I decided to make another visit this week to the Kerr Arts and Cultural Center gallery in Kerrville, Texas that is exhibiting some of my fiber fine art. And I am greeted by a pleasant surprise:
Joseph’s Coat receives “People’s Choice” Award for Fiber Fine Art.
When you want people to enjoy seeing what you enjoy making, there’s nothing better than being awarded “People’s Choice!”
I call it Figs and Coffee, but the figs and the coffee are barely recognizable at this point. The image will make sense when it is complete. In the meantime, I am continually intrigued by the fascinating interplay of colors. You can expect me to keep adding to the tapestry until it is complete. It’s nice to not be in a hurry.
Warping slat hangs from the ends of the beater and sits below the warp. The suspended slat keeps the cartoon right under the warp. I use a quilter’s clip on each side to hold the cartoon in exact position.Every time I advance the warp I examine the positioning of the cartoon to make sure it matches up with marks I have made on the warp in key places.Regular stops to step back and see if I need to make color or contrast adjustments keeps me on track. Thus, the need to backtrack and undo rows of weaving is infrequent.Corner window setting for this hand-built loom reinforces my intention to not be in a hurry.
It’s good for a handweaver to flow in creativity. That’s where designs, colors, and out-of-the-box thinking thrive. Add the virtue of persistence, and those creative ideas become tangible articles of cloth. Making things takes more persistence than it does creativity.
Threadingpattern heddles is a repetitive task that I enjoy. I find greater joy, though, in the actual weaving phase of the project. That is when I get to sit at this marvelous instrument and challenge my hands and feet to work together to make the glorious sounds of a loom producing patterned cloth. It does take persistence to get to that point. Even when weaving, my focus is on the outcome – creative napkins for our family meals. The end purpose not only drives my persistence to the finish line, it brings enjoyment to each necessary task along the way.
Will be napkins with fun designs. Green, with gold borders, and various linen weft colors.Near the halfway point of threading pattern heddles. Six ends per unit.
You and I are God’s creative work. He is persistent in the forming of our character, desiring to weave the image of Christ in us. His end purpose brings meaning to all the steps it takes to complete the fabric. Imagine his enjoyment every time we allow his hands to do each necessary task.
All the rugs in the set are woven, and there is a little bit of warp left on the loom. Not enough for another rug. Now what? This is where the fun begins! I have some ideas to play out on the loom. End-of-Warp experiments yield fantastic results.
I arrange remaining weft fabric strips into piles of blue, green, red, and yellow/white. Double binding uses a sequence of dark and light wefts. So, I work through the color piles in order, starting with the blues for one pick, and then, going in reverse order, the yellows/whites for the next pick. The result is vertical columns of adjacent blocks that have the color order going in opposite directions, with the reds converging in the middle.
Cushion cover: Off the loom, I fold this attractive rag weave rectangle in half, short sides together, and machine-stitch the two long sides closed. The remaining open end has handwoven bands, from my ever-ready band stash, for tie closures. Voila! With a cushion inserted, I have a new seat cushion for driving the truck. It’s perfect!
Ink and watercolor sketch as part of my new sketchbook practice.
The Glimåkra Standard makes this project a weaver’s dream. The time-tested loom operates without a glitch, doing everything I direct it to do. These Swedish looms are magnificently designed.
Start of another rug. Multiple rows of stripes for the hem and border.Weft fabric strips in green, blue, and red.Pattern develops on the loom.Central motif of the pattern.Red stands out in the pattern.Advancing the warp makes me think of a setting sun. When the sun sets here, it is rising somewhere else.
The sun rises every day. And it sets. Who designed the magnificent operation of the rising and setting of the sun? It’s like the rhythmic opening of the shed for passage of the shuttle. At the Grand Weaver’s direction, the fabric of life advances with every new day. Trust in him.