Typical Questions for a New Warp

I have questions galore as I begin a new warp on the combination drawloom. Is this the best sett for these threads? How are my sheds? What will orange-ey weft colors do on this pewter and blue warp? Is the image of this first design better face up, or face down? How can I include a couple extra colors in the design? The loom is set up with 45 pattern shafts and 148 single units. I’m eager to begin!

Combo drawloom with 45 pattern shafts and 148 single units.
New drawloom warp.
Myrehed Combo Drawloom attachment.

Sampling at the beginning of the warp gives me answers. The sett is good—18 ends per centimeter, with 16/2 cotton in 6-shaft irregular satin. After some tweaking, the sheds are good—and all the treadles touch the floor when the optimum shed is reached. The weft colors look good—better than expected. And, definitely, the jam jars need to be face down—so, I reverse the image in Affinity Designer on the computer and print out a new chart. I can sneak in some extra colors with narrow weft stripes—beginning and ending borders. I’m ready to roll! New kitchen towels in various designs are moving forward! First up…Peach Jam Jars.

Testing colors on new drawloom warp.
Mirror shows reversed side of drawloom fabric.
Jam Jars drawloom pattern.
Design is reversed for the drawloom.
Testing patterns and colors on new drawloom warp.
Beginning first towel on drawloom warp.
Ready - Sett - Go! New towels on the drawloom.

~It is a joy to have you visit with me every week! It is time for my annual pause for the month of July. I’ll see you back here on Tuesday, August 3, 2021.~

Until then, may the Lord bless you and protect you; may the Lord make his face shine on you and be gracious to you; may the Lord look with favor on you and give you peace.

May your questions get answered.

Happy Weaving,
Karen

Tapestry of the Heart

It is a daunting task to weave a tapestry of an important person. Do I have enough skill to give what this project deserves? I started with a photograph of a beautiful woman in her eventide years, and made a workable cartoon. The person in the picture is someone who has significantly influenced my appreciation of beauty all around. This is my mother.

Tapestry weaving that starts with a photo of a beautiful woman.
Photo enlargement is printed and taped onto poster board. I keep it near the loom for reference while I’m weaving.
Planning a new 4-shaft pictorial tapestry!
Cartoon replica is printed and taped to foam board. I plan out butterflies for the first few rows of the tapestry and pin them in their place on the picture. Yarn overflow is on the windowsill beside the loom.

In preparation for the tapestry, I have been weaving sample areas of the cartoon. The eyes, the chin and neck, the mouth, the edge of the ear. The biggest lessons I’ve learned are to exaggerate contrasts in value, and to dull the colors that are adjacent to colors that I want to appear bright. It’s time to step out and give myself to the task. This is where I aspire to show more than the unique features of my mother’s face. It’s where I show her heart.

Beginning wool butterflies for a new tapestry.
First row of the tapestry has only four butterflies. Additional butterflies are added gradually over the next few rows. (Tapestry begins with a few rows of white 6/1 tow linen.)
Weaving a pictorial tapestry of this lovely woman.
Printed reference cartoon helps me check my work as I go along. The cartoon that is under the weaving on the loom is not only larger, it is printed at a lighter setting, which makes a better weaving guide for me.

A generous heart always has enough. Giving out of our surplus is not generosity. However, if I give you what I’d rather keep, I give you some of myself. Give time, resources, support. Share talents, fascinations, insights. Mom, thanks for giving me so much of yourself.

May your loved ones benefit from your generosity.

With gratitude,
Karen