Spaced rep rag rugs have a graphic vibrancy that grabs my attention. Like regular rep weave, spaced rep is warp dominant. Unlike regular rep weave, the warp in spaced rep doesn’t completely cover the weft. That’s where rag weaving comes in, because the fabric-strip weft shows between the warps. The rag weft provides just enough color variation to satisfy a rag rug weaver like me.
The pattern for this rug comes from Älskade Trasmattor, by Hallgren and Hallén, p. 87. The threading has dark and light ends that alternate, with four distinct blocks (five, if you count the plain weave block). And thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp), with four different treadling sequences. All of these factors work together to make the geometric pattern in the rug. It sounds complicated. Truly, though, it is merely a collection of simple systems that all work together. And the possibilities are endless.
You are intricately and wonderfully made. To people who know you, no doubt, you look complicated. Your maker, however, knows your simple systems that all work together. The Lord knows you by name. His plan for you follows a masterful design. In the grand weaver’s hands, the possibilities are endless!
May the pattern of your life set you apart.
Happy Weaving, and welcome back to my studio, Karen
I am constantly improving my methods of operating the drawloom. I pull and release draw handles and draw cords, check for errors, and throw the shuttle for each unit of threads (six times per unit with the current setup). Everything is in order. And, while I’m actively absorbed with this mental and physical choreography, I experience freedom from every other care.
These snowflake patterns are delightful to weave. There is enough consistency with the border pattern shafts to make it simple. And there is enough (planned) random snowflakes using single units and pattern shafts to keep it engaging. All I have to do is follow the graphed chart. As I weave, the snowflakes emerge, as if by magic. But it’s not really magic, is it?
If you believe in Jesus you must walk with him. And as you do, you come to know the truth. Truth is found by walking in it. The pattern on the chart is true, and gives direction. The delight comes as we see the real-time results emerge in our own hearts. That’s freedom in its purest form.
I can make an ordinary rug. But it’s more exciting to weave something extraordinary. That’s what I like about making rag rugs. I can infuse them with beautiful patterns and colors. Double binding, in particular, gives me a useful framework for my “floor art.”
The thing I like about double binding is the way two consecutive wefts overlap and interchange in the shed. As the blocks change, the weft on top and the weft underneath change places. Most double-binding rugs, including the ones I have made previously, are simple checkerboard designs. The threading pattern you see here has significantly more block changes than usual. What began as a “what if?” has opened up a new dimension of rag-rug weaving for me! This opens the door to extraordinary.
God made you for purpose. It’s no accident that you are endowed with certain skills. When our skills and desires merge in meaningful ways, we enjoy a sense of purpose. Whether it’s weaving, singing, or growing seeds, do what you were made to do. And let all you do point to the glory of your Maker. When he made you, he had extraordinary in mind!
May you live out the purpose for which you were made.
Remember the rigid heddles for band weaving that Steve made for me? (See Process Review: Heddles and Bands) Soft maple, Spanish cedar, and walnut. Steve says they are missing the “cuteness factor.” So, what does he do? He makes a cowgirl heddle out of cherry that is cute as can be!
Well, Miss Cherry Cutie wants to flip over while weaving. A little quilter’s clip on the bottom adds just enough weight. Problem solved. Now Steve wants to make one that has more weight on the bottom half.
Here comes Miss Cutey II in Spanish cedar, with a longer skirt. She doesn’t tip all the way, but she does lean this way and that. The clip helps her, too. Conclusion? The shorter version, with the clip, is more compact and is our favorite design.
Look who shows up! Miss Cutie III in Spanish cedar. It’s time for a band weaving party, y’all!
Persistence comes from having an end in mind. Prayer is like that. We know our heavenly Father hears us when we pray. We know his outcome is good. Faith compels us to persist in prayer. As we do, the Lord guides our heart to align with his will. All the while, he works behind the scenes to bring his answer, which is better than anything.
Talk about exciting! When something has been on the loom this long it is indeed exciting when the back tie-on bar comes over the back beam. I finish weaving the final “bonus” towel. And then, I use up all the quills to make a little piece of scrap fabric (because scrap fabric is always better than leftover quills). And then! Then, I start my cutting-off checklist.
After all this time, the moment we’ve been waiting for is here!
I cut off the warp. And as I unroll the cloth, I am mesmerized by the tactile intricacy that passes through my fingers–Fårö wool for the pattern weft, and 16/2 cotton for slow-as-molasses weft repground cloth. Finishing proves to be the easiest and quickest part of this project. I like the crisp pristine state of the monksbelt runner, so I am not going to wet finish this article. I examine for errors (none found!), wet finish the two towels, hem the table runner and towels, and press. The Priceless Monksbelt Runner now graces our dining room table.
The exceptional value of handwoven textiles makes your home a welcoming place. Time is one of our most valuable assets. That makes the textiles we create priceless!
Please enjoy this video review of weaving the Priceless Monksbelt Runner.
May the works of your hands bring exceptional value to your home.