My New Glimåkra Julia Loom

My family of looms just welcomed a new little sister—Julia! This 8-shaft countermarch is Glimåkra’s smallest floor loom. I dressed the loom right away in 6/2 Tuna wool for 4-shaft Jämtlandsdräll to try out the loom. So far, so good. An 8-shaft project using 20/2 Mora wool is up next. Would you believe this is my new portable loom? Surprisingly, the Julia fits in the back of our vehicle, without disassembling. This is the loom you can expect to see with me at future workshops.

My new Glimakra Julia Loom delivered!
One of the boxes delivered to my front door.
Assembling my new Glimakra Julia loom!
Loom assembly in our foyer.

My Julia Observations:

  • It goes together like you’d expect from a Glimåkra. Instructions are minimal, and quality is high. It’s a well-designed puzzle.
  • The assembled loom is easy to move around to gain space needed for warping, or simply to change location for any reason.
  • The breast beam is not removable like it is on my other Glimåkra looms, which makes it a stretch to thread the heddles from the front. However, by hanging the shaft bars from the beater cradle at the very front I can thread the heddles without back strain. (Or, if you are petite and don’t mind climbing over the side, you can put the bench in the loom for threading.)
  • Tying up lamms and treadles is not much different than it is for my Ideal. Everything is well within reach from the front. It helps to take the lamms off the loom to put in the treadle cords, and then put the lamms back on the loom. With one extra person available, it is entirely feasible to elevate the loom on paint cans, upside-down buckets, or a small table to make tie-ups easier, but I didn’t find it necessary to do that.
Swedish loom corner in the living room. New Glimakra Julia.
Loom that Steve built sits near the windows in our living room. Julia sits nearby. Sister looms.
Glimåkra Standard and Glimåkra Julia in the living room.
Glimåkra Standard sits by the windows at the front of the living room. Julia sits a few steps away. Loom sisters.
  • Weaving on the Julia is a delight, as it is with my other countermarch looms. Everything works. With four shafts, the sheds are impeccable.
  • The bench adjusts to the right height.
  • The hanging beater is well balanced, sturdy, and has a good solid feel. I can move the beater back several times before needing to advance the warp.
  • I thought the narrower treadles might prove annoying, but I’ve been able to adjust quickly. After weaving a short while, I forget about the treadle size.
Jämtlandsdräll in Tuna wool.
Double-bobbin shuttle for the pattern weft, and new boat shuttle that came with the loom for the ground weave weft. All 6/2 Tuna wool. Jämtlandsdräll.

Steve is the loom assembler in our family. I stand by and give a hand when needed. I hope you can feel our excitement as you watch this short video of us discovering what’s in the boxes and figuring out how it all goes together.

May you enjoy the puzzles that come to your doorstep.

Happy Weaving,
Karen

Dismantled Loom

As June comes to a close, it’s time to sign off for a short while. Meet me right back here the first Friday of August! And head on over to Instagram ( @celloweaver ) to keep up to date with all my daily happenings on and off the loom!

Some things are on hold right now. My “weaving studio” suddenly looks like the spare bedroom it used to be. The big loom is dismantled! Fortunately, it is not a problem for this smart Glimåkra Standard loom to hold onto the warp that I’ve already wound onto the warp beam. The good news is that this cherished loom is being relocated to our Texas hill country home, where it will take the stage as if it were a grand piano.

Preparing loom for dismantling with warp on the loom.
White sheet from my box of old sheets (for scrap rag weft) is used to wrap the warp on the warp beam. It is tied securely with some long fabric strips.

Dismantling my loom for moving.
Shafts are tied together at the ends with seine twine. Fabric strips are tied around to hold the shafts together in a bundle. The bundle of shafts is placed on an old Flintstones beach towel, and then wrapped up like a big burrito and tied up with more fabric strips.

Dismantling the Glimakra Standard.
Piece by piece, loom is dismantled.

Relocating this Glimakra Standard loom.
Fully dismantled, the loom becomes sticks and pieces of wood. Ready for relocation!

Boxes labeled "KEEP WITH LOOM," for loom being relocated.
Loom essentials are in boxes labeled “KEEP WITH LOOM.” The wooden mallet will be one of the first things needed.

Hold. Several meanings for this word come to mind. Sometimes our familiar patterns of daily life are on hold. There’s a pause, a held breath. But during that pause, our plans and threads of normal practices are securely and lovingly wrapped up on a strong beam of hope. Wrap the spare cloth securely over your precious warp ends so that when it’s time, you can unroll the warp and finish dressing the loom for spectacular twelve-shaft double weave towels. Hold fast to Christ as Christ holds all your interrupted threads of being.

PS The Lizard tapestry is in full swing on the not-dismantled Glimåkra Ideal.

Lizard tapestry on Glimakra Ideal loom.
Lizard tapestry on the Ideal loom now has my singular attention. Thirty centimeters complete.

May you have a fantastic July!

Lovingly,
Karen

Quiet Friday: Lucia Portrait Tapestry

A little here, a little there, and eventually I finish another small tapestry. This little woven portrait of my granddaughter Lucia was a huge challenge. I knew that from the beginning. In fact, I had about three beginnings with this intimidating project. My aim is not to make a masterpiece, but to keep making. And making, and making. Every time I go beyond what I think I can do, I learn more.

This Lucia Portrait Tapestry is best viewed from a distance. Up close, the details seem abrupt and harsh. But when I look at her from across the room, I see the picture of a child’s face.

I trimmed the weft tails on the back, steamed the piece, and made a half Damascus edging. The edging and the weft tails near the sides are stitched down. The hems are turned under and stitched. I plan to mount this on a linen-covered square, and hang the finished piece where it can be easily viewed from a few steps back.

Ending a small frame loom tapestry.
Small tapestry ends with a short hem, warp thread header, and a scrap header. I overestimated how far I could comfortably weave. This is a less-than-optimal distance from the end of the warp for weaving.

Trimming weft tails on the back of the little tapestry.
Most of my tapestry weaving is done in the evenings as part of my winding-down routine. In this session the back of the tapestry gets a haircut.

Finishing a small tapestry. Cute slideshow video.
Straggler weft tails are reigned in with a little sewing thread.

Small tapestry portrait. Slideshow video of the process!
Finished Lucia Portrait Tapestry is 4 1/4″ x 4 7/8″.

Enjoy this slideshow video. The ending is sure to make you smile!

May you keep making.

Love,
Karen

Tapestry Portrait Progress

Once I get going, it’s not easy to put this Lucia tapestry portrait down. Each new row is another chance to turn it over and see how she’s coming along. A long car drive gives me a good stretch of weaving time. While Steve drives, I weave on my small tapestry frame. As a result, I am making considerable progress on Lucia this week.

Detailed cartoon gives direction for color blending and color changes. Magnets along the side of the frame loom hold the tapestry needle that I use for the weaving.

I am trying to withhold judgment until it is finished. And a close-up view shows details of the yarn, but doesn’t give a good perspective of the portrait overall. I am learning quite a bit through this process, un-weaving when necessary, and moving forward ever so slowly.

Small tapestry portrait in progress.
Lucia portrait. Three strands of Fårö wool for weft gives good options for color blending.

Beloved. Lucia is one of my beloved granddaughters. No matter what details happen in her life, she has my affection. Your beloved is someone you care for deeply, earnestly desiring their highest good. Spouse, children, friends, blog readers…those you choose to give yourself to. You want them to “be loved,” not only by you but by the Master tapestry weaver. To know the Grand Weaver’s love is to know you are loved in detail. It includes forgiveness, which looks a lot like un-weaving. He knows exactly how to weave the portrait of you, his beloved.

May you be loved.

Love,
Karen

Weave the Portable Way

What do you do when you are away from your looms for a week? Portable weaving, of course. I thought about bringing my band loom, but fitting the band loom in the car turned out to be more of a hassle than it is worth. So the band loom stayed home.

Glimakra band loom with cottolin warp.
Band loom stays home.

I have my inkle loom with me instead, as well as my small tapestry frame. Steve is taking a woodcarving class from Dylan Goodson this week at the Texas Woodcarvers Guild Seminar; and while he is in class I am keeping my hands busy with portable weaving.

Woodcarving class by Dylan Goodson.
Steve beginning to shape his relief carving, following the finished example by his instructor, Dylan Goodson.

Linen inkle band.
First inkle band of the week is linen.

Cottolin inkle band warp.
Cottolin warp for the second narrow inkle band.

Cottolin inkle band.
Second inkle band almost finished.

Small tapestry on portable frame loom.
Start of a small tapestry of a little girl, derived from a picture in a children’s book.

Cottolin inkle band. Karen Isenhower
Time to put on one more inkle warp!

Woodcarver doing relief carving.
Adding more details to the relief carving. Good carving takes time and patience. Like weaving.

May you enjoy passing the time away.

Happy portable weaving,
Karen