Even through randomwarp stripes you can see an ordered pattern in the cloth. Linen sitting on the shelf is begging to be used, even though the tubes are partly emptied. So, why not make some linen wash cloths to use every day?
The weave structure is a classic two-block broken twill, symmetrically threaded across the warp. The asymmetry of the warp stripes is out of sync with the precise threading symmetry in the block weave structure. And, asymmetrical patches of weft are out of step with a strict treadling sequence. The chaos of leftover-linen warp and weft threads has me holding my breath, wondering how this will turn out. Yet, as I weave, the surprise after surprise that appears on the loom fills me with delight. These humble linen wash cloths will yield textile pleasure for years to come.
The Grand Weaver breaks through chaos to reveal his beautiful plan. Despite the hardships we endure in this world, the structure threaded into the Grand Weaver’s fabric holds it all together. He brings our random stripes of emptiness into harmony with his project plan. We find continual delight as we see the surprising glory of his master plan. Jesus, with his deliberate stripes, comes to wash us clean.
I like having a project on one of my looms that is within reach of any friend who drops by. This new warp on the Julia fits the bill. Since I am using up several nearly empty tubes of linen, I am giving this warp an irregular color sequence. That should be interesting in this very structured 8-shaft broken twill.
I am making dish cloths here. Linen dish cloths. Why not wash dishes with something interesting? I am eager to see what develops as I add weft colors. Anyone else who sits at this loom can choose their own mix of colors. I hope we get some wild combinations that bring a smile to the one whose hands are washing dishes.
God’s wisdom is a far reach for our human understanding. The complexity of his creation shows us how much we still don’t understand. How could we ever reach that far? Our best efforts are like irregularities in a well-structured cosmos. Good news! God put himself within our reach. He did it at his own expense—the cross of Christ. When we trust in Christ our wild threads are expertly woven into cloth that he can use. Some of our wild combinations probably make him smile.
I have questions galore as I begin a new warp on the combination drawloom. Is this the best sett for these threads? How are my sheds? What will orange-ey weft colors do on this pewter and blue warp? Is the image of this first design better face up, or face down? How can I include a couple extra colors in the design? The loom is set up with 45 pattern shafts and 148 single units. I’m eager to begin!
Sampling at the beginning of the warp gives me answers. The sett is good—18 ends per centimeter, with 16/2 cotton in 6-shaftirregular satin. After some tweaking, the sheds are good—and all the treadles touch the floor when the optimum shed is reached. The weft colors look good—better than expected. And, definitely, the jam jars need to be face down—so, I reverse the image in Affinity Designer on the computer and print out a new chart. I can sneak in some extra colors with narrow weft stripes—beginning and ending borders. I’m ready to roll! New kitchen towels in various designs are moving forward! First up…Peach Jam Jars.
~It is a joy to have you visit with me every week! It is time for my annual pause for the month of July. I’ll see you back here on Tuesday, August 3, 2021.~
Until then, may the Lord bless you and protect you; may the Lord make his face shine on you and be gracious to you; may the Lord look with favor on you and give you peace.
I can follow a published weaving draft to the letter and expect to get the prescribed results. Or, I can change details and make the project reflect my own ideas. That’s creativity. And that’s why each handwoven piece reveals something about the one who made it.
With every given draft, I determine the width and length for the project I want to weave, and make adjustments accordingly. That may mean adapting the threading sequence to fit. Sometimes I choose a different size of thread. In that case, I change the sett, as needed. Treadling variations also come into play as the fabric takes shape according to my preferences. I almost always choose my own colors. It’s in the colors that I find the most enjoyment of letting my creativity flow. What is your favorite element for creative expression?
Creative ability is meant to be an expression of wisdom. Wisdom is a combination of things—experience, intellect, understanding—all put into practice. What you create makes your inmost contemplations visible. Each individual’s creativity is a small example that points to the most astounding example of all. Our Creator reveals his supreme wisdom in every facet of his creation. And you are a prime example of his wise attention to detail.
The blue threads for this project are delightful! Four shades of blue, from pale blue to sapphire, play across the warp, accented with navy blue stripes. Lucious 8/2 cotton is threaded in eight-shafttwill. The hand of the fabric will be well suited for the chair arm- and headrest- covers I have planned. This blue color sequence is the winning combination from the thread wrappings I showed you in October. (See Warp Sequence Planning.)
My warp planning had a calculation error. I went on my merry way, winding the warp, beaming the warp, and threading the heddles. Until, …Surprise! I have three extraends left after all the heddles are threaded. Fortunately, there is grace at the loom. I pull the navy blue border threads and three light blue threads out of their heddles and re-thread the navy blue border stripe. The three light blue ends will hang off the back, unused. All is well.
Grace is like that. We mess up, find and admit our wrong, and the Lord Jesus forgives, granting us a new start. When we are wrong we need grace. What about when others are wrong? When the errors of others affect us, what shall we do? Forgiveness is our only option. There is no good reason to hold those error threads and weave them into our fabric.