the shed twelve times just to get started. Before Cowboy Magic, I had to run my hands through the shed to clear it each time. That’s asking for trouble–and skipped threads all over the bottom layer.

Now I have something to look forward to when I get home.

Blue wool double weave blanket on 12 shafts.
Twelve shafts gives me three blocks in this double weave small blanket. I think it will be a very pretty addition to use in our little Casita Travel Trailer on cool evenings.

May you eliminate unnecessary fighting.

Weave Happy,
Karen

10 Comments

  • Beth says:

    Beautiful! Cowboy Magic is a great solution. Hope you’re having a grand time on your trip!

  • ellen says:

    it is a great idea, but i don’t understand how you use it. you put it on your hands and wipe it on the warp? while you are warping or after? do you have to wait a while before you can use it? ellen

    • Karen says:

      Hi Ellen, So far, I have been putting it on my hands and wiping it on the warp behind the reed and in front of the heddles. I re-apply each time I advance the warp. I’m not very far yet, so as I progress, I may try applying it to the warp at the back of the loom and see if that works just as well. I haven’t been waiting. I just apply it and weave.

      I’ll let you know if I change my methods as I go.

      Karen

  • Ruth says:

    Wishing you a wonderful journey in Germany. Who would have thought the detangler I use on Reno, RD and Sitka would work at the loom? Love these cross overs from one aspect of my life to another weaving it all together. My one sure common thread is Christ!

  • Nannette says:

    Hope you had a wonderful and safe Easter.

    Just curious… Would any of the hair conditioners work?

    Love the color combination

    Nannette

    • Karen says:

      Hi Nannette, I have wondered the same thing–whether other hair conditioners or detanglers would work. I think they would, but I went with something I had heard from other weavers. I thought about trying a detangler for children’s hair, as it would probably be mild.

      Karen

  • Joan says:

    Do you think that there would be less stickiness if one used 6/1 Fårö yarn rather than the 6/2 Tuna?

    • Karen says:

      Hi Joan, I think the sett makes the most difference. At this sett, 6/1 Fårö would probably give no problems, but the fabric would be a looser weave. At a denser sett, I think the Fårö would have the same stickiness issues. But it would be worth an experiment… Maybe next time? I do love that Fårö wool!

      Karen

  • […] I made an embarrassing blunder. No wonder this Tuna wool resists all my efforts. It’s the wrong yarn! Tuna is 6/2 wool—twice as thick as the 6/1 wool I should be using. Cowboy Magic won’t solve this sticky problem. (I thought it would, as I expressed in this post: Tame the Wool.) […]

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Beaming Double Weave

This is double weave on twelve shafts. One layer is the gorgeous lapis lazuli blue. The other layer is neutral almond for contrast. I am spreading and beaming this 6/2 Tuna wool warp with two sets of lease sticks—one set for each layer/color.

Big fat warp chains. Tuna wool for double weave.
Big fat warp chains. Double weave on twelve shafts, with 6/2 Tuna wool for warp and weft.

When you have two sets of lease sticks, though, it is a serious challenge to get the two colors to alternate correctly as you move the end loops to a separate stick. The ends on the stick are then transferred to the back tie-on bar. I did breathe a sigh of relief when everything was finally lined up and in order.

Double weave. Ready to beam the wool warp.
Two sets of lease sticks carries the challenge of having clear visibility of the lease cross in both warp layers. After one or two do-overs, all the yarn is successfully moved to the back tie-on bar. Moving from right to left, I separate and straighten each warp end on the tie-on bar. Only a few more left to straighten.
Ready to beam this wool double weave warp.
Back tie-on bar all in order. Now ready to move the pre-sley reed to the beater and begin beaming the warp.

And I’m reminded again how beautiful a beamed warp is. It’s worth the challenges.

Tuna wool warp on Glimakra Standard.
Warp beam and back beam show the beamed warp.
Wool warp separated into threading groups.
Separated into threading groups for the next phase of dressing the loom.

That beautifully ordered wool on the back tie-on bar, now hidden from view, is an essential element for quality handwoven cloth. Kindness is that way. It’s a core trait deep in one’s character that is revealed in interactions with others. Kindness makes you beautiful. It’s not something you try to be. It’s something we wear. It’s our inner being dressed in the character of Christ.

May you be dressed in kindness.

Affectionately yours,
Karen

4 Comments

  • So much more to learn.
    Thank you for showing the way.
    Nannette

    Off topic… My goal today is to post photos of the Wasaukee February 15, 2019 snow fall that the fuel truck had to deliver to. And my Yooper husband played in. Thank you for the the intense color of your post. White on white is nice in small doses.

  • Elaine says:

    Beautiful! What are you making? And, what is on the back beam? It looks white and the beam looks wider. Your posts are inspiring in so many way. Thank you

    • Karen says:

      H Elaine, Thank you!

      You may be referring to the aluminum beam cover I have on the back beam (I have one on the breast beam, too). It protects the wood from getting grooves in it from the beam cords that run over it while beaming the warp. It’s a normal-size back beam, but I can see how the aluminum cover makes it look wider.

      I’m making a small wool blanket.

      Happy weaving,
      Karen

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Tied On and Tied Up

Our transition to Texas hill country is finalized this week! The looms and I will be residing in the same house again. Let the weaving resume! One loom is dressed and waiting for me. Tied on above, and tied up below. Ready to weave!

The warp is tied on to the front tie-on bar in 1-inch bundles, with 1/2-inch bundles at the selvedges. And then, I add the leveling string which makes it look neat and tidy and READY.

Leveling string flattens and evens out the warp for no-waste weaving.

Warp is tied on to the front tie-on bar. Leveling string flattens and evens out the warp for no-waste weaving.

The upper and lower lamms are positioned, and the treadle cords are added and secured. It’s fascinating how simple and basic the whole system is. And how something this simple and basic can be the framework for boundless creative expression.

Under the warp. Intriguing view.

I sit on the treadle beam when I position the lamms, and then place the treadle cords in their holes. I’m always intrigued by the view of the warp and heddles from this vantage point.

Treadle cords on eight shafts.

Treadle tie-ups don’t frighten me. It all makes sense, and is part of the loom-dressing process that I enjoy.

If we think of prayer as something that gets us out of a crisis, or words to say in order to get what we want from God, we miss the whole point of prayer. And we face disappointment. Prayer always works. The work is not our clever words, nor the checking off of our wish list. Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. We pray because we trust him. Christmas—the birth of Christ—shows us that God always steps in at the right time.

May your framework be sure.

Advent greetings,
Karen

8 Comments

  • Sue Hommel says:

    Beautiful words to awaken to this morning Karen! I’ve recently added a countermarch to my studio, and I believe your blog and joy with your Glimakra helped me in my quest for the right loom to add. I chose the Julia and after some panic at the prospect of having to build it, I just took one step…then the next, and finally, I’m weaving and loving its simplicity and design. Looking forward to see what your new warp will become!

    • Karen says:

      Good morning Sue, How exciting! The simple beauty and functionality of these looms make them a joy to weave on. They also provide a constant learning experience, which is a good thing. There’s always a discovery just ahead!

      Happy weaving,
      Karen

  • Susan San Martin says:

    I love my Toika countermarche for the same reason: simplicity, plus an endless opportunity to adjust the loom . It is easy to understand how to fiddle with the sticks after awhile. The loom expresses the deep logic of creation!

  • Anneloes says:

    “Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. ”

    Would you believe that this was the exact thing I’ve been praying over these last few days? Beautifully written.

    Before I started weaving, I thought dressing the loom would be a tiresome process to rush through in order to dtart the REAL weaving. But it turned out to be my most favourite part of weaving, and every bit as real.

    Thank you again for your beautiful words and pictures.

    • Karen says:

      Hi Anneloes, I’m constantly amazed at how the Lord ties things together for us!

      I can relate. I was afraid that dressing the loom would be too complicated or difficult to do. What a pleasant surprise to find it so rewarding and not hard at all! It’s a joy.

      I appreciate your thoughtful comments.
      Karen

  • Martha Winters says:

    Hello, Karen,
    I have learned so much about weaving, and how it relates to life, from your blog. Thank you for sharing your insights and reflections so freely and beautifully.
    I would love to know a bit more about the ‘leveling string’ at the start of your warp. I’m not familiar with this and it looks quite useful for evening out the threads from the get-go. Much appreciation for your knowledge and awesome weaving!!

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