When I pick up a color of thread I don’t want to have to guess if it’s the right color. Four of the five blues in the weft sequence are close neighbors in value. The one color that is easy to identify is the navy blue, which provides a good contrast among the blues.
The weft order matches the warp order, and is marked out on a ribbon. I am using a separate boat shuttle for each shade of blue. But how do I know which color is which, when the difference is subtle from one color to the next?
Simplify Subtle Color Changes
Give each color a number. Write the numbers next to the colors of the warp order on the Project Notes.
Label the thread tubes with a small piece of blue painter’s tape. Each tube of thread is numbered to correspond with the numbers on the Project Notes.
Label each boat shuttle with its assigned color number, using a small piece of blue painter’s tape.
Place wound quills under the rubber band of their respective thread tubes.
It is easy to keep track of these five numbers as I follow the weft sequence that is marked on my reference ribbon. Now, it’s shuttle #4’s turn…
The blue threads for this project are delightful! Four shades of blue, from pale blue to sapphire, play across the warp, accented with navy blue stripes. Lucious 8/2 cotton is threaded in eight-shafttwill. The hand of the fabric will be well suited for the chair arm- and headrest- covers I have planned. This blue color sequence is the winning combination from the thread wrappings I showed you in October. (See Warp Sequence Planning.)
My warp planning had a calculation error. I went on my merry way, winding the warp, beaming the warp, and threading the heddles. Until, …Surprise! I have three extraends left after all the heddles are threaded. Fortunately, there is grace at the loom. I pull the navy blue border threads and three light blue threads out of their heddles and re-thread the navy blue border stripe. The three light blue ends will hang off the back, unused. All is well.
Grace is like that. We mess up, find and admit our wrong, and the Lord Jesus forgives, granting us a new start. When we are wrong we need grace. What about when others are wrong? When the errors of others affect us, what shall we do? Forgiveness is our only option. There is no good reason to hold those error threads and weave them into our fabric.
My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaftJämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)
This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.
This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)
This is a huge project. Four shades of blue from dark to light span the nearly one-and-a-half-meter-long rug. I have reached the final color-transition section. I am eagerly awaiting the day this rug will be rolled out!
My measuring ribbon shows me where to make the color changes. I alternate two weft colors (C and D) through the transition area to blend the hues. All the while, I stop after every half-unit of four picks to manage the draw cords. A graphed chart tells me exactly which of the 164 draw cords to pull or release. In this way the graphic designs are woven into the rug, row by row. I weave in quiet, allowing me to put full attention on each move.
We need hope in these unsettling times. Jesus invites us to admit our fears and failures, and put our trust in him, and follow him. And this is the message Jesus gives his followers: I am always with you. The Lord gives strength and courage. As our Grand Weaver, he has his full attention on us. So be strong and take courage.
Wool butterflies are my crayons. I use them to color the spaces of my color-by-number cartoon that’s under the warp. I am using Borgs 6/2 Tuna wool and Borgs 6/1 Fårö wool in this tapestry, combining strands of various colors to get just the right hue, value, and intensity. Getting that right is the hard part. Winding butterflies is the easy part. Especially if you learned it from Joanne Hall, as I did.
It is essential to know how to make a good butterfly when you want to weave a tapestry on a big floor loom like this. A good butterfly is compact enough to easily pass through warp ends. And secure enough to stay intact through all those passes. It also needs to have a tail that is simple to extend. A good butterfly never ends up in a knot or a jumble of threads, but instead, gives your hands pure delight as it flows through your fingers to color your tapestry.
This video shows how I make my tapestry butterflies.