I allowed the remaining warp to sit on the loom for a little while after cutting off the Eye of the Beholder tapestry. It crossed my mind to be completely done with it. Go ahead, discard the bit of warp that is left, I told myself. But this is linen. I have a hard time discarding linen.
The warp on the loom is threaded in rosepath, with a coarse sett of 3 ends per centimeter (7.5 ends per inch). The potential weaving length is no more than 20-30 centimeters. Then, the “what if” happens. What if…I use leftover butterflies from the tapestry as weft for a short rosepath design? One thing leads to another. Now, I have a new favorite purse. The tapestry memories live on!
I can follow a published weaving draft to the letter and expect to get the prescribed results. Or, I can change details and make the project reflect my own ideas. That’s creativity. And that’s why each handwoven piece reveals something about the one who made it.
With every given draft, I determine the width and length for the project I want to weave, and make adjustments accordingly. That may mean adapting the threading sequence to fit. Sometimes I choose a different size of thread. In that case, I change the sett, as needed. Treadling variations also come into play as the fabric takes shape according to my preferences. I almost always choose my own colors. It’s in the colors that I find the most enjoyment of letting my creativity flow. What is your favorite element for creative expression?
Creative ability is meant to be an expression of wisdom. Wisdom is a combination of things—experience, intellect, understanding—all put into practice. What you create makes your inmost contemplations visible. Each individual’s creativity is a small example that points to the most astounding example of all. Our Creator reveals his supreme wisdom in every facet of his creation. And you are a prime example of his wise attention to detail.
I started planning this tapestry portrait of my mother one year ago. As I was concluding her portrait on my loom, it became evident that her real-life tapestry was also coming to a conclusion. I arrived at Mom’s bedside with the portrait in hand, warp ends dangling. Her smile in that cherished moment is one I will never forget. In the days that followed, she quietly slept. I silently braided the warp-end edging, trimmed the tails on the back, stabilized the tapestry through the lining, and stitched the lining in place. I carefully secured the last stitch. In the wee hours of the next morning, while she was asleep, the Lord Jesus called my mother home. Tapestry complete. Beautiful.
Eye of the Beholder is about my mother who taught me to appreciate beauty. This is a portrait of a woman with an eye for beauty, with beauty in her eyes.
I humbly share my process of weaving Eye of the Beholder in this video:
The contours of the face are more evident now that the lips are in place. Every cartoon line requires decisions. Shift the color at thiswarp end?…or, one over? Does this butterfly have too much pink?…maybe it needs more pink? The portrait image happens almost invisibly, thread by thread.
I step back often so I can see what I am weaving. Up close, the details are obscure. I step up on the loom bench (very carefully, holding on to the top of the loom) and look through the back end of my binoculars. A distant view of the tapestry comes into focus. It’s encouraging! I can clearly see that the details are working out.
We may be too close to our own circumstances to see the details clearly. We make decision after decision, and we hope against hope that things will turn out okay. How can we know what is right? Step away to pray. Slip away with the Lord Jesus to get His view on things. Only when we consult a higher view can we see the bigger tapestry that the Grand Weaver is creating. Prayer, as a conversation with the Lord, helps us see that the details are working out according to his purpose.
When you want a better photograph you snap another picture. When you want a better tapestry you take out what you’ve woven and weave it another way. I recently showed you my progress on the tapestry of my mother. (See Tapestry of the Heart.) As I viewed the tapestry in photographs I could see that the 6/1 tow linen that weaves between the rows of wool was too bright. The golden bleached linen is lovely on its own, and melts into the background on the sides of the portrait. But this bright linen draws undo attention to itself within the darker portions of the tapestry because of the stark contrast. The day after that post I undid everything back to the starting line.
Undoing a few weeks of tapestry weaving is not physically hard to do, but making the decision to undo it is hard, indeed. Since then, I have been weaving every day to get back to the point where I stopped everything. This time, I am using a different color tow linen that will make all the difference.
Now, instead of golden bleached, the linen thread is a golden beige that disappears into the fabric, while holding everything together. Come to think of it, that is an apt picture of a mother’s influence.