I am constantly improving my methods of operating the drawloom. I pull and release draw handles and draw cords, check for errors, and throw the shuttle for each unit of threads (six times per unit with the current setup). Everything is in order. And, while I’m actively absorbed with this mental and physical choreography, I experience freedom from every other care.
These snowflake patterns are delightful to weave. There is enough consistency with the border pattern shafts to make it simple. And there is enough (planned) random snowflakes using single units and pattern shafts to keep it engaging. All I have to do is follow the graphed chart. As I weave, the snowflakes emerge, as if by magic. But it’s not really magic, is it?
If you believe in Jesus you must walk with him. And as you do, you come to know the truth. Truth is found by walking in it. The pattern on the chart is true, and gives direction. The delight comes as we see the real-time results emerge in our own hearts. That’s freedom in its purest form.
Day after day, pick after pick, this fabric lengthens and becomes ever more significant. As daylight dims, I stay at the loom a while longer. The rhythmic series of weaving motions is soothing. A handweaver finds calm in the complexity and delight in the detail. Challenges that arise are seen as problems to be solved.
This monksbelt table runner has been a good long conversation between the loom and me. In fifteen more centimeters (six inches) I will put the closing exclamation point at the end of this lengthy runner. The warp that remains will be my playground for some creative experimentation.
When our patience is stretched thin, when we forget why we do what we do, when hard times go on longer than we ever anticipated, we need hope. We need more than what we can gain by ourselves alone. Relationship with our heavenly Father brings hope into the fabric of our days. He beckons us to walk with him through Jesus Christ. He wants to sustain us through the long stretches of this day-by-day life. The time will come when we look back with wonder, seeing the colorful threads that have become fabric for a beautiful purpose.
Dressing the loom with two sets of lease sticks keeps me on my toes. It means I am thinking carefully as I transfer lease sticks from in front of the reed to behind the reed. And, after beaming the warp(s), it means I am counting carefully as I put ends into threading groups of 48 threads each—32 ends of 20/2 cotton, and 16 ends of 22/2 cottolin.
I group ends together before threading. Then, when threading, if there is a discrepancy in the number of ends, it alerts me to find a threading error. Counting out these delicate unbleached cotton threads is challenge enough. Having the layer of cream cottolin threads underneath presents additional complexity. With all these ends, this part of the process is tedious. Still, it’s worth it if it lessens my chance of making threading errors with these 1,472 ends.
I am spreading this warp (twowarps, actually) at the worktable. One warp is 22/2 cottolin, with a narrow selvedge border of 16/2 cotton. The other warp is 20/2 cotton. This intriguing double-width project is in the Nr.3 – 2021 issue of Väv Magazine—Winnie’s Linen-Cotton Crinkly Tablecloth, by Winnie Poulsen, p.52. Despite some intrepidation, I am jumping in!
Coordinating two warps onto a single tie-on bar is tricky business. The last time I did the two-warp maneuver at the loom I nearly lost a lease crossand my sanity. The advantage of pre-sleying these warps at the table is that everything is secure. Nothing is teetering. At the worktable I can clearly see what to do for each step. Within minutes, I’m hopeful that this adventure will indeed be worth it. (Pre-sleying a warp on the table is expertly explained in Learning to Warp Your Loom, by Joanne Hall, pgs.19-20.)
Spreading a warp (or two) is a lot like spreading hope. We come to the Lord Jesus weary, having tried hard to make things work on our own. He welcomes us with open arms and reveals the time-tested way of trusting him, one step at a time. Now, like threads being sleyed across the dents of a reed, threads of hope spread throughout our being. The threads are secured. Come weary; receive rest; spread hope.
“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.
Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.
Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.
Weaving Continuum ~ The cycle for each loom that is continually repeated.
When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.
First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.
Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.
Give Thanks ~ Live with a thankful heart.
Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.