Mug Rugs to Remember

Knowing I would be away from my floor looms for a while, I put a narrow cottolin warp on my little Emilia rigid heddle loom to take with me. Mug rugs—perfect for travel weaving, to use bits of time here and there. I had some bulky wool yarn and a few rag rug fabric strips to take for weft. In a burst of hopeful inspiration, I grabbed a bag of Tuna/Fårö wool butterflies, leftover from my Lizard tapestry (see Quiet Friday: Lizard Tapestry) a couple years ago, and tossed it in my travel bag as we were going out the door.

Mug rugs on Glimåkra Emilia rigid heddle loom.
Glimåkra Emilia 35cm (13.5″) rigid heddle loom. Narrow cottolin warp is from a previous warp-winding error that I had chained off and saved.
Mug rugs on my Glimakra Emilia rigid heddle loom.
Blue bulky wool yarn left from a long-ago project makes a good thick weft for mug rugs. Picks of navy blue tow linen are woven between picks of thick weft on some of the mug rugs.
Weaving mug rugs on my Glimakra Emilia rigid heddle loom.
Wool butterflies for the weft are made of several strands of Tuna and Fårö yarn.

Those colorful wool butterflies turned out to be my favorite element! They not only gave me colors to play with, they also provided variety, the spice of weaving. The forgotten Lizard butterflies will now be remembered as useful and pretty textiles.

30 mug rugs on the rigid heddle loom.
The end of the warp.
Mug rugs just off the rigid heddle loom.
Rag rugs for mugs!
Rag rug fabric strips are used for a few of the mug rugs. Rag rugs for mugs!
Mug rugs ready to be hemmed.
Mug rugs are cut apart to prepare for hemming.
Making handwoven mug rugs.
Hems have been folded and pressed under. Choosing bobbin colors to sew the hems.
Wool handwoven coasters.
Wool butterflies provided many different colors.
Handwoven wool coasters woven on a rigid heddle loom.
Alternating two different colors of wool butterflies was my favorite way to play with color.
Mug rugs for gifts.
Completed mug rugs, ready to be sent out as gifts.

How do you want to be remembered? Like my tapestry-specific butterflies put away on a shelf, our carefully-crafted words will soon be forgotten. Actions speak longer than words. Our deeds of faithful love will outlive us. Our actions that reveal the kindness of our Savior will stand the test of time. And that is a good way to be remembered.

Coffee or tea, anyone? Handwoven mug rug.
Coffee or tea, anyone?

May you be remembered for your deeds of faithful love.

Happy Weaving,
Karen

15 Comments

  • Joyce Lowder says:

    Very lovely Mug Rugs, but even more, your words of faith and encouragement! Thanks for sharing your skills and your faith! Very inspiring! God Bless! 🙂

  • Karen says:

    Amazing! Love the usefulness of leftover yarn!!! Even the small butterflies! Lovely!

  • Nannette says:

    WELCOME BACK TO THE BLOG!!! Hope you had wonderful travels.

    I love your reference to our gifts of today out living us. I repurposed crocheted lace of my long gone great grandmother. Wearing it with pride.

    In the case of textiles…. Everyday reminders of those beloved we never knew except through the work of their hands. What a blessing.

    Nannette

    • Karen says:

      Hi Nannette, Thank you! It’s great to be back. Textiles are a vivid example of the work of our hands outlasting us. It is wonderful to see and use the quilts and needlework treasures of family members who came before us.

      Love,
      Karen

  • LJ Arndt says:

    Beautiful, I don’t have butterflies but I do have thrums that I think may fit the bill. I’ll have to take them on my next trip.

    • Karen says:

      Hi LJ, I think this would be a fabulous use of thrums! I definitely plan to make more of these mug rugs. Maybe I’ll need to start saving all my thrums again. Thanks for the idea.

      Happy weaving,
      Karen

  • Barbara says:

    To everything a purpose. Your little video and bursts of colour brought a smile to my face this morning.

  • Anastasia says:

    These are beautiful. What a great project.

    When you fold the hem bit under… do you fold it twice (back on itself), and stich through what would then be three layers? So that a little strip of the “between the tops weaving” would still be visible on the bottom, but the cut edge would be secured?

    Please pardon my newbie questions. 🙂

    • Karen says:

      Hi Anastasia, Newbie questions are the best! You described the hems perfectly. Only one more detail to add— I serged the edges before folding and pressing them under, so nothing will unravel over time.

      When I do this again, I may make the hems longer. In which case, the edges will be zigzagged or serged, and the hems folded under twice, then stitched. That way the hem will show at the edges, not just underneath. I like them either way— hems hidden underneath, or hems as visual borders.

      Thanks,
      Karen

  • Kim Mills says:

    Thank you for your post. I’ve now have a new way to use up all those leftovers I have been collecting. Thanks as well for your inspirational words.

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My Four-Shaft Tapestry – Will it Work?

Is this going to work? Yes, I think so. I am testing things out. So far, so good. Can I follow the cartoon? Yes. Do I have a good way to hold the cartoon in place? Yes. And to put the color and value key where I can see it? Yes. Do I have enough yarn in each of the colors, values, and thicknesses that I need? No. I see some gaps, especially in the mid-to-dark value range. I am ordering more yarn today. Is four-shaft tapestry going to be as delightful an experience as I’ve long hoped? Most probably, yes! Word of the day: Yes!

Wool yarns for four-shaft tapestry.

Testing, testing. Blending of yarns, blending of colors, checking value contrasts.

Blending yarn colors and thicknesses for tapestry.

Blending yarn colors and thicknesses gives interesting results. This is practice for some of the background area of the tapestry.

Testing new approach to tapestry weaving.

Finding out if I can follow details on the cartoon. Experimenting with adding floats in places as texture to enhance the design.

Trying out four-shaft tapestry.

Will I be able to handle multiple yarn butterflies? I think so.

Practicing technique for a new tapestry on the Glimakra Ideal loom.

Testing some of the green hues for part of the main subject of the tapestry. Also keeping an eye on selvedges, so they don’t draw in.

Testing various elements before starting the *actual* tapestry.

Plenty of warp is available for practice. I want to test all the critical elements before I start the *actual* tapestry. This tapestry will be woven horizontally.

Words. I am affected by words—spoken by others, and spoken from my own mouth. Grace in our words can be an invitation of kindness and relief to someone who is testing our framework. When Christ’s words dwell in us, the richness of his words affect our being. And then, our words of yes and no are grace-filled bearers of hope.

May you see hope on your horizon.

With hope,
Karen

6 Comments

  • The practice weaving is lovely. Timeless….

    May the fourth be with you– 🙂

    Nannette

  • Joanne Hall says:

    You have a great start on this project. Keep sending us updates. Joanne

  • Michele Dixon says:

    I’m interested in how you attached your cartoon to the loom. I’ve never done it on a horizontal loom so I’m not sure what I’ll do when the time comes.

    Love your practice piece. I can’t wait to see what you actually weave.

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Weft Auditions for Square Dots

I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaft satin dräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!

Weft auditions for 5-shaft satin dräll hand towels.

The warp is tied on and the lamms and treadles are tied up. All ten sheds (one for each of ten treadles) are checked and small adjustments made in the treadle tie-ups. Weft auditions commence!

Trying different weft options. Cotton, cottolin, linen.

Similar colors in different fibers. Teal in cotton, cottolin, and linen. Coral warp as weft would be an interesting monochrome option.

There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.

Weft auditions! Colorful hand towels.

Sample includes sixteen weft colors (two or three rows for some). Four are chosen for the main colors for a set of hand towels. Two extra colors are selected to use for border designs.

Square Dots cotton hand towels in 5-shaft satin dräll.

First towel has Slate 8/2 cotton weft, with an accent of Silver 22/2 cottolin for a border stripe.

Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.

May truth be woven into your life.

With you,
Karen

11 Comments

  • Joyce Lowder says:

    Love your message, Linda! Thanks for your spiritual insights shared with us.

    Question: What is the white thread that looks almost like a basted thread, across the groups that are tied on for this warp? I can see that you were able to go right into weaving without a heading. Is that a technique or just good warping?
    Thanks for any suggestions you can offer! 🙂

    • Karen says:

      Hi Joyce, It’s a lifelong journey to hear and understand, isn’t it?

      You are seeing the leveling cord. I use a length of seine twine (12/6 cotton rug warp) to go over and under each tied-on section of threads. The threads must be tied on with half of the bundle going over the tie-on bar and half going under the tie-on bar. The leveling cord is pulled tight, and the ends of the cord are tied through the hole at each end of the tie-on bar. This simple technique flattens out (levels) the warp, and enables weaving from the very start. No scrap weft necessary.

      It’s that simple. 🙂
      Happy weaving,
      Karen

    • Karen says:

      Joyce, I should have pointed you to this post I wrote about the leveling string – Tools Day: Leveling String.
      Happy weaving,
      Karen

  • Betsy says:

    Love the stripe!!

  • Joanne Hall says:

    I like the white. And that red would make a very cheerful towel.
    Joanne

    • Karen says:

      Hi Joanne, The white practically pops off the fabric. It does look good. And the canary red is spectacular on the coral warp, which surprised me. Now I’m tempted to use the red, even though it didn’t make the final four, just because you said so.

      All the best,
      Karen

  • Annie Lancaster says:

    I must say that I like the sample with all the colors! At least for one trowel. I never heard of a leveling string. Perhaps because it wouldn’t work on a Rigid Heddle loom.

    I was so focused on the different colors of square that my brain did not compute the stripes. The comments about listening and understanding definitely apply to someone like me because I tend to get lost in the details. This was a very needed reminder.

    • Karen says:

      Hi Annie, I like the multi-colored sample, too! It may end up being a short towel, or something… You may be able to use a leveling string on your rigid heddle loom. I haven’t done that, but it might be worth some experimentation.

      Taking listening to the level of understanding is a constant challenge, and worth the effort it takes.

      All the best,
      Karen

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Woven Transparency Cactus Revealed!

It started with a prickly pear cactus in the front yard of our Texas hill country place, and then a photograph. Now, I have a woven representation of this interesting specimen of our Texas landscape! I am hoping that Steve will whittle a rustic rod from which this cactus banner will hang in our home.

Finishing woven transparency of a cactus.

Weaving the casing for the top of the transparency. Linen warp and weft make an appealing mesh that holds and surrounds the pictorial weaving.

Woven transparency of a prickly pear cactus. Just off the loom!

After cutting off, the complete front side of the transparency is seen for the first time.

Eager to hang this transparency, I didn’t want to waste any time. I finished the ends of the piece with a zigzag stitch on my sewing machine. And I sewed casings at the top and bottom. Now, in full view, a little back lighting reveals the complete picture of the woven threads.

Woven transparency. Prickly Pear Cactus. Karen Isenhower

Cactus spines in the woven image seem to reach outward and almost appear three-dimensional.

Detail view of woven transparency cactus.

Detail view of some of the shading in the cactus.

We weave thoughts and ideas in our heart. And when we speak, we bring those thoughts out into the open. Words reveal the treasures of the heart. When we speak words of value, we bring our choicest treasures out in the open. And what a welcome picture that is.

May your words be received as treasures.

Love,
Karen

18 Comments

  • Barbara Crockett says:

    Wow! Looking back at your June 30 post of the photo and how you started this project is fun. The details in the shading create an amazing effect. Great job!

    • Karen says:

      Hi Barbara, I’m thinking about framing the cactus photograph to hang near the transparency. The light plays off the yarn and gives it a feel of realism that surprises even me.

      Thanks!
      Karen

  • Deborah Pudliner says:

    Thank you Karen! I am not a weaver, but my daughter is. Each time I read your blog I have been blessed not only in seeing what you are weaving/teaching/learning, but the words you use to share bring it all to life and encourage not only the weavers but those who are blessed in seeing the work of the weaver unfold. May He bless you, encourage you and fill you with wisdom and much joy to continue the work He has to do in you and through you.

    • Karen says:

      Hi Deborah, Thank you for sharing the treasures of your heart with me! Your words have ministered to me today more than you know.

      Blessings,
      Karen

  • Betsy G says:

    Karen
    Well done! The cactus is so realistic with your use of shading. I want to keep clear of those prickers.

  • Maria says:

    Karen- it is absolutely fantastic. I have never done a transparency but I now would love to try . What an inspiration! The stickers on the cactus are so realistic.
    Just fabulous!

    • Karen says:

      Hi Maria, I hope you do try it! This project has been great fun. Transparency weaving is quickly becoming one of my very favorite things to do. It makes me happy that you like the finished piece. That means a lot!

      Happy weaving,
      Karen

  • Cindie says:

    Your piece turned out incredible.

  • Beautiful! Weaving transparencies is rather fun! Did you use something other than wool for the spines? Just curious, because sometimes when I weave white wool into a transparency it doesn’t show up very well. One other question – what brand and type of wool did you use for the greens?

    • Karen says:

      Hi Lynette, I have to agree – weaving transparencies is fun indeed!

      I did use wool for the cactus spines. All of the wool in this piece is 20/2 Mora. I used 4 strands of yarn in each bundle, which gave me a lot of opportunity to blend colors. Most of the white is white and off-white blended together. By blending 4 strands together, it greatly multiplied my palette of greens. As much as possible, I tried to combine colors that are close in value, so they would really blend together well.

      Thanks for sharing your transparencies with me. Your work has been a huge inspiration!
      Karen

  • D'Anne says:

    The spines definitely look 3D! Great job!! Hope you will bring it to WOW sometime so we can see it in person.

  • Cindy Bills says:

    Thank you for showing us the finished piece. It is lovely! I find your whole process of transparency weaving to be fascinating.

  • Emily says:

    Hi, I came across this post while searching for information about using linen weft for tapestry. I had never heard of transparency weaving before and it has spurred a huge interest for me! I bought a book– I forget the author but I believe it’s the only one in English– and have been learning a ton. I can’t wait to try this out. I weave on a Mirrix, and don’t have a floor loom, but I am fairly confident I can make that work. It will be strange for me not to really pack my weft, and to put two wefts in the same shed. Can’t wait!

    • Karen says:

      Hi Emily, How exciting! The book I’m familiar with is “Sheer Delight: Handwoven Transparencies,” by Doramay Keasbey. It’s an excellent book, and very inspiring.

      I don’t see any reason why you couldn’t weave a transparency on your Mirrix loom. I hope you enjoy this type of weaving as much as I do!

      Happy weaving,
      Karen

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When to Start Over

I have started this tapestry sampler three times. The biggest problem was the header. I had so much draw-in that warp ends were breaking at the selvedges. Cut off and tie back on. I knew what to do–bubble the weft. But again, the second time, I had too much draw-in. Maybe I can ease the width back out to where it should be… Nope. After several hours of weaving with beautiful linen butterflies, and breaking more warp ends, I gave up.

Texas hill country wildflowers!

Texas hill country wildflowers fill the landscape with color.

I carefully removed all of the linen weft, and took out all of the header. Start over. Again. I did what I should have done from the start. Bubble the weft MORE. It works! Now I have a great starting place for the tapestry weaving to flourish. Until I had a good header, I was wasting my time trying to make the tapestry work.

Beginning of linen tapestry sampler.

Successful header is the foundation for this hem of bleached and unbleached linen. Tapestry sampler begins with some color shading, using butterfly bundles of linen in vivid colors, borrowed from the wildflowers.

Windows beside the little loom light up the linen tapestry sampler.

Windows let in the Texas hill country sunshine.

Texas wild flower bouquet. Monksbelt cloth on the table.

Monksbelt cloth on the table borrows the colors of the wildflower bouquet.

Words are like a header for our view of the world. Words shape our thinking. Listen carefully to test words, like you test food on your plate by tasting it before eating the whole thing. Test the words you hear. And only swallow what is right and good. If the header is good, your tapestry can flourish.

May you hear words that pass the test.

With you,
Karen

As a follow up to Quiet Friday: Favorite Weaving Books, Besty Greene sent me this picture. I love it!

Hi Karen
I am sending you this message in the theme of your last blog post. Ta da! A rug inspired by your project in Handwoven.
Betsy

Rag rug inspired by Handwoven project.

Rag rug by Betsy Greene.

 

2 Comments

  • Cate Kauffman says:

    I’m curious to know what you mean by bubble the warp. I’m unfamiliar with that term.

    • Karen says:

      Hi Cate, Bubbling the weft (not warp) is placing the weft in waves, or bubbles, across the shed. Click here to read my definition in the Weaving Glosssry: Bubbling. And here is a picture of bubbling the weft. I didn’t get a picture of placing the weft for the header, but this is a picture of the hem area of the tapestry.
      Bubbling the Weft

      Karen

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