I like goose-eye twill. Do you? I’ve woven it in throws, towels, and rag rugs. I am not sure why this is such a pleasing pattern to me. Maybe because it speaks of classic simplicity.
I have woven goose-eye twill with and without floating selvedges. This time is without. The advantage is that I can get a cleaner edge without floating selvedges. The disadvantage is that I can get messier edges without floating selvedges. It takes me a little practice to get the selvedges just right, catching some of the outer warp ends. After I get it down, the selvedges will be pretty tidy.
Persistence means you keep working at it until it works. And you overlook things (like the blue warp stripe) that it’s too late to change, and make the best of it. Persistence is a virtue when we persist with right things. Persist in faith. Persist in love. And always, persist in hope. Jesus waits for those who persist in leaning on him. Let’s lean in a little closer.
I made this rug longer than I had planned. Midway, I decided to increase the number of repeats in the design. This means I don’t know exactly how long this rug will be, so there is a bit of suspense as I wait to see the outcome.
I have a bit of warp left. It’s a good way to use up some of my cut fabric strips. This is my chance to play around, designing on the fly. That’s an exciting way to end a satisfying set of spaced rep rag rugs. Leave room for unencumbered play. And when you can go no further, end the suspense and see what you’ve got!
Spaced rep rag rugs have a graphic vibrancy that grabs my attention. Like regular rep weave, spaced rep is warp dominant. Unlike regular rep weave, the warp in spaced rep doesn’t completely cover the weft. That’s where rag weaving comes in, because the fabric-strip weft shows between the warps. The rag weft provides just enough color variation to satisfy a rag rug weaver like me.
The pattern for this rug comes from Älskade Trasmattor, by Hallgren and Hallén, p. 87. The threading has dark and light ends that alternate, with four distinct blocks (five, if you count the plain weave block). And thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp), with four different treadling sequences. All of these factors work together to make the geometric pattern in the rug. It sounds complicated. Truly, though, it is merely a collection of simple systems that all work together. And the possibilities are endless.
You are intricately and wonderfully made. To people who know you, no doubt, you look complicated. Your maker, however, knows your simple systems that all work together. The Lord knows you by name. His plan for you follows a masterful design. In the grand weaver’s hands, the possibilities are endless!
May the pattern of your life set you apart.
Happy Weaving, and welcome back to my studio, Karen
I am constantly improving my methods of operating the drawloom. I pull and release draw handles and draw cords, check for errors, and throw the shuttle for each unit of threads (six times per unit with the current setup). Everything is in order. And, while I’m actively absorbed with this mental and physical choreography, I experience freedom from every other care.
These snowflake patterns are delightful to weave. There is enough consistency with the border pattern shafts to make it simple. And there is enough (planned) random snowflakes using single units and pattern shafts to keep it engaging. All I have to do is follow the graphed chart. As I weave, the snowflakes emerge, as if by magic. But it’s not really magic, is it?
If you believe in Jesus you must walk with him. And as you do, you come to know the truth. Truth is found by walking in it. The pattern on the chart is true, and gives direction. The delight comes as we see the real-time results emerge in our own hearts. That’s freedom in its purest form.
I can make an ordinary rug. But it’s more exciting to weave something extraordinary. That’s what I like about making rag rugs. I can infuse them with beautiful patterns and colors. Double binding, in particular, gives me a useful framework for my “floor art.”
The thing I like about double binding is the way two consecutive wefts overlap and interchange in the shed. As the blocks change, the weft on top and the weft underneath change places. Most double-binding rugs, including the ones I have made previously, are simple checkerboard designs. The threading pattern you see here has significantly more block changes than usual. What began as a “what if?” has opened up a new dimension of rag-rug weaving for me! This opens the door to extraordinary.
God made you for purpose. It’s no accident that you are endowed with certain skills. When our skills and desires merge in meaningful ways, we enjoy a sense of purpose. Whether it’s weaving, singing, or growing seeds, do what you were made to do. And let all you do point to the glory of your Maker. When he made you, he had extraordinary in mind!
May you live out the purpose for which you were made.