Critter Napkins Change of Outcome

Karen

Twelve different critters, designed and woven with checked borders. This is combination drawloom weaving at its best, to create fun napkins that our grandchildren will enjoy using. However, as I unroll the length of 6-shaft broken twill fabric from the drawloom’s cloth beam–critter after critter, a new idea emerges. I’ve been weaving these critter napkins for quite some time, and have never considered another use for these woven animals–all of which have been seen on our Texas Hill Country property at one time or another.

Time for cutting off!
As the critters roll off the cloth beam, a new idea starts rolling off my mind.

Then, as I lay the fabric out across the floor, the fresh idea crystallizes. This would make a spectacular throw!

Armadillo, Fox, Porcupine, Jackrabbit, Whitetail Buck, Wild Turkey, Roadrunner, Longhorn Steer, Texas Spiny Lizard, Ringtail, Raccoon, and Blackbuck Antelope. And then as extra, three dogs from our children’s families – Luna, Toby, and Comet.

Just like that, and the critter napkins go out the window (figuratively speaking). Now I am imagining three panels of four critters each, sewn together into one large piece.

Laying out the washed and dried panels in different configurations to find the most pleasing arrangement.
Three panels of different lengths are arranged strategically. Sample weaving from the beginning and end of the warp will fill in the spaces at the top and bottom of the shorter panels. I am trying to find a woven band (at far end of table) from my “band box” to use for covering seams of the pieced ends.

Yes, this is the best use of this woven treasure that I have had so much delight in designing and weaving! All the fascinating creatures can be seen at once, on the front or on the reverse side.

This is something we can enjoy together with our grandchildren when they are at our home!

I decide to create a couple handwoven bands from the linen and cottolin threads in the critter fabric. These bands will be the perfect complement with which to finish this project.

I am designing stripes to weave a narrow band on my Glimåkra Band Loom that I can use with the Critter Throw. The stripe pattern on the far right is the one I am choosing to use.
Band is black on one edge and midnight blue on the opposite edge. This beautiful band is a joy to weave.
I thought I would weave just part of this warp, and then start on a wider band that will also be used for assembling the Critter Throw. Once I got started on this band, I wanted to keep going. I sat in front of the fireplace fire a few evenings in a row and happily finished off this 9-meter warp.
This is more handwoven narrow band than I need for this project. Much of it will go into my box of handwoven bands. You never know when you’ll need another band for something.
Designing a wider band that corresponds to the narrower band.
This band is about 2 cm wide, which is just right for what I have in mind. When I finish this 5.5-meter warp I will be ready to assemble the Critter Throw!

Handwoven fabric has surprising lessons for us woven in! We might be certain that we know what we are doing. I knew I was weaving critter napkins, and never questioned it. One view of the bigger picture, though, changed everything. God has a bigger picture of our existence than we realize. He invites us to see life from his view through faith in Jesus Christ. In the moment we give him our heart, everything changes, and that’s when we see what we were really made for.

May your changes be for the better.

Happy Weaving,
Karen

End of the Warp – Critter Napkins

Karen

Thank you for following along on this lengthy Critter Napkins project. Twelve critter napkins on the combination drawloom. These are hefty napkins with children in mind. Since showing you the roadrunner a few months ago, I have been busy weaving more critters. I have woven the final five, plus three bonus animals…

Texas Longhorn Steer. Longhorn steer, designed from a photo taken by Steve when the steer was passing through our property. You can see the legs of the humorous wild turkey on the cloth beam below.
Texas Spiny Lizard. This is a common lizard in Texas Hill Country.
Ringtail. Colloquially called “ringtail cat,” the ringtail is a completely nocturnal animal. Because of our game camera we know he has visited our back deck.
Raccoon. Mr. Raccoon tries to go unnoticed, but we have seen him taking figs from the fig tree and bird seed from the bird feeder.
Blackbuck Antelope. The beautiful blackbuck antelope is not native to Texas, but we often see these exotic animals in our area.

I have some warp left. I am pretty sure it is enough to weave one or two more napkins. But can I squeeze out three more? Maybe… I want to try. Luna, Toby, and Comet are the family dogs of our three children’s families. Perfect subjects for finishing out this warp.

Weaving the first two dogs, no problem. But as the back tie-on bar moves closer to the front every time I advance the warp, I begin to wonder if I’ve made a big mistake. The shed is decreasing. The children and grandchildren are all expecting their dogs to be woven. I can’t do two dogs, and not the third. Will I have to tie on warp to finish? Will I have to use a shed stick to open each shed? Or, use a stick shuttle to finish?

It is a true blessing from the Lord to be given a skill to develop, and to be able to use that skill. When I face a challenge in weaving, I know there is a way through it, and I have the skill to work it out. God made a way for each of us to finish well all the way to the end of our life, not through our own skill, but through faith in Jesus Christ. Our warp will be cut from the loom at just the right time. When that time comes, those who are in Jesus Christ will enjoy what we’ve been made for–to be with our Master Weaver forever. I imagine He will handle each woven cloth with delight as it comes off the loom, as a weaver does who has invested everything into the threads that were woven.

Here are the bonus animals–the family dog of each of our three children’s families. I asked the oldest child in the family to write the dog’s name, which I then converted into weaveable letters. I placed the dog’s name frontwards and backwards, so it can be read from either side of the cloth. I was able to reach the end of weaveable warp without using any extreme measures. Joy!

Luna is the fun-loving dog of our daughter Melody’s family. You can see the raccoon wrapping around the cloth beam.
Watch out for Toby’s tail. This happy dog belongs to our son Daniel’s family.
Our son Samuel’s family added cute little Comet to their home just a couple days before Christmas.
Narrow shed at the end, with a view of black dog Toby.

Please watch for my February 1st post. I will give you a complete rundown on all the finished and hemmed critter napkins.

~ February 1st will be the last scheduled blog post for Warped for Good. ~

I am still weaving, so I intend to share what’s going on with my looms here on Warped for Good, but in a spontaneous manner instead of a scheduled post on each first day of the month.

Grateful to have you here,
Karen

Custom Handwoven Curtains and Process Video

Karen

When we renovated our master bathroom last year, I told Steve I would look for some curtains to hang on the windows that would complement the room. He said, “Why don’t you make some handwoven curtains?” So, I did.

We are using white Swedish lace curtains as temporary window coverings. I made these curtains for different sized windows of our previous home. The panels are folded over simple tension rods in the windows.

This is a beautiful way to close out the year. New handwoven curtains custom-made for these windows! 24/2 cotton warp and weft, with 16/2 cotton accent stripes. M’s and O’s in four shafts. I wish I had counted how many quills I wound. It seems like thousands. Steve did a rough calculation of how many times I stretched my arms a very wide stretch to send the shuttle back and forth. Something like 7,000+ times.

I have designed a distinct geometric pattern with uneven stripes to fit the style of our renovated master bathroom.
I am leaving the curtains unpressed, except for hems, to accentuate the interesting texture in the cloth from the M’s and O’s structure.

I hope you are getting ready for Christmas like we are. Christmas reminds me that there is a bigger story than my twelve-month curtains. I get immersed in a project and look ahead to the joy of seeing it come off the loom. The Christmas story is that God’s Son Jesus Christ humbled Himself to come to us as a baby, to grow into a man who would give His life away. Jesus was looking ahead to the joy of seeing us come into harmony with God. Merry Christ-mas to all.

Here is a short slide show video of the process of weaving these curtains, from start to finish. Enjoy!

God’s blessings to you,
Karen

The lyrics to the background music in the video:

Come, Thou Long Expected Jesus
by Charles Wesley (1744)

1. Come, Thou long expected Jesus,
born to set Thy people free;
from our fears and sins release us,
let us find our rest in Thee.

Israel’s strength and consolation,
hope of all the earth Thou art;
dear desire of every nation,
joy of every longing heart.

2. Born Thy people to deliver,
born a child and yet a King,
born to reign in us forever,
now Thy gracious kingdom bring.

By Thine own eternal Spirit
rule in all our hearts alone;
by Thine all-sufficient merit,
raise us to Thy glorious throne.

New Life for an Old Rigid Heddle Loom Blanket

Karen

My weaving interest started in 1982 when I happened across a rigid heddle loom class by Lynn Tedder at Johnson Atelier in Tulsa, Oklahoma. I acquired a 32-inch Beka Rigid Heddle Loom and began weaving during snippets of time as I was being a full-time mommy to one, two, and then three little ones. One of my very first projects on that simple loom was a wool color gamp sampler. I wove full width for a length equal to two panels that I then hand-stitched together to make a small blanket. That little blanket got a lot of use and wear, and at some point I packed it away because some of the edges had become a little ragged over time.

In 2019 I finished one of my first warps on the drawloom–Tuna wool fabric in which I wove designs for a simple vest I would make for myself. I created the pattern for the vest, and after doing several muslins, I wanted to do a mockup in similar weight to the wool fabric from the drawloom. I dug out that old rigid heddle loom blanket! Perfect for this assignment as a mockup.

I made a mockup for the drawloom vest. I cut the mockup vest from a plain weave color gamp sampler blanket I wove on my 32″ Beka rigid heddle loom in 1982. The blanket was made from two panels hand-stitched together down the middle.
Wool vest made in January 2020 from fabric woven on the drawloom.

Why not make that color gamp mockup into a wearable vest on its own? That is what I have finished this week. The pictures that follow tell the story.

I made the mockup vest with overlapped seams.
I am using handwoven bands to cover the seams on the vest. This pretty band was woven a couple years ago on a small band heddle that Steve made for me.
Double fold bias tape covers all the edges of the vest. First I stitch the tape to the edge of the vest, right sides together. You can see another handwoven band that I am using to cover the shoulder seams.
Next, I fold the bias tape around the edge and to the inside, and “stitch in the ditch” to catch the edge of the bias tape on the inside of the vest.
I found this two-part metal closure in my box of sewing odds and ends. It’s perfect for this vest. The thimble is one my grandmother used in her many hand-sewing projects.
Simple closure for a simple vest.
Sewing my handwoven label on the lower edge of the inside is the finishing touch.
Rigid heddle blanket, now a wearable vest!

When I think about how the Lord allowed me to discover the joy of weaving on a simple little frame loom… And how He has allowed me to enjoy growing in these skills, and how I get to have the pleasure of weaving on a not-so-simple large drawloom… It reminds me of Psalm 16:11 “You reveal the path of life to me; in Your presence is abundant joy; at Your right hand are eternal pleasures.”

Happy to wear a remnant of my rigid heddle loom days!

Thanksgiving: Giving thanks to the Lord for allowing us to know the joy of walking in His path of life.

Happy Thanks Giving, Karen

Daily Tapestry Weaving

Karen

I planned a small tapestry project to take with me on our travels to Grand Canyon North Rim last month. I was rushed in the planning of the cartoon and in the selection of the yarn colors. Sitting by our travel trailer at the campground, with the rim of Grand Canyon in view, I had an inspiring environment for weaving.

After returning home, I could see changes I’d like to make in the cartoon, and some adjustments needed in the hues and values of my yarn selection. The cartoon is a photo of a Grand Canyon North Rim sunset from our visit there two years ago. I reworked the cartoon in Photoshop and edited my yarn selection. Then I undid everything that I had already woven. I’m starting over and it is looking better already!

Every evening, now, I bring my Freja Tapestry Frame to our small breakfast table in the kitchen and weave for a little while. Steve made a holder for me to hang the tapestry frame on a wall in the study. I take a picture every morning. I will end up with a series of photos that show how the tapestry grows, row by row, over time. This daily tapestry weaving gives me a constant reminder of how beautifully creative the Creator of our universe is, and how His planning is never rushed, nor His selection of colors short sighted. His work is perfect from the start.

First, we found a place to hang this Freja Tapestry frame on the wall. Bright yarn is the scrap yarn for beginning to space the warp. Six rows of 12/6 cotton warp thread finish the job of spreading the warp evenly. I also added two quick rows at the top to help keep uniform spacing from bottom to top of the warp.
Steve’s simple mounting rack is just right for holding the tapestry frame. I can view the right (or wrong) side of the tapestry and watch it grow day by day. I completed these six rows in the first couple days back home.
Detail view of the right side of the first six rows. This tapestry is being woven from the back.
Adding rows two at a time.
So far, this is simply colors and shapes.
Sitting down in the evening and completing one pass (two rows) is a satisfying way to wind down for the day.
Pouch with yarn, Gingher snips on a handwoven band to wear around my neck, legs to hold the tapestry frame at a comfortable angle on the table, folder with tapestry cartoon and a few go-by’s. And, the Freja Tapestry frame, with slat that holds the cartoon, and tapestry needle held by earth magnets that Steve inlayed into the face of the right side of the frame, and a wood cover that slips over the bottom teeth on the frame that keeps anything from snagging on the teeth.
This is my simple setup. Most evenings I take my place here at our small breakfast table and set up my tapestry frame. I have a black-and-white, and a full-color go by. I refer to these constantly as color reference and value reference.
This is my “crayon box” of colors, carefully selected by value and hue. Most of the weft yarn is 6/1 Fårö wool, with a few colors of 20/2 Mora wool added in. I have the yarn sorted by value. There are five sleeves in the pouch, so 1, 2, 3, 4, 5 – for a five-point value scale. The yarn is wound on floss bobbins left over from my counted cross-stitch days. This makes the whole project very travel friendly.

May the colors of creation bring you joy.

Happy Weaving, Karen