Tag: tying on

Tie the Rug Warp Back On

Karen

I’m at fresh starting place. After finishing another double binding rag rug, I have tied the rug warp back on. I’m ready for a new variation in this rag rug series of block designs. Rug warp lets me stop and start. Cut off and tie back on. It’s as simple as that.

Hem at the end of the second rug is woven in plain weave with narrow fabric strips for weft.
Off the loom for a first glance.
Warp ends have been tied in knots and trimmed. Hand hemming fini\shes the rug.
Second rug of the series.
After tying the warp back on, I start the third rug in the series.

May your progress be observable over a span of time.

Happy weaving,
Karen

Rag Rug in Spaced Rep Splendor

Karen

Spaced rep rag rugs have a graphic vibrancy that grabs my attention. Like regular rep weave, spaced rep is warp dominant. Unlike regular rep weave, the warp in spaced rep doesn’t completely cover the weft. That’s where rag weaving comes in, because the fabric-strip weft shows between the warps. The rag weft provides just enough color variation to satisfy a rag rug weaver like me.

Warp (12/6 cotton) is beamed and threaded. Ready to tie on.
Oh, the exhilaration of a new warp on the loom!

The pattern for this rug comes from Älskade Trasmattor, by Hallgren and Hallén, p. 87. The threading has dark and light ends that alternate, with four distinct blocks (five, if you count the plain weave block). And thick weft (fabric strips) alternates with thin weft (12/6 cotton rug warp), with four different treadling sequences. All of these factors work together to make the geometric pattern in the rug. It sounds complicated. Truly, though, it is merely a collection of simple systems that all work together. And the possibilities are endless.

Spaced rep rag rug. Pattern from Älskade Trasmattor, by Hallgren and Hallén, is modified for the floor space I have in mind.
Geometric pattern is primarily seen in the warp threads. The dark fabric strips for weft highlight the pattern even more.
Cherry wood ski shuttle by Steve for the fabric weft, and an open-bottom boat shuttle for the warp thread weft.

You are intricately and wonderfully made. To people who know you, no doubt, you look complicated. Your maker, however, knows your simple systems that all work together. The Lord knows you by name. His plan for you follows a masterful design. In the grand weaver’s hands, the possibilities are endless!

May the pattern of your life set you apart.

Happy Weaving, and welcome back to my studio,
Karen

Short Rug – Big Splash

Karen

This colorful double-binding rag rug is going to make a big splash. At least, it will catch a big splash. It’s a bath mat, after all.

From left to right: Warp is tied on. Leveling string. Blue and white scrap header. Warp thread header. Red plain weave hem. First four rows (eight picks) of double-binding rag rug. Ski shuttle for light-color weft. Ski shuttle for dark-color weft.

I am not fiddling with the weft fabric strips. Instead of making the right side of the fabric always show on top, I am letting the fabric strips fall as they may. The resulting variance in the weft gives the rug a vintage-like appearance. Also, I am using print fabric for some of the the light color of the double binding that purposely obscures the contrast of dark and light in some places. This is to give the rug a softer, more playful appearance.

Some of the red fabric for the rug’s hem has a wrong side that is much lighter than its right side. I am letting some of that lighter fabric show on top. Besides giving the rug a vintage-like appearance, this variance also makes the rug more reversible. The front and back side of the rug will be similar to each other, instead of one dark side and one light side.
Glimåkra Ideal, with the beginning of a burst-of-color short rug to be used as a bath mat.

Home is where we make our true expression. The textiles from our hands speak without saying a word.

May your home represent you well.

Happy Weaving,
Karen

Tried and True: Cutting Off for a Fresh Start

Karen

I have good reasons for cutting off this first double-binding rag rug before proceeding with the rest of the warp. This pause and reset ensures happy weaving to the end. Cutting off gives me a fresh start for the next rug.

Rug is wrapping around the cloth beam.

Reasons for cutting off rag rug before end of warp

  1. Uneven warp tension. I can improve the warp by tying back on.
  2. Large rag rag. I can get a tighter warp tension by removing the rug’s bulk from the cloth beam.
  3. New design. It helps me to see the completed rug before starting the next one, since this is a brand-new design.
Rug comes to an end with a red border/hem. A warp-thread header follows, and then a few rows of scrap header to help secure the weft until finishing knots are tied.

Steps for cutting off rag rug before end of warp (countermarch loom)

Secure everything before cutting off. Shaft bars are in shaft holders and shaft pins are put back in place.
Countermarch locking pins on this Glimåkra Ideal are wooden dowels that go through the all the holes in the countermarch jacks.
Tension on the warp is released at the back ratchet and front ratchet.
  • Mark a cutting line across the warp with a black marker. Allow at least 10 centimeters (4 inches) beyond the rug’s warp-thread header for tying knots later that will secure the weft.
Mark a cutting line across the warp. Leave enough warp at the end of the rug to tie overhand knots to secure the weft.
  • With tying back on in mind, cut one group of ends and skip the next group of ends. Continue across the warp, alternating cut and uncut groups of ends. Tie groups of cut ends in slipknots as you go.
By spacing out the cut ends, the weight of the rug is evenly distributed. There is less pulling and distortion while cutting off. At the same time I am preparing groups of ends for tying back on.
  • Make a second pass, cutting the remaining groups of ends, and tying them in slipknots.
Continue cutting off groups of ends.
  • Unroll the rug from the cloth beam. Take a photograph.
First look at the back of the rug.
  • Lay the rug out on the floor. Ooh and aah.
Double-binding rag rug, ready for finishing and hemming! I let the rug rest on the floor for a couple days to let the warp and weft relax. Next step is to tie ends into overhand knots.

May you get a fresh start whenever you need it.

Happy Weaving,
Karen

Sneak Out to the Drawloom

Karen

Two of my looms are getting the lion’s share of my attention right now. That doesn’t keep me from sneaking out to the drawloom, though, for an hour here, an hour there. Those hours add up. I have everything threaded and sleyed. The reed is in the beater now, and I’m tying on the warp.

Six ground shafts on the drawloom. Threading.
Pattern heddles have been threaded. Ground heddles are being threaded. 888 16/2 cotton ends on six ground shafts.
Getting ready to tie on the warp on the combo drawloom.
Moving the reed and threaded ground shafts to the front of the loom is tricky. Having a second pair of hands (Steve’s) definitely helps.

148 single unit lift heddles and 45 pattern shafts are waiting in the wings. I’m setting up the combination drawloom again for maximum flexibility in designing. That also means I’ll have abundant possibilities for weaving. Oh, what exuberant escapades await! This anticipation keeps me skipping down the path of preparation, ever so steadily, as I dream of entering that magical world of drawloom weaving once again.

Getting the drawloom ready to weave.
I like to tie all the ends into small sections (about 1 inch at the reed) first. Then I tie them on the front tie-on bar, starting right of center, and then alternate left, right, and so on.

There is a door into an invisible kingdom. You may have seen it as a child. The door to God’s invisible kingdom is open. With childlike trust we give our heart to Jesus and his kingdom comes alive. In the here and now, as our preparation continues, we are ever mindful of the abundant existence of the ever after. What exuberance awaits!

May you see like a child.

Happy Weaving,
Karen