Process Review: Beaming the Warp

I am making a new ‘cello skirt (a tiered skirt), starting from scratch. The warp is 24/2 cotton, most of it unbleached. Each tier will be edged with a narrow Poppy border. The pattern in the cloth will be a huckaback (huck lace) design, adapted from Little Tablecloth in Huckaback on p.10 in Happy Weaving from VävMagisinet.

Preparing to beam the warp.

Today, I’m beaming the warp. My method includes a combination of things I have learned from these three excellent sources: Learning to Warp Your Loom, by Joanne Hall, Dress Your Loom the Vävstuga Way, by Becky Ashenden, and The Big Book of Weaving, by Laila Lundell.

I’ll let the pictures speak for themselves.

Using warping trapeze to beam the warp.
Transferring the lease sticks.
Transferring lease sticks.
Transferring lease sticks.
Transferring lease sticks. Beaming.
Beaming a new warp.
Beaming the warp with a trapeze.
Beaming the warp with a trapeze.
Warping trapeze in use.
Using warping slats.
Placing warping slats.
Beaming with warping slats.
Beaming with warping slats.
Warping trapeze in use.
Warping trapeze in use.
Warping slats for beaming the warp.
Last step in beaming the warp.
Tie the lease sticks to the back beam.
Lease sticks tied to back beam.
Ready to cut the end-of-warp loops.
Cutting loops at end of the warp.
Cutting the loops at the end of the warp.
Beaming a new warp.
All Counted into Threading Groups
Newly beamed warp. Complete process pictures.
Newly beamed warp ready for threading.
Beaming process in pictures.

Do you have any questions about my beaming process? If you warp back to front, like I do, what do you do differently?

May you find yourself beaming.

Happy Weaving,
Karen

25 Comments

  • Ann Kelsall says:

    Hello Karen
    I got confused by the first pictures showing the reed. Do you thread the reed twice – once to accurately spread out the ends and then again after threading the heddles?

    And thank you for the time and trouble you take to show your processes!

    Ann (in France)

    • Karen says:

      Hi Ann, I’m glad you asked. Yes, I “pre-sley” a reed to spread out the ends. The pre-sley reed is usually coarser than the reed that will be used for the weaving, so putting the threads through the reed goes relatively fast. This pre-sley reed is 50/10 metric and the weaving reed will be 100/10 metric. As you can see in the pictures, the pre-sley reed then goes in the beater while beaming, so the warp is very evenly spread out.

      It’s a joy to share.

      Happy Weaving,
      Karen

    • Deborah Brothier says:

      Hello Ann. My name is Deborah and I live in France, in the south near Antibes. I have two contremarche looms, one here in Biot, one in Arles. My question is: by any chance, are you near either of these places/areas, and if so, would you be available to help me through the process? I have these wonderful looms, but I do not know how to beam the warp and do the tie-up by myself. I’ve only begun to weave two years ago by participating in various courses in Sweden. On my own, here in France, I am not making progress. With the Covid situation, I haven’t been able to return to Sweden for more training, and I haven’t been able to find anyone locally who has knowledge of the contremarche (mine are a Glimakra 120cm/10 shaft and an Ulla Cyrus/Oxaback 125cm/8 shaft). So, if you are nearby,(PACA region) maybe we could make contact?

      I have numerous books and good resources, but I am a hands-on learner. So, I have resources to share with you or anyone else who is interested in weaving, particularly on a contremarche or counterbalance.

      PS Your question about pre-sleying/sleying: glad you’ve asked Karen. I, too, await the answer… I have only pre-sleyed (although I have a raddle, which I do not use), but I do not remember how it sits once it is laid on the loom for beaming. Her photos shown here of the process are the most helpful I’ve come across.

      • Ann Kelsall says:

        Hello Deborah
        Unfortunately I am at the other end of France – in Bretagne. Have you thought of joining the Online Guild of Weavers, Spinners and Dyers? I have been a membr for some years and there are others in France who belong. You could ask your question there, and get replies from others who have the same looms as you have. I have a Louet David and a Louet Jane table loom, so different to yours.
        Good luck with your quest!
        Ann

  • Beth Mullins says:

    What a process! I admire your ability to deal with such fine yarn. Can’t wait to see the poppies emerge!

    • Karen says:

      Hi Beth, It’s been a while since I’ve used 24/2 cotton. I need good lighting for this, that’s for sure. You make me imagine poppies dancing along the rim of each tier. 🙂

      All the best,
      Karen

  • Dorothy Gareau says:

    What are the pipes for. I never saw that before. Can’t what to see the finished product…

    • Karen says:

      Hi Dorothy, You may be referring to the aluminum beam covers. The beam covers are not essential, but they help protect the wood breast beam and back beam from getting indentations and grooves from the cords, especially during beaming.

      All the best,
      Karen

  • Karen says:

    What are you using for weights. This is amazing. I have a 4 shaft 30” table loom that my husband built for me but I always need his help in winding on the warp.

    • Karen says:

      Hi Karen, I use 2-lb walking weights. They are like little bean bags. They’re perfect for this because they have “handles” that easily hang from the S-hooks. I found some at a sporting goods store, and the rest I was able to find on Amazon.

      My husband is a really great guy, but I knew I didn’t want to depend on his availability to be able to beam a warp. So, from the beginning, I was determined to learn how to do it single-handedly.

      With your table loom, you may be able to stretch the warp out in front of the loom (put a towel under the warp) and put weights on the warp bouts on the floor. That’s what I did before I had a warping trapeze.

      Happy weaving,
      Karen

  • Pam Graham says:

    Hello Karen,
    What a wonderful and useful photo series!
    How do you actually attach the weights to the warp sections? I always struggle with that. They always seem to slip down the warp.

    Thank you,
    Pam

    • Karen says:

      Hi Pam, That’s a great question.
      I make a loop in the end of the Texsolv cord (I use beam cord because it has bigger holes than regular Texsolv) and hang that loop just above a choke tie. I have choke ties about every meter of warp. The downward pull of the cord tightens the cord around the warp bout. My choke ties are very tight, as well, so they won’t slip. I hang an S-hook on the Texsolv cord and hang the walking weight on that. As the warp is beamed, I move the position of the Texsolv cord lower, as needed.

      I hope that helps.
      Karen

  • Betsy says:

    Nothing prettier than a nicely beamed warp. All those threads marching along in order.

  • Murlea Everson says:

    Hi Karen,
    Can you explain how you manage the cross while pre-sleying the reed so that the cross ends up behind the reed?

    Your work and posts are an inspiration-the best way to start my Tuesday’s!

    Thank you,
    Murlea

    • Karen says:

      Hi Murlea, Ah, your sweet words touch my heart.

      About the cross – The lease sticks are transferred from in front of the reed to behind the reed. This can be done before or after the reed is in the beater. I like to transfer the lease sticks before I put the reed in the beater, but the warp does need to be tensioned. Either way, it’s a similar operation.
      1. Untie the lease sticks. 2. Take the lease stick nearest the reed and turn it on its side, up against the reed. This opens a space on the back side of the reed that equals the same shed of that lease stick. Put a third lease stick into that opening behind the reed. 3. Now, you can remove the lease stick directly in front of the reed (that you had turned on its side). 4. Take the remaining lease stick that is in front of the reed and turn it on its side, up against the reed. This forms the opening on the back side of the reed that equals the shed of that lease stick. Put the lease stick you just removed into the new opening behind the reed. 5. Now that both lease sticks are safely behind the reed, tie them securely at both ends. Remove the remaining single lease stick.

      Once you get the hang of it, there’s a shortcut method that doesn’t require an extra stick. But it’s best to do it this way first because it helps you understand the process. It’s easy after you’ve done it a couple times.

      Happy weaving,
      Karen

  • Joanne Hall says:

    Thank you Karen, I am completing a weaving class for our guild, which I have been doing just by email. So far, it is working well and many of the weavers have been sending photos to the class paticipants, showing their progress on their warping. Today, I am recommending that they view your warping message, as it shows so well the beaming of the warp. Thank you for putting this up at the best time for my email class. Great photos. Joanne

    • Karen says:

      Hi Joanne, I am so pleased that this post came at the right time for you and your email weaving class. I will never forget the first time you showed me how to warp the loom!

      Thanks,
      Karen

    • Shelley says:

      Thank you Joanne for letting us know about this site. I’ve been reading and re reading.
      Thank you Karen for posting this.

  • D'Anne says:

    Hi, Karen,
    Your warping method is similar to mine except I use a raddle. I love using the 2lb. hand weights you taught me to use. They make warping alone very easy and the tension is so consistent.

    Thank you the excellent photos!
    D’Anne (Danny)

    • Karen says:

      Hi D’Anne, You and I had fun putting that blue 8/2 cotton warp on my loom once upon a time. I have never used a raddle, but I know that is a helpful method for many.

      It’s so nice to be able to warp alone, isn’t it?

      Love,
      Karen

  • kim says:

    Karen, what is the size of this loom? And is it an Ideal? How lovely that you can sit inside for threading. Also, the width of your cloth and epi of your thread. Will your weft be the same kind of thread?

    I can’t wait to see this project progress.

    Thanks, Kim

    • Karen says:

      Hi Kim, This is a 100cm (39”) Ideal. It works great to remove the breast beam, knee beam, and the beater, and then put the bench right in there. The width in the reed is 37.2cm (14 5/8”). The sett is 20 ends per cm (~ 50 epi). The weft will be 16/1 linen.

      I’m excited to get it all set up and going.

      Happy weaving,
      Karen

  • kim says:

    Thank you! I think this might be my dream loom. Kim

  • Elisabeth says:

    Thank you for postings this! It is always good to be reminded of good methods and habits!! And it looks like I can leave the lamms in place next time.,
    I noticed you mentioned your 2 lbs weights in your response to a previous comment, do you find 2 lbs to be sufficient for all kinds of warps, or do you vary the weight depending on the warp quality/weight?
    I can’t wait to see this fabric in use, I love the idea of the red border!

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Applique from Handwoven Remnants

This is the Christmas-tree-skirt project. I wove 3 1/2 meters of background fabric with 8/1 Möbellåtta warp and 6/1 Fårö wool weft. Now, having sorted through all my handwoven remnants, big and small, I have colors and textures for telling the Nativity story in appliqué. My friend with appliqué experience has advised me on materials and technique, for which I am enormously grateful.

Applique from handwoven remnants.
Remnant from the warp for towels I wove for my daughter becomes part of Mary’s garment.
Handwoven remnants cut for applique Nativity.
Donkey shape is cut from remnants from my wool vest project on the drawloom. Paper is on both sides of the double-sided fusible product. One side is peeled off to adhere the fusible to the back of the appliqué piece. (Always remember to draw the reverse side of the image onto the paper on the fusible.)
Applique from handwoven drawloom fabric.
Appliqué piece is face up, ready to be fused to the background.
Making handwoven applique Nativity.
Blue star is from opphämta on the drawloom. Green palm trees are from a long-ago rigid heddle scarf and from a warp of cottolin towels. Manger is pieced from some of my earliest floor loom fabrics. Swaddling cloth is fine cotton M’s and O’s. Baby’s halo is from Swedish lace curtain fabric. Every piece of fabric has a story.

Using a double-sided fusible product, I carefully cut out each shape. After laying all the pieces out in the proper arrangement, I fuse them, layer by layer, to the background fabric. The Nativity narrative is formed, piece by piece. I still have handwoven remnants to add to the lower edge, and embroidery to stitch around some of the appliqué shapes. I’m hopeful to complete all of it before Christmas.

Making a handwoven Christmas tree skirt.
This is the felt tree skirt I saw every year around our family’s Christmas tree when I was a girl.
Handwoven Christmas tree skirt.
Planning the arrangement of the appliqué pieces onto the background fabric.
Making a handwoven applique Nativity scene.
I start by fusing the manger into place because the head of baby Jesus is at the very center of the whole length of cloth.
Handwoven applique Nativity scene.
Wide variety of handwoven fabrics tell the Nativity story. Threads of linen, cotton, wool, and bamboo.
Handwoven applique Nativity project.
Scraps of paper backing indicate that all the pieces have been fused into place. Next, embroidery and other handwork, while considering the meaning of Christmas.

My remnant scene tells the story of God with us. The holy babe in a pieced-together manger reminds us that God loved us by sending Jesus to our worry-ridden world. Worries are the little things and big things that we would like to control, but can’t. Can we add one moment to our lifespan by worrying? Trust in Jesus replaces worry because it puts control back in the right hands.

May you live worry free.

Love,
Karen

20 Comments

  • Beth Mullins says:

    Oh my goodness! It’s going to be a gorgeous heirloom! How will you keep the edges of the cut woven pieces of cloth from fraying? I can’t wait to see this finished. No doubt you will have it completed before Christmas.

    • Karen says:

      Hi Beth, I think you’re right that this will become a cherished heirloom. I envision having it out year after year.

      Most of the cut edges are secured with the fusible that I used. And the embroidery that I’m planning to do will serve a dual purpose – stitching around vulnerable edges, as well as being decorative.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,
    What did we do before fusibles?

    Textiles. Taking scraps of this and that and with blessings of creativity from God something wonderful happens where before for waste.

    Who knew playing with fluff would end up spun yarn? Or, looping that yarn would lead to cloth. Or stains would lead to dyes. Or mended holes would lead to lace.

    We are blessed with the end result of those ‘discoveries’ and the ever present ‘waste not want not’ that makes sure we use every last scrap of our hard work.

    Please forgive my getting into the weeds. I am trying to figure out how there are 6 plastic container lids of varying sizes left over from packing up my crafts. I think this is in the realm of socks and dyers….

    Beautiful tree skirt. I am looking forward to the finished project under the Christmas tree this year.

    Kind regards,

    Nannette

    • Karen says:

      Hello Nannette, I enjoy your thoughtful response so much. Using every last scrap has a way of showing us that when we think we are all used up, the Lord whispers that He’s not quite done with us.

      Thank you for your lovely communication,
      Karen

  • Karen says:

    Just beautiful!

  • Geri Rickard says:

    What an amazing project this is! Every piece tells a story, with each piece being a part of THE STORY. So meaningful in so many ways, and very inspiring. I can’t wait to see the finished tree skirt, but I say that about all of your projects! Thank you for sharing this process…

    • Karen says:

      Hi Geri, You express my sentiments perfectly, about being a part of THE STORY. What a grand story to be in. Thank you for contributing your thoughts!

      Thanks,
      Karen

  • Cynthia says:

    Wow please post when your finished, Would love to see.

  • Loyanne says:

    Oh! So very wonderful in so many ways. Thank you for sharing.

  • Karen Simpson says:

    This will be so moving…..

  • Elisabeth says:

    It is absolutely beautiful, what a treasure! And such a great use of remnants from all those projects.

  • Carolyn Penny says:

    That is just sweet. Blessings to you and yours!

  • Kristin G says:

    I’m very glad you’ve shared this process with us, Karen. It’s so inspiring! I love that you took what others might think of as waste and worthless (only to a non-weaver, of course ) and are turning it into a treasure! What a beautiful reminder of God’s redemption.

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Tried and True: One Small Skein

I have a single skein of colorful cotton/bamboo sock yarn that a sweet friend gave to me. I’m not a knitter. What can I do with a mere 50 grams of silky-soft yarn? My 13.5” Glimåkra Emilia rigid-heddle loom is perfect for the task. When I’m at home I weave on floor looms. When I travel I like to take Emilia along.

"Make Do" warping while away from home.
This is called “Make Do” warping while away from home.
Glimakra 13.5" Emilia rigid heddle loom, ready to tie on and start weaving.
Emilia is beamed and the heddle is threaded. Ready to tie on and start weaving.
Weaving in the Casita Travel Trailer.
Now, a trip to visit some wonders of creation in Texas. Time to bring Emilia along. Weaving in “La Perlita,” our Casita Travel Trailer.
Weaving outside while camping.
Weaving outside the Casita in the shade of a tree is a relaxing way to spend the afternoon.
Weaving outdoors.
Two shades of bamboo thread are used for the weft–hot pink and coral–woven in alternating blocks of color.
Santa Elena Canyon in Big Bend National Park, with poppies in the foreground.
Santa Elena Canyon in Big Bend National Park. Poppies in the foreground provide color inspiration for more weaving projects.
Hemstitching at the end of a scarf on the rigid heddle loom.
Hemstitching at the end of the scarf, easiest to do while still on the loom.

One skein of this yarn yields just enough to make the warp for a short scarf with fringe. I am using Xie Bamboo thread for the weft, left from the huck lace shawl I wove for myself to wear to my daughter’s wedding six years ago (See Quiet Friday: Coral Shawl for a Memorable Occasion). This thinner weft gives me a loose weave, and the color blends in a way that allows the changing color of the warp to take center stage.

Trimming fringe on a handwoven scarf.
Back home again, doing the finishing. Fringe is trimmed to an even length.
Trimmed.
Trimmed.
Twisting fringe.
Twisting fringe. (For more on twisting fringe, see Tools Day: Fringe Twister.)
Twisting fringe.
Fringe twisted.
Handwoven scarf before washing.
Before hand washing.
Rigid heddle scarf made with sock yarn.
Scarf has been air dried, and the fringe knots have been trimmed. This soft short scarf is just right to wear with a light jacket in the Texas autumn air.

Now that this scarf is finished, the only thing left to do is make sure I have a new warp ready for Emilia in time for our next travel adventure.

May you take your joys with you.

Happy travel weaving,
Karen

10 Comments

  • Nannette says:

    Beautiful. It looks like sunshine

  • Bev says:

    Karen, you are making the most of each opportunity! An exquisite scarf from one skein of yard…and while traveling in God’s beautiful creation! Delightful! Blessings to you, Bev

    • Karen says:

      Hi Bev, It’s great to hear from you! There’s something about seeing God’s beautiful creation that prompts us to be creative in our own simple way. Such a contrast, though, between the mountainous marvels and our little handwoven threads.

      Blessings to you,
      Karen

  • Elisabeth Munkvold says:

    That’s a great way to use a single skein, you turned it into a beautiful and useful piece! And isn’t it the perfect statement in a challenging time; find light and happiness where possible

    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, It took me a while to decide how to use that pretty skein. I’m looking forward to wearing the scarf. There’s usually a way to light and happiness even when there seems to be no way.

      Love,
      Karen

  • Cynthia says:

    Beautiful and glad you are out camping. Have fun

  • Kristin G says:

    What a perfect project for a special skein of yarn! I can’t help but smile when I see those cheerful colors And I always love to see the difference in the cloth once it is wet finished. It’s like a bit of magic ✨

    • Karen says:

      Hi Kristin, This special scarf from that special skein will always remind me of that friend that wanted me to have it. Isn’t the magic of wet finishing wonderful? This one was already soft, but really softened up even more!

      Happy weaving,
      Karen

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Warp Sequence Planning

When I wrap potential warp sequences on folded index cards it brings design thoughts out into the open. It makes the ideas tangible, helping me plan a pleasing warp. For this 8/2 cotton warp I am choosing colors from the plentiful selection I already have on my shelves.

Planning warp stripes with 8/2 cotton.
8/2 cotton left from previous projects fills the shelves. Each warp wrapping sparks ideas for more possible warps.

This warp will be woven as eight-shafttwill yardage, about 15 1/2 inches wide. The fabric will be cut and hemmed to make colorful arm and headrest covers for my mother-in-law’s comfy off-white recliner. I will increase the width of the stripes proportionately to fill the warp width. My mother-in-law will have the final say, but if you could help her decide, which set of warp stripes would you choose? Please let us know in the comments.

Planning warp stripes.
Planning warp stripes.
Planning warp stripes with 8/2 cotton.

What if our attitudes were made tangible? What would our thoughts look like if they were out in the open, wrapped like colored threads around our actions? With the love of Christ in us, forgiveness is the recurring thread. Forgiveness is for the undeserving. That is who we forgive. Because that is who we are when we are forgiven by God.

May the thread of forgiveness be woven in your life’s fabric.

With you,
Karen

30 Comments

  • Jo says:

    Hi Karen,
    I have enjoyed your weaving and your threads of wisdom for quite a while. This post on forgiveness is on target . Thank you for your insightful messages. I would choose the blue with salmon , yellow and orange. The yellow stands out like sunshine (Sonshine) of God’s forgiveness.

    • Karen says:

      Hi Jo, Thank you for letting me know you are a part of this weaving journey. I enjoy hearing your reason for your choice of the warp wrappings.

      Hugs,
      Karen

  • Linda Cornell says:

    A very good reminder. We forgive because we are forgiven.

    The wraps are so beautiful in themselves. I lean toward 1 or 3 or 5…..blues with pop of color. It will be fun to see what your mother-in-law picks!

  • #2 and my reasoning is simple – bright, joyful and a reminder that your warmth and loving arms are surrounding her with the skills you have to share. Blessings!
    Bethany in Kingston ON Canada

  • Nannette says:

    Good morning Karen,

    Prefaced with not knowing what else is in the room and color preferences of your MOL…I am drawn to number 2.

    The warm colors bring a spark of excitement to the a
    off white chair.

  • Maria says:

    I look forward to reading your wonderful words each time you post. You inspire me to weave and be a better person! I would choose #3 and #5. I like the play of blue with the red and yellow.

    • Karen says:

      Hi Maria, I’m encouraged by your kind words. It’s a joy to have you along. Thanks for giving your opinion on the warp wrappings.

      All the best,
      Karen

  • patricia ahrens says:

    I agree with Karen. #2

  • Ellen Sturtevant says:

    #2 or 3. Like the pop of color in both. Hard to say tho without knowing what other colors are in her room. I’m sure you’ve considered color with all your selections.

    • Karen says:

      Hi Ellen, You are right, I tried to include colors that would work in her room. And I didn’t include green at all because I know it’s not one of her favorite colors.

      Thanks for participating,
      Karen

  • Linda Adamson says:

    For me personally I would pick 2 or 3. I like lots of color. If she doesn’t like as much color then 6 has potential as you get variations of blues with a touch of black. A more restful but interesting warp.

    • Karen says:

      Hi Linda, I included #6 for the very reasons you describe. It truly does look very restful. The black is actually navy blue. The iPhone camera does pretty good, but just can’t get it quite right. Thanks for your thoughtful response.

      Happy weaving,
      Karen

  • Charlotte says:

    Good morning, dearest!

    As I picture the off-white recliner…#6 seems to pop in my mind. It would hide possible soil marks and be stunning against the recliner. But, then…you might want something more cheerful. What is her personality? What are her favorite colors, I wonder. No matter the color choices…the end product will surely bless her more than there are color choices to make.

    • Karen says:

      Hi Charlotte, I like your reasonable approach. Yes, there are several factors to consider. Personality – delightful and fun. Favorite colors – I know she favors blue, and also likes other colors in colorful things. It will be a great pleasure for me to make these for the woman who has enriched my life so much.

      Thanks,
      Karen

  • Annie says:

    Good morning, Karen.

    Rather a scary premise to have all of our thoughts out in the open for everyone to see! However, I do believe that God sees them all and that knowledge keeps me working on improving.

    My eyes keep returning to wrap #3. Bethany said it best, though, when she said any of them will be a reminder of your warm and loving arms around your mother in law. She is very blessed to have you for a daughter in law.

    Can’t wait to see what she chooses.

    • Karen says:

      Hi Annie, Thankfully, God’s grace through Jesus supplies what we need to live for him. I’m glad to know your choice on the wraps. Yes, Bethany had a sweet way of expressing it.

      Thank you,
      Karen

  • Joanna says:

    Number three for this old lady. Blue for the sky of Heaven, yellow for the Light that shines upon us all, and red for the love of our Maker. Back to the primary, cheerful colors, unmuddied by doubt. Lucky Mama to get such a thoughtful gift!

  • Jan says:

    Good morning Karen

    I choose No 2 for your MIL to wrap around her gentle precious body.

    I enjoy reading your posts, thank you for your inspirations.

  • Joanne Hall says:

    When I saw #3, my immediate thought was that I need to remember this and use it on something sometime. Charlotte is right about the blue #6, very practical and blue is very calming. But that #3, I really like it.
    Joanne

    • Karen says:

      Hi Joanne, I, too, like #3. It seems well balanced and tidy, and most of all, cheerful. When I finished wrapping that one, it felt very familiar, as if I had done that same arrangement before. Maybe my memory copied a previous project?? 🙂

      Thanks for your input,
      Karen

  • Mary says:

    Hello, Karen! I like #1, which reminds me of a lovely sunset after a summer day filled with everything I love to do; #4 with a nod to the bright yellow that shines out of the dark contrasts, the light with which we are all acquainted; and am drawn to the orderliness of #3.And thank you for the gentle reminder of the importance of ‘forgiveness for the undeserving’. Important, yet challenging. I will work on that.

    • Karen says:

      Hi Mary, Oh yes, I can see the summer sunset in #1. What a wonderful description that fits. And the bright yellow in #4 does make the whole arrangement shine. Yes, #3 seems tidy to me, as I mentioned to Joanne. So many aspects to consider!

      Forgiveness for the undeserving is extremely challenging. I’m thankful we have been given an example.

      Thank you,
      Karen

  • Jenna says:

    great idea. I hate doing samples but I could handle wraping the warp around cards.
    Thanks
    Jenna

    • Karen says:

      Hi Jenna, This is very easy and pretty fun. I fold a regular index card in half and put double stick tape on the back side to hold the threads.

      Happy wrapping,
      Karen

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Welcome to My Loom

The computer is a worthwhile instrument for creating designs to weave. I like the flexibility and repeatability it gives me for drawloom designs. I’m also using the computer to develop the cartoon for my next pictorial tapestry. The computer work takes time—usually more time than I think it should.

Cottolin bath towels on the loom.
Come in our front door to see what is on the loom. Nearing the end of the first bath towel on this cottolin warp.

When I sit at the loom, though, time slips away unnoticed. This is where I’d rather be.

Cottolin bath towels on the loom.
Deep borders on these towels have treadling changes and contrast-thread inlay for added interest.
Start of the second cottolin bath towel on the loom.
Red cutting line is woven between the first and second towels.
Weaving bath towels on the Glimakra Standard loom.
First bath towel begins to wrap around the cloth beam.

I’m starting the second of four bath towels on my Glimåkra Standard. The loom, with its colored threads and cloth, is the first thing to greet you as you come in our front door. Welcome. Let’s put the computer away for a while and simply enjoy ourselves. There’s no better time than now.

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Previously woven hand towels that match these bath towels have not yet been used. They are presently folded and displayed in a pottery bowl on the dining room table in the next room.

May you make time for making.

Happy Planning and Weaving,
Karen

12 Comments

  • Beth says:

    These are beautiful! The loom is also my happy place.

  • Tena says:

    Your posts always inspire me. I’ve been weaving about a year. I hope to be as good as you someday.

    • Karen says:

      Hi Tena, Thank you for your kind words. Welcome to the world of weaving. All it takes is to keep going, a step at a time. You’re almost there!

      Happy weaving,
      Karen

  • Love this! I have done one kitchen towel in a cottolin warp & weft, and it is wonderfully absorbent! Definitely planning to do more! What kind of loom is the one in these photos? It looks very tall, and I love the way the woven cloth wraps around the front beam with a board in front to protect it.

    • Karen says:

      Hi Caroline, Yes, my cottolin towels are my favorite because of their absorbency.

      This is a Glimåkra Standard loom, 120cm (47″), countermarche. The fabric protection board at the front is great for protecting the cloth on the breast beam. The fabric protection board also allows me to lean up against it, which takes strain off my back as I reach to throw the shuttle.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,

    My favorite colors sprung up when I opened your blog. How neat the edges are, rolled under the loom.

    Yes! There is order in the world. ( spent last night in the basement sorting through memories wrapped in 1997 newsprint. 3 piles.. Keep, sell, gift to children. :).) Sweet, sweet organization courtesy of warped for good!!
    Thank YOU.

    • Karen says:

      Hi Nannette, It’s interesting how certain colors can draw us in. I’m glad that you are finding your way through this transition time. Thank you for your sweet encouragement.

      All the best,
      Karen

  • Annie says:

    These towels are gorgeous. Are you really going to let people use them?
    We always had display towels growing up that my mother gave strict instructions to look at, don’t touch! I think these would be perfect for that.

    • Karen says:

      Hi Annie, Thank you! I understand the sentiment. It gives me joy when people use the towels and other articles I make. These bath towels (and hand towels) are specifically for Steve and me to use. My first attempt at bath towels a few years ago didn’t go so well. Let’s just say those “towels” became bath mats. So we are looking forward to some decent beautiful handwoven bath towels.

      I will be happy if we can use these towels so much that we wear them out. That will mean I get to make some more. 🙂

      Happy weaving,
      Karen

  • Barbara Mitchell says:

    Like you, I enjoy the slow, thoughtful process of working at the loom, as the stress and cares of the world are forgotten. These towels look calm and peaceful, and yet still a little exciting, with the little runs of twills and colour accents. Simply beautiful.

    • Karen says:

      Hi Barbara, I agree with you. The loom gives us a chance to take a break from normal stress and cares as we put our attention on the rhythm of weaving.
      My favorite thing about these towels is the little twill accents that run through them. Thank you for your sweet words.

      Happy weaving,
      Karen

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