This Myrehed combination drawloom continually fascinates me. It’s all about raising and lowering threads in a purposeful way. Pulling pattern-shaft draw handles for the borders is the easy part. The single units in the body of the towel, however, capture my focused attention. Consistent precision—that’s the secret to completion.
This second towel in the Snowfake series continues the theme of softly falling snow. Meanwhile, Texas bluebonnets, wine cups, varied bright yellow daisy-type flowers, and mealy blue sage are springing up through hard ground all over our backyard. And Thursday morning I spotted the first gaillardia bloom—previewing the next wave of color.
I am acutely aware that you may be experiencing a lingering cold season, and may even yet have snow on the ground. I’m not just referring to weather and flowers. Real-life struggles. Let me assure you that spring is coming. Have faith in the one who raised Jesus from the dead. Your faith captures the Lord’s attention. He brings new life out of hard ground. And the white of falling snowflakes remains a pleasant reminder of his grace. For all who call on the name of Jesus, the grace of his forgiveness falls over us to make us clean, as white as softly falling snow.
Snow in Texas Hill Country is minimal. To make up for it, I am putting together a virtual snowstorm—four Christmas Snowflake towels on the drawloom. Each towel has three large snowflakes at the bottom and top borders. The body of the towel has delicate snowflake crystals drifting to the ground.
Starting with Selbu Mittens: Discover the Rich history of a Norwegian Knitting Tradition, by Anne Bårdsgård, I transpose Nordic star patterns into drawloom graphed designs. Affinity Designer (graphic design software) takes the place of graph paper for me. Being vector graphic design, it enables me to make changes without having to start over. I can easily move, separate, copy, and/or transform elements as I work through a design. I print out exactly what I need, scaled up in size without losing clarity, in a format that enhances my ability to make the right moves at the combination drawloom.
We have a faithful designer. Our Grand Weaver creates his image in us. He moves, separates, copies, and transforms elements in our lives until his image clearly shows. It takes a lifetime. The Lord is faithful. Since he has brought us this far, let us also be found faithful to him, conforming to his image.
I’m in my own little world when I’m at the drawloom. No podcasts, no music going, no interruptions. It’s all deliberate focused attention on this thing I’m doing—following the chart row by row, drawing handles and cords, imprinting trees into cloth. It’s a delightful experience that I don’t want to end.
The simple tree design is scattered across the fabric using the single unit draw system. At the start of this towel, the same tree design was woven on the side borders using the pattern shafts. With this combination drawloom I combine single units and pattern shafts to work in complex harmony, as an expression of my creativity.
The Lord is ready to give us his focused attention. Our complexity is no threat to him. When we allow him to direct our hearts, pulling cords at the right place to imprint his will in us, he faithfully completes the work, to the very last detail. The Lord embraces those who fully trust him. His unseen designs become visible in the lives of those who belong to him. We can just imagine the delight this brings to our Maker.
I intended to weave this part quickly, and move on. But when I noticed I could see the end of the warp I changed my mind. I’m going to do something that will slow me down—inlay. It’s something I’ve been thinking about doing. Now’s my chance before I run out of warp.
I am adding blue 16/1 linen inlay to the center motif. The same color blue is laid in at the center motif on the side borders, as well.
Draw the pull-handles for the borders – draw single unit cords – throw the shuttle – lay in the blue thread – throw the shuttle and lay in the blue thread two more times. Move up one row on the chart, and follow the same sequence as before. Ever so carefully, learning as I go. Delightfully slow as molasses. Intently paying attention, and thinking about what I would do differently next time.
Changing your mind changes your direction. When the Lord sees our thoughts turning in his direction, he reveals more and more of himself to us. Like small lines of color added a row at a time, the image becomes more and more distinct. With the warp we have remaining, there is still time to see the Grand Weaver’s image woven in us.
“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.
Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.
Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.
Weaving Continuum ~ The cycle for each loom that is continually repeated.
When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.
First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.
Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.
Give Thanks ~ Live with a thankful heart.
Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.