Handwoven Cape in Grand Canyon Colors

Steve and I plan to return to the North Rim of the Grand Canyon this autumn. When we were there two years ago we were amazed at the rich colors everywhere. Those colors are the inspiration for this wool goose-eye twill cape. It was a joy to weave these colors on my Glimåkra Julia loom, using four shafts. The process video slideshow below will show you the project from start to finish, with a few Grand Canyon views thrown in. I made a prototype cape from dark gray felt before settling on the pattern details for my handwoven material. You will see the felt cape at the end of the film. Enjoy!

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Sunset brings a hush over those who witness it. Colors, textures, and a dramatic ending to the day.
Hand-stitched lines follow the edges of the pattern pieces. This alleviates the difficulty of putting chalk or other marks on this fabric.
All the pieces are outlined with thread. I was able to match stripes in the front and on one side by carefully laying out the pattern pieces.
Machine zigzag stitches inside the thread outlines. After this, I can cut the pieces along the outline, knowing the edges are secure.
I saved this measuring ribbon for the babywrap I wove when my daughter was pregnant. The baby for whom I wove the wrap just turned 8 years old. I found the ribbon when I was looking for some twill tape to sew into the shoulder seams for stability. Perfect! Now I have some of this memorable twill tape sewn into my cape!
Blanket stitch around all the edges helps hide the zigzag stitching, as well as provide a decorative edge that gives the fabric a finished look.
Ready for autumn. And ready for the fun of wearing this Grand Canyon cape at the Grand Canyon!

May you honor the Grand Weaver who designed the Grand Canyon in all its colors and gave it to us to enjoy.

Happy Weaving, Karen

New Wash Cloths Out of Handwoven Remnant

My looms are all occupied, so it will be a while before I can weave some new wash cloths. In the meantime, I am making “new” wash cloths to replace the ones that we have used so much that we’ve worn holes in them. The pictures tell the rest of the story.

Linen wash cloths have been well loved and well used. Evidently, it is past time to make replacements. These will go in my remnants box and one day I’ll find a use for the parts that haven’t frayed.
Cotton warp, linen weft. This two-block twill was one of the first projects I ever wove on my beloved Glimåkra Standard first floor loom. I designed this fabric to make a Roman shade for our previous home. Parts of it are faded, but it is still beautiful, useable fabric. Perfect for a set of “new” washcloths.
For simplicity, I am using another washcloth to measure the size to cut for the “new” washcloths.
Cutting to size, taking into account seams on all four sides.
I probably should have pressed before cutting, but I didn’t think of it until now. The long narrow woven band was used for the pull cord on the Roman shades in our previous home. Perfect to pair with these washcloths for the hanging tabs.
First step for the mitered corners is to fold in the corner twice, and pin into place.
Second step for the mitered corners is to fold in the side hems twice and use quilters clips to hold in place.
Approximately 4 inches for each hanging tab. I zigzag the ends and then cut them apart.
Then I plan where the hanging tabs will go, testing how the cloth will hang.
Clip the hanging tabs into place.
Stitch the seams. At the mitered corner, I would like to have about four hands as I remove clips and hold things in place while I walk the presser foot around the corner. Whew!
Nearly perfect! Nobody needs to know these are secondhand Roman-shade wash cloths.
The new wash cloths are right at home between the other handwoven goods hanging on the bathroom wall.

Happy Weaving!

Karen

Why I Always Put on Extra Warp

I always put on more warp than I need for a project. That end of the warp is where I play, experiment, and try out crazy ideas, not to mention try to use up the thread from as many quills as possible. Or, for rag rugs, I try to use up as much of the weft fabric strips as I can. I have containers for those odd pieces (remnants). That is where I look when I want to make something.

Rag rug “scrap” became a seat cushion last year for me to use in the car.
Two cut-to-fit kneeling pads go in the cushion cover. I added handwoven bands for ties. The ties don’t stay tied, and they aren’t really needed. I let them hang as if they are chunky fringe.

The seat cushion I made for myself last year works great. Now I want to make a seat cushion for me to use in the other car. Time to get out that container of “scraps.”

I find four potential “scraps” to use for another cushion cover. The rag rug pieces aren’t quite big enough, but would work if I added some fabric to them. The colorful magenta and stripes piece would work as a top, with some other fabric for the bottom.
Blue striped eight-shaft twill in 8/2 cotton is just right! This is fabric I wove a few years ago for chair covers for my mother-in-law. It has a good weight to it, with quite a bit of give. And the blues are very pretty!
I am folding the piece in half lengthwise. This fabric has a pretty strong bias pull, so it makes sense to pin the seam before sewing.
Walking foot on my sewing machine makes all the difference, especially with this bias-strong fabric. The walking foot helps keep the two layers of fabric together, instead of the top layer stretching ahead of the bottom layer.
Two simple seams, and I’m finished with sewing! I am leaving the end open so it is super easy to add or subtract the fillers for the cushion. No ties this time.
Press the seams open.
Press the seams from the right side. Nothing matches at the seams because this long piece was made with intentionally irregular stripes.
Two kneeling pads are cut to fit. They will go inside the cushion cover. This gives me a good firm cushion to elevate my sitting position in the car. There is enough room in the cusion cover that I can add a little more height, or I can remove one of the kneeling pads for a lower sitting position.
Two kneeling pads go in.
Ready to Go!

Less than thirty minutes for this project, from selecting the fabric to inserting the pads. That’s exactly why I always put on extra warp! You never know when you will need an odd piece of handwoven something…

Happy Weaving, Karen

Handwoven Placemats on the Table!

Twelve green placemats are on the dining room table. Green 22/2 cottolin warp and 8/1 tow linen weft in four colors done in a two-block broken twill, woven on the Julia with eight shafts. I am deeply satisfied with the results. Now, all I need to do is to invite everyone over for a big family meal!

End of warp. Cutting off process begins.
Fabric unrolls from the cloth beam. Warping slats go every which way onto the treadles.
When I first unroll the cloth from a project that has been on the loom for a while, it is almost always “Love at first sight.” Then, I begin to question myself and wonder if the whole thing is a big mistake. The final stage is the most realistic and I am deeply satisfied with the results (usually).
Into the washing machine. The placemats have been cut apart, edges secured with the serger, and serger tails threaded back in. I carefully monitor the washing machine and remove the cloth before it hits a full spin cycle. Then, into the dryer it goes, just until damp, and then I press them till dry. This is a long time at the ironing board.
Twelve placemats ready to go! Machine hemmed and pressed.
The four linen weft colors give the placemats a softly graded look. Each one has the same two-block pattern, but each one is different because of the variance of the weft colors. Blue, green, teal, black.
Setting the table in the dining room.
Let’s eat!

I am lining things up to start my next big project that will grace our home. I’ll let you know as soon as I start winding the warp!

May you finish what you’ve started, no matter how long it takes.

Happy Weaving,

Karen

New Handwoven Band Is Just Right

I have an ample stash of handwoven bands. Still, I am making a new handwoven band that is “just right” for the strap on a simple shoulder bag I am making from a rag rug remnant. I pull several near-empty tubes of 12/6 cotton rug warp from the shelves to wind a five-meter warp. I enjoy finding bits of rug warp that can work together—all left over from various rag rug projects.

Using 12/6 cotton rug warp to thread the heddles on the Glimåkra two-treadle band loom.

I warp the band loom and start weaving. Ah, what a pleasure to make a specific strap for a specific bag! And all of it from what I have on hand. It’s a picture of the way love takes odds and ends like you and me, and finds a way to make us fit together.

Band for handbag strap is about 4.2cm wide. The warp is long enough for a handbag strap, plus a few meters extra. 🙂
Blue 12/6 cotton weft makes the selvedges look good, since it is the same blue as the outer threads on both sides of the band.
Band-loom weaving is rhythmic and relaxing. Some unevenness in the warp is evidenced by the slight curve at the fell line. I’m not worried. It will straighten itself out as I keep weaving.

It’s like preparing a simple meal for family. You figure out what you have, you scrape together what you can, and you spend time in the kitchen to put it all together. It’s not fancy, nor is it perfect. But it’s good. Love, after all, is the primary ingredient for a good family meal. Love is the primary ingredient for a lot of good things, isn’t it?

May your family meals be really good.

Happy weaving,
Karen