Process Review: Weaving Rhythm

“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.

Glossary

Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.

Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.

Weaving Continuum ~ The cycle for each loom that is continually repeated.

When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.

First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.

  1. Finishing
  2. Dressing
  3. Weaving

Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.

Weaving bath towels on the Glimakra Standard.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.
Weaving hanging tabs for bath towels.
Glimåkra two-treadle band loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.
Glimakra 100cm Ideal. Sweet little loom.
Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.
Hand-built Swedish loom.
Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestry sample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.
Sweet little Glimakra Julia 8-shaft loom.
Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.
Weaving lettering on the drawloom.
Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.

Give Thanks ~ Live with a thankful heart.

Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.

May you always give thanks.

With a grateful heart,
Karen

22 Comments

  • Den says:

    Your weaving is always an inspiration. I look forward to each post. Thank you.

  • Karen says:

    You amaze me! I have too many different hobbies and have to dedicate hours each day to different projects!

    • Karen says:

      Hi Karen, You have some wonderful experiences with using your gifts. I have so much more I want to learn about weaving, and I enjoy digging in to this weaving arena.

      Happy weaving and everything else,
      Karen

  • marianne poling says:

    I love your idea of a “weaving rhythm…” immersing oneself in a “weaving life” that will increase skills and enjoy the gifts weaving brings every day! I tend to weave as a “reward” after all the daily tasks are completed. unfortunately, weaving gets pushed to the back of the line and then I don’t weave as much as I would like to. This was eye-opening for me and I am going to try and find my “weaving rhythm!”

    I really enjoy your blog!
    Marianne

    • Karen says:

      Hi Marianne, I like that you identified increasing skill and enjoying the gifts. That does explain why I focus on getting a good rhythm. There are always other necessary things to do to care for family and friends, but it’s good to be mindful of being stewards of the gifts we’ve been given, too. All of life deals with finding priorities and balance.

      Thank you for your thoughtful words,
      Karen

  • Elisabeth says:

    Thank you so much for inspiring me to think through my own processes and priorities! My challenge is that I make things in a variety of techniques: knitting, weaving, sewing, and quilting…I am so happy I eliminated the rest of them

    Since I only have one floor loom I decided to think of these techniques as my “looms”. Each “loom” requires a slightly different process, and it was very useful to actually take the time to think through each of them, what part do I enjoy the most and what do I tend to put off. You have mentioned that you put finishing first to make sure it gets done. It is interesting how people are different, finishing is the easiest part for me, while dressing the loom tends to be put off, even with a warp waiting.
    Another interesting part for me is to pay attention to which of the different technique requires almost no motivation to get going. Do you see a difference when it comes to your looms? Or the kind of projects you are working on?

    Thank you again for inspiring me to learn and grow!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, From one thinker to another… There’s a fascination to figuring out structures and processes in life. I’m glad to hear this post prompted you to think through some things. You have certainly helped me to think through things, too.

      As far as motivation on different sorts of projects, I do find that I tend to be drawn to the fascination of the drawloom, to weaving a tapestry, and to weaving rag rugs. I need no motivation for those at all. Even so, I find enjoyment in every stage of the process on every one of the looms.

      Thanks for helping me think,
      Karen

  • Pamela Graham says:

    Wow, impressive! You are clearly an inspiration. I am curious about the drawloom; I thought you could only add a drawloom to a VERTICAL countermarch loom.
    Thanks,
    Pam

    • Karen says:

      Hi Pam, It is certainly easier to add a drawloom to a vertical countermarch. We (meaning Steve) modified the horizontal countermarch to fit with the drawloom frame.

      All the best,
      Karen

  • Beth Mullins says:

    Happy Thanksgiving, Karen!

  • Helen P. says:

    Hello. I liked reading your posts a lot and here last I can see that you have a Glimåkra Ideal, I have the same. Unfortunately, I have a lot of problems getting the scales accurately, even though I know how to regulate various things. Maybe you can help me. Do you have an approximate measure of the basic binding to the Ideal loom. That is, the measure from shaft to short stool, the measure from short stool to long stool, the measure from long stool to tramp. Just like that, as a guide. Thanks in advance. Sincerely, Helen Pedersen.

    • Karen says:

      Hello Helen, Yes, I have a Glimåkra Ideal. Approximate measurements – from bottom of shafts to the short lamms is about 18cm, from short lamms to long lamms is about 18cm, from long lamms to treadles is about 23cm. The warp is not tied on yet, so these measurements are not exact.

      How many shafts are you using? Sometimes with more than 4 shafts, it is a little tricky to get everything to balance.

      Thank you,
      Karen

  • Nannette says:

    Hi Karen,
    I noticed you begin planning the next project while weaving the current project.
    Just one future project? 😉

    HAPPY THANKSGIVING!!!!

    Nannette

  • Angela M Roberts says:

    Amen xoxo

  • Angela M Roberts says:

    One Question ? Do you keep them all warped and working,Simultaneously ??
    Or one at a time ?

    • Karen says:

      Hi Angela, Each loom is on its own independent schedule. They are rarely synchronized so that they are all in weaving mode at the same time. Usually, the looms are operating in different phases of the weaving continuum. So, each day I decide which loom to focus on next. I can only weave on one loom at a time, so sometimes a warp sits on the loom for a while until I can get back to it.

      All the best,
      Karen

  • Hi Karen,
    I have a similar process, and have three looms that are usually active.
    When I was a fairly new weaver, I remember Anita Meyer saying that she has one project in the planning stage, one project in the weaving stage and one project in the finishing stage, and then working within the rhythms of her days. I follow a similar rhythm and it keeps me happy. I also have a fourth stage which is documentation and learning. Documentation so that I don’t forget what I have done, and learning because learning is a continuous lifelong adventure.
    Thanks for the inspiration today.
    Barbara

    • Karen says:

      Hi Barbara, You have a great system. Documentation is important, yes. I include it in my finishing stage. And I’m with you, learning is a lifelong adventure!

      Thanks for your great input,
      Karen

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Process Review: Fresno Canyon Small Tapestry

The Park ranger had told Steve and me that if we were willing to drive six more rugged miles we would witness a spectacular overview of the Fresno Canyon that few people get to see. This is an opportunity we wouldn’t dare miss. And the park ranger was right. Oh, what a view! From this high point above the valley the view is phenomenal! I welled up with emotion as I looked over the glorious beauty of God’s creation.

The memory of that scene is in this small tapestry. Most of my small-tapestry weaving happens when we travel, where we make even more memories, which I store up in my heart. I pull from these stored treasures to weave tapestries that reawaken the fond memories.

Landscape - woven small tapestry.
Fresno Canyon photo printed in black and white is used for the cartoon. Instead of an exact picture of the image, I aim for a representation of the memory, expressed with color.
Relaxing in the Casita travel trailer. Wood carving and tapestry weaving.
During a brief rainstorm while at Caprock Canyons State Park, Steve and I relax in the Casita with our handcrafts. Wood carving and tapestry weaving.
Small tapestry in progress.
Warp is blue 12/6 cotton. Weft is triple strands of 6/1 Fårö wool. I use the tapestry needle to weave.
Weaving in the sunshine on a camping trip.
Weaving in the sunshine at Davis Mountains State Park after returning from a hike.
Small tapestry of a Texas landscape.
Finished weaving one Texas landscape while enjoying another.
Small tapestry with finished and braided edges.
Warp ends are woven and braided.
Linen backing for mounting a small tapestry weaving.
Linen is cut to size and pressed. Narrow rod sleeves are sewn into place.
Backing a small tapestry for framing.
Linen backing is hand-stitched to the back of the small tapestry.
Simple frame for a small tapestry.
Steve designed a simple frame for the small tapestry.
Finished Fresno Canyon tapestry.
Finished Fresno Canyon tapestry. A treasured memory kept and framed.
Texas landscape small tapestry - framed.

May your memories become treasures.

Thankful for you! Happy Thanksgiving,
Karen

19 Comments

  • Beth Mullins says:

    This is beautiful, Karen! Such a creative way to display.
    Happy Thanksgiving!
    Beth

  • Lynn says:

    Awesome,Karen! What a wonderful way to use the talents God has given you to display His glorious creation! And, I agree with how perfect this great way is to display it. Love your photos. How about one with your smiling face in it sometime? 🙂

    • Karen says:

      Hi Lynn! It’s fun to weave scenes like this. I’m so thankful for Steve’s constant encouragement.

      Sure thing, I can put my smiling face on here. 🙂 Thanks, that’s a good request.

      Love,
      Karen

  • Nannette says:

    Beautiful!! Good design with the gift of color. I hope your heart sings with memory every time you look at it.

    Happy thanksgiving!

    Nannette

  • Annie says:

    Happy Thanksgiving, Karen to you and your family!

    What a blessing that you and Steve are able to meld your talents together to create such beauty.

  • Joanna says:

    Wow. What amazing textile shorthand, Karen. It’s all there, even for someone who hasn’t been there. I can almost smell the wonderful Texas blend of hot dust and baking evergreens perfuming the air and sense the vastness of the landscape. Just lovely.

    Am I correct in thinking Steve’s frames make it possible to change out your tapestries? Do you rotate them to prevent sun damage?

    • Karen says:

      Hi Joanna, You sure have a great description for someone who hasn’t been there!

      Steve’s frame is not made for changing it out. I’m not sure any two of my tapestries are exactly the same size. Not many been mounted or framed. This frame has a sawtooth picture hanger on the back, and just hangs on a nail on the wall. This one is hanging on a wall that doesn’t get direct sun.

      Happy Thanksgiving,
      Karen

      • Joanna says:

        And a happy Thanksgiving to you and your family too. We have so much to be thankful for despite the crazy state the world is in.

  • D'Anne says:

    Very nice, Karen and Steve! You’re two very talented people. Hope you will enjoy a lovely Happy Thanksgiving!

  • Linda Landry says:

    Hi Karen,
    I don’t know if you noticed: In the picture of your tapestry on the cement patio in front of your Casita, your tapestry seems to have a moon landscape in a dark sky. I had to take a long second look to realize that what I thought was a moon was in fact the tire to the Casita!
    Great work! Your talent to recreate beautiful landscapes is definitely a blessing! You must take after our (heavenly) Father for your creative skills.
    Linda

  • Lucy, Kent ~ England says:

    Hi Karen,
    I just stumbled on your post, I’ve only recently begun weaving. I have made 2 stained glass windows for two late husbands. In Aug I put my 2nd late husband’s ashes in sea of The Hebridean Isles (his request involving a 960 mile journey by rail and sea, solo in my wheelchair!). I’d thought about combining my photos to make a stained glass window that summed up my adventure.
    Having seen your lovely work I think I may well do one in glass and a second in weaving.
    Thank you for the inspiration.

  • olly douglas says:

    hello
    having been a tapestry dabbler for some time have begun to weave daily during this pandemic’s lockdown today while searching the internet for ideas i came across your blog for the first time.
    the little houses and other tapestry diaries are such an inspiration to me and i am encouraged to go for it and make my own.
    thank you also for your christian values which clearly enhance your work.

    • Karen says:

      Hello Olly, I am very glad that you received encouragement here to delve into purposeful tapestry weaving. Making a tapestry diary is a wonderful learning experience, and has a way of drawing you in.

      I am touched by your comment about my Christian values. That’s the basis for all I do.

      Happy weaving,
      Karen

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Two Kinds of Dressing

Before everyone arrives for our Thanksgiving family gathering, I am making pie crust for the pecan pie, dough for my “famous” cranberry bread, and doing the prep to make Gram’s turkey dressing. Each family is bringing their contributions to the meal (feast). Thanksgiving Day is a flurry of activity with too many cooks in the kitchen—just how we like it! And sitting at the table with the feast before us, we give thanks. Thanks to each other, and to our Creator. We are blessed!

Making perfect pecan pie for Thanksgiving.

Thanksgiving feast prep. It takes two pastry chefs to make the perfect pecan pie.

And before everyone arrives I also manage to sley the reed on the Standard. A different kind of dressing—loom dressing.

Sleying the reed.

Two ends per dent in a 45/10 metric reed.

Sleying the reed.

I sit “inside” the loom on my loom bench to sley the reed.

Next step - tying on!

After the reed is sleyed, I remove the loom bench, lower the shafts, and move the countermarch to the front of the loom. Then, I place the reed in the beater and make sure it is centered. Next step–tying on!

Fresh warp on the back beam. Magical!

Getting dressed. Oh the beauty of a fresh warp going over the back beam! Magical.

A feast for the eyes and hands and heart. Thankful indeed!

May you give thanks,
Karen

8 Comments

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Thankfully No Cartoon

My small tapestry isn’t following a cartoon. This time, I am making it up as I go. It’s an exercise in spontaneity, which is good for someone who is most comfortable when she knows exactly what comes next.

I know enough of the fundamentals of tapestry weaving that I can “wing it.” It also helps that I have enough past mistakes in my experience to have learned a few things. Think of this improvisation as another dimension of practice. A challenge that turns into a learning experience. I have much to learn, so I’m thankful for the experience.

Small frame-loom tapestry. Travel weaving!

Small frame-loom tapestry. Fåro wool weft, 12/6 cotton warp.

Sometimes life’s turns give us some weaving to do without a comfortable cartoon to follow. We make it up as we go. An exercise in spontaneity? Yes. Even in this, though, we see the improvised design emerge. Give thanks. The Grand Weaver who taught you how to get this far has your learning experience in mind when He brings you to another challenge. Knowing we have much to learn, let’s give Him thanks!

May you learn enough to enjoy “winging it.”

Happy Thanks-Giving,
Karen

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Thousands of Threads

Finally! Every warp end is in a heddle, where it needs to be for double-weave cloth to happen. I don’t mind the time it takes. The process of dressing the loom is fascinating. And I hope I will always see it that way. I’m thankful that I get to weave.

Threading complete! 2,064 ends for a double weave throw.

Threading complete! 2,064 ends in that many heddles, at about 3 ends per minute. But who’s counting?

And now, onward to sleying the reed!

Sleying the reed. 4 ends per dent.

Reed is sleyed at 4 ends per dent in a 50/10 metric reed (equivalent to a 12-dent reed, imperial), at about 12 ends per minute, which feels pretty fast at the moment.

Thanks. It’s something we give. Heartfelt thanks is a ready gift that costs us nothing to give. Gratitude leads us to see blessings in the ordinary, and opportunities in the routines of life. When we abound in giving thanks, letting it spring up from a satisfied soul, we bring life to our family and our community. An abundance of thanks to God lifts our eyes to a view from above. It’s there that we see all those threads, thousands of them, working together to become a glorious cloth for our good. That’s reason to give thanks.

Thankful for friends like you,
Karen

2 Comments

  • Joyce Lowder says:

    Love your gratitude for the preparation to weave! The ability to weave does require careful preparation and each step needs attention to arrive where we want and need to be. Likewise…God’s work in our hearts brings us to where He wants us to be! 🙂

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