Wild Turkey and More

Three looms are active right now. The drawloom has the napkin project, with a wild turkey on this one.

Wild turkey feet and legs weave up quickly. There are only a few single unit draw cords to pull at a time, plus one pattern shaft draw handle for the side borders.
Wild turkey feathers require many more single unit draw cords. Even the borders at this place in the pattern are done with single units. The cast shadow on the loom from the bell that hangs in the window makes a funny face at this time of day. Could be a silly turkey face? 🙂

The Julia has the wool goose-eye twill fabric that I plan to use for making myself a simple winter cape. Next winter should be here soon enough.

Wool cape fabric in goose-eye twill.

Last but not the least at all is the Glimåkra Standard with curtains for our remodeled bathroom. This is a big project and I will be weaving on this for a while. M’s and O’s is enjoyable to weave. I like the counting for the squares and stripes, and the trading off of feet that this project gives me.

Curtain fabric in M’s and O’s is winding up on the cloth beam.

Happy Weaving,

Karen

Goose-Eye Squares in Wool

I like goose-eye twill. Do you? I’ve woven it in throws, towels, and rag rugs. I am not sure why this is such a pleasing pattern to me. Maybe because it speaks of classic simplicity.

Brage wool yarn is threaded in the heddles for goose-eye twill.
Testing the pattern. I want the goose-eye diamond to be “square,” so I will weave further to get a consistent beat. Then I will count how many rows it takes to make the diamonds “square.”

I have woven goose-eye twill with and without floating selvedges. This time is without. The advantage is that I can get a cleaner edge without floating selvedges. The disadvantage is that I can get messier edges without floating selvedges. It takes me a little practice to get the selvedges just right, catching some of the outer warp ends. After I get it down, the selvedges will be pretty tidy.

Squares of goose eyes make the overall pattern for this fabric that I hope to make into a small cape for myself. I am using yarn that I had on my shelf. The blue warp stripe is a little too loud for me, but it is what it is, so I’m going to make it work.

Persistence means you keep working at it until it works. And you overlook things (like the blue warp stripe) that it’s too late to change, and make the best of it. Persistence is a virtue when we persist with right things. Persist in faith. Persist in love. And always, persist in hope. Jesus waits for those who persist in leaning on him. Let’s lean in a little closer.

With faith, love, and hope,

Karen

Big Squishy Warp Chains for Christmas

Merry Christmas! Julia is getting dressed with 7/2 Brage wool for a lovely goose-eye twill. Warp chains like this are big and squishy, just begging to be hugged.

Winding the first of two warp bouts.
Thick and fluffy warp chain of 7/2 Brage wool.
Getting ready to beam the warp. Wool in five colors for goose-eye twill.
Getting things ready to spread the warp and then beam it on.

This project is going nearly full width on this 70 cm Glimåkra Julia countermarch loom. My warping slats are exactly 67 cm. (I should have measured the warping slats before I started.) At 65.7 cm weaving width I’m asking for trouble. You can see the problem, right? Those ends can slip right off the edge of the warping slats on the warp beam. I got ‘er beamed, though, with the help of a friend. Hallelujah! The warp ends all ended up in the right place at the right time.

Successfully beamed, with less than a centimeter to spare on each end of the warping slats.
Threading the heddles is a restful, enjoyable part of dressing the loom, especially with wool this soft and squishy.

If we mortals celebrate such earthly victories, imagine the hallelujah’s that all heaven expressed when the Son of God came down to us in the right place at precisely the right time as baby Jesus. That manger in a stable in Bethlehem was not a centimeter nor a millisecond off. This was God’s plan from the beginning to come in person to bring back to himself all who would receive his offer of lasting grace. Hallelujah! The angel chorus rings out, “Glory to God in highest heaven, and peace on earth to those with whom God is pleased.”

May you see the Christmas story in a meaningful way.

Have a truly blessed Christmas,
Karen

Handwoven Scarves Embellished with Flair

You could say I finished these scarves too late. Winter in Texas has come and gone. But I prefer to think of it as considerably early. When cool weather comes back around in a few months, I’ll be ready. I began with the draft for the lovely Stardust scarf, designed by Mona Nielsen, published in Happy Weaving, from VävMagasinet, p.74. I simply substituted the yarn and colors in the book with what I had on hand.

New warp on warping reel for winter scarves.
Warp is mostly 6/2 Tuna wool, with some 7.5/2 Brage wool included.
Stripes on the back beam. What a lovely sight!
Made with yarn on hand. This means that additional stripes have been added to the plan.
Weaving by the fire in the middle of winter.
Weaving by the fire in the middle of winter. Mora 20/2, a fine wool, is used for weft.
Two new wool scarves coming off the loom!
Two scarves coming off the loom.
Fringe twisting.
Fringes are cut and twisted.

The scarves are delightful, but the icing on the cake is the addition of fluffy, furry pompoms, an embellishment with youthful flair. And that is exactly what I will put on at the first sign of autumn chill.

Making pompoms to embellish the handwoven scarf.
Some of the thrums are used in making pompoms.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time. I wrapped the yarn around 100 times, making full and thick pompoms.
Each furry ball is shaped and trimmed.
Each furry ball is shaped and trimmed. I used 8/2 cotton for the 12″ tie around the center of the pompoms.
Adding pompom embellishments to the scarf.
Each pompom is stitched to 3 – 4 twisted fringes. Seven pompoms at each end of the scarf.
Handwoven scarves with pompoms!
Now, the scarves are ready for wet finishing. Notice how you can see the separate strands of yarn in the pompoms before they are washed.
Handwoven scarves with pompoms, hanging to dry.
Scarves have been washed by hand in warm water in a large sink, with Eucalan delicate wash. I purposely gave them as much agitation as I could by hand. They are hanging to dry. Notice how the pompoms have slightly felted, making them even more soft and furry.
Winter scarf amid spring bluebonnets in Texas hill country.
Winter scarf amid spring bluebonnets in Texas hill country.

Some things are certain. The sun will rise tomorrow. The seasons will follow their schedule. The faithfulness of the Lord our God will never end.

May you dress in youthful flair.

Warmly,
Karen

My Four-Shaft Tapestry – Will it Work?

Is this going to work? Yes, I think so. I am testing things out. So far, so good. Can I follow the cartoon? Yes. Do I have a good way to hold the cartoon in place? Yes. And to put the color and value key where I can see it? Yes. Do I have enough yarn in each of the colors, values, and thicknesses that I need? No. I see some gaps, especially in the mid-to-dark value range. I am ordering more yarn today. Is four-shaft tapestry going to be as delightful an experience as I’ve long hoped? Most probably, yes! Word of the day: Yes!

Wool yarns for four-shaft tapestry.
Testing, testing. Blending of yarns, blending of colors, checking value contrasts.

Blending yarn colors and thicknesses for tapestry.
Blending yarn colors and thicknesses gives interesting results. This is practice for some of the background area of the tapestry.

Testing new approach to tapestry weaving.
Finding out if I can follow details on the cartoon. Experimenting with adding floats in places as texture to enhance the design.

Trying out four-shaft tapestry.
Will I be able to handle multiple yarn butterflies? I think so.

Practicing technique for a new tapestry on the Glimakra Ideal loom.
Testing some of the green hues for part of the main subject of the tapestry. Also keeping an eye on selvedges, so they don’t draw in.

Testing various elements before starting the *actual* tapestry.
Plenty of warp is available for practice. I want to test all the critical elements before I start the *actual* tapestry. This tapestry will be woven horizontally.

Words. I am affected by words—spoken by others, and spoken from my own mouth. Grace in our words can be an invitation of kindness and relief to someone who is testing our framework. When Christ’s words dwell in us, the richness of his words affect our being. And then, our words of yes and no are grace-filled bearers of hope.

May you see hope on your horizon.

With hope,
Karen