Dressing the Standard Looks Like a Mess

It is my husband’s idea for me to make handwoven curtains for the windows in our newly renovated master bathroom. Now that I have had time to think about it, I think it’s a great idea. Fortunately, the yellow rug warp on the Glimåkra Standard is still sitting on the loom bench, so I am putting it aside temporarily in order to put this bathroom-curtains warp on the loom.

Winding a warp of 24/2 unbleached cotton.
Looks like a mess. Pre-sley the reed to spread the warp. Two sets of lease sticks. Narrow gray stripes of 16/2 cotton are inserted between the unbleached ends. Somehow, it all works out…
All the end loops are on the back tie-on bar, and ends from two lease sticks have been transferred to one set of lease sticks. Ready to beam the warp!
Just about set to beam.
My usual two-pound weights are just right for most of the warp bouts, but I need a one-pound weight (large coffee mug) for one smaller bout, and two 1/2-pound weights (tube of thread in a small bag) for the small bouts of gray warp ends. Whew! Is it all going to work??
Now…everything is ready!
It’s working. Just look at that beautiful warp!

I have 1,984 ends to thread and sley. Then, I will be weaving almost full width! It’s exciting!

May you gain order out of a mess.

Happy Weaving,

Karen

Handwoven Monksbelt Receives Favorite Award!

I decided to make another visit this week to the Kerr Arts and Cultural Center gallery in Kerrville, Texas that is exhibiting some of my fiber fine art. And I am greeted by a pleasant surprise:

Joseph’s Coat receives “People’s Choice” Award for Fiber Fine Art.

When you want people to enjoy seeing what you enjoy making, there’s nothing better than being awarded “People’s Choice!”

Humbly grateful,
Karen

My Favorite Handwovens on Display

Five of my favorite handwoven works are on display in a local exhibit. The Southwest Gourd and Fiber Fine Art Show is the current exhibit (through July 1) at the Kerr Arts and Cultural Center in Kerrville, Texas. This is a competitive show featuring artists from across the US. Steve made beautiful wooden hanging and mounting devices for my pieces. Winter Window is a double-binding rag rug that is displayed as a wall hanging. I thoroughly enjoyed the design process for this rag rug, so I am happy that Winter Window received a Judge’s Special Award.

Southwest Gourd and Fiber Fine Art Show at Kerr Arts and Cultural Center in Kerrville, Texas.
Light as Air Lace
Draped Lace in Three-Shaft Lace Weave
Warp: Linen
Weft: Linen
Christmas Snowflakes Triptych
Banners in Six-Shaft Irregular Satin, Drawloom 30 pattern shafts, 148 single units
Warp: Linen/Cotton blend
Weft: Linen
Joseph’s Coat
Wall Hanging in Four-Shaft Swedish Monksbelt
Warp: Cotton
Weft: Wool and Cotton
Winter Window
Rag Rug in Four-Shaft Double Binding
Warp: Cotton
Weft: Cotton fabric strips
Eye of the Beholder
Pictorial Tapestry in Four-Shaft Rosepath
Warp: Linen
Weft: Wool and Linen
Artist Reception and Awards evening. Winter Window receives a Judge’s Special Award.

If you hang a rag rug on the wall it becomes fine art. And I’m ok with that.

May others enjoy seeing what you enjoy making.

Happy Weaving,
Karen

New Handwoven Band Is Just Right

I have an ample stash of handwoven bands. Still, I am making a new handwoven band that is “just right” for the strap on a simple shoulder bag I am making from a rag rug remnant. I pull several near-empty tubes of 12/6 cotton rug warp from the shelves to wind a five-meter warp. I enjoy finding bits of rug warp that can work together—all left over from various rag rug projects.

Using 12/6 cotton rug warp to thread the heddles on the Glimåkra two-treadle band loom.

I warp the band loom and start weaving. Ah, what a pleasure to make a specific strap for a specific bag! And all of it from what I have on hand. It’s a picture of the way love takes odds and ends like you and me, and finds a way to make us fit together.

Band for handbag strap is about 4.2cm wide. The warp is long enough for a handbag strap, plus a few meters extra. 🙂
Blue 12/6 cotton weft makes the selvedges look good, since it is the same blue as the outer threads on both sides of the band.
Band-loom weaving is rhythmic and relaxing. Some unevenness in the warp is evidenced by the slight curve at the fell line. I’m not worried. It will straighten itself out as I keep weaving.

It’s like preparing a simple meal for family. You figure out what you have, you scrape together what you can, and you spend time in the kitchen to put it all together. It’s not fancy, nor is it perfect. But it’s good. Love, after all, is the primary ingredient for a good family meal. Love is the primary ingredient for a lot of good things, isn’t it?

May your family meals be really good.

Happy weaving,
Karen

Revive those Handwoven Scraps

Handwoven remnants (aka scraps) do not get thrown away. Every scrap is good for something. Some scraps are so unusual it takes an extra dose of creativity to find a use for them.

Simple rectangular handbag made from weft-cord handwoven fabric. The cording produces ridges. Ruffled gathers form in between the rows of ridges. 6/2 Tuna wool for warp and plain weave weft. I used a bulky single-ply wool for the cording.

This remnant of blue wool fabric is something I wove a few years ago during my Big Book of Weaving adventure. This structure uses a weft-cord technique, which creates interesting ridges in the fabric. The original project is a simple handbag. The remaining fabric has been buried in a box of remnants. Until now.

Handwoven remnants from previous projects are used for the lining and pocket in the handbag.

I had a great idea to make a bench cushion for my Julia loom from this unusual remnant. Guess what? All those ridges are not so comfortable to sit on (fortunately, I tested it first). My next idea, though, is a success! The blue bumpy scrap makes a nice lumbar pillow, adding special comfort to the rocking chair that belonged to my great grandmother.

Remnant is folded over and hand-stitched, leaving an opening in the center for a muslin pillow insert that I made to fit. The weft-cord weaving produces natural loops at the selvedges, which I am using to my advantage here. Three buttons from my button box are used for closure in conjunction with the selvedge loops.
Buttons to the back, the wide and narrow pillow works beautifully for lumbar support in my great grandmother’s rocking chair.

May you find uses for all your fabric scraps.

Your friend,
Karen