Tried and True: One Small Skein

I have a single skein of colorful cotton/bamboo sock yarn that a sweet friend gave to me. I’m not a knitter. What can I do with a mere 50 grams of silky-soft yarn? My 13.5” Glimåkra Emilia rigid-heddle loom is perfect for the task. When I’m at home I weave on floor looms. When I travel I like to take Emilia along.

"Make Do" warping while away from home.
This is called “Make Do” warping while away from home.
Glimakra 13.5" Emilia rigid heddle loom, ready to tie on and start weaving.
Emilia is beamed and the heddle is threaded. Ready to tie on and start weaving.
Weaving in the Casita Travel Trailer.
Now, a trip to visit some wonders of creation in Texas. Time to bring Emilia along. Weaving in “La Perlita,” our Casita Travel Trailer.
Weaving outside while camping.
Weaving outside the Casita in the shade of a tree is a relaxing way to spend the afternoon.
Weaving outdoors.
Two shades of bamboo thread are used for the weft–hot pink and coral–woven in alternating blocks of color.
Santa Elena Canyon in Big Bend National Park, with poppies in the foreground.
Santa Elena Canyon in Big Bend National Park. Poppies in the foreground provide color inspiration for more weaving projects.
Hemstitching at the end of a scarf on the rigid heddle loom.
Hemstitching at the end of the scarf, easiest to do while still on the loom.

One skein of this yarn yields just enough to make the warp for a short scarf with fringe. I am using Xie Bamboo thread for the weft, left from the huck lace shawl I wove for myself to wear to my daughter’s wedding six years ago (See Quiet Friday: Coral Shawl for a Memorable Occasion). This thinner weft gives me a loose weave, and the color blends in a way that allows the changing color of the warp to take center stage.

Trimming fringe on a handwoven scarf.
Back home again, doing the finishing. Fringe is trimmed to an even length.
Trimmed.
Trimmed.
Twisting fringe.
Twisting fringe. (For more on twisting fringe, see Tools Day: Fringe Twister.)
Twisting fringe.
Fringe twisted.
Handwoven scarf before washing.
Before hand washing.
Rigid heddle scarf made with sock yarn.
Scarf has been air dried, and the fringe knots have been trimmed. This soft short scarf is just right to wear with a light jacket in the Texas autumn air.

Now that this scarf is finished, the only thing left to do is make sure I have a new warp ready for Emilia in time for our next travel adventure.

May you take your joys with you.

Happy travel weaving,
Karen

10 Comments

  • Nannette says:

    Beautiful. It looks like sunshine

  • Bev says:

    Karen, you are making the most of each opportunity! An exquisite scarf from one skein of yard…and while traveling in God’s beautiful creation! Delightful! Blessings to you, Bev

    • Karen says:

      Hi Bev, It’s great to hear from you! There’s something about seeing God’s beautiful creation that prompts us to be creative in our own simple way. Such a contrast, though, between the mountainous marvels and our little handwoven threads.

      Blessings to you,
      Karen

  • Elisabeth Munkvold says:

    That’s a great way to use a single skein, you turned it into a beautiful and useful piece! And isn’t it the perfect statement in a challenging time; find light and happiness where possible

    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, It took me a while to decide how to use that pretty skein. I’m looking forward to wearing the scarf. There’s usually a way to light and happiness even when there seems to be no way.

      Love,
      Karen

  • Cynthia says:

    Beautiful and glad you are out camping. Have fun

  • Kristin G says:

    What a perfect project for a special skein of yarn! I can’t help but smile when I see those cheerful colors And I always love to see the difference in the cloth once it is wet finished. It’s like a bit of magic ✨

    • Karen says:

      Hi Kristin, This special scarf from that special skein will always remind me of that friend that wanted me to have it. Isn’t the magic of wet finishing wonderful? This one was already soft, but really softened up even more!

      Happy weaving,
      Karen

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Process Review: Christmas Tree Skirt Fabric

This is a Christmas tree skirt in the making. The next stage of this special project will include appliqué and embroidery. The embellished tree skirt should be complete by the time Steve and I put up our Christmas tree this year. This luscious white-on-white wool cloth is just the beginning. Some colorful handwoven remnants will tell the rest of the story. I’ll let you know when that part is finished…

At the very end, with the back tie-on bar right behind the shafts.
Back tie-on bar is right behind the shaft bars. The shed is compromised, but I am still able to squeeze my shuttle through to weave enough picks to empty my quill.
Just off the loom, unwashed handwoven wool fabric.
Just off the loom, unwashed. 8/1 Möbelåtta unbleached wool warp and 6/1 Fårö bleached wool weft.

I thoroughly enjoyed the one-shuttle monotone weaving. It was a quiet stream amid my other rambunctious color-filled looms.

Handwoven fabric for a Christmas tree skirt.
Wash on delicate cycle in the washing machine. Place in dryer on low heat for ten minutes. Air dry to finish. Snuggle.

Here’s a view into the process of making this cloth.

May your days be merry and bright…

Happy early Christmas,
Karen

16 Comments

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Process Review: Jämtlandsdräll with Julia

My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)

Jämtlandsdräll Wool Wrap - woven on Glimåkra Julia.
Finished wrap. Ready for cool weather!

This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.

Planning my next weaving project on Fiberworks.
Paint chips, Tuna yarn samples, and Fiberworks Silver for Mac aid my planning process.
Colors! Let's see how they work together on the loom.
Colors! Let’s see how they work together on the loom.
Beaming the warp on my new Julia.
Beaming the warp.
Weaving Jamtlandsdrall (Crackle) on my new Julia.
Daylight, plus colorful yarn. As summer is warming up outside, Julia is dressed warmly inside.
Weaving Jamtlandsdrall (crackle) on my new Julia.
There is something about weaving with a double-bobbin shuttle that I especially enjoy.
Color gradation in the pattern.
Some color gradation in the pattern.
My new Glimakra Julia!
Miss Julia, filling up her cloth beam.
Crackle (Jamtlandsdrall) in Tuna Wool.
Ending with a few picks of plain weave.
End of warp on my new Glimakra Julia.
Thrums at the end of the warp will serve as fringe.
Cutting off Jamtlandsdrall (crackle)!
Cutting off, giving a view of the back side of the cloth. Front and back have reverse images.
Jämtlandsdräll, just off the loom.
Jämtlandsdräll, just off the loom.
Twisting fringe on Jamtlandsdrall wrap.
Much to my pleasant surprise, after removing (unweaving) my short sample weaving at the beginning, and untying the front tie-on knots, I had the EXACT same length of fringe–to the centimeter–on both ends of the woven wrap.
Chunky, frolicky fringe.
Overhand knots secure the weft. Two groups of four warp strands each form each chunky fringe. Now, this wrap is ready for wet-finishing.

This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)

Jämtlandsdräll Autumn/Winter Wrap
Jämtlandsdräll Autumn/Winter Wrap

May your adventures never cease.

Happy Weaving,
Karen

12 Comments

  • Bom dia! Ficou lindo essa peça.Sou brasileiro, professor aposentado e estou tecendo a pouco tempo em um tear de quatro eixos que eu mesmo fiz. Gostaria de saber qual é a medida do tecido pronto? E onde encontro esse padrão para quatro eixos. Muito obrigado por compartilhar seu trabalho

    • Karen says:

      Google Translate: Good Morning! This piece was beautiful. I am Brazilian, retired teacher and I am recently weaving on a four axis loom that I made myself. I would like to know what is the measure of the finished fabric? And where do I find this pattern for four axes. Thank you so much for sharing your work

      Bom dia, Reinaldo!
      Thank you very much. The finished piece is 47cm (18 1/2”) wide and 146cm (57 1/2”) long, plus 14cm (5 1/2”) fringe on each end.

      This pattern is in the book “Simple Weaves,” p.59 “Jämtlandsdräll (Crackle) Blanket,” by Birgitta Bengtsson Björk and Tina Ignell, published by Trafalgar Square Books, Vermont, 2012. I changed the colors in the pattern.

      The weave structure is Jämtlandsdräll, also known as Crackle.

      Thank you,
      Karen

  • Nannette says:

    Yep, a much better wrap.

    Beautiful !

    Can’t wait to see your next creation.

    • Karen says:

      Hi Nannette, It would have made a pretty throw cushion, but I already have plenty of those. This will be fun to wear!

      Thanks!
      Karen

  • Betsy Greene says:

    That’s a beautiful wrap! Thanks for sharing your design process.
    Betsy

    • Karen says:

      Hi Betsy, I’m glad you enjoyed seeing a bit of my design process. I don’t usually use the weaving software, but this makes me want to put it to use more often. It helped to see different possibilities on the screen.

      Happy weaving,
      Karen

  • Cindy Bills says:

    Simply lovely! I so enjoy following along with your projects. You inspire me to try new techniques/projects with my looms. 🙂

    • Karen says:

      Hi Cindy, When I got the Julia, I decided to use the loom to weave something I haven’t done before on my own. (I wove Jämtlandsdräll at Vavstuga once, and have wanted to weave it again ever since.)

      It’s so exciting to try new things!

      Happy weaving,
      Karen

  • Nancy says:

    Beautiful! Love your style!

  • Elisabeth says:

    Gorgeous colors! And if not pillows, the wrap can double as a runner for a special holiday or something 🙂
    I love that you have looms in several spaces, with your dedication it makes sense. And you get a glimpse of your projects as you move around, what a joyful experience!
    Elisabeth

    • Karen says:

      Hi Elisabeth, I had the same thought that I could use this as a runner. The colors fit right in.

      It is a joyful experience to have looms scattered around. Each one has its place and purpose, and I’m free to let them work or rest, as needed.
      I always enjoy your thoughtful responses.

      Love,
      Karen

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Handwoven Scarves Embellished with Flair

You could say I finished these scarves too late. Winter in Texas has come and gone. But I prefer to think of it as considerably early. When cool weather comes back around in a few months, I’ll be ready. I began with the draft for the lovely Stardust scarf, designed by Mona Nielsen, published in Happy Weaving, from VävMagasinet, p.74. I simply substituted the yarn and colors in the book with what I had on hand.

New warp on warping reel for winter scarves.
Warp is mostly 6/2 Tuna wool, with some 7.5/2 Brage wool included.
Stripes on the back beam. What a lovely sight!
Made with yarn on hand. This means that additional stripes have been added to the plan.
Weaving by the fire in the middle of winter.
Weaving by the fire in the middle of winter. Mora 20/2, a fine wool, is used for weft.
Two new wool scarves coming off the loom!
Two scarves coming off the loom.
Fringe twisting.
Fringes are cut and twisted.

The scarves are delightful, but the icing on the cake is the addition of fluffy, furry pompoms, an embellishment with youthful flair. And that is exactly what I will put on at the first sign of autumn chill.

Making pompoms to embellish the handwoven scarf.
Some of the thrums are used in making pompoms.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time. I wrapped the yarn around 100 times, making full and thick pompoms.
Each furry ball is shaped and trimmed.
Each furry ball is shaped and trimmed. I used 8/2 cotton for the 12″ tie around the center of the pompoms.
Adding pompom embellishments to the scarf.
Each pompom is stitched to 3 – 4 twisted fringes. Seven pompoms at each end of the scarf.
Handwoven scarves with pompoms!
Now, the scarves are ready for wet finishing. Notice how you can see the separate strands of yarn in the pompoms before they are washed.
Handwoven scarves with pompoms, hanging to dry.
Scarves have been washed by hand in warm water in a large sink, with Eucalan delicate wash. I purposely gave them as much agitation as I could by hand. They are hanging to dry. Notice how the pompoms have slightly felted, making them even more soft and furry.
Winter scarf amid spring bluebonnets in Texas hill country.
Winter scarf amid spring bluebonnets in Texas hill country.

Some things are certain. The sun will rise tomorrow. The seasons will follow their schedule. The faithfulness of the Lord our God will never end.

May you dress in youthful flair.

Warmly,
Karen

25 Comments

  • Beth Mullins says:

    Very pretty! I love the pompoms!

    Take care!!

  • Charlotte says:

    So, so, so precious! And! Your scarf is pretty special, as well!!!

  • Marianne says:

    It’s gorgeous! What a clever way to add Pom poms!

    • Karen says:

      Hi Marianne, Thank you so much! The idea for the pompoms came from the book Happy Weaving. That’s what drew me to this scarf pattern.

      All the best,
      Karen

  • Annie Lancaster says:

    Hi, Karen!

    I love the colors and pattern of this scarf. And the pom poms are the perfect touch. Thank you telling us how they were made and attached. I always learn from you.

    Please stay safe and healthy.

    Annie

  • Janet says:

    Love the addition of Pom Poms. I haven’t used tuna wool before but recently purchased many skeins for a throw. I know you’ve used quite often, what do you find the best sett for a lovely drape for a twill structure?

    • Karen says:

      Hi Janet, My favorite twill blanket from Tuna wool is the one I made at Vävstuga. You can see the info for the project here: Swedish Wool Blanket.
      Tuna wool is an excellent choice for a throw. I think you will enjoy weaving with it, too!

      Happy weaving,
      Karen

  • Elisabeth says:

    What a beautiful and “happy” scarf I have never seen this pom pom maker before, a neat tool, thank you for showing us!
    Elisabeth

    • Karen says:

      Hi Elisabeth, I happened upon the pompom maker while browsing at Hobby Lobby. I knew I wanted this embellishment for my scarves, so I was happy to find a helpful tool. It beats cutting out cardboard circles to wrap with yarn–one fluff ball at a time. It wouldn’t be hard to make a similar tool at home.

      I, too, think of this as a “happy” scarf.

      Thank you,
      Karen

  • Betsy says:

    Such a fun scarf!

  • Nannette says:

    Hi Karen,
    What a pretty scarf. With the early Spring in Wisconsin, it is too warm to wear it here until November. More time for anticipation.

    My looms were taken to the retirement home Friday. The chipper was brought back so my sister can dispatch the 5 mature trees she dropped.

    Now I am going through my sewing room. Oh My, Why did I buy some of the things I am finding? Three piles. Donate, Sell, Take with me. Too many decisions. Where did I get all those cards of snaps from 1960?

    Are any of your readers in health care? I am wondering if the cloth face masks being shown as projects are something that can be used in the medical system, or are they just fashion statements? When the other grandchildren were born I would take a home made treat to leave with the nurses. This year I could leave some cheerful cloth masks…

    This latest grandson can come at any time.

    Blessings to all.

    • Karen says:

      Hi Nannette, Congratulations on your coming grandson. Life is full of twists and turns. I’m glad you have a place for looms in your new home. That gives you something to look forward to.

      Blessings to you,
      Karen

  • Betty Morrissey says:

    Beautiful! May I ask, when weaving with a stretchy wool warp, do you tension it tightly so the stretch is maxed out?
    The pom poms are a great use of ends. Thank you for your kindness, always.

    Betty

    • Karen says:

      Hi Betty, Great question! No, I don’t tension tightly to max out the stretch of the wool. I don’t want to over-stretch the wool. You have to find a happy medium so that it is tight enough that the shuttle doesn’t fall through, but not so tight that it will stretch the fibers out too far.

      I’m always happy when I can find a good use for some of the thrums. Who knows, maybe I’ll start putting pompoms on everything. 🙂

      Happy weaving,
      Karen

  • Jan says:

    These are gorgeous. I am so inspired by your weaving and sharing.
    Thank you

  • Barbara Mitchell says:

    Love these scarves and the pom-poms. I tried to put pom-poms on a scarf, but couldn’t get them tightly enough tied on to the end of the twisted fringe so they just ended up looking goofy and wishy-washy, so I cut them off again. Do you have a secret?

    • Karen says:

      Hi Barbara, Thanks for asking! I think what helps is stitching the pom pom to a group of 3 or 4 twisted fringes, and the individual fringes are fairly thick. The tapestry needle with 8/2 cotton for the stitching thread goes through the fringes just above the knots and then through the center loop of the pom pom. I take the thread back around 3 or 4 times and then secure it with several small (hidden) stitches in the fringe/knot.

      Maybe you’ll have a chance to try it again. It does make a fun finishing for a scarf.

      All the best,
      Karen

  • Danie says:

    Very nice!
    I would like to try this colorshifts, but i cannot figure out how .
    Could you please explain this ?
    Thanks
    Danie

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Process Review: From Drawloom to Garment

I warped the drawloom with gray 6/2 Tuna wool several months ago with the goal to make fabric for a reversible vest. The beautiful drawloom fabric turned into dreamy garment-worthy fabric after washing! (See Process Review: Drawloom Jewels)

Weaving garment fabric on the drawloom.

And then I hit two huge hurdles.

Hurdle 1. Fit.

In order to cut into handwoven drawloom fabric, I need assurance that the end result will fit me. My sewing assistant helped me refine a commercial pattern.

My sewing assistant, Miss Fit.
Meet my sewing assistant, Miss Fit.

After umpteen muslins and two or three mock-ups, I finally got the fit I was after. Confidence to cut!

Hurdle 2. Garment Construction Uncertainties.

Do some detail studies, my dear friend Elisabeth said to me. Her advice got me over the insecurity hurdle. A detail study is making a small sample to test a hypothesis or answer a question. I made a list of everything I wanted to know about constructing a vest from this type of handwoven wool fabric. And then, using some of the extra fabric from the sampling at the beginning of the warp, I did a detail study for each point on the list. Twelve detail studies in all.

(If you are interested in seeing my complete list of 12 detail studies for this project, click HERE to send me an email and ask for my “Detail studies”.)

Here are a few examples of my findings:

  1. Zigzag before or after cutting? // Zigzag before cutting, stitch width 3, stitch length 2 1/2
  2. Lapped seams? 3/8”, 1/2”, 5/8”? // Yes, lapped seams, overlap 1/2”, stitch basted line to guide placement
  3. Neck and armhole curves – staystitch with hand running stitches or machine stitching? 1 row or 2? // Hand running stitches, 2 rows
Detail studies for handwoven garment construction.
Detail study testing lapped seams.

From the results of the detail studies I was able to compile a step-by-step garment construction plan. Confidence to sew!

Follow my process pictures of the garment construction to see the results:

Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Tracing paper is used for the pattern, which allows me to clearly see the placement of the pattern on the fabric.
How to stitch basted cutting lines.
Making an X with the basting thread at the corners. This helps clarify exactly where to stitch and cut. (One of Elisabeth’s helpful tips.)
Preparing handwoven cloth for garment sewing.
Buttonhole twist thread is used for the basted lines. It makes an easy guide for the sewing machine needle to follow. The zigzag stitches are just inside the line.
Sewing a handwoven garment.
Basting stitch on the front side piece is a guide for positioning the lapped seam.
Sewing a vest from handwoven drawloom fabric.
Handwoven vest. Ready for handwork details.
Ready for hand work.
Hand-stitching work by the fireplace.
Two rows of running stitches around the armholes and neck opening.
Blanket stitch on handwoven garment.
Blanket stitch is used to embellish and strengthen the armholes, neck, front edges, and lower edge of the vest.
Blanket Stitch
Completed vest from drawloom fabric.
Completed vest from drawloom fabric.
Reversible handwoven vest.
Reverse side.
Handwoven reversible vest. Drawloom Woven.

May you find ways to leap over your hurdles.

Love,
Karen

35 Comments

  • Geri Rickard says:

    Oh My! It turned out so well, though there was never any doubt in my mind! You must be so proud! I love how it looks on you. You are so inspiring!

  • Tena says:

    This is so stunning! As a beginner weaver, I hope to aspire to constructing woven garments someday!

    • Karen says:

      Hi Tena, Constructing woven garments is something I have wanted to do for a long time. I’m glad to see you’re on the same quest!

      Happy weaving,
      Karen

  • Marianne says:

    I’ve been peeking at your website for years and have always found it so inspiring! Your creativity seems to be boundless! Your vest turned out beautifully! Thanks for so generously sharing your process in making your projects. I have found so many tips and helpful instruction from you about weaving and also life!

    • Karen says:

      Marianne, Thank you for your heart-warming comment. It is my delight that someone like you comes along on this journey with me!

      Thank you, thank you,
      Karen

  • Bev Romans says:

    An absolutely beautiful result, Karen! And you have taken such care in each step along the way.

    Blessings to you!

    • Karen says:

      Hi Bev! It’s taking time to mind the details that brings about good results, as you know very well in your beautiful quilting projects.

      Blessings to you, too!
      Karen

  • Betsy says:

    It’s gorgeous, Karen! I am in awe of your patience, as well as your weaving and sewing skills.

    • Karen says:

      Hi Betsy, It’s this gorgeous loom of yours that made it possible. I have the pleasure of sitting at the drawloom and making things from it. Yes, it did take an extra degree of patience to push this project to completion.

      Thank you, friend,
      Karen

  • Joanne Hall says:

    I really need to get my Tuna yarn drawloom fabric made into a vest. Thanks for showing us yours. I started to think that I needed to make it a pullover to avoid all the hand stitching in the front. Hmmm. I am still thinking.
    Joanne

    • Karen says:

      Hi Joanne, I’m eager to see what you do with your beautiful Tuna yarn drawloom fabric! The hand stitching was very pleasant to do. I enjoyed it. I’d sure like to see a picture of your vest when you complete it.

      Happy thinking,
      Karen

  • LJ Arndt says:

    Awesome. Love the pattern and colors.
    Question. Was the back done in 1 piece or 2, if 2 could it have been one piece or to fit properly did it have to have a center seam?

    • Karen says:

      Hi LJ, Thank you!

      Great question. I intended the back to be one piece, and the sides to each be a single piece. But I was able to get a better fit by putting in a back seam, and making a seam down the sides. This was part of my fit dilemma. I wove the fabric with those single pieces in mind, but the outcome of the mock-ups was just too boxy for my petite frame. Someone with more fitting experience may be able to make the single back piece work.

      Thanks for asking,
      Karen

  • Annie says:

    I can’t decide which side I like best! Both look great on you, Karen.

    I am going to download your steps because I hope to get the courage to try sewing with my handwoven fabric someday soon. As I am just a beginning level sewer, I was surprised at all the consideration needed; such as the width of seams, length of stitches, etc.. Thank you for sharing your experiences.

    Oh, and I recently purchased the book you recommended to me, Karen. The Big Book of Weaving by Laila Lundell. My plan is to do as you recommended and follow through from the beginning.

    Looking forward to your future posts.

  • Shari says:

    You are truly amazing and so capable! How timely to talk about embracing your hurdles! Can’t imagine KI would have hurdles! You and your vest look lovely! There is a woman sheep farmer, weaver environmentalist in CA who has raised the sheep and wove the fiber into yardage and sold the yardage on a limited basis. I bought a small amount and have been thinking about what to make with it. It’s a beautiful white, unused fabric! Your experience and blog posting here will be immensely useful for my sewing project. Thanks!

    • Karen says:

      Hi Shari, Me and hurdles? oh yes, more than you’ll ever know!

      Your undyed wool yardage sounds lovely! I know you’ll make it into something memorable. I’d love to see pictures when you’re done.

      Thanks for all your kind words,
      Karen

  • Shari says:

    The above posting has a typo. The yardage is natural, undyed yardage. I think the weave structure is twill.

  • D'Anne says:

    Beautiful work, Karen! I wish you were here to model it for us at WOW. We miss you!

  • Mary Still says:

    Wow! Beautiful!

  • Allison Grove says:

    Gorgeous fabric! Thanks for sharing your process and how you worked through it.

  • Nancy Martin says:

    Dear Karen, what a find to have found you in cyber space! So enjoy your website and your talents and your sharing and blogs etc. Wow, your work is an inspiration and the vest is beautiful. What a wonderful experience it must be to have totally created this wearable garment from simple thread to weaving to designing and cutting and sewing. Amazing!! God bless you and so glad I “tuned” in. Best regards, Nancy

    • Karen says:

      Hi Nancy, You have touched my heart. You so perfectly captured my sentiments! – It is extremely satisfying to start with thread and design actual fabric, and end up with a wearable garment. It feels like a dream come true.

      God bless you,
      Karen

  • Kristin Girod says:

    Your vest is beautiful and looks so lovely on you! Thank you for your generosity in sharing your project experience with us. Your blog is a treasure!

  • Lovely work, it’s nice to see someone doing woven garments rather than tea towels or scarves; much as I love those things I started weaving in order to make my own fabric for sewing.

    • Karen says:

      Hi Rachelle, How fascinating that you started weaving so you could make garment fabric. It’s something I’ve been interested in for quite a while, too. It’s tricky to get all those skills to work together, but it’s fun to keep learning.

      Thanks for chiming in!
      Karen

  • Nannette says:

    Karen,
    You are such a detail person.
    BEAUTIFUL vest!!!!
    Perfect to go over a sequined gown or jeans.
    I hope you wear it often.

    Nanette

    • Karen says:

      Hi Nannette, You’re right, I do enjoy paying attention to detail.

      I don’t have a sequined gown, so mostly it will go with jeans or a simple skirt.

      Thank you so much!
      Karen

  • Ladella Williams says:

    Very interesting to see this view. I recognize many of the responders names. In awe as I only weave on an 8 shaft Bergman. I have woven on others drawlooms though! So am familiar with the process. At least four projects or more. I can enumerate many including one that is in one magazine.

    • Karen says:

      Hi Ladella, Thanks for sharing your thoughts. Drawlooms are very interesting looms to weave on. There are projects in some Väv Magazine issues that I would like to try.

      All the best,
      Karen

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