One Napkin at a Time

Karen

Jack the Jackrabbit is ready to hop on over the breast beam. It is time to design the next napkin. I design one at a time and then weave it. We have the armadillo, the porcupine, the gray fox, and the jackrabbit. Up next is a white-tailed deer. Steve took a photo of a white-tailed buck on our property last week. I will use that photo as the basis for my deer design.

Finished to the top of Jack’s ears.
Chart shows row-by-row pulls for pattern-shaft handles and single-unit cords. One draw handle is pulled for each row of the side border.

I enjoy paying attention to the amazing wildlife around us. Some, like the porcupine, are seldom seen, and others, like the white-tailed deer are in view all the time. These napkins will be a record of the critters we have purposely noticed here on the property around our home in Texas Hill Country.

Black border hem finishes off this jackrabbit napkin. The fox looks us as he turns ’round the cloth beam.

We notice what we want to notice. When we make a point to notice the blessings of the Lord we start seeing his hand in less obvious places. When we turn our heart to understand his ways he starts filling in the gaps of our understanding. It’s good to keep a record of the blessings that we notice. Thank you, Lord!

What blessings have you noticed lately? Let us know in the comments.

May you have too many blessings to count.

Happy Weaving,
Karen

Weaving Is Stretching Me

Karen

This warp is a triple challenge! 1. Full width (110 cm), 2. Fine threads (24/2 cotton), and 3. Unevenly-spaced narrow stripes. Three hours to wind the warp. Three hours to pre-sley and beam the warp. Seventeen hours to thread heddles, sley the reed, tie on the warp, and tie up the treadles. Why invest this much time and embrace this much difficulty?

1,984 ends have been threaded in heddles, and now are being sleyed through the 90/10 reed. Careful checking and re-checking all through the processes helps prevent errors.
It is a good feeling when all the ends are finally in their places.

Why embrace this challenge? Because I see what no one else sees. I see the curtains that are specially designed for our remodeled bathroom. I understand the draft, the threads, the stripes, and everything that works together in a certain way. I see it. Though not yet visible, I could see it before I started. And so, all the challenges become part of the story, and I’m determined to keep going. I aim to finish strong.

After all is set up, the first testing I do is with shuttles. Which shuttle is best for sending all the way across this wide warp? The medium Glimåkra boat shuttle that holds 11 cm quills is the winner, not the longest, largest, and heaviest shuttles.
Seeing the beauty of this cloth solidifies the hope of seeing special curtains gracing our bathroom windows.
What begins as an M’s and O’s draft for kitchen towels in Väv Magazine, and expands with pictures in a Malin Selander book, and grows with my imagination, is now visible on the loom!
The two biggest challenges that remain: 1. Filling quills. It takes a while to fill a quill with this fine thread. It doesn’t take long at all to empty the quill as I weave. 2. This wide warp stretches my arms to my full arm-length reach. It’s good to be stretched! 🙂

This is a picture of faith. Faith acts on things not seen by others. Faith sees what is not yet visible. With faith in Jesus Christ, all the challenges become part of the story. We go the duration because we have a view of the finished work.

May your challenges stretch your faith in a good way.

Giving Thanks,
Karen

Who Gets the Jackrabbit Napkin? Drawloom Dilemma

Karen

Jackrabbit. This critter is one I would like to see more often. We call him “Jack,” or if there are two of them together, they are known in our family as “Jack and Jackylina.” The jackrabbit makes me smile because of his tall ears and mischievous-looking face. The nice thing is he doesn’t cause any mischief, like some of the other critters around here. He will sit completely still, without a twitch. I’m sure he wants you will think he’s a rock, and pass on by without noticing him. But if you get a little too close, he hops up and quickly dashes away.

When we have all twelve napkins at the dining room table for a family gathering, how will we decide who gets Jack the Jackrabbit? This one could be everyone’s favorite.

Teal blue linen weft. The jackrabbit is one of my favorite critters in our Texas Hill Country area. I like their humorous profile.
Just reached the halfway point on this jackrabbit image. This is all single-unit draw until I get beyond the area where the nose and feet are in the side borders. After that, the borders will be the simpler pattern-shaft draw.

As with the other critter napkins in this series, the borders at top and bottom, and some of the side borders, use the pattern shaft draw system. The jackrabbit in the center and the “broken borders” use the single unit draw system. I am very happy to weave with this Myrehed Combination Drawloom Attachment. The possibilities are endless…and fun!

Happy Weaving!

Karen

Can You Count? 1984 Warp Ends

Karen

If at first you don’t succeed, count, count again! 1984–I’m not talking about the year, nor the book title. I’m talking about the number of 24/2 cotton ends in this 8.5-meter warp. I made it excruciatingly challenging for myself by putting in narrow stripes of 8 ends that are irregularly spaced. It will all be worth it if these curtains come out as I envision them. Time will tell.

After beaming the warp I count all the ends into threading groups. This step is usually straightforward and quick. This time, however (because of my uneven spacing of stripes and because of the fineness of the ends), I miscount the ends once or twice, or three times… I am determined to get all the threads into threading groups before moving on, so I keep at it until all the numbers line up as they should. Whew! Finally!

Counting (and re-counting and re-counting) ends into threading groups.
Threading four shafts in M’s and O’s is refreshingly easy after all the challenges of beaming the warp and counting ends.
System of heddles holding warp ends never ceases to amaze and enchant me.
Bring on the heddles! Two batches of 100 heddles are on each pair of shaft bars, just waiting to be called into action. There are more 100’s in a box beside the loom, which I will add as needed.

Now we are at the fun part. This is smooth sailing and I am caught up in the breeze of it, relaxing into the hours of calmly threading heddles. Before we know it, the shuttle will be flying in here! And I’ll have new curtains in the bathroom. I’m excited about that!

May you press through to the fun part.

For as long as it takes,

Karen

Dressing the Standard Looks Like a Mess

Karen

It is my husband’s idea for me to make handwoven curtains for the windows in our newly renovated master bathroom. Now that I have had time to think about it, I think it’s a great idea. Fortunately, the yellow rug warp on the Glimåkra Standard is still sitting on the loom bench, so I am putting it aside temporarily in order to put this bathroom-curtains warp on the loom.

Winding a warp of 24/2 unbleached cotton.
Looks like a mess. Pre-sley the reed to spread the warp. Two sets of lease sticks. Narrow gray stripes of 16/2 cotton are inserted between the unbleached ends. Somehow, it all works out…
All the end loops are on the back tie-on bar, and ends from two lease sticks have been transferred to one set of lease sticks. Ready to beam the warp!
Just about set to beam.
My usual two-pound weights are just right for most of the warp bouts, but I need a one-pound weight (large coffee mug) for one smaller bout, and two 1/2-pound weights (tube of thread in a small bag) for the small bouts of gray warp ends. Whew! Is it all going to work??
Now…everything is ready!
It’s working. Just look at that beautiful warp!

I have 1,984 ends to thread and sley. Then, I will be weaving almost full width! It’s exciting!

May you gain order out of a mess.

Happy Weaving,

Karen