Home in Texas on the Drawloom

The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.

Myrehed Combination drawloom - learning its potential.
Pattern shafts (the wood bars) and single units (with black and white draw cords) are combined for this warp. 36 pattern shafts, including the X shaft. 132 single units.
Setting up the Myrehed combination drawloom.
Central design area uses a repeat of 30 pattern shafts threaded in a straight draw. Side borders use a repeat of 5 pattern shafts. Lift heddles and lanyard clips on the single unit draw cords attach the draw cords to the all the individual units (single units) on the pattern shafts.

I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.

Making a gridded pattern for weaving on the drawloom.
Photo of our back deck. Using Affinity Photo, I set up a grid on the page to represent 30 pattern shafts. I then import my photo onto the gridded page.
Creating a simple gridded pattern on the computer.
Simple outline is created and saved as a separate image. The filled-in outline becomes my drawloom pattern.
Creating gridded designs in Affinity Photo.
Oak tree that I pass on the hill up to my drawloom studio. After importing the photo, I adjust the opacity to fade the picture, which makes tracing easier.
Tracing a tree in Affinity Photo to make a drawloom pattern.
I use a pen tool in Affinity Photo set at 3 pt to do the tracing. Now I can fill in the outline and copy and paste the image onto my chart that I will print and then use at the loom.
Drawloom weaving, using the Myrehed Combination.
Houses are woven with 30 pattern shafts. The hearts in the corners and the added details above the houses use the single unit draw cords. The tree is beginning to appear between the two houses on the left.
Myrehed Combination drawloom.
Two draw handles are pulled for the pattern on the side borders. Single unit draw cords are pulled and held in place on the hook bar above the beater.
Our Texas Home - woven on the drawloom.
Our Texas Home

The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.

Experimental warp on the drawloom.
More ideas are forming, even as this fabric begins to hug the cloth beam.

May your life reveal the Creator’s design.

Happy Weaving,
Karen

25 Comments

  • Kelly says:

    Wow, that is amazing!

  • Beth Mullins says:

    Mind blown! Wow!

    • Karen says:

      Hi Beth, The drawloom attachment changes everything. At the root of it all, though, is normal weaving. The draw handles and cords turn it into a giant counted cross stitch machine. 🙂

      Happy weaving,
      Karen

  • Wanda says:

    Fabulous! I love seeing what you weave!

  • Judy Goodwin says:

    I took a drawloom class at Vavstuga Studios in MA. I loved being able to create the designs. Would love to do more of it. Your work is wonderful

    • Karen says:

      Hi Judy, That’s great that you had the drawloom experience at Vavstuga. I’m sure it was wonderful! Creating the designs on the computer has been quite a learning curve for me. I’m beginning to enjoy it. 🙂

      Thank you,
      Karen

  • Kevin B says:

    Ah, so much to learn! As always your weaving is beautiful and very inspirational! Thank you for sharing!

  • Betsy says:

    Oh, wow!! Very cool.

  • Charlene says:

    There is a great deal more than the threads of fibre weaving through your blog posts and the story of your art. I catch a thread or two, sometimes in what you write; “May your life reveal the Creator’s design” and sometimes in the comments; “May I add, amen.”

    Comparatively, I find my own weaving journey so intimidatingly small as I read about your journey, but then I remember the joy isn’t in comparison, the joy is in our created uniqueness.

    It is fascinating – both in this created life God has given us and to share your unique contribution with you. Thank you for such detail in both photo and description. I thoroughly enjoy both.

    • Karen says:

      Hi Charlene, The underlying threads you insightfully detect are at the heart of all my intentions. I’m pleased to have you join me in this little corner of the created life God has given us.

      Your friend,
      Karen

  • Shari says:

    You have truly embraced weaving! So much to discover. When I was visiting my best friend Janet in Austin last October we went hiking at Enchanted Rock. Very special place. Be well.

    • Karen says:

      Hi Shari, I’m so happy to know that my little mention of Enchanted Rock meant something to you. Having had hiked Enchanted Rock a few times, it was very exciting to get to see it from the air!

      Be well to you and yours,
      Karen

  • Linda Adamson says:

    Lovely. How long does it take you to set up your loom? Where did you learn how?
    Linda

    • Karen says:

      Hi Linda, This warp took me a good 12 hours to set up. I was determined to get it done, so I spent about 3 hours, 4 days in a row. I enjoyed the process – it all seems so amazing how the systems work together. But this is why most drawloom weavers put on looooong warps. This current warp is only about 5-6 yards long because this is for planning out designs to use on larger pieces in the future. Besides, I still need the practice of dressing this loom often enough so that I don’t have to start from scratch with my memory.

      I took a drawloom class from Joanne Hall at her studio in Montana. It was excellent!

      All the best,
      Karen

  • Linda Cornell says:

    I enjoy your posts and weaving inspirations! I hardly know what a draw loom is but it’s cool to see what you produce in it! Most particularly, your intertwining of faith through your weaving is mist inspiring. God continue to bless you!

    • Karen says:

      Hi Linda, It wasn’t that long ago that I hardly knew what a drawloom was, either. It’s been an interesting learning journey.

      I’m glad the intertwining of faith through my weaving experiences resonates with you.

      Thank you,
      Karen

  • Connie says:

    All I can say is, WOW! Thanks for sharing.

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Process Review: Dressing the Drawloom the Second Time

Dressing the drawloom the second time is easier than the first time. No slip ups or confusion. Just smoothly moving from one step to the next. (Read to the end to see what to expect for July.)

Winding skeins of wool yarn into balls.
Winding skeins of wool yarn into balls.

With my first drawloom warp the most challenging part was distributing the pattern shafts. (See Q and A with Joanne Hall and Drawloom Dressing.) This time something clicked and the light bulb turned on. Instead of blindly following steps, I now understand what I am doing, and why. And I am having fun in the process!

Winding warp on the warping reel.
Winding the warp on the warping reel, making two bouts.
Big fat wool warp chains.
Warp chains of 6/2 Tuna wool, ready to dress the loom.
Ready to thread pattern heddles.
After beaming the warp, the loom bench is moved to the back of the loom for threading heddles. Pattern heddles first, and then, ground heddles.
Sleying the reed on the drawloom.
With the reed sleyed, it’s time to return the ground shafts to the front of the loom and put the reed in the beater.
Leveling string is doing its job!
Warp is tied on, and the leveling string is doing its job.
Distributing pattern shafts on the drawloom.
Inkle band serves to separate pattern heddles as I distribute the pattern shafts.
Adding pattern shafts to the drawloom.
Pattern shafts are resting nicely on the pattern shaft holders. Their little hooks grab the Texsolv that connects them to the draw cords and handles.
Dressing the drawloom!
Pointed threading can be seen in the arrangement of the heddles on the pattern shafts.
Dressing the drawloom!
Drawloom setup is complete except for tying up the treadles. Treadle tie-ups on a drawloom are refreshingly simple.
Testing pattern sheds on the drawloom.
Testing pattern sheds by pulling some of the draw handles. After a few small adjustments, she’s ready to weave!
Wool on the drawloom.
First sample. 6/2 Tuna wool warp and weft, 4-shaft broken twill on the ground shafts, sett is 5.5 ends per cm, 16 pattern shafts with 1 extra shaft for the edges.

Friends, It’s that time again, when Warped for Good is put on pause for the month of July.

Thank you for sharing in this journey with me!

What’s on my looms: I am near the end of the blue double weave blanket on the Standard, and I am planning a new pictorial tapestry for that loom. The drawloom is dressed and in motion. And the Ideal loom is still sitting ready for rosepath rag rugs. Also, Steve and I have a Casita trip planned that will include some leisurely backstrap band weaving.

What’s on your loom right now? Share with us in the comments.

See you the first Tuesday of August! (In the meantime catch me over on Instagram @celloweaver.)

May your second times be better than your first times.

Keep on Weaving,
Karen

13 Comments

  • Beth Mullins says:

    Love the drawloom project! I’m getting ready to dress my loom for retro-inspired kitchen towels. Enjoy July!

  • Nannette says:

    Enjoy your July.

    I will be picking currants and black raspberries out of my backyard to sell at the farmer’s market.

    The weaving on the drawloom looks so warm. Ready for the autumn.

    Blessings

    • Karen says:

      Hi Nannette, I have fond childhood memories of picking black raspberries in our backyard, and eating them! Yum!

      If all goes as planned, I will finish the drawloom weaving in time to make a simple vest that I can wear this autumn. …we’ll see.

      All the best,
      Karen

  • Charlotte says:

    Good morning, my sweet! Weaving has been suddenly interrupted. Father’s Day – 15 minutes before the close of service – my heart began racing. No pain. It being Father’s Day, I thought I needed food. While at the restaurant, pulse 158. Wayne wanted to head to the ER…light ache in jaw. They stopped my heart and thankfully, it started on its own. 3 drugs later, I was finally in my sinus rhythm. Orders to lay low. Sleep studies. Waiting. Terrible drug reaction. Waiting. Today…sleep study in near future. Home sleep study last Thursday. Waiting. Love you and thankful I remain on this side of heaven. HE has given me a new ministry with Semper Fi Fund. We should talk! I love you!!!!!

    • Karen says:

      Oh Charlotte, You’ve been through a lot! Hopefully, weaving will be back in rhythm for you. I’m thankful you’ve been given a way to bless others in the Semper Fi project.

      I don’t want you to rush off to heaven when you still have a mission here!

      Love,
      Karen

  • Geri Rickard says:

    Hi Karen! My loom projects are a runner on the drawloom in 35/2 linen for warp snd 16/1 for weft. It’s on a 21 shaft setup. On the other standard loom I’m just starting an easy batch of M&O towels in 16/2 cotton. I’m enjoying seeing your drawloom progress! Enjoy your July!

    • Karen says:

      Hi Geri, Thanks for sharing! It’s great to hear what you have on your looms. I’m looking forward to putting linen on my drawloom–it may be the next warp! And more and more shafts each time. And M&O’s is one of my favorites, so pretty.

      Happy weaving,
      Karen

  • Geri Rickard says:

    P.S. Just wanted to say my drawloom is set up on the Glimakra I bought from your former weaving teacher. The one you learned on! I forgot her name but at the time I bought it she was in the Denver area and downsizing.

    • Karen says:

      Geri, how cool! You are weaving on the loom I learned on from Leigh? That’s a beautiful loom and such sweet memories for me. Oh, that was a special time with Leigh.

      Thanks for letting me know!
      Karen

  • Maggie Ackerman says:

    Hi Karen, we moved last month and after painting every room in our downsized house, I’m still at blacking boxes and trying to do something with the smaller yard. My loom room is a nice room in the basement and unpacking will be a winter thing. However, still on my baby wolf loom is a scarf from NZ possum merino that I kept on my much pared down look room to sell the previous house. Must’ve worked cuz it sold in 5 days! Somehow I’m looking forward to winter!

    • Karen says:

      Hi Maggie, I know how big a job moving is. You’ve got some restful times to look forward to after you get fully settled in. You will have so much fun setting up your new weaving space! No doubt that loom with lovely weaving was what sold the house! Congrats on your quick sell.

      Happy Weaving,
      Karen

  • Karen Reff says:

    What a great idea, to use woven bands for loom tools! I’m not a fan of weaving just to weave. There has to be a plan! Now, spinning…that’s different.
    Your drawloom weaving is going to be lovely. Enjoy!

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Drawloom Cords and Handles

My first drawloom warp used ten pattern shafts, which was plenty. I have now installed the cords and draw handles for all fifty pattern shafts, so the sky’s the limit! (See Process Review: First Drawloom Warp)

Adding draw cords to the drawloom.
Adding draw cords. I stand on the foot beam to reach up to the top of the draw frame to pull cords through the holes.
Draw cords are added in order.
Draw cords are added in order.

Adding all these draw cords and handles is a big job. It involves a cord threader and scissors and time—reaching, going back and forth, measuring, cutting, tying. Over and over. It’s not hard, but it seems endless. Yet for some strange reason this job is entirely enjoyable. I feel like an architect and builder, a dreamer and investor. It’s incredible to step back and see the structure that this effort has produced. And this is merely the set up. Can you imagine the weaving prospects?!

This is how we build good structures in our lives. Intentional, persistent, focused. Listen well. Over and over. The way we speak makes a difference in the way we listen. When we speak with grace, seasoned for the hearer, we ready ourselves to listen. Our cord threader is our unselfish attentiveness to pull someone else’s thoughts and questions toward our understanding. With this beautiful structure we are ready for anything. Accomplished through the grace of God, the sky’s the limit!

Drawloom ready for weaving!
Drawloom with fifty draw handles, a sight to behold.

May your words be seasoned with grace.

Getting ready,
Karen

15 Comments

  • Beth Mullins says:

    Looks so complicated!

    • Karen says:

      Hi Beth, I know it looks complicated. That’s what I always thought. I’ve been surprised to learn that it’s actually a series of simple steps to set this up.

      Happy Weaving,
      Karen

  • Nannette says:

    Oh, my goodness. The loom set up is a piece of sculpture. Precision. Symmetry one view. Asymmetrical from another direction. Soooo beautiful.
    Function that is a finely tuned instrument.
    Thankful for sharing.
    Nannette

    • Karen says:

      Hi Nannette, Yes, It is a piece of sculpture. A fluid sculpture. You’ve given it a beautiful description.

      All the best,
      Karen

      • Nannettte says:

        At one o’clock this morning I finished weaving up the last of the rag on the overshot warp. The plan was to cut off the 3 rugs and re-tie the warp to use to explore tapestry as described in one of your more recent blogs.

        Curmugeon66 uses a stick to stabilize the woven edge until it can be machine hemmed. So… I pulled out a stick. Put it on the beater bar while I pulled the 3 rugs from the loom.. You know where I am going with this.

        By the time I heard the stick hit the treadles, hours of carpet warp had been pulled from the reed. It was hot and sticky and I was tired.

        This morning’s Sound Bites daily devotional title was ‘Paying Attention’.
        Today’s plan is to put a sewing machine hem on the rag rugs and pack them up to take to the future retirement home.

        There is nothing else to say… Well maybe “Praise God”

  • Lynette says:

    Please send more posts on how it works! Will be eager to see! Also, how wide of a Glimakra Standard Loom is needed to fit all 50 pattern shafts? (Minimum width) It looks like it will be fun.

    • Karen says:

      Hi Lynette, I will post my progress with this loom. My Glimåkra Standard is 120cm (47”), but I think this same draw frame fits on a smaller Standard or Ideal—maybe 100cm (39”). Someone who knows for sure can comment on this to verify.

      It will certainly be fun! That I know.

      Happy Weaving,
      Karen

  • Arlene Favreau-Pysher says:

    I love the spiritual aspect of weaving and being that listener…. and incorporating the other person into our being …thank you for your post. Arlene

    • Karen says:

      Hi Arlene, Thanks for your thoughtful words!

      I’m so grateful for the Lord’s grace to show us how to make others more important than ourselves.

      All the best,
      Karen

  • Annie says:

    That whole set up just boggles my mind! Nannette’s description is perfect!

    Hopefully, I will have an opportunity to come see this in person one day, Karen.
    In the mean time, I am looking forward to some videos of you weaving with this.

    50?! I really don’t know if I could keep that all straight!

    • Karen says:

      Hi Annie, It’s my hope to make some short videos of the drawloom. Thanks for the prompt.

      Yes, 50 pattern shafts. That means 50 handles to pull. The more, the merrier!

      All the best,
      Karen

  • Judy says:

    Karen thank you for your posts on the drawloom. I have an old countermarche loom that I would love to build a drawloom for. I find this very interesting and can’t wait to see what you do with it. I have taken a basic drawloom course. You have inspired me to get started.

    • Karen says:

      Hi Judy, How wonderful that you are dreaming of building a drawloom for your countermarch! Dreams are where the action begins!

      Happy Weaving,
      Karen

  • Keri Mae says:

    Beautiful post!

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