Process Review: Combination Drawloom as a Playground

Aside from the two taildragger banners, the sign for our guest powder room, and the Christmas snowflake hanging, these are test pieces and samples. The combination drawloom is a playground for design ideas. Test pieces and samples are not meant for display. I do want them to be seen on occasion, however. (See Time Lapse: Windmill and Taildragger on the Drawloom.)

Drawloom sign for the powder room.
This is a sign to hang in our guest powder room near a stack of handwoven hand towels.
Shaft drawloom snowflakes/stars.
Snowflakes on the drawloom.

In the September, 2004 issue of Complex Weavers Journal, Jette Vandermeiden wrote about weaving small serviettes to place between her good dishes so they don’t scratch each other. That sparked the idea for me to use my learning experience with the Myrehed combination drawloom attachment to make these small pieces of cloth. The various designs will bring delight as they are uncovered, one by one, when we set the table in our home with the good dishes.

Fun with the Myrehed combo drawloom.
Drawloom playground results using the Myrehed combination attachment.

Enjoy this review of the process of setting up and weaving on this playground.

May you have not-so-hidden treasures in your home.

Cheerful Weaving,
Karen

Drawloom Stars and Snowflakes

I am ending this warp with spectacular stars. Or are they snowflakes? I got a new book of patterns just in time. My friend Cathleen shared her innovative source with me—Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition, by Anne Bårdsgård. This book is filled with beautiful charts, perfect for translating into drawloom designs. It has page after page of classic eight-pointed stars, which look like snowflakes to me.

Eight-pointed stars on the drawloom.
Drawloom weaving.
Drawloom weaving.
Pattern shaft drawloom. 35 pattern shafts.

The star patterns all have an odd number of squares across the chart. My drawloom is currently set up with an even number of pattern shafts. To compensate, I am offsetting the star and adding a vertical dotted line. For the second row of stars I am flipping the offset and switching to a lighter shade of blue weft. I am also pulling the pattern shaft cords for the background around the star pattern. This reverses the pattern and ground, giving a different perspective of the same design, making the star blue and the background white.

In the drawloom studio.
Are they stars or snowflakes.
Stars / Snowflakes on the pattern shaft drawloom.
(Photos by Eddie Fernandez)

Even when our perspective changes, the foundation stays the same. Truth endures. God speaks truth, even through his created designs. Stars in the heavens and snowflakes on the earth attest to the enduring truth of their Designer’s glory.

May the end of your warp be spectacular.

Happy Weaving,
Karen

Process Review: Weaving Rhythm

“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.

Glossary

Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.

Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.

Weaving Continuum ~ The cycle for each loom that is continually repeated.

When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.

First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.

  1. Finishing
  2. Dressing
  3. Weaving

Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.

Weaving bath towels on the Glimakra Standard.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.
Weaving hanging tabs for bath towels.
Glimåkra two-treadle band loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.
Glimakra 100cm Ideal. Sweet little loom.
Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.
Hand-built Swedish loom.
Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestry sample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.
Sweet little Glimakra Julia 8-shaft loom.
Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.
Weaving lettering on the drawloom.
Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.

Give Thanks ~ Live with a thankful heart.

Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.

May you always give thanks.

With a grateful heart,
Karen

Everything Is Peachy on the Drawloom

I canned my first-ever batch of jam last summer. Jars of yummy peach jam were on my mind when I started planning designs for this sample warp on the combination drawloom. Much to my delight, Joanne Hall has included my Jam Jars design in her updated edition of Drawloom Weaving, recently released.

Cotton and linen on the drawloom.
Beginning another variation of the Jam Jars design.
Creating drawloom designs.
Earlier version of Jam Jars, with “Peach” spelled out in cursive letters.
Making jam on the drawloom.
Simple lettering is possible with the pattern shafts. 30 pattern shafts for the jam jar design, including “JAM”, and 5 pattern shafts for the side borders.
Drawloom Weaving, by Joanne Hall. 2nd edition.
Drawloom Weaving, 2nd edition, by Joanne Hall. An essential resource for anyone interested in drawloom weaving.

I am weaving several versions of the jam jars. Each variation has a different set of borders as I test my understanding of the Myrehed combination attachment. I am studying the versatility of this drawloom. Pattern shafts enable pattern repeats for the jam jars and side borders. Single units make it possible to weave the peaches in the corners and “Peachy” across the top. Can you tell if the border across the bottom is made with pattern shafts? Or, is it made with single units?

How to weave Peach Jam!
Everything is Peachy!

Depth of understanding comes from study. Practice makes it real. Go all in; make mistakes, un-do and re-make; have What-now? moments and Aha! moments. Make deliberate observations. It’s all part of the process. That’s what forgiveness from God through Jesus Christ is like. Forgiveness is good news. When we receive his forgiveness he sets us on a path to study, learn, and understand his grace. The depth of which will take an eternity to understand.

May you increase in understanding.

Grace to you,
Karen

Home in Texas on the Drawloom

The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.

Myrehed Combination drawloom - learning its potential.
Pattern shafts (the wood bars) and single units (with black and white draw cords) are combined for this warp. 36 pattern shafts, including the X shaft. 132 single units.
Setting up the Myrehed combination drawloom.
Central design area uses a repeat of 30 pattern shafts threaded in a straight draw. Side borders use a repeat of 5 pattern shafts. Lift heddles and lanyard clips on the single unit draw cords attach the draw cords to the all the individual units (single units) on the pattern shafts.

I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.

Making a gridded pattern for weaving on the drawloom.
Photo of our back deck. Using Affinity Photo, I set up a grid on the page to represent 30 pattern shafts. I then import my photo onto the gridded page.
Creating a simple gridded pattern on the computer.
Simple outline is created and saved as a separate image. The filled-in outline becomes my drawloom pattern.
Creating gridded designs in Affinity Photo.
Oak tree that I pass on the hill up to my drawloom studio. After importing the photo, I adjust the opacity to fade the picture, which makes tracing easier.
Tracing a tree in Affinity Photo to make a drawloom pattern.
I use a pen tool in Affinity Photo set at 3 pt to do the tracing. Now I can fill in the outline and copy and paste the image onto my chart that I will print and then use at the loom.
Drawloom weaving, using the Myrehed Combination.
Houses are woven with 30 pattern shafts. The hearts in the corners and the added details above the houses use the single unit draw cords. The tree is beginning to appear between the two houses on the left.
Myrehed Combination drawloom.
Two draw handles are pulled for the pattern on the side borders. Single unit draw cords are pulled and held in place on the hook bar above the beater.
Our Texas Home - woven on the drawloom.
Our Texas Home

The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.

Experimental warp on the drawloom.
More ideas are forming, even as this fabric begins to hug the cloth beam.

May your life reveal the Creator’s design.

Happy Weaving,
Karen