On the Road Again was a special challenge issued to members of the San Antonio Handweavers Guild last fall: Pair up (by random selection) with another guild member. Learn where that individual would like to travel and make a handwoven bag that suits her or his needs. I learned that my On-the-Road-Again partner, Donna, is a world traveler and uses small makeup bags to organize her carry-ons. Likewise, I informed Donna that I like small bags that I can use to hold my travel weaving when Steve and I go camping in our Casita travel trailer. Our guild met last week and we got to unveil our special gifts to each other. I had the smart idea to present the bags nested inside each other. Imagine my surprise when I found that Donna had the same smart idea. What fun!
My contribution for Donna is three small zippered bags, and a linen washcloth to take with her on her travels.
Donna’s thoughtful exchange couldn’t be more perfect – three small zippered bags, and a drawstring bag to hold them all together. I have my band-weaving supplies in the bags, ready for my camping trip with Steve in a few days!
Rag rugs are up next on the Glimåkra Standard. I’m filled with anticipation. Oh, to have the momentum of this hanging beater at my fingertips again. I’m drawn to the simple power of the hanging beater, which is perfect for rug weaving. I already have a place for these rugs in my home once they are woven. So, let’s get going!
The draft is “Den Vackraste” from Älskade Trasmattor, by Hallgren and Hallén, p.87, to which I added some width. I plan to start with a short sample rug to test wefts and check for size. I am winding the 12/6 cotton warp in three bouts. These long, heavy warp chains tell me I’m now on an unstoppable trek that will result in rugs on the floor!
Until I wind the warp, the rag rugs I’d like to see are merely good intentions. Warp chains placed in order through the beater, though, are a picture of expectation. I have put enough warps on the loom to know with confidence that the rag rugs I anticipate will, indeed, become reality. Faith has that kind of expectation. Faith activates your prayer. The simple power of faith is in believing that the Lord Jesus hears your prayer and that he is able to do what is right for you.
Some things are easier done than said. I said to myself that it’s too much trouble to tie retaining cords on the shafts. I am weaving almost full width on the Glimåkra Julia. I know that heddlescan slip off the ends of shafts. Still, I tell myself I can keep an eye on it. It won’t be a problem, right? Wrong.
Tie Retaining Cords on Shafts
Purpose: Keep Texsolv heddles secure on their shaft bars, especially when weaving a wide warp.
12/6 cotton seine twine
1 Measure shaft bar from hole to hole. (Julia shaft bar is 70 cm) 2 Figure additional length (about 40 cm) for tying two knots. (70 + 40 = 110 cm) 3 Cut seine twine to measured length for each upper and lower shaft bar. (Heddles can slip off lower shaft bars, too.)
4 Insert one of the seine twine cords through the hole on one end of a shaft bar. Tie. (I use the half-bow slip knot as described in Learning to Warp Your Loom, by Joanne Hall, p.38.)
5 Insert the other end of the cord through the hole at other end of the shaft bar. Tie.
6 Repeat steps 4 and 5 for each remaining upper and lower shaft bar.
Continue weaving with one less thing to think about.
45 minutes: Time it took to reposition heddles that had slipped off a few shafts and were in a mess because I didn’t notice it immediately. Less than 10 minutes:Time it took to cut string and tie retaining cords on 4 upper shaft bars and 4 lower shaft bars.
May you take the time to do what needs to be done.
Remember the rigid heddles for band weaving that Steve made for me? (See Process Review: Heddles and Bands) Soft maple, Spanish cedar, and walnut. Steve says they are missing the “cuteness factor.” So, what does he do? He makes a cowgirl heddle out of cherry that is cute as can be!
Well, Miss Cherry Cutie wants to flip over while weaving. A little quilter’s clip on the bottom adds just enough weight. Problem solved. Now Steve wants to make one that has more weight on the bottom half.
Here comes Miss Cutey II in Spanish cedar, with a longer skirt. She doesn’t tip all the way, but she does lean this way and that. The clip helps her, too. Conclusion? The shorter version, with the clip, is more compact and is our favorite design.
Look who shows up! Miss Cutie III in Spanish cedar. It’s time for a band weaving party, y’all!
Persistence comes from having an end in mind. Prayer is like that. We know our heavenly Father hears us when we pray. We know his outcome is good. Faith compels us to persist in prayer. As we do, the Lord guides our heart to align with his will. All the while, he works behind the scenes to bring his answer, which is better than anything.
Talk about exciting! When something has been on the loom this long it is indeed exciting when the back tie-on bar comes over the back beam. I finish weaving the final “bonus” towel. And then, I use up all the quills to make a little piece of scrap fabric (because scrap fabric is always better than leftover quills). And then! Then, I start my cutting-off checklist.
After all this time, the moment we’ve been waiting for is here!
I cut off the warp. And as I unroll the cloth, I am mesmerized by the tactile intricacy that passes through my fingers–Fårö wool for the pattern weft, and 16/2 cotton for slow-as-molasses weft repground cloth. Finishing proves to be the easiest and quickest part of this project. I like the crisp pristine state of the monksbelt runner, so I am not going to wet finish this article. I examine for errors (none found!), wet finish the two towels, hem the table runner and towels, and press. The Priceless Monksbelt Runner now graces our dining room table.
The exceptional value of handwoven textiles makes your home a welcoming place. Time is one of our most valuable assets. That makes the textiles we create priceless!
Please enjoy this video review of weaving the Priceless Monksbelt Runner.
May the works of your hands bring exceptional value to your home.