Process Review: Jämtlandsdräll with Julia

My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)

Jämtlandsdräll Wool Wrap - woven on Glimåkra Julia.
Finished wrap. Ready for cool weather!

This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.

Planning my next weaving project on Fiberworks.
Paint chips, Tuna yarn samples, and Fiberworks Silver for Mac aid my planning process.
Colors! Let's see how they work together on the loom.
Colors! Let’s see how they work together on the loom.
Beaming the warp on my new Julia.
Beaming the warp.
Weaving Jamtlandsdrall (Crackle) on my new Julia.
Daylight, plus colorful yarn. As summer is warming up outside, Julia is dressed warmly inside.
Weaving Jamtlandsdrall (crackle) on my new Julia.
There is something about weaving with a double-bobbin shuttle that I especially enjoy.
Color gradation in the pattern.
Some color gradation in the pattern.
My new Glimakra Julia!
Miss Julia, filling up her cloth beam.
Crackle (Jamtlandsdrall) in Tuna Wool.
Ending with a few picks of plain weave.
End of warp on my new Glimakra Julia.
Thrums at the end of the warp will serve as fringe.
Cutting off Jamtlandsdrall (crackle)!
Cutting off, giving a view of the back side of the cloth. Front and back have reverse images.
Jämtlandsdräll, just off the loom.
Jämtlandsdräll, just off the loom.
Twisting fringe on Jamtlandsdrall wrap.
Much to my pleasant surprise, after removing (unweaving) my short sample weaving at the beginning, and untying the front tie-on knots, I had the EXACT same length of fringe–to the centimeter–on both ends of the woven wrap.
Chunky, frolicky fringe.
Overhand knots secure the weft. Two groups of four warp strands each form each chunky fringe. Now, this wrap is ready for wet-finishing.

This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)

Jämtlandsdräll Autumn/Winter Wrap
Jämtlandsdräll Autumn/Winter Wrap

May your adventures never cease.

Happy Weaving,
Karen

12 Comments

  • Bom dia! Ficou lindo essa peça.Sou brasileiro, professor aposentado e estou tecendo a pouco tempo em um tear de quatro eixos que eu mesmo fiz. Gostaria de saber qual é a medida do tecido pronto? E onde encontro esse padrão para quatro eixos. Muito obrigado por compartilhar seu trabalho

    • Karen says:

      Google Translate: Good Morning! This piece was beautiful. I am Brazilian, retired teacher and I am recently weaving on a four axis loom that I made myself. I would like to know what is the measure of the finished fabric? And where do I find this pattern for four axes. Thank you so much for sharing your work

      Bom dia, Reinaldo!
      Thank you very much. The finished piece is 47cm (18 1/2”) wide and 146cm (57 1/2”) long, plus 14cm (5 1/2”) fringe on each end.

      This pattern is in the book “Simple Weaves,” p.59 “Jämtlandsdräll (Crackle) Blanket,” by Birgitta Bengtsson Björk and Tina Ignell, published by Trafalgar Square Books, Vermont, 2012. I changed the colors in the pattern.

      The weave structure is Jämtlandsdräll, also known as Crackle.

      Thank you,
      Karen

  • Nannette says:

    Yep, a much better wrap.

    Beautiful !

    Can’t wait to see your next creation.

    • Karen says:

      Hi Nannette, It would have made a pretty throw cushion, but I already have plenty of those. This will be fun to wear!

      Thanks!
      Karen

  • Betsy Greene says:

    That’s a beautiful wrap! Thanks for sharing your design process.
    Betsy

    • Karen says:

      Hi Betsy, I’m glad you enjoyed seeing a bit of my design process. I don’t usually use the weaving software, but this makes me want to put it to use more often. It helped to see different possibilities on the screen.

      Happy weaving,
      Karen

  • Cindy Bills says:

    Simply lovely! I so enjoy following along with your projects. You inspire me to try new techniques/projects with my looms. 🙂

    • Karen says:

      Hi Cindy, When I got the Julia, I decided to use the loom to weave something I haven’t done before on my own. (I wove Jämtlandsdräll at Vavstuga once, and have wanted to weave it again ever since.)

      It’s so exciting to try new things!

      Happy weaving,
      Karen

  • Nancy says:

    Beautiful! Love your style!

  • Elisabeth says:

    Gorgeous colors! And if not pillows, the wrap can double as a runner for a special holiday or something 🙂
    I love that you have looms in several spaces, with your dedication it makes sense. And you get a glimpse of your projects as you move around, what a joyful experience!
    Elisabeth

    • Karen says:

      Hi Elisabeth, I had the same thought that I could use this as a runner. The colors fit right in.

      It is a joyful experience to have looms scattered around. Each one has its place and purpose, and I’m free to let them work or rest, as needed.
      I always enjoy your thoughtful responses.

      Love,
      Karen

Leave a Reply


Charted Territory on the Drawloom

The chart that hangs at the left side of the beater gives a glimpse of the overall design of this rag rug. It’s the second page of a three-page chart. It’s not easy to make sense of the design on the loom, seeing only a small slice of the big picture. I am eager to see the whole project woven, to see how it aligns with the design I’ve imagined.

Drawloom rag rug on the loom.
First color block of the rug was brown. The second color block is red. Two different red fabrics alternate.
Following a chart for the single-unit drawloom.
Chart hangs at the left side of the loom. A transparent ruler is clipped to the chart. I move the ruler up, row by row, to keep my place on the chart. Single-unit draw cords that are pulled are held in place along the hook bar just above the beater.

I drew the design in MacStitch, a cross-stitch design program. Then, I imported the gridded image into Photo Affinity to add vertical shaded stripes to match the 10 white-/10 black-cord arrangement of single-unit draw cords on the loom. Lastly, I printed the enlarged chart to use as my guide at the loom.

Drawloom rag rug in the making.
Drawloom rag rug in the making.

How does our present slice of life fit into the overall plan? Only God knows. But one thing is certain. The Grand Weaver has a purpose for your life. It’s a purpose that he will fulfill. You and I are the work of his hands, work that he will not abandon. Yes, we make our plans. The truth is, our best plan is that which aligns with the design he has imagined.

May you get a glimpse of your life’s design.

On purpose,
Karen

20 Comments

  • Nannette says:

    Oh my goodness!!!

    Just when I think I’ve seen it all, there is more. God is great!

    How are you getting such even widths on your rag warps?

    Kind regards,
    Nannette

    • Karen says:

      Hi Nannette, I like the way you notice detail.

      I’m not sure if you’re asking about the rag wefts, or about the width of the warp overall…

      For the rag wefts –
      I fold the fabric yardage and put it on my cutting mat. I use a clear quilting ruler to measure off 1 cm (3/8”), and slice it off with my large-blade rotary cutter. It takes a lot of cutting for a rug this size with strips this thin. I usually cut 40 strips, then weave them, then cut 40 more, then weave them, and so on.

      For the width of the warp –
      I use a temple, and I bubble the weft. Both factors help keep the warp width uniform size.

      Thanks for asking,
      Karen

      • Linda Adamson says:

        Curious about the 3/8″ strips. It appears you are using only one strip at a time so the front and back will be different colors. Is that correct?
        What set are you using? Wondering how thick it will be when finished.

        • Karen says:

          Hi Linda, I am using only one fabric strip at a time. The back is the reverse of the front. In other words, where you see the red on front, you will see the predominant warp threads on the back, and vice versa.

          The sett is 7 doubled ends per centimeter (I think that’s about 18 doubled ends per inch), which makes the warp very dense. The first rug from this warp is about the same thickness as my “regular” rag rugs, but I would say the rug is stiffer and feels more densely packed.

          Thanks for asking,
          Karen

  • Joanne Hall says:

    I look forward to seeing the completed rug. This is a very interesting desigtn.

    • Karen says:

      Hi Joanne, It will be gratifying to see the whole rug at once. I tried to come up with a design that is simple enough to work with the scale of this rug.

      Thank you,
      Karen

  • Linda Adamson says:

    Fascinated by the drawloom. Could I contact you to talk more about it?

  • Elisabeth says:

    That’s impressive, and the design is quite dramatic. Now I am curious to see it finished 🙂
    I like the possibilities a draw loom offers, but I am afraid it would be too complex for me.
    It is a challenge to be content with only seeing today, but to be able to focus on the present day and the task at hand, that’s where I find the beauty of life

    • Karen says:

      Hi Elisabeth, It helps to know one’s purpose. The drawloom isn’t for everyone. But when you come out to see me, I’d like to give you a swing at mine. 🙂

      I agree with you, that it is so important to focus on the present day we have–a gift that’s been given to us.

      Happy weaving,
      Karen

  • Anna Zinsmeister says:

    It looks really interesting. It’s so good to see a rug being woven using the drawloom. It shows that it can be a very versatile loom. I like your work!

    • Karen says:

      Hi Anna, I am touched by your words of affirmation. Thank you!

      I have always been interested in rag rug weaving, so when I got a drawloom, I knew this was something I wanted to try. Yes, indeed, this is a very versatile loom. I will never run out of things to learn and try on it.

      Happy Weaving,
      Karen

  • LJ Arndt says:

    Beautiful work. I’m really new to draw loom and have a question from the photo. Are you using a shaft and individual draw on your loom. The shafts being pulled and on the pegs below the draw attachment. In the photo, right now, there are no individual warp ends selected. Am I interpreting the photo correctly. Thank you, looking forward to seeing the finished rug.

    • Karen says:

      Hi LJ, You are asking pertinent questions. I do have the Myrehed combination draw frame; however, this project is not using the shaft draw system at all. This is completely woven with the single unit draw. In the second picture you can see the shaft draw handles near the top of the draw frame. They are not being used on this project. The single unit draw cords are the black cords and white cords that you see, some of which are pulled and held in place by the pegs on the hook bar. In other words, these draw cords that are pulled are lifting individual units of threads. Whereas, if any of the shaft draw handles were pulled, they would be lifting pattern shafts holding certain units of threads.

      Does that clarify?

      My next “death-defying feat” will be to use the combination–both shaft draw and single-unit draw on the same project. I’m still wrapping my mind about how that will work. Coming soon…!

      Thank you!
      Karen

      • LJ Arndt says:

        It does. I have a shaft draw system that I’ve only used a couple of times and so interested in learning it’s possibilities. Thank you for the great explanation.

  • Loyanne Cope says:

    Super neat!

  • Martha says:

    Karen, this rug is so pretty. I can hardly wait to see it when it is finished.

    • Karen says:

      Hi Martha, I’m glad you like it! It’s a fascinating project to work on. Like you, I am eager to see it rolled out.

      Thanks so much!
      Karen

Leave a Reply


My New Glimåkra Julia Loom

My family of looms just welcomed a new little sister—Julia! This 8-shaft countermarch is Glimåkra’s smallest floor loom. I dressed the loom right away in 6/2 Tuna wool for 4-shaft Jämtlandsdräll to try out the loom. So far, so good. An 8-shaft project using 20/2 Mora wool is up next. Would you believe this is my new portable loom? Surprisingly, the Julia fits in the back of our vehicle, without disassembling. This is the loom you can expect to see with me at future workshops.

My new Glimakra Julia Loom delivered!
One of the boxes delivered to my front door.
Assembling my new Glimakra Julia loom!
Loom assembly in our foyer.

My Julia Observations:

  • It goes together like you’d expect from a Glimåkra. Instructions are minimal, and quality is high. It’s a well-designed puzzle.
  • The assembled loom is easy to move around to gain space needed for warping, or simply to change location for any reason.
  • The breast beam is not removable like it is on my other Glimåkra looms, which makes it a stretch to thread the heddles from the front. However, by hanging the shaft bars from the beater cradle at the very front I can thread the heddles without back strain. (Or, if you are petite and don’t mind climbing over the side, you can put the bench in the loom for threading.)
  • Tying up lamms and treadles is not much different than it is for my Ideal. Everything is well within reach from the front. It helps to take the lamms off the loom to put in the treadle cords, and then put the lamms back on the loom. With one extra person available, it is entirely feasible to elevate the loom on paint cans, upside-down buckets, or a small table to make tie-ups easier, but I didn’t find it necessary to do that.
Swedish loom corner in the living room. New Glimakra Julia.
Loom that Steve built sits near the windows in our living room. Julia sits nearby. Sister looms.
Glimåkra Standard and Glimåkra Julia in the living room.
Glimåkra Standard sits by the windows at the front of the living room. Julia sits a few steps away. Loom sisters.
  • Weaving on the Julia is a delight, as it is with my other countermarch looms. Everything works. With four shafts, the sheds are impeccable.
  • The bench adjusts to the right height.
  • The hanging beater is well balanced, sturdy, and has a good solid feel. I can move the beater back several times before needing to advance the warp.
  • I thought the narrower treadles might prove annoying, but I’ve been able to adjust quickly. After weaving a short while, I forget about the treadle size.
Jämtlandsdräll in Tuna wool.
Double-bobbin shuttle for the pattern weft, and new boat shuttle that came with the loom for the ground weave weft. All 6/2 Tuna wool. Jämtlandsdräll.

Steve is the loom assembler in our family. I stand by and give a hand when needed. I hope you can feel our excitement as you watch this short video of us discovering what’s in the boxes and figuring out how it all goes together.

May you enjoy the puzzles that come to your doorstep.

Happy Weaving,
Karen

26 Comments

  • Nannette says:

    Too cool.
    What a great video of putting together the 3d wooden puzzle. It reminds me of sewing a tailored jacket. All those pieces with no rhyme nor reason until it starts to come together.
    When I think about it… That is what weaving is.
    Thanks for sharing.

    • Nancy says:

      Thank you for the glowing review! I was ready to purchase one, but was told it isn’t the wood like in the regular Glimakra loims, but plywood. Also told the front and back beams get grooves in them from the warp threads.
      Waiting for your updates in about 2 months.
      Thanks!

      • Karen says:

        Hi Nancy, If you haven’t heard enough about it in a couple months, send me a note and I’ll give an honest update.

        The wood is most definitely beautiful solid wood, not plywood at all. Any wooden breast beam and back beam will show wear from warp threads and beam cords. This loom is no different. I don’t think it’s a problem.

        Happy weaving,
        Karen

        • Anonymous says:

          Thank you very much! I will get back to you! Perhaps this dealer was trying to upsell me?
          Nancy

          • Karen says:

            Nancy, I look forward to hearing from you. I hope the dealer had better intentions than that. Anyway, if you keep doing your research you will end up with a good loom.

            Karen

          • Nannette says:

            Hi Nancy,
            Decades ago I was enamored with English smocking and took two classes from two different instructors.on maintenance and care of the pleater. The first class I took we were told to NEVER EVER take the pleater completely apart as it was not possible to ever get it back together and working properly. The second class I took began with the instructor ‘accidentally’ dismantelling the pleater. We were taught how to care for a very simple tool.
            Maybe your dealer is not familiar with the loom?
            It sounds like you have a support system in this blog to help you through any challenges.
            Nannette

    • Karen says:

      Hi Nannette, It’s very interesting how all those tinker-toy sticks fit together perfectly!

      Happy weaving,
      Karen

      • Nancy says:

        Karen, is there some way you can email with me?
        My email is camel heights at msn dot com.
        Strange I know, it’s a street I lived on in Evergreen, Colorado. On the side of a mountain.
        I have more questions about this loom.
        Thank you very much!
        Nancy

  • Betsy says:

    She’s adorable! May you have many happy workshops together.

  • Kristin G says:

    Loved the video – I could feel the excitement! I’m looking forward to seeing the beautiful items you will create with her 🙂

  • Julia says:

    I can agree with you there. The Julia is a great little loom, I speak from the experience of a proud owner. I can therefore fully understand the joy of unpacking, because it was very similar to me last fall, only that it was my first loom… Greetings from Berlin, Julia

    • Karen says:

      Hi Julia, It’s good to hear from you. Oh, the excitement of putting together your first loom! That is the best of all. The Julia is a perfect first loom! Or second, or third, or fourth, or fifth… 🙂

      Very Happy Weaving,
      Karen

  • Annie says:

    What a darling little loom! I wish I had room for one more. I don’t always reply but always read you posts, Karen. Not only do I always learn something but I just enjoy feeling that we are keeping in touch.

    Please tell Steve I think he is the best husband a weaver could ever have!

    • Karen says:

      Hi Annie, It’s satisfying to know you read these posts. I do like keeping in touch, too.

      I’ll tell Steve. He’s definitely the best husband this weaver could ever have!
      Love,
      Karen

  • Gretchen says:

    Congratulations on your new loom Karen! How exciting!! And there os just nothing more beautiful than a new loom! May Julia bring you many happy hours of weaving. Sending love from WA. Gretchen

  • marlene toerien says:

    i am green with envy, I would love to own a Julia, or even a Mighty Wolf from Schacht, as I am living in South Africa where looms are a big luxury at the moment with our exchange rate, and my studio space is taking over our home, it will stay a dream. I do have 5 Varpapu looms, 3 table looms, 2 floor looms.

    • Karen says:

      Hi Marlene, Thanks for chiming in!
      I’m glad that you have some good Varpapu looms to work with. The Julia is a sweet little loom in the family of Glimakra looms. The Glimakra Standard is still my favorite.

      Happy weaving,
      Karen

  • Marina says:

    Great video! What are the thingies under the feet of the loom in the background?

    • Karen says:

      Hi Marina, I’m glad you enjoyed the video! What you are seeing under the feet of my other looms are Stadig Loom Feet. They keep the loom from “walking,” and they help absorb the impact of the beater when firm beating is needed, such as for weaving rugs. I get them from GlimakraUSA.com.

      Thanks,
      Karen

  • […] My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.) […]

  • MitzyG says:

    Is your Julia made of pine?

Leave a Reply


It Is Going to Be All White

I am getting ready for Christmas. When I was a little girl, my Aunt Helen made a Christmas tree skirt for our family. It was a simple white felt skirt, with added colorful felt silhouettes depicting Christ’s Nativity. I want to reproduce that Christmas tree skirt using handwoven fabric. This fabric on the Ideal loom will be the base of the skirt. I will use some of my myriad handwoven fabric remnants for the colorful Nativity appliqué.

Weaving wool fabric for a Christmas tree skirt.
Möbelåtta warp on the right, and Fårö weft on the left.
Fabric for Christmas tree skirt.
Temple in place for consistent beat and tidy selvedges.

The warp is unbleached 8/2 Möbelåtta wool. The weft is bleached 6/1 Fårö wool. The 6-shaft point twill fabric is delightful. Perfect for what I have in mind. It is peaceful, soothing, restful, and calm. You can see that everything is going to be all white.

Wool fabric for Christmas tree skirt.
Six-shaft point twill.
Fabric for Christmas tree skirt.
In anticipation of Christmas.

There is a time for color, action, and noise. But we also need a time for serenity, stillness, and quiet reflection. Going alone to sit in the Lord’s presence gives us just that. It is there that we can pour out our heart in prayer. The Lord meets us where we are when we pray. And He tells the trusting heart that everything is going to be all right.

May your heart be at rest.

With you,
Karen

PS Floating Selvedges. Last week I asked if you could tell which one of these four towels was woven without floating selvedges. (1 – 4, with the towel on top as #1.) See Process Review: Jubilation Hand Towels

Four new handwoven towels.
Three of the four towels were woven with floating selvedges.

The towel that was woven without floating selvedges is the same towel that received the most votes. Towel #2!

It seems counterintuitive that weaving twill structures without floating selvedges could produce a pleasing edge. But most of the time the small floats that appear at the edge are inconsequential, especially after wet finishing. (By the way, I am weaving the white point twill mentioned above without floating selvedges, as well.)

Thank you for your wonderful participation!

6 Comments

  • Joanna says:

    That’s a really lovely fabric, Karen. And yes, it’s calm, soothing, and absolutely self-assured. I’m a lover of winter and the can see the joyful little swirls of snow and ice crystals dancing over the blanket of snow. Your tree skirt is going to be stunningly beautiful.

    • Karen says:

      Hi Joanna, It does look like ice crystals on a layer of snow. It’s pretty. I think it’s going to be a lovely fabric to hold, too. Like a lightweight little blanket.

      All the best,
      Karen

  • Nannette says:

    Karen,
    Are you sure you live in Texas? Your handling of white on white brings memories of last December.

    Well done.

    Nannette

  • Elisabeth says:

    What a great idea for this beautiful fabric! You already know that I really like white on white, not to mention utilizing leftover fabric for the appliqué, love it!

    • Karen says:

      Hi Elisabeth, I have been carrying this project idea in my mind for a few years. It feels good to get it started. White on white has always been a favorite of mine, too, though I haven’t done much weaving of it.

      Thanks,
      Karen

Leave a Reply


Process Review: Jubilation Hand Towels

These towels make me think of my father. He was a brilliant architect. As an architect’s daughter, I learned to appreciate the interaction of structure, design, and color. This fabric has it all! These towels are also an expression of joy, a prominent aspect of my dad’s personality. If you could create a tangible article of jubilation, this would be it.

Broken and reverse twill structure. Handwoven towels.
Broken and reverse twill structure. Using all the same colors, each towel has a different sequence of weft color order.

After weaving three towels, I eliminated the floating selvedges. Which one of the four towels do you think was woven without floating selvedges? Leave your answer in the comments. (1 – 4, with the towel on top as #1.)

Four new handwoven towels.
Three of the four towels were woven with floating selvedges.

Here’s a short slideshow video that shows the process from start to finish:

Jubilation bath towels are up next on the Glimåkra Standard!

May your jubilation rub off on your family and friends.

Happy Weaving,
Karen

47 Comments

  • Anonymous says:

    Number 4

  • Nancy says:

    They are all beautiful!

    I think it is number 4 that didn’t have a floating selvage. I know those edges anywhere! Ha ha

  • Kristin Martzall says:

    The towels are gorgeous ! I think I would have liked to have met your father…….
    !

    • Karen says:

      Hi Kristin, I’m sure you would have enjoyed my father. He was a very likable guy. Thank you for your compliment on the towels!

      All the best,
      Karen

  • Charlotte says:

    The richness in color and design…goodness…gracious…such beauty have you created! I and going with #3, to be the one without a floating selvage.

    • Karen says:

      Hi Charlotte, Your encouraging words mean a lot to me. Thanks for making a guess. Stay tuned… I will reveal the answer next week.

      Happy weaving,
      Karen

  • Beth Mullins says:

    They are beautiful, Karen!

  • Rachel says:

    I believe it is 4. My question is why? These towels are stunning. Thanks for sharing.

    • Karen says:

      Hi Rachel, If your question is why would I eliminate the floating selvedges, I have a few reasons. Primarily, though, I can get a much better rhythm in weaving without them. And in most cases, I find they are unnecessary.

      Happy weaving,
      Karen

  • My guess is #2. Only because it looks a little different than the others. Did you start out without one and then decide it would be A little easier to use one?

    • Karen says:

      Hi Jenny, I started out with the floating selvedges because I thought I needed them because of the reverse twill. After three towels I decided to chance it and cut the floating selvedges off. I was pleasantly surprised. It leaves only small floats at the selvedge (which are unnoticeable after wet finishing), and it was much easier for me to weave without them. I only had to toss and catch the shuttle, so my hands didn’t have to stay so close to the warp.

      Thanks for making a guess. I’ll reveal the answer next week.

      Happy weaving,
      Karen

  • Bethany Garner says:

    What a glorious video Karen… the loom, the threading, the weaving and the music brought me great joy this morning. Be safe and well! You are loved!
    Bethany in Kingston, ON Canada

  • Kristin G says:

    I’m guessing #2. These towels are gorgeous, Karen! The video with all of its loveliness brought a smile to my face this morning (and I needed it – I was feeling like a grump!) Your father sounds like such a wonderful man. Thank you for spreading joy today 🙂

    • Karen says:

      Hi Kristin, Well, I’m glad this had that effect on you because the world needs your beautiful smile! You would have liked my father, and I know he would have liked you.

      Thanks for your guess. Stayed tuned for next week….

      Hugs,
      Karen

  • Nannette says:

    Good morning Karen. Your craftsmanship is so precise I couldn’t pick out the missing salvage with a laser pointer and a flashing neon light.

  • Loyanne Cope says:

    The towels are lovely. Your colors are always so interesting. If I am not being too forward, your edge in the picture where the towel is still on the look looks so firm. Would you share how you did this? Thank you, Loyanne

    • Karen says:

      Hi Loyanne, It’s good to hear from you.

      While on the loom, the edges stay firm for two reasons. 1. I generally keep the tension fairly tight. This is especially possible with a countermarch loom. 2. I always use a temple. The temple helps me weave tight selvedges—the weft is very snug at the selvedge, which helps keep the outer warp ends firm.

      I hope that makes sense.

      Happy weaving,
      Karen

  • jane n wolff says:

    These are lovely. Cam you share what yarn you used?

    • Karen says:

      Hi Jane, Thank you for asking. The warp and weft is 22/2 Bockens Nialin (Cottolin). The cotton and linen blend is perfect for making absorbent towels.

      Happy weaving,
      Karen

  • KimG says:

    Well, I LIKE the edge of number 2 the best. Where is the pattern from, how many shafts and what are the were and warp threads? Absolutely stunning!

    • Karen says:

      Hi Kim, Thanks! I like knowing what you like the best.

      I started with a draft for wool blankets from Favorite Scandinavian Projects to Weave, by Tina Ignell. I adjusted it for size and sett to make the towels, and chose my own colors. This uses 6 shafts and 6 treadles. Cottolin for warp and weft.

      Thank you!
      Karen

  • Kevin B says:

    Your towels are beautiful! Beautiful colors and fabulous weaving! I’m guessing #4 is the one without the floating selvage.

    • Karen says:

      Hi Kevin, I have enjoyed these colors immensely. It’s fun to find a set of colors to play around with. Thanks for making a guess! I’ll let you know the answer next week…

      Thanks for your sweet encouragement.
      Karen

  • D'Anne says:

    I suspect you inherited your father’s precise workmanship and creativity as your work is always exquisite. He sounds like a delightful father. I think #2 is the one without the floating selvedge, but I look forward to your answer. 🙂

    • Karen says:

      Hi D’Anne, Your cheerful encouragement means so much to me! If I inherited my dad’s workmanship and creativity that’s saying a lot. You have a keen eye. We’ll see if you’re right about the selvedges.

      All the best,
      Karen

  • Jan says:

    Beautiful towels Karen. I think No 1 is the one without the floating selvedge.

  • Linda says:

    My guess is #4. I always use a FS with twill and it makes me laugh that I am having such a hard time seeing the difference! Beautiful towels!!!

    • Karen says:

      Hi Linda, Floating selvedges are very common. I’m pleased to know that it is not easy to tell the difference. Weaving is far simpler for me without them. Thank you!!

      Happy weaving,
      Karen

  • Kat says:

    My goodness! These towels are just stunning, color, pattern, all of it! My guess is number 2. It just looks different form the other three, and I prefer the look of that edge!

    • Karen says:

      Hi Kat, Your descriptive words really warm my heart! I’m glad these towels look good to you.

      Thanks for including your guess – and your reasons.

      All the best,
      Karen

  • Janis Schiller says:

    Hi Karen,
    Your towels are wonderful. I love the combination of reverse and broken twill.
    Is this your original pattern or is it from another source?

    The video was enjoyable to watch as well.

    Can’t wait to see what your Jubilation towel project will be!
    Regards, Janis

    • Karen says:

      Hi Janis, I’m very happy with the reverse and broken twill combination. It puts a lot of action in the design.
      I started with a pattern for wool blankets in Favorite Scandinavian Projects to Weave, by Tina Ignell, and made adjustments to turn it into towels.

      The next Jubilation Towels will be very similar, only bigger! Bath size.

      Happy weaving,
      Karen

  • Elisabeth says:

    Your towels are beautiful! Nothing beats the feel of hand wowen towels, I am sure they will be wonderful as bath towels, too 🙂
    My guess is # 2, for two reasons… the edge looks different, and I think I recognize the colors from the last towel you wove where you made this change.

  • Tobie R LuriTobie says:

    Hi Karen-The towels are beautiful but I have a question about rag rugs. I cleaned out my linen closet and discovered I have too many sheets and think they will make very good rugs. I plan to cut them in strips and dye them. My question is how wide should I make these strips–1 inch/2 inches? These are older cotton sheets so are pretty soft. What do you think? And thanks for advice!

    • Karen says:

      Hi Tobie, That’s great that you have cotton sheets that you can use for rag rugs. I recommend you test some different widths of strips after you get the loom warped before you cut all the strips. I use a sett of 8 epi (3 epc) with 12/6 cotton rug warp. Most of my fabric strips are 3/4″ wide. If the fabric is thin, I cut them a little wider, up to 1 inch. If you want thicker weft, 2 thinner weft strips will pack in and lay better than one wider strip. Most of the Swedish rag rug books I refer to use fabric cut to 2cm (about 3/4″), so that’s what I try to follow.

      Happy weaving,
      Karen

  • Lora says:

    Number 2. Gorgeous towels.

  • […] PS Floating Selvedges. Last week I asked if you could tell which one of these four towels was woven without floating selvedges. (1 – 4, with the towel on top as #1.) See Process Review: Jubilation Hand Towels […]

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