Drawloom Windmill and Taildragger – Version 2

I’m curious. How much difference will it make to change the direction of the design? I wove the first Windmill and Taildragger from the side. (See Time Lapse: Windmill and Taildragger on the Drawloom.) This second one, I am weaving from bottom to top. For one thing, I know I can enlarge the image if I turn it upright, giving me more distinct details.

Windmill and Taildragger woven on the drawloom.
Windmill and Taildragger – Version 1, from the side. Beginning of Windmill and Taildragger – Version 2, upright.
Taildragger on the drawloom.
More detail is possible with the expanded size of the image. Center image and lower border use single-unit draw cords. Five pattern shafts are used for the side borders.
Temple in use on the drawloom.
Temple maintains the correct weaving width.
Glimakra Standard loom with Myrehed combination drawloom attachment.
Side view of drawloom with Myrehed combination attachment.

This second Windmill and Taildragger is indeed larger, with smoother detail lines. No surprise. What does surprise me is how much simpler this one is to weave! The single-unit pulls are more manageable now that the design is turned in a lengthwise direction. Enlargement, clarity, and ease—all from a single design adjustment.

Drawloom weaving.
Single-unit draw cords seen in the weaving of the windmill’s blades.
Windmill and Taildragger on the drawloom.
Windmill and Taildragger – Version 2
Drawloom weaving.
Version 1 and Version 2 – Windmill and Taildragger

Spoken wishes express our needs. Our wishes are sincere, but hold no power in themselves. What if we turn the direction of our wishes? When we turn those expressions upward to God they become prayer. Prayer is an expression of belief. Jesus invites us to tell him our needs through prayer. Prayer enlarges and clarifies our hopes. You may be surprised how simple it is to take your needs to the Lord in prayer.

May your prayers bring the help you need.

Peace to you,
Karen

6 Comments

  • Elisabeth says:

    Beautiful work!
    Isn’t it fascinating what we can learn from looking at something from a different perspective or doing something in a slightly different way? Like you said “Enlargement, clarity, and ease—all from a single design adjustment”. You say it so beautifully when it comes to prayer!
    I see the value of this in every task, every challenge, every day; How it helps turn something tedious, something I really cannot seem to enjoy but need to get done, into a not only enjoyable, but exciting task. Sometimes it’s a small adjustment of my approach, other times, an adjustment of my perspective. And I agree with you, the difference it makes is can be quite surprising

    Karen, thank you so much for you wise reminders of the beauty in life! You alway make me think!

    Love,
    Elisabeth

    • Karen says:

      Hi Elisabeth,
      You are right, a change in perspective can change everything. I am very happy to hear that someone like me can help a thinker like you to think.

      Love,
      Karen

  • Nannette says:

    Good evening Karen,
    What a beautiful day!!
    Stood in line for the first time outside the poling place for an election. About a half hour wait. A few texts and a conversation with the guy in front of me and voting ensued.
    It was a wonderful October day. On November 3. The blue-est sky.
    I was at the retirement house last week. Walked into the contents of two trips I missed. Both with 2 full vehicles and trailers. All was waiting for me to make organization out of chaos. Spare shelves. A cordless drill. A broom closet. The small kitchen electronics now have a home. A trip to Menard’s and a marked down indoor outdoor rug outlines the new sewing area in the basement… Now the electrician knows where to locate the overhead task lights and power boxes for the sewing machines and iron.
    No internet. The cell phone is sketchy at best. Starlink… hurry up!! Not able to enjoy this posting until this afternoon.
    I have been opening your post off and on and trying to absorb what you’ve done. The design has the feel of a classic. It is old and new at the same time. Usually given a choice one will usually appeal to me over the other. There is no favorite for me.
    Is there a change in the gage needed by rotating the design 90*
    The colors provide a timeless calm to me. Thank you.
    Nannette .

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Swedish Art Weaves with Joanne Hall

Krabbasnår (or Krabba), Rölakan, Halvkrabba, Dukagång, and Munkabälte (Monksbelt). These unique weaves have intrigued me since I first saw photos of them. Some of the designs look like hand-stitched embroidery. The Swedish Art Weaves workshop with Joanne Hall introduces the simple techniques used for weaving these traditional patterns. I’m thankful to have the opportunity to learn how to weave these beautiful designs for myself.

Swedish Art Weaves workshop with Joanne Hall.
Joanne brought examples of Swedish art weaves for the students to view.

Joanne’s presentation to the San Antonio Handweavers Guild was enlightening. Photos of her travels to Sweden show how the rich weaving heritage there continues to thrive. That, along with Joanne’s knowledge of Swedish weaving traditions, gives context to these Swedish art weaves.

Krabbasnår, a Swedish art weave.
Krabbasnår (krabba) is a laid-in technique with a plain weave ground. The pattern uses three strands of wool Fårö yarn. The warp is 16/3 linen.
Weaving Krabba, a Swedish art weave.
Besides maintaining warp width, the temple is useful for covering up the weft tails to keep them out of the way.
Workshop with Joanne Hall. Swedish Art Weaves.
Joanne explains the next step to workshop participants.
Swedish Art Weaves sampler, with Joanne Hall.
Dukagång is another laid-in technique with a plain weave ground. A batten is placed behind the shafts to make it easy to have the pattern wefts cover two warp threads. (A jack loom can do the same by using half-heddle sticks in front of the shafts.) Dukagång can be woven as a threaded pattern, but then the weaver is limited to that one structure, instead of having different patterns all in the same woven piece.
Fascinating way to weave monksbelt!
With threaded monksbelt, as I have woven previously, the monksbelt flowers are in a fixed position. With this art weaves monksbelt, the monksbelt flowers can be placed wherever you want them. Half-heddle sticks at the back, batten behind the shafts, and a pick-up stick in front of the reed–a fascinating way to weave this traditional pattern.
Swedish Art Weaves workshop with Joanne Hall. So much fun!
Last loom standing… Time to pack up. As I prepare the loom for transport, I detach the cloth beam cords. Now we can see the right side of what I have woven.
Swedish Art Weaves with Joanne Hall. Fun!
From the top: Krabbasnår, Rölakan Tapestry, Halvkrabba, Dukagång, and Munkabälte.

Väv 2/2013 has instructions for the art weaves. I have the magazine issue, but Joanne’s workshop brings the historical techniques to life and makes them understandable. That is exactly the prompting I needed to begin exploring these fascinating patterns on my own loom.

Weaving Swedish art weaves from the back.
Back at home, my little loom is getting ready to weave some more beautiful Swedish art weave designs.

May something historical be your new interest.

Happy Weaving,
Karen

19 Comments

  • Beth says:

    Beautiful! I’m curious, how long did it take to weave this piece?

    • Karen says:

      Hi Beth,

      As with most weft-faced weaves, this is not fast weaving. I was happy to be able to finish this much in a 2 1/2-day workshop. I’m eager to do more of this slower-paced weaving at home.

      Thanks,
      Karen

  • Charlotte says:

    Brilliant that you were able to take your loom…your beautiful loom…your piece is absolutely lovely. The colors in your top match the colors in your cloth. Fun!!!! And, lovely cloth!!!!

    • Karen says:

      Hi Charlotte,

      I’m fortunate to have a countermarch loom small enough to be dismantled and relocated. It was a satisfying workshop. So enjoyable to make these unique patterns in the cloth!

      Thank you,
      Karen

  • Vivian says:

    Your explanation is bright and helpful. I will shelve these weaving methods. I have been interested in the weaves and you have helped untangle the concepts as well as highlight the various groups of Swedish weave structures.

  • Cindie says:

    How timely, I’ve just written my deposit check this morning for a guild workshop we’ll be having with Joanne this coming fall.

  • Jane Milner says:

    I recently took the same class with Joanne Hall at the Eugene Textile Center in Eugene, Oregon. Lots of fun, and I learned a lot!

    Is your small loom a Glimakra? What is it?

  • Anonymous says:

    I just got myself a 32 in Heddle. I’d like to make small Matt’s and runners. I live in Chilliwack B.C. Can you direct me to a class?

    • Karen says:

      Hi new weaver, I am not connected with any rigid heddle loom classes. There are some good books on rigid heddle weaving. A book by Syne Mitchell, Liz Gipson, or Jane Patrick would be a great place to start.

      All the best,
      Karen

  • Ladella Williams says:

    Ladella from Portland Oregon actually knows Joanne Hall! Also she went to college with my cousin! I highly recommend her as a weaver with considerable experience! She has a wealth of knowledge and experience! Happy Weaving! I have been weaving forever it seems!

    • Karen says:

      Hi Ladella, How wonderful that you have a personal connection with Joanne. Her weaving knowledge and experience can’t be matched. What I love about Joanne is her kind and gentle manner as she patiently passes on her knowledge to her students.

      Thank you for chiming in!
      Happy weaving,
      Karen

  • Arlene says:

    Facinating.. can you suggest a book but I could follow the technique …thanks in advance Arlene

    • Karen says:

      Hi Arlene, Yes, I recommend Heirlooms of Skåne: Weaving Techniques, by Gunvor Johansson. Vavstuga.com carries the book. The author covers all these techniques in detail. It’s a beautiful book.

      Happy weaving,
      Karen

  • […] Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in […]

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Rosepath Unlimited

This seems unreal, like pulling an item right out of my imagination and touching it with my hands. It is exhilarating to watch a concept sketch develop into a tangible rag rug on the loom. Even though I enjoy designing at the loom, I relish the challenge of preparing a design in advance. In order to make a workable sketch I must study, think, and explore. It’s in this process that I realize the design options are limitless for rosepath rag rugs. This compels me to keep pressing in to learn and explore even more.

Beginning a new rag rug.
Hem, woven with narrow strips, follows the gold warp thread header. First wide border of the rug uses an assortment of green fabric strips.

The concept sketch is a scaled-down map of the rosepath rag rug. Each square on the gridded paper represents 6 centimeters. The sketch shows me which fabrics to use where, and specifies the placement of each design element—borders, plain weave, rosepath diamonds, dashes and dots of specific colors, etc. I add notes to the page as I weave, like specific treadling sequences and measurements, so that I can mirror them on the second half of the rug.

Concept sketch by the loom is my roadmap for weaving the details.
Concept sketch sits at the windowsill by my loom. I use it as a roadmap for weaving the details.
Weaving rag rugs with a temple. Always!!
Stretched-out temple is a necessity when I weave rag rugs. The wooden Glimåkra temple is my favorite because I can place it near the fell without risk of damaging the beater. This makes it possible to move the temple frequently, adding to weaving consistency.
Designing a rosepath rag rug.
Deep purple “dots” at the center of the rosepath diamonds serve as accents among these colors for a Texas hill country home.

Nothing can measure the greatness of the Lord. His greatness is truly limitless. Greatness is compelling. We step closer to search the unsearchable, and know the unknowable. God reveals himself, sketch after sketch, until we finally realize that we need all eternity to fully know him.

Rosepath rag rug - My favorite thing to weave!
Satisfaction of watching a concept sketch become a tangible rag rug.

May your concepts become tangible.

Happy Weaving,
Karen

12 Comments

  • Charlotte says:

    Ooooooooh honey girl! I do adore your newest creation!!!! The red certainly “pops”!

  • Rachel Lohman says:

    Beautiful! Out of curiosity, how wide is your Glimakra? And how wide will your rug be when finished? And do you have two rugs on the loom and do you separate them with wooden slats? Thanks!

    • Karen says:

      Hi Rachel, Thank you!

      This loom is a 100cm (39″) Glimakra Ideal. The width of the warp in the reed is 90.3cm (35.5″). I expect to lose around 12% in width from take-up, so I’m planning for a finished width of about 79cm (31″). Yes, I do have two rugs on the loom right now, and will have at least one more before cutting off. And yes, I do separate them with warping slats. I put a minimum of 8″ between rugs so that I will have enough length to tie the ends into knots for finishing. Great questions!!

      Happy weaving,
      Karen

  • Nannette says:

    Yeah!! Ditto what Charlotte and Rachel said!!!

    You took the warp in a direction I did not realize. So much to learn.

    Thank you.
    Nannette

  • Linda Adamson says:

    Lovely rugs. What are the Blake bands keeping the cover on the loom bench in Place? More fabric strips or large elastic bands?

    • Karen says:

      Hi Linda, The black bands are bungee cords, to my embarrassment. I put them on as a temporary “make-do” solution to see how I would like having this rug piece on my bench. And so they stay. I like the rug cover for my bench, but haven’t taken the time to make it more permanent.

      Thanks,
      Karen

  • Robin Chandler says:

    Do you have a weighted beater?
    I didn’t like the recommendation to drill holes and add weighted bars, so I put ankle weights on both ends of my beater for rugs, seems to help.

    • Karen says:

      Hi Robin, I do not have a weighted beater. I tried adding some walking weights on both ends a few years ago, but I couldn’t tell that it made a difference for me. The overslung beater is such an advantage on these looms. I can lean back (like Jason Collingwood teaches) and let the momentum of the beater do a pretty good job. People in my house think I get a pretty powerful beat on my looms. 🙂

      Happy Rug Weaving,
      Karen

  • Karen says:

    It’s going to be AMAZING!

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Guest Weavers

We finished another placemat over the weekend. We, meaning a few guest weavers – and me. I had a small tribe of eager weavers, aged eleven to seventeen. I didn’t give beginner work to these beginners. We did what was required for this color-and-weave project on the loom—double-bobbin shuttles, two (and sometimes three) shuttles at a time, two-pick stripes, advancing the warp, placing the temple, and more. Another placemat completed, with only one broken warp end along the way. I call that a win!

Guest weaver. First time, but not the last!

Quietly watching me, and taking in the details, this young weaver grasped the essentials, and began weaving in a graceful manner. After just a few minutes, Madison told me she could do this all day. That sounds like a budding weaver to me!

New weaver, with great attention to detail!

Sean is an attentive listener, closely following every instruction. He happily donned the weaving apron. And the Gingher snips on a woven band were hanging around his neck, ever ready to be used.

Young weavers at the loom.

Jenson joins in to lend his observation skills while his brother does the weaving.

New young weaver.

Ashley is someone who takes initiative. She enjoyed the challenge of learning something new, and quickly was weaving with very little assistance.

Cotton placemats on the loom.

Broken warp end repaired. Placemat complete. Eight more placemats to go!

Isn’t it delightful to share what you enjoy, and then see the spark of delight and accomplishment on a young person’s face? This is another good reason to make and keep family friends.

May you share your delights.

Love,
Karen

6 Comments

  • Julia says:

    It is always fun to see the eyes of new weavers light up when experiencing for the first time the magic of making cloth! I’m curious about the weaving apron – can you speak about it some more?

    • Karen says:

      Hi Julia, Yes, It is fun to see the expressions when they see magic happen at their fingertips.

      The apron? You’ve given me a great idea! I will write about the weaving apron on my next Tools Day post. For now, suffice it to say that the apron protects my clothes and protects the cloth on the breast beam.

      Thank you!
      Karen

  • Beth Mullins says:

    You’re making such a positive impact in their young lives. I’m also curious about the weaving apron. Does it hold magic? 😉

    • Karen says:

      Hi Beth, I like the idea of making a positive impact on the next generation. At the same time, I find that they are making a positive impact on me, as well.

      Thanks to you and Julia, I know what my next Tools Day post will be—the magical weaving apron. 😉

      Happy weaving,
      Karen

  • Joanna says:

    I volunteered to demonstrate moderately hands-on weaving on an antique rug loom at a local history museum to school classes a couple of years ago. We get kiddoes from kindergarten through fifth grade. Before the first group I had some doubts about how it was going to go. Wow! Fantastic! I think more budding weavers are on their way and I’m excited for school to start in the autumn.

    • Karen says:

      Hi Joanna, It’s always great to see young people become interested in handweaving and other handwork crafts. That sounds like a fun loom to weave on, too!

      Karen

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Tools Day: Measure Once

It occurs to me that I am unnecessarily doing something the hard way. Repeatedly. For every new project, I pull out my tape measure to find the right set of lease sticks. The tape measure also helps me select the temple needed for the current weaving width. No more! I do like my tape measure, but why am I measuring these things every time? Why not measure them once and label them?

Solution

  • Measure the lease sticks and write the length in centimeters and in inches on one stick of each pair, in pencil.
  • Use a wood burner to trace the pencil markings. (My husband Steve does this part for me.)

Weaving tip: Measurements on lease sticks.

Wood burner is used to write the length measurement on the end of a lease stick. Centimeters and inches are indicated because I use metric or imperial units, depending on the project.

  • Thread a cord through one end of each pair of lease sticks, to keep pairs together. Hang the lease stick pairs with the measurements clearly visible.

Weaving tip: Measured lease sticks paired together for hanging.

Looped cord is threaded through the lease stick holes to provide an easy way to hang pairs together.

Paired lease sticks, ready for hanging.

Paired lease sticks, ready for hanging.

Lease sticks hanging in the weaving studio.

Pairs of lease sticks hang beside my worktable in my weaving room. My ol’ Beka rigid heddle loom on the wall happens to provide just the right little hanging post for the measured lease sticks.

  • Look up the temple sizes on a website that sells them, and write the size range in centimeters and in inches on each temple, in pencil.
  • Use a wood burner to trace the pencil markings. (Steve, again.)

Weaving tip: Measure the temples.

Range of temple widths is important information when I’m choosing a temple. Weaving width of a project must fit in that range.

  • Store the temples in a manner in which the marked measurements are easily seen.

Weaving tip: Find the right temple size the first try!

No more trying different temples to find one that fits. Now I can look at the markings and select the correct temple the first time.

Now I have permanent at-a-glance measurements for each of these frequently-used tools!

May you find something to simplify.

Happy weaving,
Karen

18 Comments

  • Annie Lancaster says:

    What a great idea, Karen!
    I am going to start measuring and marking today!

    Thank you for sharing and may you have a blessed day..

  • Beth says:

    Great organizing tip! Thanks, Karen!

  • ellen b santana says:

    i read the whole thing hoping i would see a place to store all those long things that fall all the time, like the reeds, lease sticks and other things. what do you do with those? i knock them over every time i try to use something in the pile.

    • Karen says:

      Hi Ellen, I’m still working on a system for storing those long things. Currently, most of them are leaning in a corner of the room or along one wall, where they are out of the way, but accessible. When I get that figured out, I’ll let you know.

      Happy weaving,
      Karen

  • Elisabeth says:

    I know it helps the weaving process tremendously to get a system for everything. Thank you for all your inspiration! I still have some organizing to do. These last couple of weeks I have been working on a total overhaul of my workroom, I guess I may as well dive into the weaving “department” today 🙂
    My daughter, who is finally launching her professional organizing business is helping me. She has been doing this kind of work for three years now trying hard to get away from it, but it just keeps coming back to her 🙂 I feel it is so easy to ignore what God wants us to do and try to figure it out on our own instead. Sometimes it is totally unexpected…who in the world would have thought that my daughter would end up a professional organizer, and be so good at it?! Other times it is obvious, but still so hard to see…I guess I fall into the latter category. I am trying very hard to open up my ears, my eyes, and my heart, so that I can see what is in store for me. I believe I have found a lot of stuff in my work room that is not 🙂

    • Karen says:

      Hi Elisabeth, That’s fabulous that your daughter can use her gifts to help you! I admire your aim to open up your ears, eyes, and heart. I’m sure you’ll see rewards from that!

      Happy weaving,
      Karen

  • Anonymous says:

    My floor loom is too large to move set up and has to be dismantled to move. (weekend house to spare bedroom and eventually to the new weekend / retirement house) To make the process easier the corresponding parts of the loom were marked with a @Sharpie. Matching ‘2’ with ‘2’ on a joint made set up easier.
    Now I will have to mark the tools and instruments I keep for weaving and set up some hanging hooks.
    Thank you for direction on so many levels.
    Nannette

    • Karen says:

      Hi Nannette, That’s a great idea to mark corresponding parts on your loom to make the tear down and set up process easier! Thanks for sharing!

      All the best,
      Karen

  • Liberty Stickney says:

    Great idea Karen, sometimes it takes my old brain awhile to think of things, and then wonder why didn’t I think of that sooner??
    Thank you,
    Libby

    • Karen says:

      Hi Liberty, It’s interesting how we get used to doing things a certain way, and don’t notice the easy adjustments we can make in our process.

      Happy weaving,
      Karen

  • Fawn Carlsen says:

    Hi Karen, I have a large ceramic vase shaped like a cylinder that I keep all my stick-like tools in. It is heavy enough that it doesn’t tip over and can sit in the corner so the longest things rest against the wall. It keeps them in one place and it’s easy to pick out the ones I want. I love hearing about your weaving adventures.
    Thanks for all the advice.
    Fawn

    • Karen says:

      Hi Fawn, That sounds like a great way to store the stick-like tools. I do something similar. My warping sticks are in a tall-ish small wooden crate that came from the creamery that was down the street from my grandma’s house when I was a child. It sits in the corner, and the sticks in it rest against the wall.

      I may look for a ceramic vase that I can put by my Ideal loom to hold its sticks.

      Thanks!
      Karen

  • Elisabeth says:

    Do your temples fit sitting on the side in the drawer, with the text facing up? You would see all measurements at once, and it would be easy to grab the one you need. Leave styrofoam with opening on top and lift the temple out, which “saves” the spot for when you put the temple back.

    • Karen says:

      Hi Elisabeth, Why, yes, they do fit sitting on the side in the drawer… Which only goes to prove how much I need people like you in my life!

      Gratefully yours,
      Karen

  • Elisabeth says:

    Thank you! As a designer, I am so much about function. But I don’t always see solutions that quickly…it took me four years to make s small change to the better in my laundry room 🙂
    And may I suggest hanging your lease sticks on a peg rail of some kind…so easy to grab one set without messing with multiple loops.

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