One More Swedish Art Weaves Bag

A warp is finished when the woven cloth has been taken to completion. At that point, the loom is free for a new warp. That is the rule I’ve given myself. If I ignore the rule and put on a new warp before its time, the unfinished cloth has a way of staying unfinished for too long.

Joanne Hall's Swedish Art Weaves workshop in San Antonio, Texas.
Ready to pack up after the Swedish Art Weaves workshop and take my loom back home. The Joanne Hall workshop was sponsored by the enthusiastic San Antonio Handweavers Guild a few months ago.
Monksbelt woven with pick-up.
Monksbelt pattern continued at home.
Swedish art weaves - dukagång.
Woven from the back, this dukagång pattern came from a Swedish publication I borrowed from the San Antonio Handweavers Guild library.
Weaving krabbasnår and other Swedish art weaves.
Krabbasnår, just behind the fell line, is from a pattern in Heirlooms of Skåne, Weaving Techniques, by Gunvor Johansson.

Thanks to that completion rule, I have a new bag. This fabric includes the various patterns that I wove in Joanne Hall’s workshop on Swedish Art Weaves several months ago. You will also see that I explored some patterns on my own at home. I gained two excellent outcomes from this finishing pursuit—a new bag to use, and a loom that is free for the next warp! (See the first bag here: Monksbelt Flowers on a Shoulder Bag)

Making a bag from Swedish art weaves.
Side piece, krabbasnår, is hand-stitched in place. From the top of the bag to the bottom – krabbasnår (krabba), rölakan, halvkrabba, dukagång, munkabälte (monksbelt), each section separated by plain weave stripe variations.
Handwoven bag made from Swedish art weaves.
On this side of the finished bag, from top to bottom – halvkrabba, dukagång, munkabälte. I made the hard decision to take out a section of rölakan I had woven in order to be able to put the knots from the linen warp at the top of the bag.
Handwoven bag made from Swedish art weaves.
Bag is lined and has pockets, and has a magnetic snap closure. The 6/2 Tuna wool shoulder strap was woven on my Glimåkra band loom.
Handwoven Swedish art weaves bag just finished. Now, on to the next warp!
Now, on to the next warp!

Left to myself, I’d rather do what I want. I’d rather start a new project than bring an “old” one to completion. I’m glad my Lord is faithful with me. He completes the work that he began. The Good Shepherd tends his sheep. He leads us to the still waters of peaceful perseverance, saving us from the regret of going our own way. And we have his perfect outcome to look forward to.

May you resist doing what you’d rather do.

With you,
Karen

14 Comments

  • Beth says:

    Wow! You never cease to amaze me, Karen. It’s lovely!

  • Karen says:

    Absolutely lovely…so colorful and lively. I just love this!

  • Joanne Hall says:

    Hi Karen, what a great bag you have made. I think you will have fun using it. It is so colorful and playful. Thanks for sharing this. I have a few samplers that I could make into more bags.
    Joanne

    • Karen says:

      Hi Joanne, I think this will become a favorite bag to use for special occasions. Every time I look at it I’m reminded of how much fun we had in that workshop! Making a bag is a great way to use a sampler.

      Thanks so much,
      Karen

  • Denise Schryver says:

    Very beautiful Karen!
    Our guild had a Swedish art weaves workshop with Joanne scheduled but was cancelled due to covid. I may have to try on my own after seeing your lovely work!

    • Karen says:

      Hi Denise, I hope you do give these beautiful weaves a try. The Väv 2/2013 issue has very good instructions, as well as the book I mentioned in the post. Nothing beats being taught by Joanne in person; however, you can still do it on your own. And hopefully after things get back to normal, your guild will have Joanne come then.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,

    Basis the condition of both our homes as we push through transition to retirement, I’ve been deaf to God’s direction for a long time.

    One hour home repairs finally done.

    Long forgotten ‘ must make ‘ textile projects rediscovered in a mystery bag stuffed in a basement box.

    Projects started by beloved long gone, and never finished.

    Love your posting.

    Nannette

  • Linda Adamson says:

    Love your “bag” which I would call a work of art. Thanks for sharing your posts. God Bless!!!

  • Elisabeth says:

    Beautiful, and great use of the Swedish art weave fabric!
    And I really like that rule, I don’t think we were meant to procrastinate 🙂

    • Karen says:

      Hi Elisabeth, Things go better if we don’t procrastinate. I’ve had to relearn that more than a few times. The Swedish art weaves are so beautiful, so it’s nice to have a way to show them off.

      Thank you,
      Karen

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Monksbelt Flowers on a Shoulder Bag

Remember Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in more depth.

Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.
Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.

I finished off the linen warp by making a front and back panel for a small shoulder bag. A monksbelt pattern is scattered like flowers on the front. The back has various stripe patterns in weft-faced plain weave. I wove a shoulder strap on my band loom using 6/2 Tuna wool for warp and 12/6 cotton for weft.

Weaving Monksbelt with half heddle sticks.
Half-heddle sticks and batten in front of the back beam, for weaving monksbelt patterns.
Pick up for monksbelt.
Pick-up stick in front of the reed is being used to weave a monksbelt flower “petal.”
Handwoven shoulder bag in progress.
Back panel has varying stripe patterns.
Cutting off.
Cutting off.
Glimakra band loom. Narrow wool band.
Narrow wool band for the bag shoulder strap.

The bag has simple construction, mostly hand-stitched. In one of my remnant bins I found a piece of wool fabric that I wove several years ago. It’s perfect for the sides and bottom of the bag. The lining uses pieces from fabric that went into my latest rag rugs, and has pockets, of course.

Making a handwoven wool bag.
Overhand knots secure the warp ends.
Construction of a wool shoulder bag.
Ready to assemble all the parts.
Constructing a small handwoven wool bag.
Handwoven wool pieces are hand-stitched together.
Handwoven wool bag construction.
Bag construction continues with stitching the back in place.
Magnet closure on a handwoven bag.
Magnet closure is added to the lining before stitching the lining in place. Knots and fringe outline the top of the bag.

This bag with Monksbelt Flowers is for carrying sweet memories, happy moments, and heavenly dreams.

Handwoven shoulder bag.
Inside of handwoven wool bag.
Pockets in the lining.
Monksbelt Flowers handwoven shoulder bag.

Resources: Swedish Art Weaves workshop with Joanne Hall; Heirlooms of Skåne Weaving Techniques, by Gunvor Johansson; Väv Scandinavian Weaving Magazine, 2/2013.

This is the time for my annual pause for the month of July. I appreciate you joining me in this weaving journey!

I look forward to being back with you again Tuesday, August 4. In the meantime, joyfully draw living water from the source, Jesus Christ.

May you carry no more than necessary.

With love,
Karen

20 Comments

  • NancyNancy Malcolm says:

    Beautiful! As always.

  • Beth says:

    It’s wonderful! Love the playful flowers.

  • Averyclaire says:

    This is absolutely marvelous! I am a new weaver and am truly impressed with all your projects. So much to learn so little time! Thank you for sharing your lovely work! I can only dream

    • Karen says:

      Hi Averyclaire, Welcome to the delightful world of weaving. No matter how much time we have, thankfully, there will always be more to learn.

      Happy weaving,
      Karen

  • Elisabeth says:

    What a great way to use a class project! It’s such a happy bag 🙂 I think my favorite details are the asymmetrical flowers and the exposed fringe on top. I admire your creative use of remnants.

    Enjoy your pause!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, I wanted to make asymmetrical flowers because that is possible only with the pick-up method, and not possible with standard monksbelt threading. The exposed fringe on top is one of my favorite details, too. It came about because it was simpler than trying to fold the edge under.

      Thanks!
      Love,
      Karen

  • Nannette says:

    I can’t add to above comments..

    Enjoy your sabbatical!!

    Nannette

  • Maria Slayman says:

    I love how it all came together from your stash! Bet that felt good! Beautiful!

  • Joanne Hall says:

    I love how the light colored centers in your monksbelt flowers jump out and say,”look at me”. This is a great design. And I like how you have the knots and linen ends sticking out. That is very effective.
    Joanne

    • Karen says:

      Hi Joanne, It was fun to try to make a monksbelt design that would show off the possibilities of this method. This was a fun “playtime” at the loom. The knots and linen ends sticking out was an afterthought, but I liked the idea to show off the light-hearted concept of the scattered flowers.

      Thanks for your encouragement,
      Karen

  • LJ Arndt says:

    I love the view thru the loom of seeing the weaving that you did at the workshop thru the loom and then the newest weaving still showing on top of the warp.

    • Karen says:

      Hi LJ, That’s my favorite view. There is something intriguing about looking through the warp to the previously-woven fabric.

      Thanks for chiming in,
      Karen

  • Lyna says:

    “May you carry no more than necessary.” A great reminder to cast our cares on Him!
    Have a blessed July!

  • Cynthia says:

    Hey Karen. Lovely. I have gobs of scrap quilt fabric. Too bad we don’t live closer, you could be going through my scraps for linings to your things.

    • Karen says:

      Hi Cynthia, It’s fun to find ways to use scraps. It’s probably good that I don’t have access to your quilt fabric scraps. I have plenty of my own to use up. 🙂

      All the best,
      Karen

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My New Glimåkra Julia Loom

My family of looms just welcomed a new little sister—Julia! This 8-shaft countermarch is Glimåkra’s smallest floor loom. I dressed the loom right away in 6/2 Tuna wool for 4-shaft Jämtlandsdräll to try out the loom. So far, so good. An 8-shaft project using 20/2 Mora wool is up next. Would you believe this is my new portable loom? Surprisingly, the Julia fits in the back of our vehicle, without disassembling. This is the loom you can expect to see with me at future workshops.

My new Glimakra Julia Loom delivered!
One of the boxes delivered to my front door.
Assembling my new Glimakra Julia loom!
Loom assembly in our foyer.

My Julia Observations:

  • It goes together like you’d expect from a Glimåkra. Instructions are minimal, and quality is high. It’s a well-designed puzzle.
  • The assembled loom is easy to move around to gain space needed for warping, or simply to change location for any reason.
  • The breast beam is not removable like it is on my other Glimåkra looms, which makes it a stretch to thread the heddles from the front. However, by hanging the shaft bars from the beater cradle at the very front I can thread the heddles without back strain. (Or, if you are petite and don’t mind climbing over the side, you can put the bench in the loom for threading.)
  • Tying up lamms and treadles is not much different than it is for my Ideal. Everything is well within reach from the front. It helps to take the lamms off the loom to put in the treadle cords, and then put the lamms back on the loom. With one extra person available, it is entirely feasible to elevate the loom on paint cans, upside-down buckets, or a small table to make tie-ups easier, but I didn’t find it necessary to do that.
Swedish loom corner in the living room. New Glimakra Julia.
Loom that Steve built sits near the windows in our living room. Julia sits nearby. Sister looms.
Glimåkra Standard and Glimåkra Julia in the living room.
Glimåkra Standard sits by the windows at the front of the living room. Julia sits a few steps away. Loom sisters.
  • Weaving on the Julia is a delight, as it is with my other countermarch looms. Everything works. With four shafts, the sheds are impeccable.
  • The bench adjusts to the right height.
  • The hanging beater is well balanced, sturdy, and has a good solid feel. I can move the beater back several times before needing to advance the warp.
  • I thought the narrower treadles might prove annoying, but I’ve been able to adjust quickly. After weaving a short while, I forget about the treadle size.
Jämtlandsdräll in Tuna wool.
Double-bobbin shuttle for the pattern weft, and new boat shuttle that came with the loom for the ground weave weft. All 6/2 Tuna wool. Jämtlandsdräll.

Steve is the loom assembler in our family. I stand by and give a hand when needed. I hope you can feel our excitement as you watch this short video of us discovering what’s in the boxes and figuring out how it all goes together.

May you enjoy the puzzles that come to your doorstep.

Happy Weaving,
Karen

26 Comments

  • Nannette says:

    Too cool.
    What a great video of putting together the 3d wooden puzzle. It reminds me of sewing a tailored jacket. All those pieces with no rhyme nor reason until it starts to come together.
    When I think about it… That is what weaving is.
    Thanks for sharing.

    • Nancy says:

      Thank you for the glowing review! I was ready to purchase one, but was told it isn’t the wood like in the regular Glimakra loims, but plywood. Also told the front and back beams get grooves in them from the warp threads.
      Waiting for your updates in about 2 months.
      Thanks!

      • Karen says:

        Hi Nancy, If you haven’t heard enough about it in a couple months, send me a note and I’ll give an honest update.

        The wood is most definitely beautiful solid wood, not plywood at all. Any wooden breast beam and back beam will show wear from warp threads and beam cords. This loom is no different. I don’t think it’s a problem.

        Happy weaving,
        Karen

        • Anonymous says:

          Thank you very much! I will get back to you! Perhaps this dealer was trying to upsell me?
          Nancy

          • Karen says:

            Nancy, I look forward to hearing from you. I hope the dealer had better intentions than that. Anyway, if you keep doing your research you will end up with a good loom.

            Karen

          • Nannette says:

            Hi Nancy,
            Decades ago I was enamored with English smocking and took two classes from two different instructors.on maintenance and care of the pleater. The first class I took we were told to NEVER EVER take the pleater completely apart as it was not possible to ever get it back together and working properly. The second class I took began with the instructor ‘accidentally’ dismantelling the pleater. We were taught how to care for a very simple tool.
            Maybe your dealer is not familiar with the loom?
            It sounds like you have a support system in this blog to help you through any challenges.
            Nannette

    • Karen says:

      Hi Nannette, It’s very interesting how all those tinker-toy sticks fit together perfectly!

      Happy weaving,
      Karen

      • Nancy says:

        Karen, is there some way you can email with me?
        My email is camel heights at msn dot com.
        Strange I know, it’s a street I lived on in Evergreen, Colorado. On the side of a mountain.
        I have more questions about this loom.
        Thank you very much!
        Nancy

  • Betsy says:

    She’s adorable! May you have many happy workshops together.

  • Kristin G says:

    Loved the video – I could feel the excitement! I’m looking forward to seeing the beautiful items you will create with her 🙂

  • Julia says:

    I can agree with you there. The Julia is a great little loom, I speak from the experience of a proud owner. I can therefore fully understand the joy of unpacking, because it was very similar to me last fall, only that it was my first loom… Greetings from Berlin, Julia

    • Karen says:

      Hi Julia, It’s good to hear from you. Oh, the excitement of putting together your first loom! That is the best of all. The Julia is a perfect first loom! Or second, or third, or fourth, or fifth… 🙂

      Very Happy Weaving,
      Karen

  • Annie says:

    What a darling little loom! I wish I had room for one more. I don’t always reply but always read you posts, Karen. Not only do I always learn something but I just enjoy feeling that we are keeping in touch.

    Please tell Steve I think he is the best husband a weaver could ever have!

    • Karen says:

      Hi Annie, It’s satisfying to know you read these posts. I do like keeping in touch, too.

      I’ll tell Steve. He’s definitely the best husband this weaver could ever have!
      Love,
      Karen

  • Gretchen says:

    Congratulations on your new loom Karen! How exciting!! And there os just nothing more beautiful than a new loom! May Julia bring you many happy hours of weaving. Sending love from WA. Gretchen

  • marlene toerien says:

    i am green with envy, I would love to own a Julia, or even a Mighty Wolf from Schacht, as I am living in South Africa where looms are a big luxury at the moment with our exchange rate, and my studio space is taking over our home, it will stay a dream. I do have 5 Varpapu looms, 3 table looms, 2 floor looms.

    • Karen says:

      Hi Marlene, Thanks for chiming in!
      I’m glad that you have some good Varpapu looms to work with. The Julia is a sweet little loom in the family of Glimakra looms. The Glimakra Standard is still my favorite.

      Happy weaving,
      Karen

  • Marina says:

    Great video! What are the thingies under the feet of the loom in the background?

    • Karen says:

      Hi Marina, I’m glad you enjoyed the video! What you are seeing under the feet of my other looms are Stadig Loom Feet. They keep the loom from “walking,” and they help absorb the impact of the beater when firm beating is needed, such as for weaving rugs. I get them from GlimakraUSA.com.

      Thanks,
      Karen

  • […] My intention is to weave fabric for a couple of cushy throw pillows. But after just one pattern repeat, I realize that this cloth on my brand new Glimåkra Julia is something I would like to wear! No pillows this time. Instead, here is my new autumn/winter shoulder wrap, embellished with frisky swinging fringes. Miss Julia has proven her worth on four-shaft Jämtlandsdräll (crackle) in 6/2 Tuna wool. Her next adventure will be something that explores all eight shafts. (See My New Glimåkra Julia Loom.) […]

  • MitzyG says:

    Is your Julia made of pine?

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Swedish Art Weaves with Joanne Hall

Krabbasnår (or Krabba), Rölakan, Halvkrabba, Dukagång, and Munkabälte (Monksbelt). These unique weaves have intrigued me since I first saw photos of them. Some of the designs look like hand-stitched embroidery. The Swedish Art Weaves workshop with Joanne Hall introduces the simple techniques used for weaving these traditional patterns. I’m thankful to have the opportunity to learn how to weave these beautiful designs for myself.

Swedish Art Weaves workshop with Joanne Hall.
Joanne brought examples of Swedish art weaves for the students to view.

Joanne’s presentation to the San Antonio Handweavers Guild was enlightening. Photos of her travels to Sweden show how the rich weaving heritage there continues to thrive. That, along with Joanne’s knowledge of Swedish weaving traditions, gives context to these Swedish art weaves.

Krabbasnår, a Swedish art weave.
Krabbasnår (krabba) is a laid-in technique with a plain weave ground. The pattern uses three strands of wool Fårö yarn. The warp is 16/3 linen.
Weaving Krabba, a Swedish art weave.
Besides maintaining warp width, the temple is useful for covering up the weft tails to keep them out of the way.
Workshop with Joanne Hall. Swedish Art Weaves.
Joanne explains the next step to workshop participants.
Swedish Art Weaves sampler, with Joanne Hall.
Dukagång is another laid-in technique with a plain weave ground. A batten is placed behind the shafts to make it easy to have the pattern wefts cover two warp threads. (A jack loom can do the same by using half-heddle sticks in front of the shafts.) Dukagång can be woven as a threaded pattern, but then the weaver is limited to that one structure, instead of having different patterns all in the same woven piece.
Fascinating way to weave monksbelt!
With threaded monksbelt, as I have woven previously, the monksbelt flowers are in a fixed position. With this art weaves monksbelt, the monksbelt flowers can be placed wherever you want them. Half-heddle sticks at the back, batten behind the shafts, and a pick-up stick in front of the reed–a fascinating way to weave this traditional pattern.
Swedish Art Weaves workshop with Joanne Hall. So much fun!
Last loom standing… Time to pack up. As I prepare the loom for transport, I detach the cloth beam cords. Now we can see the right side of what I have woven.
Swedish Art Weaves with Joanne Hall. Fun!
From the top: Krabbasnår, Rölakan Tapestry, Halvkrabba, Dukagång, and Munkabälte.

Väv 2/2013 has instructions for the art weaves. I have the magazine issue, but Joanne’s workshop brings the historical techniques to life and makes them understandable. That is exactly the prompting I needed to begin exploring these fascinating patterns on my own loom.

Weaving Swedish art weaves from the back.
Back at home, my little loom is getting ready to weave some more beautiful Swedish art weave designs.

May something historical be your new interest.

Happy Weaving,
Karen

19 Comments

  • Beth says:

    Beautiful! I’m curious, how long did it take to weave this piece?

    • Karen says:

      Hi Beth,

      As with most weft-faced weaves, this is not fast weaving. I was happy to be able to finish this much in a 2 1/2-day workshop. I’m eager to do more of this slower-paced weaving at home.

      Thanks,
      Karen

  • Charlotte says:

    Brilliant that you were able to take your loom…your beautiful loom…your piece is absolutely lovely. The colors in your top match the colors in your cloth. Fun!!!! And, lovely cloth!!!!

    • Karen says:

      Hi Charlotte,

      I’m fortunate to have a countermarch loom small enough to be dismantled and relocated. It was a satisfying workshop. So enjoyable to make these unique patterns in the cloth!

      Thank you,
      Karen

  • Vivian says:

    Your explanation is bright and helpful. I will shelve these weaving methods. I have been interested in the weaves and you have helped untangle the concepts as well as highlight the various groups of Swedish weave structures.

  • Cindie says:

    How timely, I’ve just written my deposit check this morning for a guild workshop we’ll be having with Joanne this coming fall.

  • Jane Milner says:

    I recently took the same class with Joanne Hall at the Eugene Textile Center in Eugene, Oregon. Lots of fun, and I learned a lot!

    Is your small loom a Glimakra? What is it?

  • Anonymous says:

    I just got myself a 32 in Heddle. I’d like to make small Matt’s and runners. I live in Chilliwack B.C. Can you direct me to a class?

    • Karen says:

      Hi new weaver, I am not connected with any rigid heddle loom classes. There are some good books on rigid heddle weaving. A book by Syne Mitchell, Liz Gipson, or Jane Patrick would be a great place to start.

      All the best,
      Karen

  • Ladella Williams says:

    Ladella from Portland Oregon actually knows Joanne Hall! Also she went to college with my cousin! I highly recommend her as a weaver with considerable experience! She has a wealth of knowledge and experience! Happy Weaving! I have been weaving forever it seems!

    • Karen says:

      Hi Ladella, How wonderful that you have a personal connection with Joanne. Her weaving knowledge and experience can’t be matched. What I love about Joanne is her kind and gentle manner as she patiently passes on her knowledge to her students.

      Thank you for chiming in!
      Happy weaving,
      Karen

  • Arlene says:

    Facinating.. can you suggest a book but I could follow the technique …thanks in advance Arlene

    • Karen says:

      Hi Arlene, Yes, I recommend Heirlooms of Skåne: Weaving Techniques, by Gunvor Johansson. Vavstuga.com carries the book. The author covers all these techniques in detail. It’s a beautiful book.

      Happy weaving,
      Karen

  • […] Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in […]

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Weaving Ideas – Year in Review Video

Everything starts with an idea. And some of those ideas become tangible expressions of dreams come true. Who knew that a simple idea in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of weaving on a drawloom of my own? (see Quiet Friday: Day at the Drawloom.) And who knew that an idea in 2013 to write about my weaving journey, calling it Warped for Good, would bring friends like you to come and enjoy the journey with me? For these things and so much more, I am truly grateful.

Siblings Tapestry is 3 cm away from completion!
Siblings Tapestry is three centimeters away from completion.
Drawloom rag rug - single-unit.
Single-unit drawloom rag rug is ten centimeters into testing everything–draw cords, sheds, shuttles. After a few more adjustments the actual rag rug weaving will commence.

Your ideas are priceless. That’s because you are priceless. You were made in God’s image, with the ability to imagine wonderful intricacies through creative thinking. In fact, you began as God’s idea. As we walk with him, we become the tangible expression of his dream come true.

Grab a cup of coffee or tea and sit here with me to reminisce over the past weaving year.

May this year bring your best ideas ever.

For you,
Karen

16 Comments

  • Joyce Lowder says:

    Karen: You are such an awesome servant and ambassador for God! Your comments have always captured my attention, but this one really spoke to me! I even wrote your words down to read to a friend who has a birthday today. I respect and admired your creativity and the effort you invest in sharing! It all takes time and effort, but I can see that your heart is in what you do…and your heart belongs to God. May God continue to bless you in this year of 2020! 🙂

    • Karen says:

      Hi Joyce, It’s a pleasure to be able to share what I enjoy. Thanks for your thoughtful words. I’m glad to have you along with me.

      Happy weaving new year,
      Karen

  • Joanne Hall says:

    It was fun to see all that you have done this past year. And I enjoyed seeing that photo of our winter drawloom class and the samplers on the drawlooms. You have done a lot of weaving already in your new home. I look forward to what you weave after our art weaves workshop next month. See you then.
    Joanne

    • Karen says:

      Hi Joanne, That drawloom class was a highlight for the year. I’m thankful to be in a place and season of life that suits my weaving endeavors.

      I am looking forward to the art weaves class. I still have so much to learn!

      See you soon,
      Karen

  • Cynthia H. says:

    Karen, what an amazing artist you are, beautiful work. Cant wait to see what you will be working on next. Say hi to Steve for me. Cynthia H.

  • lanora dodson says:

    This was inspiring on SO many levels! It brought a sense of peace, wonder, and excitement all at the same time. Thank you for sharing and cannot wait for the coming year to see what you’ll be creating!

  • Nannette says:

    Karen,
    Thank you for sharing!
    I will need to watch the video a 4 or 8 or 10 more times to absorb everything you did in 2019.
    The close ups are welcome.
    Nannette

  • Beth Mullins says:

    You’ve had a beautiful, productive year! You and your work are so inspiring, bringing excitement, curiosity, and clam all at the same time. I can’t wait to see the siblings completed and what’s to come in 2020.

    Happy New Year, Karen!

    • Karen says:

      Hi Beth, It’s good to have a sense of accomplishment. I always enjoy seeing your beautiful woven creations on IG. We both had a year rich with weaving. I’m glad to have your friendship on this journey.

      Happy New Weaving Year,
      Karen

  • Johanna McGuirk says:

    Dear Karen

    I am very keen to get the details for the electric bobbin winder as I am frustrated using the hand drill. Would it be possible to supply me with more details please? Hopefully my husband or son can put one together for me.
    Kind regards
    Johanna

    • Karen says:

      Hi Johanna, I am happy to share the details for the electric bobbin winder that Steve made for me.

      I will send you an email with the information.

      All the best,
      Karen

  • Karen, thank you so much for sharing your video. It was both inspiring and calming. A beautiful expression of pure creativity expressed through our traditional craft. Love your work.
    Barbara

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