Swedish Art Weaves with Joanne Hall

Krabbasnår (or Krabba), Rölakan, Halvkrabba, Dukagång, and Munkabälte (Monksbelt). These unique weaves have intrigued me since I first saw photos of them. Some of the designs look like hand-stitched embroidery. The Swedish Art Weaves workshop with Joanne Hall introduces the simple techniques used for weaving these traditional patterns. I’m thankful to have the opportunity to learn how to weave these beautiful designs for myself.

Swedish Art Weaves workshop with Joanne Hall.
Joanne brought examples of Swedish art weaves for the students to view.

Joanne’s presentation to the San Antonio Handweavers Guild was enlightening. Photos of her travels to Sweden show how the rich weaving heritage there continues to thrive. That, along with Joanne’s knowledge of Swedish weaving traditions, gives context to these Swedish art weaves.

Krabbasnår, a Swedish art weave.
Krabbasnår (krabba) is a laid-in technique with a plain weave ground. The pattern uses three strands of wool Fårö yarn. The warp is 16/3 linen.
Weaving Krabba, a Swedish art weave.
Besides maintaining warp width, the temple is useful for covering up the weft tails to keep them out of the way.
Workshop with Joanne Hall. Swedish Art Weaves.
Joanne explains the next step to workshop participants.
Swedish Art Weaves sampler, with Joanne Hall.
Dukagång is another laid-in technique with a plain weave ground. A batten is placed behind the shafts to make it easy to have the pattern wefts cover two warp threads. (A jack loom can do the same by using half-heddle sticks in front of the shafts.) Dukagång can be woven as a threaded pattern, but then the weaver is limited to that one structure, instead of having different patterns all in the same woven piece.
Fascinating way to weave monksbelt!
With threaded monksbelt, as I have woven previously, the monksbelt flowers are in a fixed position. With this art weaves monksbelt, the monksbelt flowers can be placed wherever you want them. Half-heddle sticks at the back, batten behind the shafts, and a pick-up stick in front of the reed–a fascinating way to weave this traditional pattern.
Swedish Art Weaves workshop with Joanne Hall. So much fun!
Last loom standing… Time to pack up. As I prepare the loom for transport, I detach the cloth beam cords. Now we can see the right side of what I have woven.
Swedish Art Weaves with Joanne Hall. Fun!
From the top: Krabbasnår, Rölakan Tapestry, Halvkrabba, Dukagång, and Munkabälte.

Väv 2/2013 has instructions for the art weaves. I have the magazine issue, but Joanne’s workshop brings the historical techniques to life and makes them understandable. That is exactly the prompting I needed to begin exploring these fascinating patterns on my own loom.

Weaving Swedish art weaves from the back.
Back at home, my little loom is getting ready to weave some more beautiful Swedish art weave designs.

May something historical be your new interest.

Happy Weaving,
Karen

18 Comments

  • Beth says:

    Beautiful! I’m curious, how long did it take to weave this piece?

    • Karen says:

      Hi Beth,

      As with most weft-faced weaves, this is not fast weaving. I was happy to be able to finish this much in a 2 1/2-day workshop. I’m eager to do more of this slower-paced weaving at home.

      Thanks,
      Karen

  • Charlotte says:

    Brilliant that you were able to take your loom…your beautiful loom…your piece is absolutely lovely. The colors in your top match the colors in your cloth. Fun!!!! And, lovely cloth!!!!

    • Karen says:

      Hi Charlotte,

      I’m fortunate to have a countermarch loom small enough to be dismantled and relocated. It was a satisfying workshop. So enjoyable to make these unique patterns in the cloth!

      Thank you,
      Karen

  • Vivian says:

    Your explanation is bright and helpful. I will shelve these weaving methods. I have been interested in the weaves and you have helped untangle the concepts as well as highlight the various groups of Swedish weave structures.

  • Cindie says:

    How timely, I’ve just written my deposit check this morning for a guild workshop we’ll be having with Joanne this coming fall.

  • Jane Milner says:

    I recently took the same class with Joanne Hall at the Eugene Textile Center in Eugene, Oregon. Lots of fun, and I learned a lot!

    Is your small loom a Glimakra? What is it?

  • Anonymous says:

    I just got myself a 32 in Heddle. I’d like to make small Matt’s and runners. I live in Chilliwack B.C. Can you direct me to a class?

    • Karen says:

      Hi new weaver, I am not connected with any rigid heddle loom classes. There are some good books on rigid heddle weaving. A book by Syne Mitchell, Liz Gipson, or Jane Patrick would be a great place to start.

      All the best,
      Karen

  • Ladella Williams says:

    Ladella from Portland Oregon actually knows Joanne Hall! Also she went to college with my cousin! I highly recommend her as a weaver with considerable experience! She has a wealth of knowledge and experience! Happy Weaving! I have been weaving forever it seems!

    • Karen says:

      Hi Ladella, How wonderful that you have a personal connection with Joanne. Her weaving knowledge and experience can’t be matched. What I love about Joanne is her kind and gentle manner as she patiently passes on her knowledge to her students.

      Thank you for chiming in!
      Happy weaving,
      Karen

  • Arlene says:

    Facinating.. can you suggest a book but I could follow the technique …thanks in advance Arlene

    • Karen says:

      Hi Arlene, Yes, I recommend Heirlooms of Skåne: Weaving Techniques, by Gunvor Johansson. Vavstuga.com carries the book. The author covers all these techniques in detail. It’s a beautiful book.

      Happy weaving,
      Karen

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Process Review: Fresno Canyon Small Tapestry

The Park ranger had told Steve and me that if we were willing to drive six more rugged miles we would witness a spectacular overview of the Fresno Canyon that few people get to see. This is an opportunity we wouldn’t dare miss. And the park ranger was right. Oh, what a view! From this high point above the valley the view is phenomenal! I welled up with emotion as I looked over the glorious beauty of God’s creation.

The memory of that scene is in this small tapestry. Most of my small-tapestry weaving happens when we travel, where we make even more memories, which I store up in my heart. I pull from these stored treasures to weave tapestries that reawaken the fond memories.

Landscape - woven small tapestry.
Fresno Canyon photo printed in black and white is used for the cartoon. Instead of an exact picture of the image, I aim for a representation of the memory, expressed with color.
Relaxing in the Casita travel trailer. Wood carving and tapestry weaving.
During a brief rainstorm while at Caprock Canyons State Park, Steve and I relax in the Casita with our handcrafts. Wood carving and tapestry weaving.
Small tapestry in progress.
Warp is blue 12/6 cotton. Weft is triple strands of 6/1 Fårö wool. I use the tapestry needle to weave.
Weaving in the sunshine on a camping trip.
Weaving in the sunshine at Davis Mountains State Park after returning from a hike.
Small tapestry of a Texas landscape.
Finished weaving one Texas landscape while enjoying another.
Small tapestry with finished and braided edges.
Warp ends are woven and braided.
Linen backing for mounting a small tapestry weaving.
Linen is cut to size and pressed. Narrow rod sleeves are sewn into place.
Backing a small tapestry for framing.
Linen backing is hand-stitched to the back of the small tapestry.
Simple frame for a small tapestry.
Steve designed a simple frame for the small tapestry.
Finished Fresno Canyon tapestry.
Finished Fresno Canyon tapestry. A treasured memory kept and framed.
Texas landscape small tapestry - framed.

May your memories become treasures.

Thankful for you! Happy Thanksgiving,
Karen

17 Comments

  • Beth Mullins says:

    This is beautiful, Karen! Such a creative way to display.
    Happy Thanksgiving!
    Beth

  • Lynn says:

    Awesome,Karen! What a wonderful way to use the talents God has given you to display His glorious creation! And, I agree with how perfect this great way is to display it. Love your photos. How about one with your smiling face in it sometime? 🙂

    • Karen says:

      Hi Lynn! It’s fun to weave scenes like this. I’m so thankful for Steve’s constant encouragement.

      Sure thing, I can put my smiling face on here. 🙂 Thanks, that’s a good request.

      Love,
      Karen

  • Nannette says:

    Beautiful!! Good design with the gift of color. I hope your heart sings with memory every time you look at it.

    Happy thanksgiving!

    Nannette

  • Annie says:

    Happy Thanksgiving, Karen to you and your family!

    What a blessing that you and Steve are able to meld your talents together to create such beauty.

  • Joanna says:

    Wow. What amazing textile shorthand, Karen. It’s all there, even for someone who hasn’t been there. I can almost smell the wonderful Texas blend of hot dust and baking evergreens perfuming the air and sense the vastness of the landscape. Just lovely.

    Am I correct in thinking Steve’s frames make it possible to change out your tapestries? Do you rotate them to prevent sun damage?

    • Karen says:

      Hi Joanna, You sure have a great description for someone who hasn’t been there!

      Steve’s frame is not made for changing it out. I’m not sure any two of my tapestries are exactly the same size. Not many been mounted or framed. This frame has a sawtooth picture hanger on the back, and just hangs on a nail on the wall. This one is hanging on a wall that doesn’t get direct sun.

      Happy Thanksgiving,
      Karen

      • Joanna says:

        And a happy Thanksgiving to you and your family too. We have so much to be thankful for despite the crazy state the world is in.

  • D'Anne says:

    Very nice, Karen and Steve! You’re two very talented people. Hope you will enjoy a lovely Happy Thanksgiving!

  • Linda Landry says:

    Hi Karen,
    I don’t know if you noticed: In the picture of your tapestry on the cement patio in front of your Casita, your tapestry seems to have a moon landscape in a dark sky. I had to take a long second look to realize that what I thought was a moon was in fact the tire to the Casita!
    Great work! Your talent to recreate beautiful landscapes is definitely a blessing! You must take after our (heavenly) Father for your creative skills.
    Linda

  • Lucy, Kent ~ England says:

    Hi Karen,
    I just stumbled on your post, I’ve only recently begun weaving. I have made 2 stained glass windows for two late husbands. In Aug I put my 2nd late husband’s ashes in sea of The Hebridean Isles (his request involving a 960 mile journey by rail and sea, solo in my wheelchair!). I’d thought about combining my photos to make a stained glass window that summed up my adventure.
    Having seen your lovely work I think I may well do one in glass and a second in weaving.
    Thank you for the inspiration.

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Tapestry Butterflies and Video Tutorial

Wool butterflies are my crayons. I use them to color the spaces of my color-by-number cartoon that’s under the warp. I am using Borgs 6/2 Tuna wool and Borgs 6/1 Fårö wool in this tapestry, combining strands of various colors to get just the right hue, value, and intensity. Getting that right is the hard part. Winding butterflies is the easy part. Especially if you learned it from Joanne Hall, as I did.

Pictorial tapestry beginning.
Start of new tapestry. Butterflies are composed of specific colors to achieve desired results for contrast, shading, and depth.

It is essential to know how to make a good butterfly when you want to weave a tapestry on a big floor loom like this. A good butterfly is compact enough to easily pass through warp ends. And secure enough to stay intact through all those passes. It also needs to have a tail that is simple to extend. A good butterfly never ends up in a knot or a jumble of threads, but instead, gives your hands pure delight as it flows through your fingers to color your tapestry.

Colorful tapestry butterflies.
Detail of colorful tapestry butterflies.
New butterfly is ready to fly in.
New butterfly is ready to find its place in the mix.

This video shows how I make my tapestry butterflies.

May your days be colored with delight.

From the crayon box,
Karen

12 Comments

  • Joyce Lowder says:

    Beautiful colors! 🙂 Nice, simple video. 🙂

  • Charlotte says:

    Good morning, dearest! What a lovely way to start my day…a fresh cup of coffee and your sweet video. I am so thankful that we were able to take Joanne’s workshop. I finally finished my sample and realize how much I like the movement in the cloth. There isn’t a cartoon in mind, for me. But, I hope one day to dream up something and put it on the floor loom.

    Thank you for blessing me with your faithful love and kindness…

    • Karen says:

      Hi Charlotte, I, too, am grateful for that pictorial tapestry workshop! Movement in the cloth is a good way to describe it. It’s such a satisfying way to do tapestry.

      Happy weaving,
      Karen

  • Beth Mullins says:

    Well, isn’t that slick?! Thanks to you and Joanne for sharing this trick!

    • Karen says:

      Hi Beth, It is slick! Before I learned this simple method, my butterflies were nothing but trouble, coming undone and ending up in knots. Something so simple can make a huge difference.

      Have a great day!
      Karen

  • Annie says:

    Thank you for the video on butterflies, Karen! I have tried them from a book illustration and was thoroughly disappointed. They were loose and sloppy so I bought tapestry bobbins instead.
    I am saving this video for a future planned project.

    May you have a blessed day. I am looking forward to seeing what you create with with these butterflies.

    • Karen says:

      Hi Annie, It’s nice to have butterflies that hold together. I had trouble with mine, too, before learning this method.

      This tapestry will give me many hours of enjoyment! I’ll show it little by little.

      All the best,
      Karen

  • Butterflies were used on a cardboard tapestry loom for a 1973 high school art project. The slick wrapping was not taught.

    It would appear there is more to learn, even I areas I was confident..

    Don’t know about West Texas, but after a humid, rainy and sunless Monday..Tuesday is dry and cloudless. Beautiful day! New skill! God is in the heavens today.

    Nannette

    • Karen says:

      Hi Nannette, You have a great memory. It’s sweet that you remember these details from a high school art project.

      In this part of Texas (not quite considered West Texas), sunshine and scattered clouds have been the norm. Every day is a good day!

      Blessings,
      Karen

  • Allison Grove says:

    Thanks for this video. I’ve struggled with using butterflies, but now realize I haven’t been winding the tail end tight enough and too few times. Allison

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Travel Weaving to Germany

I am turning right around to head out on another travel adventure. This time it’s Potsdam, Germany and Innsbruck, Austria with my sister Barbara. You know what that means—prepare my smallest tapestry frame for travel weaving. Besides the loom, I need necessary tools, warp thread, weft yarn, a cartoon, extra paper and pencil, book light and extra batteries, and a small bag in which to carry it all.

Fresno Canyon in Big Bend Ranch State Park is breathtaking. Steve captured the awe last week with his Canon Rebel T3i Digital SLR camera. My dream now is to capture the view in yarn. I am making a cartoon directly from a black-and-white print of the photograph.
Choosing Fårö wool yarn for a tapestry.
My Fårö yarn is housed in three baskets of an Elfa cart. I look at a photo image of Fresno Canyon on my iPhone to select colors to use for the tapestry.
Preparing for some travel tapestry weaving.
Selected colors of yarn are wrapped on labelled embroidery floss bobbins to put in the travel tapestry bag.
Preparing for some travel tapestry weaving.
Weft colors are sorted and placed in the plastic pockets of this craft holder I found at Hobby Lobby.
Travel tapestry supplies.
Everything needed for a little 3 1/2″ x 6″ desert vista tapestry is being tucked away in travel bags.

After that, I can pack my clothes, etc. First things first.

(By the time you read this Barbara and I will be in Germany enjoying the food, listening to fine music, and scouting out fiber-y treasures whenever we get a chance.)

May your adventures be memorable.

Glückliches Weben,
Karen

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Process Review: First Drawloom Warp

There are two questions I hear most often. 1. How long did it take? 2. What is it going to be? These are hard questions to answer. I admit that I stumble around to find satisfying answers. 1. How long? Hours and hours. 2. Cloth. It is going to be cloth. What will the cloth be used for? I don’t know. But when I need a little something with a pretty design, I’ll know where to find it. There are two finished pieces, though, from this first drawloom warp: the Heart-Shaped Baskets table runner (adapted from a pattern in Damask and Opphämta, by Lillemor Johansson), and a small opphämta table topper that I designed on the loom. The rest are samplers, experiments, tests, and just plain fun making-of-cloth. Oh, and I wondered if I could take the thrums and make a square braid…just for the fun of it.

First warp on my drawloom. Success!
Opphämta piece on the left, with Fårö wool pattern weft. Heart-Shaped Baskets runner on the right, with red 16/2 cotton pattern weft. Ten pattern shafts.

I will let the pictures tell the story of this first drawloom warp.

May you have plenty of things to make just for fun.

Happy Weaving,
Karen

15 Comments

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