It is the smallest of details that set handwoven towels apart from ordinary towels. With that in mind, I am writing some detail notes in the margin of my project notes. Borders: Towel 1 – sea blue, apple green – contrast thread – ultramarine; Towel 2 – ultramarine, sea blue – contrast thread – maize; Towel 3 – apple green, ultramarine – contrast thread – sea blue; Towel 4 – dusty, sea blue – contrast thread – apple green.
There are seven colors of cottolin in the warp, and the same seven colors in the weft, just like the accompanying hand towels I completed in April. (See Process Review: Jubilation Hand Towels.) Narrow warp-wise and weft-wise stripes of broken twill produce interesting patterns in the cloth. The deep borders I am planning on the bath towels give me a chance to add simple details that only a handweaver can do.
Have you ever identified a master craftsman by the specific details that show up in the hand-crafted article? In the same way, we can recognize our Maker’s hand through the magnificence of the details we see in each other. You are his masterpiece. Hand-written instructions guide the details. When we come to the Lord as our Maker and Redeemer, we find his hand-written details woven into our hearts, something only the Grand Weaver can do.
The reel spins ‘round, ‘round, ‘round one way, and then ‘round, ‘round, ‘round back the other way. Rhythmic, mesmerizing, and strangely soothing. Counting, as I wind two ends at a time, I find myself whispering “2, 4, 6, 8, 10, 12, ….” The warping reel is one of my favorite pieces of equipment. This warp has seven colors of 22/2 Cottolin for bath towels which are to accompany the hand towels I recently made. I am winding this in four bouts, and there are different color changes in each bout.
I marvel at the combination of thread colors as I chain each bout off the reel. The warp chains look beautiful. They always do. Warp chains are dreams in the making, where anything is possible. Haven’t you dreamt of handwoven bath towels?
When we listen closely, we can hear the inaudible. Our hearts can hear the softest whisper. “2, 4, 6, 8, 10, 12, …” Even the hairs on our head are numbered by the Grand Weaver who planned our existence. Our days are numbered, as well. And when our heart is listening, we can hear the quiet whisper of the Lord Jesus, “Are you weary and burdened? Come to me, and I will give you rest.”
I am getting ready for Christmas. When I was a little girl, my Aunt Helen made a Christmas tree skirt for our family. It was a simple white felt skirt, with added colorful felt silhouettes depicting Christ’s Nativity. I want to reproduce that Christmas tree skirt using handwoven fabric. This fabric on the Ideal loom will be the base of the skirt. I will use some of my myriad handwoven fabric remnants for the colorful Nativity appliqué.
The warp is unbleached 8/2 Möbelåtta wool. The weft is bleached 6/1 Fårö wool. The 6-shaft point twill fabric is delightful. Perfect for what I have in mind. It is peaceful, soothing, restful, and calm. You can see that everything is going to be all white.
There is a time for color, action, and noise. But we also need a time for serenity, stillness, and quiet reflection. Going alone to sit in the Lord’s presence gives us just that. It is there that we can pour out our heart in prayer. The Lord meets us where we are when we pray. And He tells the trusting heart that everything is going to be all right.
The towel that was woven without floating selvedges is the same towel that received the most votes. Towel #2!
It seems counterintuitive that weaving twill structures without floating selvedges could produce a pleasing edge. But most of the time the small floats that appear at the edge are inconsequential, especially after wet finishing. (By the way, I am weaving the white point twill mentioned above without floating selvedges, as well.)
There are two questions I hear most often. 1.How long did it take?2.What is it going to be? These are hard questions to answer. I admit that I stumble around to find satisfying answers. 1. How long? Hours and hours. 2. Cloth. It is going to be cloth. What will the cloth be used for? I don’t know. But when I need a little something with a pretty design, I’ll know where to find it. There are two finished pieces, though, from this first drawloomwarp: the Heart-Shaped Baskets table runner (adapted from a pattern in Damask and Opphämta, by Lillemor Johansson), and a small opphämta table topper that I designed on the loom. The rest are samplers, experiments, tests, and just plain fun making-of-cloth. Oh, and I wondered if I could take the thrums and make a square braid…just for the fun of it.
I will let the pictures tell the story of this first drawloom warp.
May you have plenty of things to make just for fun.
Pulling the draw handles for each four-thread unit of weaving is like doing counted cross stitch on the loom. I enjoyed cross stitch in the 1980’s and I am enjoying this drawloom version now. Very much. I started this Heart-Shaped Baskets table runner on Valentine’s Day—a fun way to celebrate the day!
Like weaving on any floor loom, I want to have consistency in my beat and in my selvedges. Inconsistencies in these basics can detract from the drawloom imagery of the final cloth. The main thing is to keep paying attention. And keep joyfully pulling those draw handles to create more hearts of love.
Grace is a gift of favor, not an earned reward. Forgiveness is the giving of grace. And gratitude results from receiving grace. Grace makes us graceful. Giving and receiving grace with consistency is what we’d like to see in ourselves. That’s when the love of God, in whose image we’ve been made, is most clearly seen in us. So we practice what we know to do. And pay attention. And keep joyfully weaving a heart of love, by God’s grace.