Handwoven Scarves Embellished with Flair

You could say I finished these scarves too late. Winter in Texas has come and gone. But I prefer to think of it as considerably early. When cool weather comes back around in a few months, I’ll be ready. I began with the draft for the lovely Stardust scarf, designed by Mona Nielsen, published in Happy Weaving, from VävMagasinet, p.74. I simply substituted the yarn and colors in the book with what I had on hand.

New warp on warping reel for winter scarves.
Warp is mostly 6/2 Tuna wool, with some 7.5/2 Brage wool included.
Stripes on the back beam. What a lovely sight!
Made with yarn on hand. This means that additional stripes have been added to the plan.
Weaving by the fire in the middle of winter.
Weaving by the fire in the middle of winter. Mora 20/2, a fine wool, is used for weft.
Two new wool scarves coming off the loom!
Two scarves coming off the loom.
Fringe twisting.
Fringes are cut and twisted.

The scarves are delightful, but the icing on the cake is the addition of fluffy, furry pompoms, an embellishment with youthful flair. And that is exactly what I will put on at the first sign of autumn chill.

Making pompoms to embellish the handwoven scarf.
Some of the thrums are used in making pompoms.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time.
With the Pom and Tassel Maker by Red Heart I can make seven pompoms at a time. I wrapped the yarn around 100 times, making full and thick pompoms.
Each furry ball is shaped and trimmed.
Each furry ball is shaped and trimmed. I used 8/2 cotton for the 12″ tie around the center of the pompoms.
Adding pompom embellishments to the scarf.
Each pompom is stitched to 3 – 4 twisted fringes. Seven pompoms at each end of the scarf.
Handwoven scarves with pompoms!
Now, the scarves are ready for wet finishing. Notice how you can see the separate strands of yarn in the pompoms before they are washed.
Handwoven scarves with pompoms, hanging to dry.
Scarves have been washed by hand in warm water in a large sink, with Eucalan delicate wash. I purposely gave them as much agitation as I could by hand. They are hanging to dry. Notice how the pompoms have slightly felted, making them even more soft and furry.
Winter scarf amid spring bluebonnets in Texas hill country.
Winter scarf amid spring bluebonnets in Texas hill country.

Some things are certain. The sun will rise tomorrow. The seasons will follow their schedule. The faithfulness of the Lord our God will never end.

May you dress in youthful flair.

Warmly,
Karen

20 Comments

  • Beth Mullins says:

    Very pretty! I love the pompoms!

    Take care!!

  • Charlotte says:

    So, so, so precious! And! Your scarf is pretty special, as well!!!

  • Marianne says:

    It’s gorgeous! What a clever way to add Pom poms!

    • Karen says:

      Hi Marianne, Thank you so much! The idea for the pompoms came from the book Happy Weaving. That’s what drew me to this scarf pattern.

      All the best,
      Karen

  • Annie Lancaster says:

    Hi, Karen!

    I love the colors and pattern of this scarf. And the pom poms are the perfect touch. Thank you telling us how they were made and attached. I always learn from you.

    Please stay safe and healthy.

    Annie

  • Janet says:

    Love the addition of Pom Poms. I haven’t used tuna wool before but recently purchased many skeins for a throw. I know you’ve used quite often, what do you find the best sett for a lovely drape for a twill structure?

    • Karen says:

      Hi Janet, My favorite twill blanket from Tuna wool is the one I made at Vävstuga. You can see the info for the project here: Swedish Wool Blanket.
      Tuna wool is an excellent choice for a throw. I think you will enjoy weaving with it, too!

      Happy weaving,
      Karen

  • Elisabeth says:

    What a beautiful and “happy” scarf I have never seen this pom pom maker before, a neat tool, thank you for showing us!
    Elisabeth

    • Karen says:

      Hi Elisabeth, I happened upon the pompom maker while browsing at Hobby Lobby. I knew I wanted this embellishment for my scarves, so I was happy to find a helpful tool. It beats cutting out cardboard circles to wrap with yarn–one fluff ball at a time. It wouldn’t be hard to make a similar tool at home.

      I, too, think of this as a “happy” scarf.

      Thank you,
      Karen

  • Betsy says:

    Such a fun scarf!

  • Nannette says:

    Hi Karen,
    What a pretty scarf. With the early Spring in Wisconsin, it is too warm to wear it here until November. More time for anticipation.

    My looms were taken to the retirement home Friday. The chipper was brought back so my sister can dispatch the 5 mature trees she dropped.

    Now I am going through my sewing room. Oh My, Why did I buy some of the things I am finding? Three piles. Donate, Sell, Take with me. Too many decisions. Where did I get all those cards of snaps from 1960?

    Are any of your readers in health care? I am wondering if the cloth face masks being shown as projects are something that can be used in the medical system, or are they just fashion statements? When the other grandchildren were born I would take a home made treat to leave with the nurses. This year I could leave some cheerful cloth masks…

    This latest grandson can come at any time.

    Blessings to all.

    • Karen says:

      Hi Nannette, Congratulations on your coming grandson. Life is full of twists and turns. I’m glad you have a place for looms in your new home. That gives you something to look forward to.

      Blessings to you,
      Karen

  • Betty Morrissey says:

    Beautiful! May I ask, when weaving with a stretchy wool warp, do you tension it tightly so the stretch is maxed out?
    The pom poms are a great use of ends. Thank you for your kindness, always.

    Betty

    • Karen says:

      Hi Betty, Great question! No, I don’t tension tightly to max out the stretch of the wool. I don’t want to over-stretch the wool. You have to find a happy medium so that it is tight enough that the shuttle doesn’t fall through, but not so tight that it will stretch the fibers out too far.

      I’m always happy when I can find a good use for some of the thrums. Who knows, maybe I’ll start putting pompoms on everything. 🙂

      Happy weaving,
      Karen

  • Jan says:

    These are gorgeous. I am so inspired by your weaving and sharing.
    Thank you

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Process Review: From Drawloom to Garment

I warped the drawloom with gray 6/2 Tuna wool several months ago with the goal to make fabric for a reversible vest. The beautiful drawloom fabric turned into dreamy garment-worthy fabric after washing! (See Process Review: Drawloom Jewels)

Weaving garment fabric on the drawloom.

And then I hit two huge hurdles.

Hurdle 1. Fit.

In order to cut into handwoven drawloom fabric, I need assurance that the end result will fit me. My sewing assistant helped me refine a commercial pattern.

My sewing assistant, Miss Fit.
Meet my sewing assistant, Miss Fit.

After umpteen muslins and two or three mock-ups, I finally got the fit I was after. Confidence to cut!

Hurdle 2. Garment Construction Uncertainties.

Do some detail studies, my dear friend Elisabeth said to me. Her advice got me over the insecurity hurdle. A detail study is making a small sample to test a hypothesis or answer a question. I made a list of everything I wanted to know about constructing a vest from this type of handwoven wool fabric. And then, using some of the extra fabric from the sampling at the beginning of the warp, I did a detail study for each point on the list. Twelve detail studies in all.

(If you are interested in seeing my complete list of 12 detail studies for this project, click HERE to send me an email and ask for my “Detail studies”.)

Here are a few examples of my findings:

  1. Zigzag before or after cutting? // Zigzag before cutting, stitch width 3, stitch length 2 1/2
  2. Lapped seams? 3/8”, 1/2”, 5/8”? // Yes, lapped seams, overlap 1/2”, stitch basted line to guide placement
  3. Neck and armhole curves – staystitch with hand running stitches or machine stitching? 1 row or 2? // Hand running stitches, 2 rows
Detail studies for handwoven garment construction.
Detail study testing lapped seams.

From the results of the detail studies I was able to compile a step-by-step garment construction plan. Confidence to sew!

Follow my process pictures of the garment construction to see the results:

Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Tracing paper is used for the pattern, which allows me to clearly see the placement of the pattern on the fabric.
How to stitch basted cutting lines.
Making an X with the basting thread at the corners. This helps clarify exactly where to stitch and cut. (One of Elisabeth’s helpful tips.)
Preparing handwoven cloth for garment sewing.
Buttonhole twist thread is used for the basted lines. It makes an easy guide for the sewing machine needle to follow. The zigzag stitches are just inside the line.
Sewing a handwoven garment.
Basting stitch on the front side piece is a guide for positioning the lapped seam.
Sewing a vest from handwoven drawloom fabric.
Handwoven vest. Ready for handwork details.
Ready for hand work.
Hand-stitching work by the fireplace.
Two rows of running stitches around the armholes and neck opening.
Blanket stitch on handwoven garment.
Blanket stitch is used to embellish and strengthen the armholes, neck, front edges, and lower edge of the vest.
Blanket Stitch
Completed vest from drawloom fabric.
Completed vest from drawloom fabric.
Reversible handwoven vest.
Reverse side.
Handwoven reversible vest. Drawloom Woven.

May you find ways to leap over your hurdles.

Love,
Karen

35 Comments

  • Geri Rickard says:

    Oh My! It turned out so well, though there was never any doubt in my mind! You must be so proud! I love how it looks on you. You are so inspiring!

  • Tena says:

    This is so stunning! As a beginner weaver, I hope to aspire to constructing woven garments someday!

    • Karen says:

      Hi Tena, Constructing woven garments is something I have wanted to do for a long time. I’m glad to see you’re on the same quest!

      Happy weaving,
      Karen

  • Marianne says:

    I’ve been peeking at your website for years and have always found it so inspiring! Your creativity seems to be boundless! Your vest turned out beautifully! Thanks for so generously sharing your process in making your projects. I have found so many tips and helpful instruction from you about weaving and also life!

    • Karen says:

      Marianne, Thank you for your heart-warming comment. It is my delight that someone like you comes along on this journey with me!

      Thank you, thank you,
      Karen

  • Bev Romans says:

    An absolutely beautiful result, Karen! And you have taken such care in each step along the way.

    Blessings to you!

    • Karen says:

      Hi Bev! It’s taking time to mind the details that brings about good results, as you know very well in your beautiful quilting projects.

      Blessings to you, too!
      Karen

  • Betsy says:

    It’s gorgeous, Karen! I am in awe of your patience, as well as your weaving and sewing skills.

    • Karen says:

      Hi Betsy, It’s this gorgeous loom of yours that made it possible. I have the pleasure of sitting at the drawloom and making things from it. Yes, it did take an extra degree of patience to push this project to completion.

      Thank you, friend,
      Karen

  • Joanne Hall says:

    I really need to get my Tuna yarn drawloom fabric made into a vest. Thanks for showing us yours. I started to think that I needed to make it a pullover to avoid all the hand stitching in the front. Hmmm. I am still thinking.
    Joanne

    • Karen says:

      Hi Joanne, I’m eager to see what you do with your beautiful Tuna yarn drawloom fabric! The hand stitching was very pleasant to do. I enjoyed it. I’d sure like to see a picture of your vest when you complete it.

      Happy thinking,
      Karen

  • LJ Arndt says:

    Awesome. Love the pattern and colors.
    Question. Was the back done in 1 piece or 2, if 2 could it have been one piece or to fit properly did it have to have a center seam?

    • Karen says:

      Hi LJ, Thank you!

      Great question. I intended the back to be one piece, and the sides to each be a single piece. But I was able to get a better fit by putting in a back seam, and making a seam down the sides. This was part of my fit dilemma. I wove the fabric with those single pieces in mind, but the outcome of the mock-ups was just too boxy for my petite frame. Someone with more fitting experience may be able to make the single back piece work.

      Thanks for asking,
      Karen

  • Annie says:

    I can’t decide which side I like best! Both look great on you, Karen.

    I am going to download your steps because I hope to get the courage to try sewing with my handwoven fabric someday soon. As I am just a beginning level sewer, I was surprised at all the consideration needed; such as the width of seams, length of stitches, etc.. Thank you for sharing your experiences.

    Oh, and I recently purchased the book you recommended to me, Karen. The Big Book of Weaving by Laila Lundell. My plan is to do as you recommended and follow through from the beginning.

    Looking forward to your future posts.

  • Shari says:

    You are truly amazing and so capable! How timely to talk about embracing your hurdles! Can’t imagine KI would have hurdles! You and your vest look lovely! There is a woman sheep farmer, weaver environmentalist in CA who has raised the sheep and wove the fiber into yardage and sold the yardage on a limited basis. I bought a small amount and have been thinking about what to make with it. It’s a beautiful white, unused fabric! Your experience and blog posting here will be immensely useful for my sewing project. Thanks!

    • Karen says:

      Hi Shari, Me and hurdles? oh yes, more than you’ll ever know!

      Your undyed wool yardage sounds lovely! I know you’ll make it into something memorable. I’d love to see pictures when you’re done.

      Thanks for all your kind words,
      Karen

  • Shari says:

    The above posting has a typo. The yardage is natural, undyed yardage. I think the weave structure is twill.

  • D'Anne says:

    Beautiful work, Karen! I wish you were here to model it for us at WOW. We miss you!

  • Mary Still says:

    Wow! Beautiful!

  • Allison Grove says:

    Gorgeous fabric! Thanks for sharing your process and how you worked through it.

  • Nancy Martin says:

    Dear Karen, what a find to have found you in cyber space! So enjoy your website and your talents and your sharing and blogs etc. Wow, your work is an inspiration and the vest is beautiful. What a wonderful experience it must be to have totally created this wearable garment from simple thread to weaving to designing and cutting and sewing. Amazing!! God bless you and so glad I “tuned” in. Best regards, Nancy

    • Karen says:

      Hi Nancy, You have touched my heart. You so perfectly captured my sentiments! – It is extremely satisfying to start with thread and design actual fabric, and end up with a wearable garment. It feels like a dream come true.

      God bless you,
      Karen

  • Kristin Girod says:

    Your vest is beautiful and looks so lovely on you! Thank you for your generosity in sharing your project experience with us. Your blog is a treasure!

  • Lovely work, it’s nice to see someone doing woven garments rather than tea towels or scarves; much as I love those things I started weaving in order to make my own fabric for sewing.

    • Karen says:

      Hi Rachelle, How fascinating that you started weaving so you could make garment fabric. It’s something I’ve been interested in for quite a while, too. It’s tricky to get all those skills to work together, but it’s fun to keep learning.

      Thanks for chiming in!
      Karen

  • Nannette says:

    Karen,
    You are such a detail person.
    BEAUTIFUL vest!!!!
    Perfect to go over a sequined gown or jeans.
    I hope you wear it often.

    Nanette

    • Karen says:

      Hi Nannette, You’re right, I do enjoy paying attention to detail.

      I don’t have a sequined gown, so mostly it will go with jeans or a simple skirt.

      Thank you so much!
      Karen

  • Ladella Williams says:

    Very interesting to see this view. I recognize many of the responders names. In awe as I only weave on an 8 shaft Bergman. I have woven on others drawlooms though! So am familiar with the process. At least four projects or more. I can enumerate many including one that is in one magazine.

    • Karen says:

      Hi Ladella, Thanks for sharing your thoughts. Drawlooms are very interesting looms to weave on. There are projects in some Väv Magazine issues that I would like to try.

      All the best,
      Karen

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Process Review: Leftover Linen Waffle Weave Washcloths

This is the kind of weaving results that makes me giggle like a child. Waffle weave is one of those things I have been intrigued about for some time, and have wanted to give it a try. Will it really buckle up into waffled wrinkles? Will linen do that? Will it be even better than I expect? Yes, yes, and YES. Talk about transformation!

Using linen thrums for weft.
Taken from thrums, each length of thread is added with a square knot, which makes for slow quill winding. And slow weaving, as I untie each knot that comes along, and overlap weft tails in the shed.
Made with linen leftovers. Weft tails cover the surface.
Shaggy thick blue linen weft tails cover the surface.

Everything in these waffle weave washcloths is linen that has been leftover from previous projects. The tail end of linen tubes, quills that didn’t quite get used up, thrums, and threading missteps that gave me skinny warp chains of several meters. The warp is 16/2 linen, but the weft is everything from fine linen threads, to bundles of threads, to coarse linen rug warp. I discovered, as you will see, that the thicker the weft, the more pronounced the wrinkles. The thickest wefts have given me delightful accordion pleats.

Waffle weave washcloths made entirely of leftover linen.
Wet-finished linen waffle weave has a surprisingly soft hand. After hemming, I am trimming the weft tails to 1/4″, leaving a hint that this is made of leftovers.

Please enjoy this process video of the making of leftover linen waffle weave washcloths! Watch to the end to see the squishiness of this unusual cloth.

Don’t think that this is the end of waffle weave. I am already thinking of all the interesting possibilities…

May your best wrinkles make you giggle.

Happy Happy Weaving,
Karen

18 Comments

  • Geri Rickard says:

    I have been waiting to see the final results and they are super! What a cool idea!
    Enjoy using them, I’m sure they will feel wonderful!

  • Elisabeth says:

    I love that you made these beautiful washcloths out of “useless” material! I consider leftovers a precious resource, and I find so much joy in finding a purpose for them whether it’s yarn, thread, fabric, or food 🙂

    • Karen says:

      Hi Elisabeth, It’s satisfying to put some scraps back to use. I’ll save all my linen thrums again, and in a few years I’ll have enough to use them up again.

      Happy weaving,
      Karen

  • Betsy says:

    Those are great! I’ll bet they’ll feel great on your skin as well.

    I made waffle weave towels several years ago and loved how they came out. Unfortunately I gave them all away, so if I want some for myself, I’ll have to weave more. Maybe washcloths would be better. Or both!

    • Karen says:

      Hi Betsy, I made enough that I can keep a couple of them and use the rest as gifts. I would enjoy having this linen waffle weave as towels, or even bath towels.

      Thanks,
      Karen

  • Joanne Hall says:

    I too have saved my 16/2 linen thrums from my tapestry warps. This would be a fun project for making a couple bath towels. Thanks for the film.

    • Karen says:

      Hi Joanne, I can’t get myself to throw linen thrums away, so I was glad to have a way to use them up. Bath towels would be wonderful! I’m glad you enjoyed the film.

      Happy weaving,
      Karen

  • Laurie says:

    Very creative! I like the end result. Did you weave the hems in plainweave, and then fold over, or just fold over the waffle ends? I also like that you left ends as a reminder…..

    • Karen says:

      Hi Laurie, I did weave the hens in plain weave and folded them under twice. It turned out to be a very narrow hem. The little weft tails add an interesting touch, and makes the washcloths look a little…rustic. 🙂

      Thanks,
      Karen

  • Linda Cornell says:

    I’ve used waffle weave for baby blankets out of cotton and it makes a cozy blanket!

  • An interesting use of thrums.

    I’m wondering why you didn’t use a simple slip knot to join the pieces? It would make it much faster than untying square knots. I use them all the time if I have a break in my thread when winding bobbins.

    • Karen says:

      Hi Jenny, A slip would work great for this. I like the square knot because I can tie it with less thread, and it makes a small knot. Also, surprisingly, it’s one of the easiest knots to untie.

      I just pull one end straight, and the other end slips off. That’s not the best description, but it’s a snap to undo a square knot…most of the time.

      Happy weaving,
      Karen

  • Nannette says:

    Hi Karen,
    It was fun to watch the video. I wonder if a one of a kind scarf could be made with the hodge podge of thrums? Or, a gypsy skirt ala Stevie Nicks? LOL.
    Thank you.

    • Karen says:

      Hi Nannette, A hodge podge of thrums would make a terrific scarf. I’d like a linen waffle weave scarf, in fact. Maybe next time.

      All the best,
      Karen

  • Emily Lefler says:

    Wow! These turned out so fun! And I love the ki mark on the shuttle!!
    Love, Emily

    • Karen says:

      Hi Emily, Thanks for dropping by! I am thrilled with the way these turned out.
      Steve woodburns my initials on my shuttles and tools for me.

      All the best,
      Karen

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Process Review: Drawloom Jewels

It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

Drawloom with 16 pattern shafts.
Drawloom, set up with sixteen pattern shafts. I graph out the designs in Excel on my computer. Then, I print out the gridded pattern to use at the loom. I keep my place in the pattern with a magnet and magnet board made for cross-stitch embroidery.

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.

Here are my findings:
Sample 1. Hand wash and air dry.

10% shrinkage in width; 13% shrinkage in length.

Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.

13% shrinkage in width; 14% shrinkage in length.

~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.

The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!

Wool garment fabric from a drawloom.
Like a sweater, this soft fabric will be comfortable to wear.
Making a pattern for handwoven garment fabric.
Muslin pattern for a simple vest. First, I’ll make a vest out of a wool throw, woven on my rigid heddle loom ages ago. Then, I will cut into the new drawloom fabric, with confidence about the fit.

Enjoy this photo show of the drawloom process.

May you enjoy the process you’re in.

Happy Weaving,
Karen

6 Comments

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Weaving through The Big Book

It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaft double-weave blanket I had on the loom in June? That is the final project in the book.

Handwoven double weave blanket. 12 shafts.
Double-weave wool fabric is ready for wet finishing, where it will be transformed into a soft, cozy blanket.

In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.

For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.

I. Secrets to success:

  • mindset of a student
  • determination
  • eyes on the goal
  • no option other than completion

One loom dedicated to the book.


II. Lessons learned:

  • technique
  • processes
  • planning
  • drafting
  • Swedish practices

Any mistake can be remedied.


III. Treasures gained:

  • patience
  • humility
  • endurance
  • focused attention
  • problem solving
  • creative freedom

Confidence.


IV. Prized perspectives:

  • new experiences
  • delight of dressing the loom
  • wonder of cloth-making
  • fresh ideas
  • joy of discovery
  • knowledge and understanding of the loom

Getting lost and absorbed in the whole process of weaving.

V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)

Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.

May you be a lifelong learner.

Happy Weaving to you,
Karen

39 Comments

  • Susie Redman says:

    Well done. It’s such a great book. I’m picking and choosing from the book – its a great way to learn.

  • Beth Mullins says:

    Your work is so inspiring, Karen. I recall many of these projects, here and in Handwoven. Do you have a personal favorite? One that you’ll perhaps explore even further? Kudos!

    • Karen says:

      Hi Beth, Thank you so much! My personal favorite is the monksbelt piece—the large multicolor runner on the dining room table. And yes, I have monksbelt ideas that I would like to explore. Another one I’d like to play around with and learn more about is the turned rosepath—the long narrow red band. There are so many possibilities!

      Thanks for asking,
      Karen

  • Geri Rickard says:

    What a splendid presentation, Karen! You have accomplished so much, and each one is beautiful! Thanks for sharing, it was fun!

    • Karen says:

      Hi Geri, I’m glad you enjoyed the presentation. It was a lot of fun for me to put together, going back in time remembering all the projects.

      Thank you!
      Karen

  • Betsy says:

    Such a feast for the eyes!

  • Cindy Bills says:

    Wow and Wow! Such an accomplishment! And your lovely home showcases all those projects beautifully. Thanks for making this video and thanks for your encouragement. I’m currently doing the Jane Stafford online guild lessons with a new video lesson and project every five weeks. Sometimes it feels a bit overwhelming but I’m determined to try each one. I’ve already learned so much!
    Thanks again for your encouragement and dedication, both to your weaving and for sharing your weaving and faith with others. It DOES make a big difference to many.

    • Karen says:

      Hi Cindy, I know how you feel. Many times I was overwhelmed and even discouraged about completing this mammoth dream. Keep pressing on with your lessons, it WILL be worth it–I promise! And between the hard parts, I really had a lot of fun! So enjoy it, too.

      I really appreciate your encouragement to me. It means more than you know.

      Happy Weaving,
      Karen

  • Annie says:

    Hi, Karen! I remember that you recommended this book to me last July was exploring what loom to purchase for my first multi shaft loom. I ended up purchasing a small table loom, a Louet Erica Loom so decided not to purchase the book since I would not have the capacity to work many of the projects.

    However, I recently purchased a larger loom and now, I believe that I will purchase this book. Thank you for sharing this and tweaking my memory of your recommendation.

    Everything you make is so beautiful! You are a wonderful inspiration to a beginning weaver.

    • Karen says:

      Hi Annie, The Big Book of Weaving has been my tutor. I started with it as a complete beginner. It was written as a curriculum, so it has everything I needed to gain skill and confidence. I hope you find it a great resource for learning.

      Happy weaving,
      Karen

  • Karen Simpson says:

    That video is amazing. As I hadn’t found you then, I didn’t know that you were following this book and studying your way through it. What a lovely compilation of work and color. Thank you

    • Karen says:

      Hi Karen, Only a handful of people knew I was working my way through the book. I have mentioned The Big Book of Weaving here many times, but this is my first time to mention here on the blog that I was going through the book, step by step. I didn’t want too many people to “guess” what project I would do next… 🙂

      Thank you!
      Karen

  • D’Anne says:

    Congratulations, Karen! I remember when you started working through The Big Book of Weaving, but I didn’t remember it had been 7 years. What a great learning experience! Did you use all the same yarns as the projects called for?

    • Karen says:

      Hi D’Anne, It’s hard to believe it’s been 7 years, isn’t it? For most of the projects I used the yarns that were called for, but in colors of my choosing. I did change a few, though. For instance, two projects call for paper yarn. I didn’t know a good resource for that, so I substituted 8/2 cotton for one, and 16/1 linen for the other. So, for those I have beautiful scarves instead of room screens, which suits me better anyway.

      Happy weaving,
      Karen

  • Joanna says:

    Karen, I’m speechless. There are no words for my admiration of not only your artistic vision, but also the incredible amount of work clearly visible in the lovely video. Thank you for all the encouragement and advice you’ve given us you worked through the Big Book. MORE happy weaving to you. Joanna

    (My v. Favorite piece of your is also that fantastic monks belt. I think you captured all the lovely colors of the Texas Hill Country. It couldn’t be more perfect.)

    • Karen says:

      Hi Joanna, I’m fortunate to have a place where I can talk about things that I learn! Thanks for joining in!
      Every time I look at that monks belt piece, I get warm and fuzzy feelings. It’s so cheerful! I’m happy you like it, too!

      All the best,
      Karen

  • kerimae says:

    You inspire me! As you know! 🙂

  • Carolyn Penny says:

    Truly inspirational. Thank you for your diligence and following the goal.
    What a lesson in perseverance. Warm glow…… -Carolyn Penny

  • Vida Clyne says:

    Congratulations on completing such an amazing and inspirational project. I love all the patterns and the lovely colours. I have not got the book but your lovely video makes me think I will buy it. Thanks for sharing.

    • Karen says:

      Hi Vida, I am very happy to hear your thoughts about my adventure! This is one weaving book I wouldn’t do without. 🙂

      Thank you very much!
      Karen

  • Gail Goodrick says:

    What an inspiration this is! Your work is wonderful. I love your color choices. Love, love love…

  • Sue Blanding-Wilson says:

    So inspiring! I will look at my book with new eyes!

  • Maria Hanson says:

    Wow! I so enjoy following your work, but seeing everything in one video is just amazing! Congratulations on such a major accomplishment!

  • Penelope kept the suitors at bay for 10 years weaving one tapestry. What a remarkable legacy of a textile artist in 7 years!
    AND.. the hand wovens are not kept in a chest to pull out and admire. Basis the hems on the towels, they are being used. Beautiful!!
    Thank you for sharing. PS welcome back from your sabbatical.
    Nannette

    • Karen says:

      Hi Nannette, Thank you for noticing. Yes, the articles were made to be used, and they are used and enjoyed.

      It’s good to be back.
      Karen

      • Anonymous says:

        One of the sweetest moments was when I saw one of my patched blankets worn to the point of being hand mended. Textiles will age one way or another. It fills my heart knowing the ones that pass through my hands are used daily.

        • Karen says:

          That is sweet to think of your handiwork being used to the point of needing hand mending. I agree that the best handwoven items are the ones being used.

          Karen

  • Cindy Buvala says:

    Wow! I am very impressed! A 10 minute video doesn’t do justice to the hours and hours of weaving work that precedes it. You are an inspiration! Thank you for sharing your talent.

  • Karen Reff says:

    I haven’t looked at that book in so long. I’m definitely going back for another look! I hope you realize what an amazing thing you’ve done!

    • Karen says:

      Hi Karen, I frequently go to the book for reference. It answers so many questions for me.

      I just took one step, and then the next step, and so on. I’m not sure I would have started had I known how long it would take me. But I’m very happy to have taken that first step…and so on.

      Thanks for your sweet encouragement,
      Karen

  • […] in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of […]

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