Rosepath Whispers

This fifth rag rug on the warp has the same classic rosepath design as the others. This rug, however, has rosepath as a whispered hint instead of the usual bold statement. Colorful beauty? Yes. Yet, it’s quiet. Restful.

*Rosepath Whispers* rag rug.
Hints of rosepath pattern.
Rosepath Whispers rag rug.
Design plan sits nearby for reference as I weave.

The rosepath pattern is fully present, but soft-spoken. In the pattern areas, there is only slight contrast between the pattern weft and ground weave weft. The print fabric that is used for some of the pattern weft leaves spots of color, which also helps to blend the pattern into the background. The hint of a pattern makes you take a second look to see what is really there.

Winnie the Pooh is going into this rag rug.
Winnie the Pooh fabric is used for some of the ground weave weft.
Texture from rosepath pattern.
Texture of the raised rosepath pattern is clearly seen from the edge.

A restful person is like that, making us want to take a second look to see what’s behind that demeanor. Rest is a form of trust. Trusting God’s grace means believing that God will give us what we need. And that brings rest, the kind that is on the inside. Deep inside, where the pattern of grace is fully present, our being is transformed. And whatever is on the inside will show on the outside. Colorful beauty? Yes; and quiet, too. Restful.

May you be restful on the inside.

Happy Weaving,
Karen

12 Comments

  • Wanda Bennett says:

    This is beautiful!

  • Nannette says:

    Good Morning Karen. I just wove a rag rug using a print for the background of a simple rosepath. The pattern is in colors of the tabby. A subtle pattern is a beautiful thing. Your word: Whisper…

    Thank you for sharing.

    Nannette

  • Linda says:

    Very interesting!

  • Joanna says:

    Restful is such an underrated quality. Thanks for the reminder. I think I like this rug the most.

    • Karen says:

      Hi Joanna, In our busy world, it’s refreshing to find rest, and live in a restful state. This rug may be my favorite on this warp. I’m looking forward to seeing it rolled out on the floor.

      All the best,
      Karen

  • Kathryn says:

    This is so beautiful! What a fun project. How do you get that part of the pattern to raise up like that?

    • Karen says:

      Hi Kathryn, You are right—this is a very fun project. The rosepath pattern stands out because the pattern rows (with longer floats) are sandwiched between tabby (plain weave) rows. This is one of the reasons I enjoy weaving rosepath patterns—the pattern seems to be elevated above the background.

      Thank you,
      Karen

  • Anonymous says:

    thank you so much for your lovely website and for sharing your talent and beautiful work and your stick-toitveness through the years of weaving. Your work is inspirational as well as your encouragement and words of wisdom and encouragement. Sometimes we reach and find something that we need to hear or see when we are in a downtime and trying to come to life impacting decisions and feeling a lost. That was my experience today, but the words on your site were a reminder that God is in the picture and hope is always there. Thanks again, Nancy

    • Karen says:

      Dear Nancy, You are saying important things–God is in the picture. Yes, he certainly is. Hope is always there–Yes, always!

      It’s always my prayer, Nancy, that the words I write would meet the need of someone who reads them. It seems that God is answering prayers from both of us.

      Hugs,
      Karen

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Tried and True: Outsmart the Rag Rug Weft Tails

What do you do with weft tails on a rag rug? Normally, you wrap the weft tail around the outer warp end and tuck it back into the shed. But what about color changes? If you have several color changes in a row, you can end up with extra bulk on one selvedge or another from those tucked-in tails.

3 Ways to Outsmart Rag Rug Weft Tails

  • TWO PICKS For a two-pick stripe, leave a tail of several inches on the first pick. For the second pick, lay the weft tail from the first pick in the shed. Lay in the second pick, and cut the fabric strip to overlap the weft tail in the shed. This eliminates any extra bulk at the selvedges. (All tails are cut at a steep angle.)
  • CARRY IT When feasible, carry the weft up the side. If a weft is out of play for only one or two rows, do not cut it. When another weft enters the shed, make sure it encircles the idle weft.
  • DISTRIBUTE Whenever possible, avoid tucking in weft tails two picks in a row. Wait, and tuck in the tail on a subsequent pick.

HERE IS AN EXAMPLE:

How to outsmart rag rug weft tails!
Gray weft ends with weft tail tucked in. White tabby weft tail is not tucked in.
How to outsmart rag rug weft tails!
Rosepath pattern weft for a two-pick stripe. Loooooong weft tail.
How to outsmart rag rug weft tails!
Tabby weft goes around the rosepath pattern weft, and is tucked in the shed.
How to outsmart rag rug weft tails!
Tabby weft comes through the shed and lays over the tucked-in tail.
How to outsmart rag rug weft tails!
Tabby weft is beaten in.
How to outsmart rag rug weft tails!
Pattern weft is laid in the shed, with tails overlapping near the center of the warp.
Tabby weft is beaten in, and weft tail is tucked in. In the middle of the rosepath medallion the orange print weft is carried up the side until it is used again. For the gray strip that follows the last white tabby pick, the weft tail is tucked in on the second gray pick.
How to outsmart rag rug weft tails!
Rosepath medallion with several color changes.

One more thing. Cut the weft tail extra long if you are tucking it in a row with weft floats, as in rosepath (Like the center pick in this medallion). This helps keep that weft tail from popping out of place. You don’t want those tails to start waving at you.

May you pay attention to the details.

Happy Weaving,
Karen

4 Comments

  • I’ve thought of doing a post like this as a visual for my students. Now I don’t have to! I will just refer them to your beautiful rug!

    One thing you didn’t mention was the single black pick. How I do a single pick is to cut the strip half the width of my other strips. I cut the length a bit longer than twice the width, allowing for the angle and the overlap and tapered ends. I insert it with a stick shuttle leaving both ends hanging out and beat. Both ends then wrap around the end warp or the weft being carried up the side and have the tapered ends overlap somewhere in the center.

    Excellent tutorial!

    Jenny Bellairs

    • Karen says:

      Hi Jenny, Basics like this are always good to review. Thanks for your encouragement!

      Your method for weaving a single pick is excellent, and eliminates another tail at the selvedge.
      I don’t usually take that extra step, though, of cutting a strip half width. So my single picks do have a long tail tucked in.

      Thank you!
      Karen

  • Nannette says:

    Brilliant! Thank you.

    I’m working on a strip quilt project with an abundance of leftovers. 4″ will be cut down to 1″ widths and woven into the extra rose path warp on the loom.

    A very timely posting.

    Nannette

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Process Review: Drawloom Jewels

It is exciting when Maverick walks by. Although he never comes in my drawloom studio, he does stop for a moment to look my way. You’ll see him in the slideshow video below. But what happens inside the studio is even more exciting, especially when it’s time for cutting off!

Drawloom with 16 pattern shafts.
Drawloom, set up with sixteen pattern shafts. I graph out the designs in Excel on my computer. Then, I print out the gridded pattern to use at the loom. I keep my place in the pattern with a magnet and magnet board made for cross-stitch embroidery.

This is Tuna wool, so I expect some shrinkage, but how much? I take careful measurements before and after wet finishing. Besides the main piece of fabric that I’m using for a garment, I have two sample pieces. I can experiment with the samples before wet finishing my garment fabric.

Here are my findings:
Sample 1. Hand wash and air dry.

10% shrinkage in width; 13% shrinkage in length.

Sample 2. Machine wash (3 minutes agitation on a gentle cycle, with a short spin) and machine dry (low setting) till damp, finish with air drying.

13% shrinkage in width; 14% shrinkage in length.

~How to do the shrinkage calculations~
First measurement (on the loom) minus the second measurement (after washing and drying) equals the difference. The difference divided by the first measurement equals the percentage difference.
For example, 50 cm – 43.5 cm = 6.5; 6.5 / 50 = 0.13; 13% shrinkage.

The first sample fabric is softer than the unwashed fabric, but not as soft as I’d like. The second sample fabric is beautifully soft, like a nice warm sweater. So, with confidence, I wet finish the garment fabric—with great results. It’s perfect for the fall/winter vest that I’ll soon be wearing, made from this fabric!

Wool garment fabric from a drawloom.
Like a sweater, this soft fabric will be comfortable to wear.
Making a pattern for handwoven garment fabric.
Muslin pattern for a simple vest. First, I’ll make a vest out of a wool throw, woven on my rigid heddle loom ages ago. Then, I will cut into the new drawloom fabric, with confidence about the fit.

Enjoy this photo show of the drawloom process.

May you enjoy the process you’re in.

Happy Weaving,
Karen

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Process Review: First Drawloom Warp

There are two questions I hear most often. 1. How long did it take? 2. What is it going to be? These are hard questions to answer. I admit that I stumble around to find satisfying answers. 1. How long? Hours and hours. 2. Cloth. It is going to be cloth. What will the cloth be used for? I don’t know. But when I need a little something with a pretty design, I’ll know where to find it. There are two finished pieces, though, from this first drawloom warp: the Heart-Shaped Baskets table runner (adapted from a pattern in Damask and Opphämta, by Lillemor Johansson), and a small opphämta table topper that I designed on the loom. The rest are samplers, experiments, tests, and just plain fun making-of-cloth. Oh, and I wondered if I could take the thrums and make a square braid…just for the fun of it.

First warp on my drawloom. Success!
Opphämta piece on the left, with Fårö wool pattern weft. Heart-Shaped Baskets runner on the right, with red 16/2 cotton pattern weft. Ten pattern shafts.

I will let the pictures tell the story of this first drawloom warp.

May you have plenty of things to make just for fun.

Happy Weaving,
Karen

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Weaving Hearts

Pulling the draw handles for each four-thread unit of weaving is like doing counted cross stitch on the loom. I enjoyed cross stitch in the 1980’s and I am enjoying this drawloom version now. Very much. I started this Heart-Shaped Baskets table runner on Valentine’s Day—a fun way to celebrate the day!

Heart-Shaped Baskets. Adapted from pattern in Damask and Opphämta, by Lillemor Johansson.
Heart-Shaped Baskets. Adapted from a pattern in Damask and Opphämta, by Lillemor Johansson.
Drawloom hearts.
Red 16/2 cotton weft on unbleached 16/2 cotton warp. The dark weft on a light warp makes consistency in beating that much more important.

Like weaving on any floor loom, I want to have consistency in my beat and in my selvedges. Inconsistencies in these basics can detract from the drawloom imagery of the final cloth. The main thing is to keep paying attention. And keep joyfully pulling those draw handles to create more hearts of love.

Drawloom hearts.
Stripes at the edges prove to be a challenge for getting consistent selvedges.
Table runner on the drawloom.
Table runner is woven in broken twill on four ground shafts, with eleven pattern shafts.

Grace is a gift of favor, not an earned reward. Forgiveness is the giving of grace. And gratitude results from receiving grace. Grace makes us graceful. Giving and receiving grace with consistency is what we’d like to see in ourselves. That’s when the love of God, in whose image we’ve been made, is most clearly seen in us. So we practice what we know to do. And pay attention. And keep joyfully weaving a heart of love, by God’s grace.

May you be grace – full.

Gratefully yours,
Karen

12 Comments

  • Nancy Malcolm says:

    I have seen that draft in the book. It is so Beautiful on your loom!! I hope to convert my loom for drawloom someday. Enjoy!

    • Karen says:

      Hi Nancy, You have a lot to look forward to! It is fun to use patterns like this from a book. And it’s not that hard to make your own patterns, too!

      Thanks!
      Karen

  • Janet says:

    Very nice Karen! Looks like you are having a great time 🙂

    • Karen says:

      Hi Janet, Thanks! Yes, I’m having a great time. There is so much more to try. I have yarn waiting in the wings for my next warp on this drawloom!

      Happy weaving,
      Karen

  • Annie says:

    I am amazed by what you are able to do with your draw loom, Karen! Not only is this heart pattern delightful but also the other towels I can catch glimpses of. I definitely understand why you wanted a draw loom and I am so happy that your dream came true.

    You are the most graceful woman I know, Karen and a wonderful inspiration as a Christian and a weaver.

    • Karen says:

      Hi Annie, It’s fascinating to me, too, how much the drawloom can do. I have worlds more to uncover on this loom!

      Your kind words are very touching. That means a lot to me.
      All the best,
      Karen

  • Kelly says:

    The more I see draw loom weaving, the more I start to think that I need a draw loom! For now, I will have to relegate it to a “one day” possibility and appreciate the looms I already have.
    Your hearts are beautiful!

    • Karen says:

      Hi Kelly, Maybe there’s a double meaning to the word “draw” in draw loom, as we are “drawn” to it. It’s a good thing to appreciate what we have.

      Happy weaving,
      Karen

  • Good afternoon Karen,

    There is so much to learn. Thank you for leading.

    Your prayer on grace touched my heart.

    Nannette

  • Karen says:

    Isn’t it fun?! I love playing with my drawloom!

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