I call her the ”Rain Girl.” She comes from an illustration in a very old children’s book on our bookshelf. The small tapestry is cute. But with its many slits and single warp wrappings, it falls short of what it could be. I compromised best practices to make it work.
The main fault is with the cartoon. It isn’t weave-able. The image is too small for this sett. There must be a better way to weave this image.
I am starting over with a whole new cartoon! I have now learned that Affinity Designer (computer graphics software) gives me the ability to create vertical parallel lines equivalent to my sett. With those lines in view I can see exactly how each part of the cartoon fits the warp spacing. I am turning the image on its side and enlarging it, and then, cropping to size. This cartoon is going to be weave-able.
All of us have gone our own way. We insistently follow our own cartoon, compromising best practices, while struggling to make it work. There is a better way. Jesus Christ gave himself so that the Grand Weaver’s cartoon could be written on our hearts. In his hands we become his beloved tapestry. Be weave-able.
I have questions galore as I begin a new warp on the combination drawloom. Is this the best sett for these threads? How are my sheds? What will orange-ey weft colors do on this pewter and blue warp? Is the image of this first design better face up, or face down? How can I include a couple extra colors in the design? The loom is set up with 45 pattern shafts and 148 single units. I’m eager to begin!
Sampling at the beginning of the warp gives me answers. The sett is good—18 ends per centimeter, with 16/2 cotton in 6-shaftirregular satin. After some tweaking, the sheds are good—and all the treadles touch the floor when the optimum shed is reached. The weft colors look good—better than expected. And, definitely, the jam jars need to be face down—so, I reverse the image in Affinity Designer on the computer and print out a new chart. I can sneak in some extra colors with narrow weft stripes—beginning and ending borders. I’m ready to roll! New kitchen towels in various designs are moving forward! First up…Peach Jam Jars.
~It is a joy to have you visit with me every week! It is time for my annual pause for the month of July. I’ll see you back here on Tuesday, August 3, 2021.~
Until then, may the Lord bless you and protect you; may the Lord make his face shine on you and be gracious to you; may the Lord look with favor on you and give you peace.
How do you come up with a design for standout hand towels? Sometimes it’s nice to start with someone else’s ideas. There is a gorgeous wool throw, designed by Anna Svenstedt, in Favorite Scandinavian Projects To Weave: 45 Stylish Designs for the Modern Home, by Tina Ignell. This Colorful Throw—Reverse Twill makes a perfect template for designing eye-catching hand towels.
Colors – a set of seven colors, to be used in warp and weft
Fiber – 22/2 cottolin for warp and weft
Reed and sett – 50/10 metric reed, 10 ends per centimeter (~ 12-dent reed, 24 ends per inch)
Finished size of towel – 39.5 cm x 63 cm (15.5” x 24.5”)
Number of towels – 2 pairs of towels = 4 total
Spacing of warp stripes – add two more narrow stripes at each selvedge to balance the pattern
These decisions enable me to prepare a project plan, make calculations, and write a new weaving draft.
When the loom is dressed, the design process continues as I begin weaving a sample section. This is where I decide what weft colors to use, the spacing of weft stripes, and specific treadling patterns. I add these notes to my project sheet, which I keep at the loom as my weaving roadmap.
These hand towels are a preview. If they turn out as hoped, I may have to make some bath towels to match.
Friends, It’s that time again, when Warped for Good is put on pause for the month of July.
Thank you for sharing in this journey with me!
What’s on my looms: I am near the end of the blue double weave blanket on the Standard, and I am planning a new pictorial tapestry for that loom. The drawloom is dressed and in motion. And the Ideal loom is still sitting ready for rosepath rag rugs. Also, Steve and I have a Casita trip planned that will include some leisurely backstrap band weaving.
What’s on your loom right now? Share with us in the comments.
See you the first Tuesday of August! (In the meantime catch me over on Instagram @celloweaver.)
May your second times be better than your first times.
I made an embarrassing blunder. No wonder this Tuna wool resists all my efforts. It’s the wrong yarn! Tuna is 6/2 wool—twice as thick as the 6/1 wool I should be using. Cowboy Magic won’t solve this sticky problem. (I thought it would, as I expressed in this post: Tame the Wool.)
The yarn is gorgeous, but my frustration level is pushing me to throw in the towel. I tried hard to make this work. I was so convinced I had the right yarn that I missed it even when reader Joan left a gentle comment asking if 6/1 Fårö yarn would work (I’m sorry for not listening, Joan). There is nothing left but to cut off this failure.
In this lowest moment a thought occurs to me. Re-sley the reed. An ounce of hope rises.
I re-sley to a coarser reed and tie back on. I hold my breath and step on the treadles. It works. And it’s gorgeous!
Have you experienced great disappointment and loss of hope? Sometimes our own failure brings us to that point. The Lord makes things new. We come to Jesus with our failed attempts, and he exchanges our used rags of effort with his clean cloth of righteousness. In his forgiveness, the failure is cut off and removed. Our threads are re-sleyed and re-tied to make us gloriously new.