I am ending this warp with spectacular stars. Or are they snowflakes? I got a new book of patterns just in time. My friend Cathleen shared her innovative source with me—Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition, by Anne Bårdsgård. This book is filled with beautiful charts, perfect for translating into drawloom designs. It has page after page of classic eight-pointed stars, which look like snowflakes to me.
The star patterns all have an odd number of squares across the chart. My drawloom is currently set up with an even number of pattern shafts. To compensate, I am offsetting the star and adding a vertical dotted line. For the second row of stars I am flipping the offset and switching to a lighter shade of blue weft. I am also pulling the pattern shaft cords for the background around the star pattern. This reverses the pattern and ground, giving a different perspective of the same design, making the star blue and the background white.
Even when our perspective changes, the foundation stays the same. Truth endures. God speaks truth, even through his created designs. Stars in the heavens and snowflakes on the earth attest to the enduring truth of their Designer’s glory.
The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.
I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.
The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.
My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaftJämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.)
This project starts with the draft for the Jämtlandsdräll Blanket on p.59 of Simple Weaves, by Birgitta Bengtsson Björk and Tina Ignell. Tuna yarn samples, along with Fiberworks Silver for Mac, help me jazz up the color. I settle on three colors for the warp, with burnt orange as the anchor. Six different colors are used for the pattern weft, plus dark teal for the tabby.
This is one of those times when the weaving is so satisfying that I truly don’t want the warp to come to an end. (…except that I’m excited to start on Julia’s second adventure!)
This fifth rag rug on the warp has the same classic rosepath design as the others. This rug, however, has rosepath as a whispered hint instead of the usual bold statement. Colorful beauty? Yes. Yet, it’s quiet. Restful.
The rosepath pattern is fully present, but soft-spoken. In the pattern areas, there is only slight contrast between the pattern weft and ground weave weft. The print fabric that is used for some of the pattern weft leaves spots of color, which also helps to blend the pattern into the background. The hint of a pattern makes you take a second look to see what is really there.
A restful person is like that, making us want to take a second look to see what’s behind that demeanor. Rest is a form of trust. Trusting God’s grace means believing that God will give us what we need. And that brings rest, the kind that is on the inside. Deep inside, where the pattern of grace is fully present, our being is transformed. And whatever is on the inside will show on the outside. Colorful beauty? Yes; and quiet, too. Restful.
What do you do with weft tails on a rag rug? Normally, you wrap the weft tail around the outer warpend and tuck it back into the shed. But what about color changes? If you have several color changes in a row, you can end up with extra bulk on one selvedge or another from those tucked-in tails.
3 Ways to Outsmart Rag Rug Weft Tails
TWO PICKS For a two-pick stripe, leave a tail of several inches on the first pick. For the second pick, lay the weft tail from the first pick in the shed. Lay in the second pick, and cut the fabric strip to overlap the weft tail in the shed. This eliminates any extra bulk at the selvedges. (All tails are cut at a steep angle.)
CARRY IT When feasible, carry the weft up the side. If a weft is out of play for only one or two rows, do not cut it. When another weft enters the shed, make sure it encircles the idle weft.
DISTRIBUTE Whenever possible, avoid tucking in weft tails two picks in a row. Wait, and tuck in the tail on a subsequent pick.
HERE IS AN EXAMPLE:
One more thing. Cut the weft tail extra long if you are tucking it in a row with weft floats, as in rosepath (Like the center pick in this medallion). This helps keep that weft tail from popping out of place. You don’t want those tails to start waving at you.