I intended to weave this part quickly, and move on. But when I noticed I could see the end of the warp I changed my mind. I’m going to do something that will slow me down—inlay. It’s something I’ve been thinking about doing. Now’s my chance before I run out of warp.
I am adding blue 16/1 linen inlay to the center motif. The same color blue is laid in at the center motif on the side borders, as well.
Draw the pull-handles for the borders – draw single unit cords – throw the shuttle – lay in the blue thread – throw the shuttle and lay in the blue thread two more times. Move up one row on the chart, and follow the same sequence as before. Ever so carefully, learning as I go. Delightfully slow as molasses. Intently paying attention, and thinking about what I would do differently next time.
Changing your mind changes your direction. When the Lord sees our thoughts turning in his direction, he reveals more and more of himself to us. Like small lines of color added a row at a time, the image becomes more and more distinct. With the warp we have remaining, there is still time to see the Grand Weaver’s image woven in us.
My family of looms just welcomed a new little sister—Julia! This 8-shaftcountermarch is Glimåkra’s smallest floor loom. I dressed the loom right away in 6/2 Tuna wool for 4-shaft Jämtlandsdräll to try out the loom. So far, so good. An 8-shaft project using 20/2 Mora wool is up next. Would you believe this is my new portable loom? Surprisingly, the Julia fits in the back of our vehicle, without disassembling. This is the loom you can expect to see with me at future workshops.
My Julia Observations:
It goes together like you’d expect from a Glimåkra. Instructions are minimal, and quality is high. It’s a well-designed puzzle.
The assembled loom is easy to move around to gain space needed for warping, or simply to change location for any reason.
The breast beam is not removable like it is on my other Glimåkra looms, which makes it a stretch to thread the heddles from the front. However, by hanging the shaft bars from the beater cradle at the very front I can thread the heddles without back strain. (Or, if you are petite and don’t mind climbing over the side, you can put the bench in the loom for threading.)
Tying uplamms and treadles is not much different than it is for my Ideal. Everything is well within reach from the front. It helps to take the lamms off the loom to put in the treadle cords, and then put the lamms back on the loom. With one extra person available, it is entirely feasible to elevate the loom on paint cans, upside-down buckets, or a small table to make tie-ups easier, but I didn’t find it necessary to do that.
Weaving on the Julia is a delight, as it is with my other countermarch looms. Everything works. With four shafts, the sheds are impeccable.
The bench adjusts to the right height.
The hanging beater is well balanced, sturdy, and has a good solid feel. I can move the beater back several times before needing to advance the warp.
I thought the narrower treadles might prove annoying, but I’ve been able to adjust quickly. After weaving a short while, I forget about the treadle size.
Steve is the loom assembler in our family. I stand by and give a hand when needed. I hope you can feel our excitement as you watch this short video of us discovering what’s in the boxes and figuring out how it all goes together.
May you enjoy the puzzles that come to your doorstep.
It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaftdouble-weave blanket I had on the loom in June? That is the final project in the book.
In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.
For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.
Getting lost and absorbed in the whole process of weaving.
V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)
Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.
In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.
I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shafttwill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)
Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.
Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.
Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.
Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.
Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.
May your imperfections be greeted with grace.
Love and grace, Karen
~What are your questions? Joanne has answers~
Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.