The sky is the limit! That is my conclusion after weaving a few designs using the Myrehed combination drawloom. The shaft draw and the single unit draw systems are combined on this ingenious apparatus that is attached to an otherwise ordinary loom. The shaft draw system enables me to weave repeated patterns. The single unit system enables non-repeat patterns. This narrow warp is my playground to do both.
I use the computer to create designs. ”Home in Texas” shows the back of our house, with its massive stone chimney. The tree in the scene is a tracing of the oak tree that I pass as I walk up the hill to my drawloom studio. The airplane is a copy of the Mooney that our pilot friend took us in to fly over Enchanted Rock. I am delighted to discover that I can use a drawloom to bring features of personal meaning such as these to life.
The words of the Creator have life in them. It’s as if he puts his thoughts on the loom and weaves them into being. Let there be light! He speaks; and it is so. Listen closely. Hear the Grand Weaver say, Peace to you. And it is woven so. You are his workmanship, bringing his design to life.
Drum roll please… And now, I present to you: Siblings
The Siblingstapestry is a woven expression of personal meaning. The tapestry tells a story of a singular incident, almost hidden in the excitement of the occasion. Lucia grasps Ari’s wrist as they approach Sugar Pie, the bunny. In that moment I see something worth keeping—precious sibling love.
Please enjoy this short video of the process of weaving and finishing the Siblings tapestry.
I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaftsatindräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!
There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.
Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.
Here’s a secret: Two threads are better than one. To measure a warp, I always, without exception, wind the warp with two or more threads together. A warp that is wound with a single thread is prone to tangle as threads twist around each other. A warp wound with pairs of threads won’t do that.
I am particular about this warp. It’s linen, so consistency matters. Tangles would disrupt the even tension the linen needs. I have dräll in five-shaftsatin in mind as I take each careful step to dress the loom. I expanded the loom to ten shafts to be able to weave this! Expect happy weaving, to be sure, but imagine how pleasant it will be to hold this dreamed-of cloth in my hand. That future cloth gives meaning to my present efforts at the loom.
There must be meaning beyond this life for us to find meaning in this life. The end of the weaving is the beginning of the life of the cloth. There is purposeful preparation by the Grand Weaver, with a precisely measured warp. The back-and-forth shuttle is like the ticking of a clock, or the passing of years. The end is the beginning. Can you imagine the splendid setting the Grand Weaver has in mind for his hand-woven cloth?
Winding a warp like this is intricate work because of the frequent color changes. These narrow warp stripes provide the perfect canvas for plattväv accents. The simple weftfloat pattern, woven across the width every five centimeters, adds embroidered-like stitches to the cloth. Everything else is a breeze. It’s plain weave.
It’s good to have a plain weave project every now and then. It’s a reminder of how freeing it is to let the boat shuttle fly back and forth between your hands. Rag rug weaving isn’t like that. Soft alpaca scarf weaving isn’t like that. I’m zipping along, …only stopping to move the temple, advance the warp, and add the black linen accents. No worries here.
Consider all that has been prepared for us to have a meaningful life. Why should I worry? Who wound the intricate warp and put it on the loom? Doesn’t the Grand Weaver know what it takes to complete his design? We enter the Lord’s place of rest through the door of trust. True rest is worry free. Let the shuttle fly. Let the weft floats embellish the cloth. Come enter the place of rest.