I canned my first-ever batch of jam last summer. Jars of yummy peach jam were on my mind when I started planning designs for this sample warp on the combination drawloom. Much to my delight, Joanne Hall has included my Jam Jars design in her updated edition of Drawloom Weaving, recently released.
I am weaving several versions of the jam jars. Each variation has a different set of borders as I test my understanding of the Myrehed combination attachment. I am studying the versatility of this drawloom. Pattern shafts enable pattern repeats for the jam jars and side borders. Single unitsmake it possible to weave the peaches in the corners and “Peachy” across the top. Can you tell if the border across the bottom is made with pattern shafts? Or, is it made with single units?
Depth of understanding comes from study. Practice makes it real. Go all in; make mistakes, un-do and re-make; have What-now? moments and Aha! moments. Make deliberate observations. It’s all part of the process. That’s what forgiveness from God through Jesus Christ is like. Forgiveness is good news. When we receive his forgiveness he sets us on a path to study, learn, and understand his grace. The depth of which will take an eternity to understand.
Now is my chance. I’d like to try one moreweft idea on this double weave warp. I ended the colorful throw, and have about fifty centimeters left for a lap blanket. After the red cutting line, I am testing some black cottolin weft. It isn’t in my original plan, nor in my sample, but I want to see how it looks.
The black weft does brighten the warp colors. But that’s not the look I’m after. I would miss the mixed shades that occur as the warp stripe colors are repeated in the weft. So I am weaving the smaller piece with the same weft sequence as the larger throw. When I see the weft choices clearly, it’s not hard for me to decide which weft option to use.
Wisdom is a treasure. It comes from seeing things through heaven’s perspective. Beware of human ideas masquerading as wisdom, leading us in the wrong direction. The treasure of wisdom that is found in Christ leads to understanding. Looking through heaven’s wisdom, my choices become clear. And it’s not hard for me to decide to stay true to the Grand Weaver’s design.
I found sixteen weft colors to audition. And I am eliminating all but six—one main color for each of four towels, plus two border colors. This is five-shaftsatindräll hand towels with an 8/2 cotton warp. Good weft options on my shelves include 8/2 cotton, 22/2 cottolin, and 16/2 linen in various colors. And this time, we have square dots!
There is one qualification. The colors must fit the color palette of our Texas hill country home. A sample piece of thread doesn’t tell me enough; neither does a whole tube of thread. Twisting two colored threads together gives a decent clue, but even that is not enough. When the warp and the weft threads interweave on the loom the true colors are seen. And that’s when I can tell you which colors I will keep.
Isn’t that the way it goes with truth? Hearing words isn’t enough; even extensive hearing isn’t enough. Paying attention to what you hear is good, but it mustn’t stop there. We need to understand. Hear and understand. The meaning of the words intersect with thoughtful reflection. Truth enters through understanding. And that’s when we can see which threads to keep.
Kit development for the plattväv towels is in full swing. I’m in the first stage–making a sample kit. Winding a warp with narrow stripes is a stop-and-go procedure, cutting and tying ends. My process is well structured, as it needs to be, to avoid mistakes. Knowing how to tie a good square knot is essential, too. This is not the time for slipping knots!
As I write the instructions for this kit, the eventual towel-kit weaver is on my mind. Besides writing clear steps, I want to include special helps that put even an apprehensive weaver at ease. How can I help the weaver have a great experience? Weaving this sample kit will help me answer that question.
Having structure and precision in the process of winding this warp makes me think of the value of truth. Truth matters because it keeps things from slipping that shouldn’t slip. Love matters, too. Love puts gentleness and understanding in the instructions. Love cares about the experience another person will have. Love and truth flourish together. Like a precisely pre-wound warp, and instructions written with care, truth and love are inseparable. Both are needed for life to be a gratifying experience.
Two fingers gently test the resistance of the threads, from the center of the warp, moving outwards to the right, and to the left. This is how I evaluate the warp tension. I don’t rush; and I give the effort all my attention. Weftrep, where the ground weft almost completely covers the warp, is especially susceptible to hills and valleys from uneven warp tension. After I have made several tension adjustments, I tie on the leveling string. Next is tying uplamms and treadles, and winding quills. Then, the joy of weaving this monksbelt begins!
The ability to feel unevenness in warp tension is a learned practice. Being attentive is half the battle; and patience is the other half. Taking time on the front end reduces correction time after weaving has begun.
Skilled listening is a learned practice, too. Listening is more than hearing, isn’t it? Pay attention to how you listen. It matters. It takes a gentle touch to listen with a heart of understanding. When we listen with an unbending heart, we only hear what we want to hear. Patience on the front end results in fewer corrections later.