Take a short stroll through our home and you will see and touch linen in all its superb versatility. Linen warp and weft speaks of elegance. Yet, this natural fiber is right at home with ordinary daily living. Linen, oh, how it sings!
I am thrilled to be dressing the Julia now with 16/2 linen on eight shafts. We will have another linen highlight to grace our home—a table runner for our dining room table.
It is a happy day when new tubes of Bockens 16/2 line linen arrive at the door.Winding two threads together at a time on the warping reel.Dividing the warp into three bouts makes it easier to spread and beam the warp with even tension across the warp.Golden bleached linen is a gorgeous backdrop for the olive center section and contrasting midnight blue borders.
Is there anything more vibrant than the sheen of linen saturated with color? And, have you noticed that plain unbleached linen is anything but plain? Linen fills both ends of the spectrum—glowing exuberant color and natural wrinkled humility. Linen, oh, how it sings! There’s always room for more music in the home.
A warp is finished when the woven cloth has been taken to completion. At that point, the loom is free for a new warp. That is the rule I’ve given myself. If I ignore the rule and put on a new warp before its time, the unfinished cloth has a way of staying unfinished for too long.
Ready to pack up after the Swedish Art Weaves workshop and take my loom back home. The Joanne Hall workshop was sponsored by the enthusiastic San Antonio Handweavers Guild a few months ago.Monksbelt pattern continued at home.Woven from the back, this dukagång pattern came from a Swedish publication I borrowed from the San Antonio Handweavers Guild library.Krabbasnår, just behind the fell line, is from a pattern in Heirlooms of Skåne, Weaving Techniques, by Gunvor Johansson.
Thanks to that completion rule, I have a new bag. This fabric includes the various patterns that I wove in Joanne Hall’s workshop on Swedish Art Weaves several months ago. You will also see that I explored some patterns on my own at home. I gained two excellent outcomes from this finishing pursuit—a new bag to use, and a loom that is free for the next warp! (See the first bag here: Monksbelt Flowers on a Shoulder Bag)
Side piece, krabbasnår, is hand-stitched in place. From the top of the bag to the bottom – krabbasnår (krabba), rölakan, halvkrabba, dukagång, munkabälte (monksbelt), each section separated by plain weave stripe variations.On this side of the finished bag, from top to bottom – halvkrabba, dukagång, munkabälte. I made the hard decision to take out a section of rölakan I had woven in order to be able to put the knots from the linen warp at the top of the bag.Bag is lined and has pockets, and has a magnetic snap closure. The 6/2 Tuna wool shoulder strap was woven on my Glimåkra band loom.Now, on to the next warp!
Left to myself, I’d rather do what I want. I’d rather start a new project than bring an “old” one to completion. I’m glad my Lord is faithful with me. He completes the work that he began. The Good Shepherd tends his sheep. He leads us to the still waters of peaceful perseverance, saving us from the regret of going our own way. And we have his perfect outcome to look forward to.
I finished off the linen warp by making a front and back panel for a small shoulder bag. A monksbelt pattern is scattered like flowers on the front. The back has various stripe patterns in weft-facedplain weave. I wove a shoulder strap on my band loom using 6/2 Tuna wool for warp and 12/6 cotton for weft.
Half-heddle sticks and batten in front of the back beam, for weaving monksbelt patterns.Pick-up stick in front of the reed is being used to weave a monksbelt flower “petal.”Back panel has varying stripe patterns.Cutting off.Narrow wool band for the bag shoulder strap.
The bag has simple construction, mostly hand-stitched. In one of my remnant bins I found a piece of wool fabric that I wove several years ago. It’s perfect for the sides and bottom of the bag. The lining uses pieces from fabric that went into my latest rag rugs, and has pockets, of course.
Overhand knots secure the warp ends.Ready to assemble all the parts.Handwoven wool pieces are hand-stitched together.Bag construction continues with stitching the back in place.Magnet closure is added to the lining before stitching the lining in place. Knots and fringe outline the top of the bag.
This bag with Monksbelt Flowers is for carrying sweet memories, happy moments, and heavenly dreams.
Pockets in the lining.
Resources: Swedish Art Weaves workshop with Joanne Hall; Heirlooms of Skåne Weaving Techniques, by Gunvor Johansson; Väv Scandinavian Weaving Magazine, 2/2013.
This is the time for my annual pause for the month of July. I appreciate you joining me in this weaving journey!
I look forward to being back with you again Tuesday, August 4. In the meantime, joyfully draw living water from the source, Jesus Christ.
It took me seven years of study, practice, and mistakes to complete this rigorous Swedish weaving curriculum! You have been with me through much of it right here. I’m talking about The Big Book of Weaving, by Laila Lundell. I made it through the book, sequentially, page by page, warp by warp. 43 warps in all! Remember the blue 12-shaftdouble-weave blanket I had on the loom in June? That is the final project in the book.
Double-weave wool fabric is ready for wet finishing, where it will be transformed into a soft, cozy blanket.
In the short video below, each completed project is presented in order in our Texas hill country home. Watch to the end to see the blue blanket in all its finished glory.
For nitty-gritty details, check out The Big Book of Weaving tab at the top of the page.
Getting lost and absorbed in the whole process of weaving.
V. Favorite project: Old-Fashioned Weaving / Monksbelt (at 4:46 in the video)
Are we determined students of heavenly things? Oh, to know God’s will! Study what’s written, don’t lose heart, eyes on the prize, no option besides completion through Jesus Christ. One life dedicated to know him. Day by day, warp by warp, the Grand Weaver teaches us. We can know God’s will.
In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.
Piecing handwoven fabric to get the large side panels needed for the bag.Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.Patterned band woven on the band loom, used for straps on the bag.Topstitching with red thread.
I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shafttwill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)
Bag with Freja loom is ready for a travel excursion in the Casita.In the Casita.Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.Blue cotton warp-printed fabric, red eight-shafttwill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.
Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.
