Transition. Changes. Adventure into the unknown. That describes 2018 for Steve and me. When I review my weaving history for the year, everything on the loom is attached to a memory. Like an old song that awakens our thoughts to past experiences, the Lizardtapestry certainly sparks in me revived memories of our transition season and the moving of looms. See Quiet Friday: Tapestry in Transition.
I began 2018 with a plan to weave coordinated fabrics for our Texas hill country home—towels, upholstery for bar stools, and placemats, explained in this post: Harmonized Weaving for the New Year.Accomplished! I also committed to weaving a gift for each of my three daughters (daughter and two son’s wives), as described in this post: Weaving a Gift. Accomplished two out of three! The final gift is nearing halfway on the loom right now.
2019 is a continuation of transition, changes, and adventure, as we tiptoe into this retirement chapter. A drawloom is in the forecast, as well as some travel tapestry weaving, and more rag rugs, towels, scarves, and throws. And anything else we can think up. It’s going to be a good year! Thank you for coming along. I’m grateful to have you as a friend.
This year is different. I’m going to get organized, keep every loom dressed, and bake fruit pies for my husband! Alas, good intentions are not a reliable measure of what my progress will be. I always want to do more than what I manage to get done.
I washed, pressed, hemmed, and pressed again the twelve placemats. Finishing is finished. It’s a nice way to end one year and start the next. Measurable progress.
Thankfully, our value isn’t wrapped up in what we accomplish. Or what we don’t. We need the Lord’s grace. It’s strength that’s beyond our own strength. Grow in grace. Grow in strength. That’s my prayer this year for you and for me.
When I decided to use up some of the quills that have collected, I stumbled on one of my favorite techniques—color gradation. The weft colors change gradually instead of making distinct weft stripes. Remember the placemats on the little countermarch loom? I am weaving the last few.
The quills on a double-bobbin shuttle don’t always empty at exactly the same time. The quill that has thread remaining on it goes in a box for later use. Those quills in the box are what I’m using here. For this placemat I’m letting gradient color changes happen in varying increments, according to the amount of thread left on the quill. I have five shades of 8/2 cotton, ranging from coral pink to pumpkin.
This is the perfect setup for some subtle color gradation: Five closely-related hues, a double-bobbin shuttle, and a supply of leftover quills. For best effect, I arrange the colors in order, from light to dark, or dark to light.
Weave a section with two quills of color A (the lightest color)
Weave the next section with one quill of color A and one quill of color B (one shade darker than color A)
Weave the next section with two quills of color B
Weave the next section with one quill of color B and one quill of color C (one shade darker than color B)
And so on…
What could be simpler?
May you make something beautiful with the little bits that you have.
We finished another placemat over the weekend. We, meaning a few guest weavers – and me. I had a small tribe of eager weavers, aged eleven to seventeen. I didn’t give beginner work to these beginners. We did what was required for this color-and-weave project on the loom—double-bobbin shuttles, two (and sometimes three) shuttles at a time, two-pick stripes, advancing the warp, placing the temple, and more. Another placemat completed, with only one broken warpend along the way. I call that a win!
Isn’t it delightful to share what you enjoy, and then see the spark of delight and accomplishment on a young person’s face? This is another good reason to make and keep family friends.
I considered making a matching set, but at the loom I get an inclination to explore. Hence, no two placemats are alike. A change in the weft changes everything. New colors emerge! Slate and apple green on a coral warp become periwinkle and avocado. If you look closely, though, you can still see the underlying coral and camel stripes of the warp.
Three double-bobbin shuttles—this is not the easiest way to weave. I am carrying the colors up the selvedge, so it gets tricky when all three shuttles end up on the same side. Nevertheless, this is the joy of weaving a challenge. How and where to set the shuttles down, and which hand picks them up—ever aiming for efficiency. Newly-formed colors and technical pursuits—this is a handweaver’s thrill of discovery!
Imagine the thrill of discovery that awaits us in heaven! Love permeates heaven. Like a narrow-striped warp, love is written into the fabric. The environment there is love, where pride and selfishness don’t exist. Blending of colorful personalities will be such as we’ve never seen. All to the glory of our Grand Weaver. And how marvelous that through Christ we’ve been given everything needed to practice that kind of love here and now. Double bobbin shuttles, and all.