Mug Rugs to Remember

Knowing I would be away from my floor looms for a while, I put a narrow cottolin warp on my little Emilia rigid heddle loom to take with me. Mug rugs—perfect for travel weaving, to use bits of time here and there. I had some bulky wool yarn and a few rag rug fabric strips to take for weft. In a burst of hopeful inspiration, I grabbed a bag of Tuna/Fårö wool butterflies, leftover from my Lizard tapestry (see Quiet Friday: Lizard Tapestry) a couple years ago, and tossed it in my travel bag as we were going out the door.

Mug rugs on Glimåkra Emilia rigid heddle loom.
Glimåkra Emilia 35cm (13.5″) rigid heddle loom. Narrow cottolin warp is from a previous warp-winding error that I had chained off and saved.
Mug rugs on my Glimakra Emilia rigid heddle loom.
Blue bulky wool yarn left from a long-ago project makes a good thick weft for mug rugs. Picks of navy blue tow linen are woven between picks of thick weft on some of the mug rugs.
Weaving mug rugs on my Glimakra Emilia rigid heddle loom.
Wool butterflies for the weft are made of several strands of Tuna and Fårö yarn.

Those colorful wool butterflies turned out to be my favorite element! They not only gave me colors to play with, they also provided variety, the spice of weaving. The forgotten Lizard butterflies will now be remembered as useful and pretty textiles.

30 mug rugs on the rigid heddle loom.
The end of the warp.
Mug rugs just off the rigid heddle loom.
Rag rugs for mugs!
Rag rug fabric strips are used for a few of the mug rugs. Rag rugs for mugs!
Mug rugs ready to be hemmed.
Mug rugs are cut apart to prepare for hemming.
Making handwoven mug rugs.
Hems have been folded and pressed under. Choosing bobbin colors to sew the hems.
Wool handwoven coasters.
Wool butterflies provided many different colors.
Handwoven wool coasters woven on a rigid heddle loom.
Alternating two different colors of wool butterflies was my favorite way to play with color.
Mug rugs for gifts.
Completed mug rugs, ready to be sent out as gifts.

How do you want to be remembered? Like my tapestry-specific butterflies put away on a shelf, our carefully-crafted words will soon be forgotten. Actions speak longer than words. Our deeds of faithful love will outlive us. Our actions that reveal the kindness of our Savior will stand the test of time. And that is a good way to be remembered.

Coffee or tea, anyone? Handwoven mug rug.
Coffee or tea, anyone?

May you be remembered for your deeds of faithful love.

Happy Weaving,
Karen

15 Comments

  • Joyce Lowder says:

    Very lovely Mug Rugs, but even more, your words of faith and encouragement! Thanks for sharing your skills and your faith! Very inspiring! God Bless! 🙂

  • Karen says:

    Amazing! Love the usefulness of leftover yarn!!! Even the small butterflies! Lovely!

  • Nannette says:

    WELCOME BACK TO THE BLOG!!! Hope you had wonderful travels.

    I love your reference to our gifts of today out living us. I repurposed crocheted lace of my long gone great grandmother. Wearing it with pride.

    In the case of textiles…. Everyday reminders of those beloved we never knew except through the work of their hands. What a blessing.

    Nannette

    • Karen says:

      Hi Nannette, Thank you! It’s great to be back. Textiles are a vivid example of the work of our hands outlasting us. It is wonderful to see and use the quilts and needlework treasures of family members who came before us.

      Love,
      Karen

  • LJ Arndt says:

    Beautiful, I don’t have butterflies but I do have thrums that I think may fit the bill. I’ll have to take them on my next trip.

    • Karen says:

      Hi LJ, I think this would be a fabulous use of thrums! I definitely plan to make more of these mug rugs. Maybe I’ll need to start saving all my thrums again. Thanks for the idea.

      Happy weaving,
      Karen

  • Barbara says:

    To everything a purpose. Your little video and bursts of colour brought a smile to my face this morning.

  • Anastasia says:

    These are beautiful. What a great project.

    When you fold the hem bit under… do you fold it twice (back on itself), and stich through what would then be three layers? So that a little strip of the “between the tops weaving” would still be visible on the bottom, but the cut edge would be secured?

    Please pardon my newbie questions. 🙂

    • Karen says:

      Hi Anastasia, Newbie questions are the best! You described the hems perfectly. Only one more detail to add— I serged the edges before folding and pressing them under, so nothing will unravel over time.

      When I do this again, I may make the hems longer. In which case, the edges will be zigzagged or serged, and the hems folded under twice, then stitched. That way the hem will show at the edges, not just underneath. I like them either way— hems hidden underneath, or hems as visual borders.

      Thanks,
      Karen

  • Kim Mills says:

    Thank you for your post. I’ve now have a new way to use up all those leftovers I have been collecting. Thanks as well for your inspirational words.

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Monksbelt Flowers on a Shoulder Bag

Remember Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in more depth.

Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.
Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.

I finished off the linen warp by making a front and back panel for a small shoulder bag. A monksbelt pattern is scattered like flowers on the front. The back has various stripe patterns in weft-faced plain weave. I wove a shoulder strap on my band loom using 6/2 Tuna wool for warp and 12/6 cotton for weft.

Weaving Monksbelt with half heddle sticks.
Half-heddle sticks and batten in front of the back beam, for weaving monksbelt patterns.
Pick up for monksbelt.
Pick-up stick in front of the reed is being used to weave a monksbelt flower “petal.”
Handwoven shoulder bag in progress.
Back panel has varying stripe patterns.
Cutting off.
Cutting off.
Glimakra band loom. Narrow wool band.
Narrow wool band for the bag shoulder strap.

The bag has simple construction, mostly hand-stitched. In one of my remnant bins I found a piece of wool fabric that I wove several years ago. It’s perfect for the sides and bottom of the bag. The lining uses pieces from fabric that went into my latest rag rugs, and has pockets, of course.

Making a handwoven wool bag.
Overhand knots secure the warp ends.
Construction of a wool shoulder bag.
Ready to assemble all the parts.
Constructing a small handwoven wool bag.
Handwoven wool pieces are hand-stitched together.
Handwoven wool bag construction.
Bag construction continues with stitching the back in place.
Magnet closure on a handwoven bag.
Magnet closure is added to the lining before stitching the lining in place. Knots and fringe outline the top of the bag.

This bag with Monksbelt Flowers is for carrying sweet memories, happy moments, and heavenly dreams.

Handwoven shoulder bag.
Inside of handwoven wool bag.
Pockets in the lining.
Monksbelt Flowers handwoven shoulder bag.

Resources: Swedish Art Weaves workshop with Joanne Hall; Heirlooms of Skåne Weaving Techniques, by Gunvor Johansson; Väv Scandinavian Weaving Magazine, 2/2013.

This is the time for my annual pause for the month of July. I appreciate you joining me in this weaving journey!

I look forward to being back with you again Tuesday, August 4. In the meantime, joyfully draw living water from the source, Jesus Christ.

May you carry no more than necessary.

With love,
Karen

20 Comments

  • NancyNancy Malcolm says:

    Beautiful! As always.

  • Beth says:

    It’s wonderful! Love the playful flowers.

  • Averyclaire says:

    This is absolutely marvelous! I am a new weaver and am truly impressed with all your projects. So much to learn so little time! Thank you for sharing your lovely work! I can only dream

    • Karen says:

      Hi Averyclaire, Welcome to the delightful world of weaving. No matter how much time we have, thankfully, there will always be more to learn.

      Happy weaving,
      Karen

  • Elisabeth says:

    What a great way to use a class project! It’s such a happy bag 🙂 I think my favorite details are the asymmetrical flowers and the exposed fringe on top. I admire your creative use of remnants.

    Enjoy your pause!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, I wanted to make asymmetrical flowers because that is possible only with the pick-up method, and not possible with standard monksbelt threading. The exposed fringe on top is one of my favorite details, too. It came about because it was simpler than trying to fold the edge under.

      Thanks!
      Love,
      Karen

  • Nannette says:

    I can’t add to above comments..

    Enjoy your sabbatical!!

    Nannette

  • Maria Slayman says:

    I love how it all came together from your stash! Bet that felt good! Beautiful!

  • Joanne Hall says:

    I love how the light colored centers in your monksbelt flowers jump out and say,”look at me”. This is a great design. And I like how you have the knots and linen ends sticking out. That is very effective.
    Joanne

    • Karen says:

      Hi Joanne, It was fun to try to make a monksbelt design that would show off the possibilities of this method. This was a fun “playtime” at the loom. The knots and linen ends sticking out was an afterthought, but I liked the idea to show off the light-hearted concept of the scattered flowers.

      Thanks for your encouragement,
      Karen

  • LJ Arndt says:

    I love the view thru the loom of seeing the weaving that you did at the workshop thru the loom and then the newest weaving still showing on top of the warp.

    • Karen says:

      Hi LJ, That’s my favorite view. There is something intriguing about looking through the warp to the previously-woven fabric.

      Thanks for chiming in,
      Karen

  • Lyna says:

    “May you carry no more than necessary.” A great reminder to cast our cares on Him!
    Have a blessed July!

  • Cynthia says:

    Hey Karen. Lovely. I have gobs of scrap quilt fabric. Too bad we don’t live closer, you could be going through my scraps for linings to your things.

    • Karen says:

      Hi Cynthia, It’s fun to find ways to use scraps. It’s probably good that I don’t have access to your quilt fabric scraps. I have plenty of my own to use up. 🙂

      All the best,
      Karen

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Tried and True: Rag Rug with Surprising Rosepath Inlay

The first rag rug on this 12/6 cotton warp is well underway. This rug is mostly plain weave, with one simple rosepath repeat every ten centimeters. I am weaving the rosepath motif without tabby between pattern picks. The treadling is 1, 2, 3, 4, 1, 4, 3, 2, 1. The dark brown motif contrasts with the surrounding light-colored plain weave. It almost looks as if a thick chain has been laid across the rug. I transform the otherwise dark rosepath “chains” with a simple bright inlay strip.

Rag rug with rosepath motif.
Rosepath motif stretches across the plain weave surface.

Rosepath with Inlay

  • Weave the first four picks of the rosepath pattern, treadling 1, 2, 3, 4 (or, if using a different treadling sequence, weave up to the center pick).
  • Lay in the center pick (treadle 1, in this example). Wait to beat it in.
How to do rosepath with inlay.
Center pick of the rosepath motif is arched in the shed.
  • Measure and cut the inlay strip to size, tapering the ends.
How to add an inlay strip to rosepath rag rug.
Inlay fabric strip is measured against the weft in the shed and cut to size.
  • Put the inlay strip in the shed, laying it directly on top of the fabric strip already there.
Making a rosepath rag rug with an inlay strip.
By pushing the beater back I can send the inlay fabric strip through the shed with a ski shuttle.
Rag rug with inlay.
Place the inlay fabric strip directly over the fabric strip of the center pick in the motif.
Inlay instructions.
  • Beat in the weft as usual.
One type of inlay on a rag rug.
Both weft layers are beaten in together. The inlay strip stays visible on top.
  • Continue weaving to complete the rosepath pattern, treadling 4, 3, 2, 1 (or, as needed, for a different sequence).
Rosepath with inlay.
Finished rosepath motif.

You can accomplish a similar effect by weaving in a separate fabric strip for the center pick. In that case, cut tapered ends that are long enough to twist and tuck back into the shed. And carry the weft strip from the previous pick up the side.

The inlay method eliminates the extra bulk at the selvedges, and adds a slight thickness to the center pick, helping to give it a raised look. I am leaving the inlay weft tails loose, but you could cut them a little longer and tuck the ends in, if you prefer.

Rag rug with special rosepath motif.
Weft tails are free at the sides, like little flags at the ends of the rosepath rows.
Glimakra Ideal loom--great tool for dreaming up rag rugs!
Glimåkra Ideal loom–great tool for dreaming up rag rugs!

May you experience the simple pleasure of doing something unexpected.

Happy Weaving,
Karen

14 Comments

  • Annie says:

    Beautiful! You explain it so well that I’m adding it to my to do list. Thank you

  • Marjorie Clay says:

    How wide is your Ideal? It looks bigger than mine!

    I admire your weaving so much! I started too late to achieve such mastery, but I love weaving. Warping, not so much! It is still too much of an adventure!

    Marjorie

    • Karen says:

      Hi Marjorie, My Ideal is 100cm (39”). The warp on the loom is almost full weaving width.

      Thank you for the compliment! I’m not that much ahead of you. I was also a very late beginner. So it’s certainly not too late for you to gain mastery in the areas you pursue. Maybe someday I can help you to love warping, too, as part of the whole beautiful process.

      Happy weaving,
      Karen

  • Elisabeth Munkvold says:

    How pretty! I love the variety of colors in the background stripes, too! When you do it this way, is the bright rose path center fabric visible on the back?

    Elisabeth

    • Karen says:

      Hi Elisabeth, I’m using up fabric strips from previous rag rug projects, so I have a mixed assortment that I’m using here. I like the way some of the prints turn out when woven. That center inlay strip really appears only on the top side, except for little bits of color here and there. The reverse side shows the all-brown rosepath motifs, but a little lighter in color because the darkest side of the fabric is facing the top.

      Karen

  • Vida Clyne says:

    You are amazing. such beautiful colours. I made a couple of rag rugs a few years ago but did it the cheap way using old denim jeans that took forever to prepare. I am currently finishing a throw in alpaca and considering what to weave next. so many weaves to explore. I love warping by the way, it is always a challenge to try to get the perfect warp. Thank you for for your inspirational blog.

    • Karen says:

      Hi Vida, I’m very happy that you like these colors! I’m sure your denim rag rugs are terrific. I’d like to make some denim rag rugs some day. Isn’t weaving an exciting field? There’s no end to what we can explore with our looms!! I agree with you about warping. It’s great to have a continual challenge.

      I appreciate your kind words so much!
      All the best,
      Karen

  • Nannette says:

    The loom is waiting a little while longer. There is work to he done on the outside of our primary home and more preparation on the inside of our retirement home.

    I look forward to one home and all my crafts under one roof. And finding a way to keep the wild creatures on the out of the basement.

    Today a coyote walked though the yard. Something to get used to.

    Your weaving provides order in my wild world. It is beautiful and functional.

    Blessings
    Nannette

    • Karen says:

      Hi Nannette, Transitions are challenging. You have a lot to look forward to. We haven’t seen any coyotes on our property, but plenty of other wildlife – armadillos, roadrunners, gray foxes, blackbuck antelope, and so on.

      Making beautiful things that are functional is a huge weaving goal of mine. Thank you for your thoughtful encouragement.

      All the best,
      Karen

  • Very pretty rug Karen!

    Another technique you can use when weaving a single pick of a color is to cut that strip twice the width of the rug plus overlap but only half the width of the other strips. Lay it in the shed with both ends hanging out. Wrap them around the edge thread and arch them back in the same shed, overlapping the tapered ends. I think it is less fussy than trying to tuck the ends in at the edges.
    Jenny

    PS:
    My loom is working fine, although I did have to stop after weaving a bit and fix one shed that went wonky. I have seven of the twelve table napkins woven for our guild exchange. I’m hoping each warp will become easier to set up the treadling.

  • Joan H Harvey says:

    I notice you are using a metal temple on this rug. Do you recommend metal rather than wooden temples for rag rugs?

    • Karen says:

      Hi Joan, I’m glad you asked! I prefer a wooden temple, even for rag rugs, but I don’t have a wooden one the right size for this rug, so I’m using the metal one instead. I like the wooden temple because it is lighter weight, and I can set it closer to the fell line without damaging the beater. The metal temple can gouge the beater if I set it too close to the fell. I’ve done that. Ouch! I guess it’s time for me to order another Glimakra temple. 🙂

      Happy weaving,
      Karen

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Weaving Some Simple Borders

I need to free up this little loom in order to put on a different warp that has a deadline. So, now that I have returned from my travels, my attention is going to these towels. My friend is letting me weave this lovely cottolin warp that she got at Vavstuga.

Simple border stripe in first towel of the Vavstuga towel kit.
Simple border stripe in first towel. Straight twill.
Cottolin warp and 8/1 tow linen weft.
Cottolin warp and 8/1 tow linen weft.
Point twill on four shafts.
Point twill on four shafts. Three horizontal stripes made with half-bleached tow linen weft.

Straight twill, point twill, broken twill, and now “rick-rack.” And after that, a couple towels in plain weave. Everyone who weaves this Vavstuga towel kit and follows the instructions will end up with the same six towels. True? Not necessarily. I like to step off the expected path. That is why I vary the weft and include some type of simple border design on each towel.

Loom with a view. Texas Hill Country.
Three colors of 8/1 tow linen sit on the little blue table as choices for weft. Half-bleached, Unbleached, and Bronze.
Broken twill for a cottolin towel.
Changed the tie-up to broken twill, which allows me to keep a simple straight treadling pattern. Dashed weft pattern for the border stripe is produced by alternating the bronze linen weft with the half-bleached linen weft.
Color-blocked towel uses three neutral weft colors.
Long wavy vertical lines give the appearance of rick-rack. Again, I changed the tie-up to keep the simple straight treadling pattern. I use all three weft colors in this color-blocked towel.
Cottolin towels with 8/1 tow linen weft.
Plain weave, with four shafts and two treadles. The main body of the towel uses the unbleached linen weft. Two picks of half-bleached linen are sandwiched between several rows of bronze linen weft.

There is a wide path that is crowded with many people. It’s the common and expected way of life. It’s where you stay if you want to fit in with everyone else. But if you search for it, you’ll find an uncommon path. It’s narrow; and few find it. It’s the path of life that is found in Jesus Christ. Stand in the narrow path. That is where your unique features will show up as border designs that set you apart as a cherished child of God.

May you be set apart.

Happy weaving,
Karen

9 Comments

  • Joanna says:

    What a timely post this is! I have a long striped towel warp on that I was getting seriously bored with after only two towels. Right now it’s 4S/2T in a straight draw, but I was mulling over putting more treadles on and fiddling with the tie-up. Thanks for helping me decide (I’m prone to dithering). Bless you, Karen.

    • Karen says:

      Hi Joanna, I tend to thrive on variety. Maybe you’re like me in that regard? I have changed the tie-up three times on this warp so far. With only four shafts, it’s an easy way to change things up. The instructions that came with the Vavstuga towel kit gave different tie-up options, so I thought – why not do them all? 🙂

      Happy weaving,
      Karen

  • Kristin Martzall says:

    Your posts are so inspiring! How do you use the grosgrain ribbon? as a measuring device? Like a cash register tape bit not as bulky and fragile.?
    Thanks ,in advance ,for your help in explaining that process!

    Kris

    • Karen says:

      Hi Kristin, Welcome!
      The marked grosgrain ribbon came with the Vavstuga towel kit. I normally use twill tape for the same purpose – to pre-measure the desired length of what I am weaving. Here’s a blog post I wrote about it: Tools Day: Measured Weaving

      Happy weaving!
      Karen

  • Annie says:

    Welcome home, Karen! I am sure that you missed your looms! Were you able to finish the tapestry from Big Bend?
    I also like to try different tie ups or striping when I make towels. I like the combination of striping and pattern you have with those colors.

    • Karen says:

      Hi Annie, I made some good progress on my Big Bend tapestry while away. But my floor looms have a louder voice in calling me than the portable frame loom does. I guess I better set aside some quiet evening time to finish the tapestry.

      Thanks!
      Karen

  • Linda Cornell says:

    Five sentences, so precious, choose the narrow path!

    Thank you and Blessings.

    Linda

  • Pam Cauchon says:

    Thank you, Karen, for such wise words. I had been questioning my decision to simplify my life. While simplification is good for contemplation it can be a bit lonely. Weaving provides those moments for contemplation and it is encouraging to hear from someone who is like-minded. To know Christ’s narrow path is well worth it. Then I realize I’m not so lonely after all. Indeed, thank you for the encouraging words.

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No Hurry at the Little Loom

I hope you haven’t forgotten about this sweet little loom at our Texas hill country home. It is refreshing to be able to start right back up and weave another placemat. This is a breeze, even with two double-bobbin shuttles. Color and weave brings plenty of design play. Over the weekend I was able to squeeze in enough weaving time to finish one more placemat.

Color and weave cotton placemats.

New placemat begins. Two red picks will become the cutting line that separates placemats.

Peaceful setting for unhurried weaving.

Peaceful setting for unhurried weaving.

There is no hurry or urgency with this project. Other events, transitions, and necessities have taken precedence the last few months. It’s nice to have a ready loom that doesn’t hold a deadline. Simple two-treadle plain weave during a transitional season is a welcome respite.

Color and weave cotton placemats on the loom.

Two doubled-weft picks of dark coral make a line of contrast in the color-and-weave cotton placemat.

Faith is trust. It’s the simple framework we long for when life gets complicated. Trusting the Lord is like knowing what to expect when you throw the shuttles, yet still being pleasantly surprised as you see the fabric form in front of you. His grace removes the hurry and the worry. We find his grace through faith. And isn’t that exactly the respite we need?

May you have a break from hurry and worry.

Happy weaving,
Karen

6 Comments

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