Weaving Ideas – Year in Review Video

Everything starts with an idea. And some of those ideas become tangible expressions of dreams come true. Who knew that a simple idea in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of weaving on a drawloom of my own? (see Quiet Friday: Day at the Drawloom.) And who knew that an idea in 2013 to write about my weaving journey, calling it Warped for Good, would bring friends like you to come and enjoy the journey with me? For these things and so much more, I am truly grateful.

Siblings Tapestry is 3 cm away from completion!
Siblings Tapestry is three centimeters away from completion.
Drawloom rag rug - single-unit.
Single-unit drawloom rag rug is ten centimeters into testing everything–draw cords, sheds, shuttles. After a few more adjustments the actual rag rug weaving will commence.

Your ideas are priceless. That’s because you are priceless. You were made in God’s image, with the ability to imagine wonderful intricacies through creative thinking. In fact, you began as God’s idea. As we walk with him, we become the tangible expression of his dream come true.

Grab a cup of coffee or tea and sit here with me to reminisce over the past weaving year.

May this year bring your best ideas ever.

For you,
Karen

Tied On and Tied Up

Our transition to Texas hill country is finalized this week! The looms and I will be residing in the same house again. Let the weaving resume! One loom is dressed and waiting for me. Tied on above, and tied up below. Ready to weave!

The warp is tied on to the front tie-on bar in 1-inch bundles, with 1/2-inch bundles at the selvedges. And then, I add the leveling string which makes it look neat and tidy and READY.

Leveling string flattens and evens out the warp for no-waste weaving.
Warp is tied on to the front tie-on bar. Leveling string flattens and evens out the warp for no-waste weaving.

The upper and lower lamms are positioned, and the treadle cords are added and secured. It’s fascinating how simple and basic the whole system is. And how something this simple and basic can be the framework for boundless creative expression.

Under the warp. Intriguing view.
I sit on the treadle beam when I position the lamms, and then place the treadle cords in their holes. I’m always intrigued by the view of the warp and heddles from this vantage point.

Treadle cords on eight shafts.
Treadle tie-ups don’t frighten me. It all makes sense, and is part of the loom-dressing process that I enjoy.

If we think of prayer as something that gets us out of a crisis, or words to say in order to get what we want from God, we miss the whole point of prayer. And we face disappointment. Prayer always works. The work is not our clever words, nor the checking off of our wish list. Prayer is the framework of deep trust that stands ready for the Lord’s boundless creative expression. We pray because we trust him. Christmas—the birth of Christ—shows us that God always steps in at the right time.

May your framework be sure.

Advent greetings,
Karen

Thankfully No Cartoon

My small tapestry isn’t following a cartoon. This time, I am making it up as I go. It’s an exercise in spontaneity, which is good for someone who is most comfortable when she knows exactly what comes next.

I know enough of the fundamentals of tapestry weaving that I can “wing it.” It also helps that I have enough past mistakes in my experience to have learned a few things. Think of this improvisation as another dimension of practice. A challenge that turns into a learning experience. I have much to learn, so I’m thankful for the experience.

Small frame-loom tapestry. Travel weaving!
Small frame-loom tapestry. Fåro wool weft, 12/6 cotton warp.

Sometimes life’s turns give us some weaving to do without a comfortable cartoon to follow. We make it up as we go. An exercise in spontaneity? Yes. Even in this, though, we see the improvised design emerge. Give thanks. The Grand Weaver who taught you how to get this far has your learning experience in mind when He brings you to another challenge. Knowing we have much to learn, let’s give Him thanks!

May you learn enough to enjoy “winging it.”

Happy Thanks-Giving,
Karen

Quiet Friday: Painting with Yarn and Animated Images

I have often wished I had the skill of artistic drawing. How wonderful it would be to portray a slice of creation using pencil lines, or pastels, or with watercolors and a paintbrush. Instead, though, I’ve been delighted to find that I can “draw” and “paint” with threads and yarn. By capturing a slice of creation through my iPhone camera lens, the hard part has already been done. All I have to do is translate the photo into a woven image. And what a joy that is!

Here is a glimpse of my process of weaving the Texas hill country Cactus and Bluebonnets transparencies.

(Don’t miss the amazing animated images at the end of this post that my son, Daniel, made of these woven transparency projects!)

Yarn for a woven transparency.

Planning a woven transparency.

Beginning cactus woven transparency.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Weaving a transparency. Cactus.

Cactus woven transparency just off the loom!

Woven transparency cactus. Karen Isenhower

Planning a woven transparency.

Beginning bluebonnets in a woven transparency.

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Woven transparency. Bluebonnets

Bluebonnets woven transparency just off the loom!

Woven transparency bluebonnets. Karen Isenhower

Bluebonnets photo morph to woven transparency.

May you find joy in what you’ve been given to do.

Happy Weaving,
Karen

Quiet Friday: Handwoven Handbags

Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.

Handwoven handbags - with 1 minute video.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!

…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.

Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!

Rigid Heddle Loom

Handbags from fabric woven on a rigid heddle loom.
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.

Handwoven fabric for handbags from the rigid heddle loom.
Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.

Travel Finds

Handwoven handbags from international travels.
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.

Project Carriers

Handwoven project bags.
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.

Special Use

Handwoven handbags.
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.

Handwoven lining in a handwoven purse.
Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.

Daily Use Favorites

Favorite handwoven handbags! Karen Isenhower
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.

May you carry your handiwork with you.

Happy weaving,
Karen