Yellow is everywhere right now. A profusion of wildflowers stretches across our backyard, and much of it is yellow. The bright yellow linen weft fits right in! This is skirt fabric in the making. Wearing the skirt will be as if I’m wearing my own little summer flower garden.
One shuttle, one color. There are no decisions to make about the weft. Just keep these quills full of glowing yellow thread. When the last of the filled quills is in the shuttle, I weave until I find a good stopping place. Then, it’s time to get up and wind a handful of quills again. Replenish before the quill in the shuttle is bare.
To be full of faith is to be faithful. We say we trust Jesus. But can Jesus trust us? Faith-ful means you not only believe in him, you abide in him. You believe, and you live what you believe. Day, after day, after day. Quill, after quill, after quill. Replenish regularly to keep getting filled up. Never depleted. Always ready for the next pick.
We weavers are resourceful. We enjoy finding solutions that make our time at the loom more efficient, while raising the quality of our weaving. We’ve done some of these little tricks so much we don’t think about them anymore. And then, some innovations are things we think up on the spot because necessity, as you know, is the mother of invention.
Necessity: Keep from losing my place with treadling repeats. Solution: A strip of blue painter’s tape with “3 2 1” and a rubber band, placed on the breast beam. Move the rubber band on the tape (from right to left) to track repeats.
Necessity: Keep from fumbling the catch, having to reposition the shuttle in my hand to send it back across the warp. Solution: Keep my eye on the shuttle. If I turn my head to watch the movement of the shuttle, my catching and throwing improves immediately. This makes my selvedges improve, too.
Leave No Trace
Necessity: Keep from leaving slightly perceptible lines in the woven cloth that reveal every time I stop to move the temple and advance the warp. Solution: When it is almost time to advance the warp, I move the temple and then weave one or more pattern sequence(s) before advancing the warp. This helps me leave no trace of starting and stopping.
Do you have a simple tip that improves your efficiency and/or quality at the loom? Please share in the comments.
I distinctly remember the thrill of weaving my first two-block twill on eight shafts. It was a linen table square woven on a Glimåkra Standard loom in Joanne Hall’s delightful Montana studio. That classy linen table square came home with me, …and my first floor loom came soon after–a Glimåkra Standard of my own!
I can still hear Joanne’s gentle instruction about holding the shuttle. “Palms up.” This way is easy on the hands and wrists. I’ve had considerable practice since those lessons in Montana. Now, I send the shuttle across the warp and catch it securely with ease. That same two-block twill “Linne” pattern is on my Julia loom now, bringing back those fond memories. It comes as no surprise that watching threads on eight shafts become woven cloth is just as thrilling now as it was that very first time.
Deliberate hands send the shuttle through the shed, and receive it as it comes through to the other side. God’s hand is faithful. Trust-worthy. Think of his hand as open, palm up. Carrying, sustaining, and holding us securely. Trust puts us into the Lord’s faithful hand.
I waded into deflected double weave for the first time. It took me one full scarf to figure out what I was doing. By the second scarf, I had a much better sense of how the pattern fits together and what to do with the shuttles (most of the time). Both scarves are quite imperfect (no one will ever know…). The loom behaved perfectly, though. This is my Julia’s first project using all eight shafts. Now, I know that this sweet loom is up to any challenge I give her.
By the way, I like the finished airy scarves, even with their flaws.
I have an efficient way to handle weft color changes. It’s very simple. This is for those instances when I need to end one weft thread and start a new one. As a rule, I take care of weft tails as I go. I don’t want to come back to them later if I don’t have to. If I tuck in each weft tail at the beginning of the row, thickness from the extra wefts builds up at the selvedge, especially if I’m weaving horizontal stripes. The method I describe reduces the extra wefts, and eliminates having to tuck any tails in.
Change to the shed needed for the next color. Take the shuttle with the first color into the shed for about about 3 cm (1 1/8”), and bring the shuttle up and out through the top of the warp.
Lightly beat (tap) in the 3 cm (1 1/8”) of thread. Carefully snip off the thread close to the warp.
Weave a pick of the next color, with the end of the new thread overlapping the 3 cm (1 1/8”) of the previous color thread. Position the new thread such that the end is outside the selvedge just a hair.
Beat in the new weft and continue weaving until the next color change.
Watch this short video to see me demonstrate this method of changing the weft colors.
May your choice of weft colors give a glimpse of your best qualities.