Linen puts elegance in the picture. That’s why I am using 16/2 linen to make hanging loops for my three Christmas Snowflake banners. Before I hang the festive banners, though, I am embracing Thanksgiving. More than a food-filled holiday, Givingthanks is a treasure-filled way of living.
Short warping sticks on the warp beam of the Glimåkra Band Loom help the linen warp threads wind on with even tension. Blue basket underneath catches the warping sticks as they fall when I advance the warp.Band made with 16/2 linen, warp and weft, is a sturdy band. The saturated blue shows off the glimmering luster of linen.I like to weave as far as I possibly can, sometimes squeezing the last few weft picks through an increasingly smaller shed. Until it is nearly impossible to do one more pick.Weaving to the end.Cutting off reveals a lustrous woven band, perfect for the Christmas Snowflake Banners.
Our heavenly Father’s faithfulness is displayed like a banner in our lives when we attach the elegance of a thankful heart to everything we encounter. This season of gratitude extends for a lifetime.
Christmas Snowflake Banners, woven on the drawloom. Each banner will have three or more loops at the top edge, through which a rod will be inserted for suspending the festive banners for display.
Enter his gates with thanksgiving, and his courts with praise. Give him thanks. Praise his name. For the LORD is good. His loyal love endures, and he is faithful through all generations.
Two of my looms are getting the lion’s share of my attention right now. That doesn’t keep me from sneaking out to the drawloom, though, for an hour here, an hour there. Those hours add up. I have everything threaded and sleyed. The reed is in the beater now, and I’m tying on the warp.
Pattern heddles have been threaded. Ground heddles are being threaded. 888 16/2 cotton ends on six ground shafts.Moving the reed and threaded ground shafts to the front of the loom is tricky. Having a second pair of hands (Steve’s) definitely helps.
148 single unitlift heddles and 45 pattern shafts are waiting in the wings. I’m setting up the combination drawloom again for maximum flexibility in designing. That also means I’ll have abundant possibilities for weaving. Oh, what exuberant escapades await! This anticipation keeps me skipping down the path of preparation, ever so steadily, as I dream of entering that magical world of drawloom weaving once again.
I like to tie all the ends into small sections (about 1 inch at the reed) first. Then I tie them on the front tie-on bar, starting right of center, and then alternate left, right, and so on.
There is a door into an invisible kingdom. You may have seen it as a child. The door to God’s invisible kingdom is open. With childlike trust we give our heart to Jesus and his kingdom comes alive. In the here and now, as our preparation continues, we are ever mindful of the abundant existence of the ever after. What exuberance awaits!
I threaded 888 warp ends. I am getting ready to thread those 888 ends again. It’s part of the preliminary process for a new drawloom project. A drawloom has two sets of heddles. Thread the pattern heddles. Then, thread the ground heddles. I enjoy all the preliminaries because of what they bring about—a delightful new weaving adventure!
Before I start threading, I count out all the lingos (weights) I need for the pattern heddles. Then, I hang a lingo on each unit of pattern heddles. In this case, there are 148 units, and six heddles in each unit. I move all those prepared units (heddles with lingos) to the back of the loom, get comfortable on my loom bench, and start threading. After a few sessions, I am finished threading the pattern heddles.
Pattern heddles hang at the back of the loom for threading.On the walking path to my drawloom studio each day I see the startling blooms of our Texas hill country Bluebonnets. Just imagine the unseen preliminaries for this beauty!Threading continues.All 888 pattern heddles are threaded! Ground heddles are next…
Next up, I will thread long-eye heddles on six ground shafts. A few more start-up operations after that, and then we will see this big ol’ boat raise its sails and leave the shore for another exhilarating adventure in weaving!
May you enjoy the preliminaries for every new start.
Take a short stroll through our home and you will see and touch linen in all its superb versatility. Linen warp and weft speaks of elegance. Yet, this natural fiber is right at home with ordinary daily living. Linen, oh, how it sings!
I am thrilled to be dressing the Julia now with 16/2 linen on eight shafts. We will have another linen highlight to grace our home—a table runner for our dining room table.
It is a happy day when new tubes of Bockens 16/2 line linen arrive at the door.Winding two threads together at a time on the warping reel.Dividing the warp into three bouts makes it easier to spread and beam the warp with even tension across the warp.Golden bleached linen is a gorgeous backdrop for the olive center section and contrasting midnight blue borders.
Is there anything more vibrant than the sheen of linen saturated with color? And, have you noticed that plain unbleached linen is anything but plain? Linen fills both ends of the spectrum—glowing exuberant color and natural wrinkled humility. Linen, oh, how it sings! There’s always room for more music in the home.
The blue threads for this project are delightful! Four shades of blue, from pale blue to sapphire, play across the warp, accented with navy blue stripes. Lucious 8/2 cotton is threaded in eight-shafttwill. The hand of the fabric will be well suited for the chair arm- and headrest- covers I have planned. This blue color sequence is the winning combination from the thread wrappings I showed you in October. (See Warp Sequence Planning.)
Project notes sit with me on the loom bench. Beautiful warp beam gives a glimpse of how the blue flows together.
My warp planning had a calculation error. I went on my merry way, winding the warp, beaming the warp, and threading the heddles. Until, …Surprise! I have three extraends left after all the heddles are threaded. Fortunately, there is grace at the loom. I pull the navy blue border threads and three light blue threads out of their heddles and re-thread the navy blue border stripe. The three light blue ends will hang off the back, unused. All is well.
Three light blue ends sit on top of the lease stick tied to the back beam. These extra warp threads will hang off the back and stay out of the way of the warp being woven.
Grace is like that. We mess up, find and admit our wrong, and the Lord Jesus forgives, granting us a new start. When we are wrong we need grace. What about when others are wrong? When the errors of others affect us, what shall we do? Forgiveness is our only option. There is no good reason to hold those error threads and weave them into our fabric.
