Handwoven remnants (aka scraps) do not get thrown away. Every scrap is good for something. Some scraps are so unusual it takes an extra dose of creativity to find a use for them.
This remnant of blue wool fabric is something I wove a few years ago during my Big Book of Weaving adventure. This structure uses a weft-cord technique, which creates interesting ridges in the fabric. The original project is a simple handbag. The remaining fabric has been buried in a box of remnants. Until now.
I had a great idea to make a bench cushion for my Julia loom from this unusual remnant. Guess what? All those ridges are not so comfortable to sit on (fortunately, I tested it first). My next idea, though, is a success! The blue bumpy scrap makes a nice lumbar pillow, adding special comfort to the rocking chair that belonged to my great grandmother.
The monksbelt piece that adorns our entry is my favorite from all the projects in The Big Book of Weaving, by Laila Lundell. This current narrower version on the Standard is another heirloom monksbelt piece in the making. The ground cloth is weft rep.
This is snail’s-pace weaving, with 2 picks of 16/2 cotton for the ground weave between every 6/1 Fårö wool pattern pick.
“To weave [weft rep]…the weft must be longer than the width of the warp and so the weft has to arc across the shed. There are two ways to do this: with many small waves across the width or with a large and high arc…The tiniest bit of unevenness can quickly build into hills and valleys across the weft line…”
The Big Book of Weaving, p. 236
Weft Rep in Three Steps
1. Make a Mountain.
After throwing the shuttle, increase the length of the weft by making it into a large arc in the open shed. Put one finger through the warp to form the peak while keeping enough tension on the thread with your other hand to maintain a good selvedge.
2. Make Hills and Valleys.
Keeping the shed open, push the mountain down into hills and valleys to evenly distribute the extra weft.
Turn the mountain into hills and valleys with your finger.
Simply drag your spread-out fingers lightly through the weft.
TIMESAVER – Slowly pull the beater toward you (shed open), smooshing the weft into a wavy line. Stop two or three inches away from the fell line.
3. Flatten the Hills
Treadle for the next shed. On the closed shed beat in the weft. Two short pulses with the beater distribute the weft more effectively than a single squeeze with the beater.
Watch for little loops that may form in places where there is a bit too much weft. To correct, open the shed, pull that portion of the weft back into a little hill and redo.
TIMESAVER – Draw the back of your fingernail across the warp where you see excess weft. This is often enough to even out little bumps.
Slower weaving develops into a rhythmic pace that is comfortable. And the cloth grows, line by line.
Everything starts with an idea. And some of those ideas become tangible expressions of dreams come true. Who knew that a simple idea in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of weaving on a drawloom of my own? (see Quiet Friday: Day at the Drawloom.) And who knew that an idea in 2013 to write about my weaving journey, calling it Warped for Good, would bring friends like you to come and enjoy the journey with me? For these things and so much more, I am truly grateful.
Your ideas are priceless. That’s because you are priceless. You were made in God’s image, with the ability to imagine wonderful intricacies through creative thinking. In fact, you began as God’s idea. As we walk with him, we become the tangible expression of his dream come true.
Grab a cup of coffee or tea and sit here with me to reminisce over the past weaving year.
It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaftdouble-weave blanket I had on the loom in June? That is the final project in the book.
In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.
For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.
Getting lost and absorbed in the whole process of weaving.
V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)
Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.
I am in Germany this week, but before I left home I started the blue wool blanket. Twelve shafts and twelve treadles is challenge enough. Double weave with a sett of 5 EPC (12 EPI) per layer in 6/2 Tuna wool adds to the challenge. This wool stubbornly clings to itself in this sett. I don’t care to fight defiant wool to get a clean shed on every treadle! I could re-sley to a coarser sett. But I want to keep the sett as is, as written for this project in The Big Book of Weaving, by Laila Lundell. Cowboy Magic to the rescue! I discovered this horse mane detangler when I wove a mohair throw a few years ago. It rinses out nicely in the wet finishing. It worked magic for me at that time. Now, with a small amount of slick detangler on my fingers I can tame these blue wool fibers. Voila! No more fighting to get a clean shed.
Now I have something to look forward to when I get home.