Come, look over my shoulder as I weave a windmill and taildragger image on the drawloom. The central design is woven using 103 single-unitdraw cords. I have a simple motif for the borders that uses only three pattern shafts. In the video below, watch as the three draw handles for those pattern shafts appear and disappear throughout the weaving.
I recorded my weaving in time-lapse form so you can watch three hours of effort compressed into three-and-a-half minutes. In the video you will see my hand pulling the draw cords, and then touching all the pulled cords from right to left to double check my work. That double checking saved me from dreaded do-overs.
When our good friends, Jerry and Jan, saw my drawloom they brought this picture to my attention. — Forty years ago Jerry discovered the silhouetted windmill and airplane tucked away on a back page in an old issue of Flying magazine. Because of his affinity for airplanes and windmills he cut out the tiny picture and saved it. Years later, Jan found the picture and had it enlarged and framed. — After learning about my loom’s pictorial capability, Jerry and Jan wondered aloud if this special image could be woven on a drawloom…
Why sample? It means using morewarp and weft. And it means waiting longer to start to the “real” project. What do I gain from it, anyway? Is it a waste of resources and time?
I can’t imagine putting on a warp that didn’t have room up front for sampling. There’s more than one reason to put on sufficient warp to weave a sample. It makes perfect sense, especially if there is anything new or unfamiliar about your planned project.
Five Reasons to Add Extra Warp for Sampling
1 Space to play. I want plenty of room to play, and to practice techniques that are new to me. 2 Room to try out designs. By weaving a portion of my designs, I am able to determine what works, and what adjustments need to be made. 3 Warp for testing weft colors. Only when woven can I see the full effect of each potential weft color. 4 Time to gain a consistent beat. When I start the main project, I want to have woven enough to be able to “feel” how firmly or softly I need to move the beater. 5 The best reason of all! It’s always good to have enough warp on the loom that you can invite friends and family to enjoy some weaving time. …Before your main project is in progress.
Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizardtapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.
I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year.Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.
2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.
As Steve and I sign off little by little from activities and responsibilities here in Houston, the taste is bittersweet. Bitter, because moving away from time-tested friends is heart wrenching. Sweet, because an unknown exciting adventure awaits. Bitter, because unknown is uncomfortable. Sweet, because heart-connected friendships are treasures that distance can’t destroy. Bittersweet, but not bitter-ness, or sugary-sweet pretense. It’s life. Texas hill country living and Casita adventures are less than a month away! It’s all good.
May you have friends by your side when you face bittersweet seasons.
Though small, this pocket-sized tapestry took a few months to complete. A car ride here, a coffee shop there, a move across town, and an imminent move across the state—this tiny tapestry has been in the background through it all.
The weft tails are neatly trimmed, but the back is completely exposed. I’m not weaving the tails in this time, nor covering them with a fabric backing. Just hold the tiny tapestry in your hand and feel it. Remember that all the pleasant color distinctions and pick-and-pick samples on the front side have a back side, too. True, the back doesn’t make as much sense. However, I want my friend who is receiving this to see and touch the heart of the weaving.
Steaming the tiny tapestry. 12/6 cotton warp pulls together nicely as the back of the tapestry is steamed.
This is a picture of grace. Look at the heart of the matter. We so often rely on the rules. Break a rule, and you’re condemned. But Jesus is interested in the heart. A pure heart doesn’t stand condemned. This is why the gift of his forgiveness is so wonderful. God knows the exposed messy side of our tapestry. Yet, his grace sees us as perfectly covered by Christ Jesus himself.