Process Review: Weaving Rhythm

“With so many looms, how do you decide what to weave every day?,” I was asked. The answer lies in my Weaving Rhythm. I have five floor looms. I happily aspire to meet the challenge of keeping all of them active.

Glossary

Weaving Rhythm ~ A pattern created across time, through a regular succession of weaving-related tasks.

Arrange individual tasks to keep each loom consistently moving forward in the weaving continuum.

Weaving Continuum ~ The cycle for each loom that is continually repeated.

When the first few centimeters are woven on a new project, begin planning the next project. When finishing is completed for the current project, wind a new warp and dress the loom for the next project.

First Things First ~ Prioritize daily tasks to maintain the Weaving Rhythm.

  1. Finishing
  2. Dressing
  3. Weaving

Do some finishing work first. Do some loom-dressing tasks next. The reward, then, is sitting at one of the dressed looms and freely weaving for the pleasure of it.

Weaving bath towels on the Glimakra Standard.
Glimåkra Standard, 120cm (47″), vertical countermarch. My first floor loom. Weaving the third of four bath towels, 6-shaft broken and reverse twill, 22/2 cottolin warp and weft.
Weaving hanging tabs for bath towels.
Glimåkra two-treadle band loom. Weaving hanging tabs for bath towels. 22/2 cottolin warp and weft.
Glimakra 100cm Ideal. Sweet little loom.
Glimåkra Ideal, 100cm (39″), horizontal countermarch. My second floor loom. Dressing the loom in 24/2 cotton, five-shaft huckaback, for fabric to make a tiered skirt. Ready to start sleying the reed.
Hand-built Swedish loom.
Loom that Steve built, 70cm (27″), horizontal countermarch. My third floor loom. Weaving the header for a pictorial tapestry sample, four-shaft rosepath, 16/2 linen warp, Tuna/Fårö wool and 6/1 tow linen weft.
Sweet little Glimakra Julia 8-shaft loom.
Glimåkra Julia, 70cm (27″), horizontal countermarch. This is my fifth (and final?) floor loom. Weaving the first of two scarves, eight-shaft deflected double weave, 8/1 Mora wool warp and weft.
Weaving lettering on the drawloom.
Glimåkra Standard, 120cm (47″), horizontal countermarch, with Myrehed combination drawloom attachment. This is my fourth floor loom. Weaving some lettering for the seventh pattern on this sample warp, six-shaft irregular satin, 16/2 cotton warp, 16/1 linen weft. 35 pattern shafts, 132 single unit draw cords.

Give Thanks ~ Live with a thankful heart.

Every day I thank the Lord for granting me the joy of being in this handweaving journey. And I thank him for bringing friends like you along with me.

May you always give thanks.

With a grateful heart,
Karen

22 Comments

  • Den says:

    Your weaving is always an inspiration. I look forward to each post. Thank you.

  • Karen says:

    You amaze me! I have too many different hobbies and have to dedicate hours each day to different projects!

    • Karen says:

      Hi Karen, You have some wonderful experiences with using your gifts. I have so much more I want to learn about weaving, and I enjoy digging in to this weaving arena.

      Happy weaving and everything else,
      Karen

  • marianne poling says:

    I love your idea of a “weaving rhythm…” immersing oneself in a “weaving life” that will increase skills and enjoy the gifts weaving brings every day! I tend to weave as a “reward” after all the daily tasks are completed. unfortunately, weaving gets pushed to the back of the line and then I don’t weave as much as I would like to. This was eye-opening for me and I am going to try and find my “weaving rhythm!”

    I really enjoy your blog!
    Marianne

    • Karen says:

      Hi Marianne, I like that you identified increasing skill and enjoying the gifts. That does explain why I focus on getting a good rhythm. There are always other necessary things to do to care for family and friends, but it’s good to be mindful of being stewards of the gifts we’ve been given, too. All of life deals with finding priorities and balance.

      Thank you for your thoughtful words,
      Karen

  • Elisabeth says:

    Thank you so much for inspiring me to think through my own processes and priorities! My challenge is that I make things in a variety of techniques: knitting, weaving, sewing, and quilting…I am so happy I eliminated the rest of them

    Since I only have one floor loom I decided to think of these techniques as my “looms”. Each “loom” requires a slightly different process, and it was very useful to actually take the time to think through each of them, what part do I enjoy the most and what do I tend to put off. You have mentioned that you put finishing first to make sure it gets done. It is interesting how people are different, finishing is the easiest part for me, while dressing the loom tends to be put off, even with a warp waiting.
    Another interesting part for me is to pay attention to which of the different technique requires almost no motivation to get going. Do you see a difference when it comes to your looms? Or the kind of projects you are working on?

    Thank you again for inspiring me to learn and grow!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, From one thinker to another… There’s a fascination to figuring out structures and processes in life. I’m glad to hear this post prompted you to think through some things. You have certainly helped me to think through things, too.

      As far as motivation on different sorts of projects, I do find that I tend to be drawn to the fascination of the drawloom, to weaving a tapestry, and to weaving rag rugs. I need no motivation for those at all. Even so, I find enjoyment in every stage of the process on every one of the looms.

      Thanks for helping me think,
      Karen

  • Pamela Graham says:

    Wow, impressive! You are clearly an inspiration. I am curious about the drawloom; I thought you could only add a drawloom to a VERTICAL countermarch loom.
    Thanks,
    Pam

    • Karen says:

      Hi Pam, It is certainly easier to add a drawloom to a vertical countermarch. We (meaning Steve) modified the horizontal countermarch to fit with the drawloom frame.

      All the best,
      Karen

  • Beth Mullins says:

    Happy Thanksgiving, Karen!

  • Helen P. says:

    Hello. I liked reading your posts a lot and here last I can see that you have a Glimåkra Ideal, I have the same. Unfortunately, I have a lot of problems getting the scales accurately, even though I know how to regulate various things. Maybe you can help me. Do you have an approximate measure of the basic binding to the Ideal loom. That is, the measure from shaft to short stool, the measure from short stool to long stool, the measure from long stool to tramp. Just like that, as a guide. Thanks in advance. Sincerely, Helen Pedersen.

    • Karen says:

      Hello Helen, Yes, I have a Glimåkra Ideal. Approximate measurements – from bottom of shafts to the short lamms is about 18cm, from short lamms to long lamms is about 18cm, from long lamms to treadles is about 23cm. The warp is not tied on yet, so these measurements are not exact.

      How many shafts are you using? Sometimes with more than 4 shafts, it is a little tricky to get everything to balance.

      Thank you,
      Karen

  • Nannette says:

    Hi Karen,
    I noticed you begin planning the next project while weaving the current project.
    Just one future project? 😉

    HAPPY THANKSGIVING!!!!

    Nannette

  • Angela M Roberts says:

    Amen xoxo

  • Angela M Roberts says:

    One Question ? Do you keep them all warped and working,Simultaneously ??
    Or one at a time ?

    • Karen says:

      Hi Angela, Each loom is on its own independent schedule. They are rarely synchronized so that they are all in weaving mode at the same time. Usually, the looms are operating in different phases of the weaving continuum. So, each day I decide which loom to focus on next. I can only weave on one loom at a time, so sometimes a warp sits on the loom for a while until I can get back to it.

      All the best,
      Karen

  • Hi Karen,
    I have a similar process, and have three looms that are usually active.
    When I was a fairly new weaver, I remember Anita Meyer saying that she has one project in the planning stage, one project in the weaving stage and one project in the finishing stage, and then working within the rhythms of her days. I follow a similar rhythm and it keeps me happy. I also have a fourth stage which is documentation and learning. Documentation so that I don’t forget what I have done, and learning because learning is a continuous lifelong adventure.
    Thanks for the inspiration today.
    Barbara

    • Karen says:

      Hi Barbara, You have a great system. Documentation is important, yes. I include it in my finishing stage. And I’m with you, learning is a lifelong adventure!

      Thanks for your great input,
      Karen

Leave a Reply


One More Swedish Art Weaves Bag

A warp is finished when the woven cloth has been taken to completion. At that point, the loom is free for a new warp. That is the rule I’ve given myself. If I ignore the rule and put on a new warp before its time, the unfinished cloth has a way of staying unfinished for too long.

Joanne Hall's Swedish Art Weaves workshop in San Antonio, Texas.
Ready to pack up after the Swedish Art Weaves workshop and take my loom back home. The Joanne Hall workshop was sponsored by the enthusiastic San Antonio Handweavers Guild a few months ago.
Monksbelt woven with pick-up.
Monksbelt pattern continued at home.
Swedish art weaves - dukagång.
Woven from the back, this dukagång pattern came from a Swedish publication I borrowed from the San Antonio Handweavers Guild library.
Weaving krabbasnår and other Swedish art weaves.
Krabbasnår, just behind the fell line, is from a pattern in Heirlooms of Skåne, Weaving Techniques, by Gunvor Johansson.

Thanks to that completion rule, I have a new bag. This fabric includes the various patterns that I wove in Joanne Hall’s workshop on Swedish Art Weaves several months ago. You will also see that I explored some patterns on my own at home. I gained two excellent outcomes from this finishing pursuit—a new bag to use, and a loom that is free for the next warp! (See the first bag here: Monksbelt Flowers on a Shoulder Bag)

Making a bag from Swedish art weaves.
Side piece, krabbasnår, is hand-stitched in place. From the top of the bag to the bottom – krabbasnår (krabba), rölakan, halvkrabba, dukagång, munkabälte (monksbelt), each section separated by plain weave stripe variations.
Handwoven bag made from Swedish art weaves.
On this side of the finished bag, from top to bottom – halvkrabba, dukagång, munkabälte. I made the hard decision to take out a section of rölakan I had woven in order to be able to put the knots from the linen warp at the top of the bag.
Handwoven bag made from Swedish art weaves.
Bag is lined and has pockets, and has a magnetic snap closure. The 6/2 Tuna wool shoulder strap was woven on my Glimåkra band loom.
Handwoven Swedish art weaves bag just finished. Now, on to the next warp!
Now, on to the next warp!

Left to myself, I’d rather do what I want. I’d rather start a new project than bring an “old” one to completion. I’m glad my Lord is faithful with me. He completes the work that he began. The Good Shepherd tends his sheep. He leads us to the still waters of peaceful perseverance, saving us from the regret of going our own way. And we have his perfect outcome to look forward to.

May you resist doing what you’d rather do.

With you,
Karen

14 Comments

  • Beth says:

    Wow! You never cease to amaze me, Karen. It’s lovely!

  • Karen says:

    Absolutely lovely…so colorful and lively. I just love this!

  • Joanne Hall says:

    Hi Karen, what a great bag you have made. I think you will have fun using it. It is so colorful and playful. Thanks for sharing this. I have a few samplers that I could make into more bags.
    Joanne

    • Karen says:

      Hi Joanne, I think this will become a favorite bag to use for special occasions. Every time I look at it I’m reminded of how much fun we had in that workshop! Making a bag is a great way to use a sampler.

      Thanks so much,
      Karen

  • Denise Schryver says:

    Very beautiful Karen!
    Our guild had a Swedish art weaves workshop with Joanne scheduled but was cancelled due to covid. I may have to try on my own after seeing your lovely work!

    • Karen says:

      Hi Denise, I hope you do give these beautiful weaves a try. The Väv 2/2013 issue has very good instructions, as well as the book I mentioned in the post. Nothing beats being taught by Joanne in person; however, you can still do it on your own. And hopefully after things get back to normal, your guild will have Joanne come then.

      Thank you,
      Karen

  • Nannette says:

    Good morning Karen,

    Basis the condition of both our homes as we push through transition to retirement, I’ve been deaf to God’s direction for a long time.

    One hour home repairs finally done.

    Long forgotten ‘ must make ‘ textile projects rediscovered in a mystery bag stuffed in a basement box.

    Projects started by beloved long gone, and never finished.

    Love your posting.

    Nannette

  • Linda Adamson says:

    Love your “bag” which I would call a work of art. Thanks for sharing your posts. God Bless!!!

  • Elisabeth says:

    Beautiful, and great use of the Swedish art weave fabric!
    And I really like that rule, I don’t think we were meant to procrastinate 🙂

    • Karen says:

      Hi Elisabeth, Things go better if we don’t procrastinate. I’ve had to relearn that more than a few times. The Swedish art weaves are so beautiful, so it’s nice to have a way to show them off.

      Thank you,
      Karen

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Monksbelt Flowers on a Shoulder Bag

Remember Joanne Hall’s Swedish Art Weaves workshop that I took a few months ago? With the warp that was left, I explored some of the art weaves in more depth.

Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.
Monksbelt (Munkabälte), Dukagång, and Halvkrabba can be seen below the warp.

I finished off the linen warp by making a front and back panel for a small shoulder bag. A monksbelt pattern is scattered like flowers on the front. The back has various stripe patterns in weft-faced plain weave. I wove a shoulder strap on my band loom using 6/2 Tuna wool for warp and 12/6 cotton for weft.

Weaving Monksbelt with half heddle sticks.
Half-heddle sticks and batten in front of the back beam, for weaving monksbelt patterns.
Pick up for monksbelt.
Pick-up stick in front of the reed is being used to weave a monksbelt flower “petal.”
Handwoven shoulder bag in progress.
Back panel has varying stripe patterns.
Cutting off.
Cutting off.
Glimakra band loom. Narrow wool band.
Narrow wool band for the bag shoulder strap.

The bag has simple construction, mostly hand-stitched. In one of my remnant bins I found a piece of wool fabric that I wove several years ago. It’s perfect for the sides and bottom of the bag. The lining uses pieces from fabric that went into my latest rag rugs, and has pockets, of course.

Making a handwoven wool bag.
Overhand knots secure the warp ends.
Construction of a wool shoulder bag.
Ready to assemble all the parts.
Constructing a small handwoven wool bag.
Handwoven wool pieces are hand-stitched together.
Handwoven wool bag construction.
Bag construction continues with stitching the back in place.
Magnet closure on a handwoven bag.
Magnet closure is added to the lining before stitching the lining in place. Knots and fringe outline the top of the bag.

This bag with Monksbelt Flowers is for carrying sweet memories, happy moments, and heavenly dreams.

Handwoven shoulder bag.
Inside of handwoven wool bag.
Pockets in the lining.
Monksbelt Flowers handwoven shoulder bag.

Resources: Swedish Art Weaves workshop with Joanne Hall; Heirlooms of Skåne Weaving Techniques, by Gunvor Johansson; Väv Scandinavian Weaving Magazine, 2/2013.

This is the time for my annual pause for the month of July. I appreciate you joining me in this weaving journey!

I look forward to being back with you again Tuesday, August 4. In the meantime, joyfully draw living water from the source, Jesus Christ.

May you carry no more than necessary.

With love,
Karen

20 Comments

  • NancyNancy Malcolm says:

    Beautiful! As always.

  • Beth says:

    It’s wonderful! Love the playful flowers.

  • Averyclaire says:

    This is absolutely marvelous! I am a new weaver and am truly impressed with all your projects. So much to learn so little time! Thank you for sharing your lovely work! I can only dream

    • Karen says:

      Hi Averyclaire, Welcome to the delightful world of weaving. No matter how much time we have, thankfully, there will always be more to learn.

      Happy weaving,
      Karen

  • Elisabeth says:

    What a great way to use a class project! It’s such a happy bag 🙂 I think my favorite details are the asymmetrical flowers and the exposed fringe on top. I admire your creative use of remnants.

    Enjoy your pause!
    Love, Elisabeth

    • Karen says:

      Hi Elisabeth, I wanted to make asymmetrical flowers because that is possible only with the pick-up method, and not possible with standard monksbelt threading. The exposed fringe on top is one of my favorite details, too. It came about because it was simpler than trying to fold the edge under.

      Thanks!
      Love,
      Karen

  • Nannette says:

    I can’t add to above comments..

    Enjoy your sabbatical!!

    Nannette

  • Maria Slayman says:

    I love how it all came together from your stash! Bet that felt good! Beautiful!

  • Joanne Hall says:

    I love how the light colored centers in your monksbelt flowers jump out and say,”look at me”. This is a great design. And I like how you have the knots and linen ends sticking out. That is very effective.
    Joanne

    • Karen says:

      Hi Joanne, It was fun to try to make a monksbelt design that would show off the possibilities of this method. This was a fun “playtime” at the loom. The knots and linen ends sticking out was an afterthought, but I liked the idea to show off the light-hearted concept of the scattered flowers.

      Thanks for your encouragement,
      Karen

  • LJ Arndt says:

    I love the view thru the loom of seeing the weaving that you did at the workshop thru the loom and then the newest weaving still showing on top of the warp.

    • Karen says:

      Hi LJ, That’s my favorite view. There is something intriguing about looking through the warp to the previously-woven fabric.

      Thanks for chiming in,
      Karen

  • Lyna says:

    “May you carry no more than necessary.” A great reminder to cast our cares on Him!
    Have a blessed July!

  • Cynthia says:

    Hey Karen. Lovely. I have gobs of scrap quilt fabric. Too bad we don’t live closer, you could be going through my scraps for linings to your things.

    • Karen says:

      Hi Cynthia, It’s fun to find ways to use scraps. It’s probably good that I don’t have access to your quilt fabric scraps. I have plenty of my own to use up. 🙂

      All the best,
      Karen

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Process Review: Jubilation Hand Towels

These towels make me think of my father. He was a brilliant architect. As an architect’s daughter, I learned to appreciate the interaction of structure, design, and color. This fabric has it all! These towels are also an expression of joy, a prominent aspect of my dad’s personality. If you could create a tangible article of jubilation, this would be it.

Broken and reverse twill structure. Handwoven towels.
Broken and reverse twill structure. Using all the same colors, each towel has a different sequence of weft color order.

After weaving three towels, I eliminated the floating selvedges. Which one of the four towels do you think was woven without floating selvedges? Leave your answer in the comments. (1 – 4, with the towel on top as #1.)

Four new handwoven towels.
Three of the four towels were woven with floating selvedges.

Here’s a short slideshow video that shows the process from start to finish:

Jubilation bath towels are up next on the Glimåkra Standard!

May your jubilation rub off on your family and friends.

Happy Weaving,
Karen

47 Comments

  • Anonymous says:

    Number 4

  • Nancy says:

    They are all beautiful!

    I think it is number 4 that didn’t have a floating selvage. I know those edges anywhere! Ha ha

  • Kristin Martzall says:

    The towels are gorgeous ! I think I would have liked to have met your father…….
    !

    • Karen says:

      Hi Kristin, I’m sure you would have enjoyed my father. He was a very likable guy. Thank you for your compliment on the towels!

      All the best,
      Karen

  • Charlotte says:

    The richness in color and design…goodness…gracious…such beauty have you created! I and going with #3, to be the one without a floating selvage.

    • Karen says:

      Hi Charlotte, Your encouraging words mean a lot to me. Thanks for making a guess. Stay tuned… I will reveal the answer next week.

      Happy weaving,
      Karen

  • Beth Mullins says:

    They are beautiful, Karen!

  • Rachel says:

    I believe it is 4. My question is why? These towels are stunning. Thanks for sharing.

    • Karen says:

      Hi Rachel, If your question is why would I eliminate the floating selvedges, I have a few reasons. Primarily, though, I can get a much better rhythm in weaving without them. And in most cases, I find they are unnecessary.

      Happy weaving,
      Karen

  • My guess is #2. Only because it looks a little different than the others. Did you start out without one and then decide it would be A little easier to use one?

    • Karen says:

      Hi Jenny, I started out with the floating selvedges because I thought I needed them because of the reverse twill. After three towels I decided to chance it and cut the floating selvedges off. I was pleasantly surprised. It leaves only small floats at the selvedge (which are unnoticeable after wet finishing), and it was much easier for me to weave without them. I only had to toss and catch the shuttle, so my hands didn’t have to stay so close to the warp.

      Thanks for making a guess. I’ll reveal the answer next week.

      Happy weaving,
      Karen

  • Bethany Garner says:

    What a glorious video Karen… the loom, the threading, the weaving and the music brought me great joy this morning. Be safe and well! You are loved!
    Bethany in Kingston, ON Canada

  • Kristin G says:

    I’m guessing #2. These towels are gorgeous, Karen! The video with all of its loveliness brought a smile to my face this morning (and I needed it – I was feeling like a grump!) Your father sounds like such a wonderful man. Thank you for spreading joy today 🙂

    • Karen says:

      Hi Kristin, Well, I’m glad this had that effect on you because the world needs your beautiful smile! You would have liked my father, and I know he would have liked you.

      Thanks for your guess. Stayed tuned for next week….

      Hugs,
      Karen

  • Nannette says:

    Good morning Karen. Your craftsmanship is so precise I couldn’t pick out the missing salvage with a laser pointer and a flashing neon light.

  • Loyanne Cope says:

    The towels are lovely. Your colors are always so interesting. If I am not being too forward, your edge in the picture where the towel is still on the look looks so firm. Would you share how you did this? Thank you, Loyanne

    • Karen says:

      Hi Loyanne, It’s good to hear from you.

      While on the loom, the edges stay firm for two reasons. 1. I generally keep the tension fairly tight. This is especially possible with a countermarch loom. 2. I always use a temple. The temple helps me weave tight selvedges—the weft is very snug at the selvedge, which helps keep the outer warp ends firm.

      I hope that makes sense.

      Happy weaving,
      Karen

  • jane n wolff says:

    These are lovely. Cam you share what yarn you used?

    • Karen says:

      Hi Jane, Thank you for asking. The warp and weft is 22/2 Bockens Nialin (Cottolin). The cotton and linen blend is perfect for making absorbent towels.

      Happy weaving,
      Karen

  • KimG says:

    Well, I LIKE the edge of number 2 the best. Where is the pattern from, how many shafts and what are the were and warp threads? Absolutely stunning!

    • Karen says:

      Hi Kim, Thanks! I like knowing what you like the best.

      I started with a draft for wool blankets from Favorite Scandinavian Projects to Weave, by Tina Ignell. I adjusted it for size and sett to make the towels, and chose my own colors. This uses 6 shafts and 6 treadles. Cottolin for warp and weft.

      Thank you!
      Karen

  • Kevin B says:

    Your towels are beautiful! Beautiful colors and fabulous weaving! I’m guessing #4 is the one without the floating selvage.

    • Karen says:

      Hi Kevin, I have enjoyed these colors immensely. It’s fun to find a set of colors to play around with. Thanks for making a guess! I’ll let you know the answer next week…

      Thanks for your sweet encouragement.
      Karen

  • D'Anne says:

    I suspect you inherited your father’s precise workmanship and creativity as your work is always exquisite. He sounds like a delightful father. I think #2 is the one without the floating selvedge, but I look forward to your answer. 🙂

    • Karen says:

      Hi D’Anne, Your cheerful encouragement means so much to me! If I inherited my dad’s workmanship and creativity that’s saying a lot. You have a keen eye. We’ll see if you’re right about the selvedges.

      All the best,
      Karen

  • Jan says:

    Beautiful towels Karen. I think No 1 is the one without the floating selvedge.

  • Linda says:

    My guess is #4. I always use a FS with twill and it makes me laugh that I am having such a hard time seeing the difference! Beautiful towels!!!

    • Karen says:

      Hi Linda, Floating selvedges are very common. I’m pleased to know that it is not easy to tell the difference. Weaving is far simpler for me without them. Thank you!!

      Happy weaving,
      Karen

  • Kat says:

    My goodness! These towels are just stunning, color, pattern, all of it! My guess is number 2. It just looks different form the other three, and I prefer the look of that edge!

    • Karen says:

      Hi Kat, Your descriptive words really warm my heart! I’m glad these towels look good to you.

      Thanks for including your guess – and your reasons.

      All the best,
      Karen

  • Janis Schiller says:

    Hi Karen,
    Your towels are wonderful. I love the combination of reverse and broken twill.
    Is this your original pattern or is it from another source?

    The video was enjoyable to watch as well.

    Can’t wait to see what your Jubilation towel project will be!
    Regards, Janis

    • Karen says:

      Hi Janis, I’m very happy with the reverse and broken twill combination. It puts a lot of action in the design.
      I started with a pattern for wool blankets in Favorite Scandinavian Projects to Weave, by Tina Ignell, and made adjustments to turn it into towels.

      The next Jubilation Towels will be very similar, only bigger! Bath size.

      Happy weaving,
      Karen

  • Elisabeth says:

    Your towels are beautiful! Nothing beats the feel of hand wowen towels, I am sure they will be wonderful as bath towels, too 🙂
    My guess is # 2, for two reasons… the edge looks different, and I think I recognize the colors from the last towel you wove where you made this change.

  • Tobie R LuriTobie says:

    Hi Karen-The towels are beautiful but I have a question about rag rugs. I cleaned out my linen closet and discovered I have too many sheets and think they will make very good rugs. I plan to cut them in strips and dye them. My question is how wide should I make these strips–1 inch/2 inches? These are older cotton sheets so are pretty soft. What do you think? And thanks for advice!

    • Karen says:

      Hi Tobie, That’s great that you have cotton sheets that you can use for rag rugs. I recommend you test some different widths of strips after you get the loom warped before you cut all the strips. I use a sett of 8 epi (3 epc) with 12/6 cotton rug warp. Most of my fabric strips are 3/4″ wide. If the fabric is thin, I cut them a little wider, up to 1 inch. If you want thicker weft, 2 thinner weft strips will pack in and lay better than one wider strip. Most of the Swedish rag rug books I refer to use fabric cut to 2cm (about 3/4″), so that’s what I try to follow.

      Happy weaving,
      Karen

  • Lora says:

    Number 2. Gorgeous towels.

  • […] PS Floating Selvedges. Last week I asked if you could tell which one of these four towels was woven without floating selvedges. (1 – 4, with the towel on top as #1.) See Process Review: Jubilation Hand Towels […]

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Weaving Ideas – Year in Review Video

Everything starts with an idea. And some of those ideas become tangible expressions of dreams come true. Who knew that a simple idea in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of weaving on a drawloom of my own? (see Quiet Friday: Day at the Drawloom.) And who knew that an idea in 2013 to write about my weaving journey, calling it Warped for Good, would bring friends like you to come and enjoy the journey with me? For these things and so much more, I am truly grateful.

Siblings Tapestry is 3 cm away from completion!
Siblings Tapestry is three centimeters away from completion.
Drawloom rag rug - single-unit.
Single-unit drawloom rag rug is ten centimeters into testing everything–draw cords, sheds, shuttles. After a few more adjustments the actual rag rug weaving will commence.

Your ideas are priceless. That’s because you are priceless. You were made in God’s image, with the ability to imagine wonderful intricacies through creative thinking. In fact, you began as God’s idea. As we walk with him, we become the tangible expression of his dream come true.

Grab a cup of coffee or tea and sit here with me to reminisce over the past weaving year.

May this year bring your best ideas ever.

For you,
Karen

16 Comments

  • Joyce Lowder says:

    Karen: You are such an awesome servant and ambassador for God! Your comments have always captured my attention, but this one really spoke to me! I even wrote your words down to read to a friend who has a birthday today. I respect and admired your creativity and the effort you invest in sharing! It all takes time and effort, but I can see that your heart is in what you do…and your heart belongs to God. May God continue to bless you in this year of 2020! 🙂

    • Karen says:

      Hi Joyce, It’s a pleasure to be able to share what I enjoy. Thanks for your thoughtful words. I’m glad to have you along with me.

      Happy weaving new year,
      Karen

  • Joanne Hall says:

    It was fun to see all that you have done this past year. And I enjoyed seeing that photo of our winter drawloom class and the samplers on the drawlooms. You have done a lot of weaving already in your new home. I look forward to what you weave after our art weaves workshop next month. See you then.
    Joanne

    • Karen says:

      Hi Joanne, That drawloom class was a highlight for the year. I’m thankful to be in a place and season of life that suits my weaving endeavors.

      I am looking forward to the art weaves class. I still have so much to learn!

      See you soon,
      Karen

  • Cynthia H. says:

    Karen, what an amazing artist you are, beautiful work. Cant wait to see what you will be working on next. Say hi to Steve for me. Cynthia H.

  • lanora dodson says:

    This was inspiring on SO many levels! It brought a sense of peace, wonder, and excitement all at the same time. Thank you for sharing and cannot wait for the coming year to see what you’ll be creating!

  • Nannette says:

    Karen,
    Thank you for sharing!
    I will need to watch the video a 4 or 8 or 10 more times to absorb everything you did in 2019.
    The close ups are welcome.
    Nannette

  • Beth Mullins says:

    You’ve had a beautiful, productive year! You and your work are so inspiring, bringing excitement, curiosity, and clam all at the same time. I can’t wait to see the siblings completed and what’s to come in 2020.

    Happy New Year, Karen!

    • Karen says:

      Hi Beth, It’s good to have a sense of accomplishment. I always enjoy seeing your beautiful woven creations on IG. We both had a year rich with weaving. I’m glad to have your friendship on this journey.

      Happy New Weaving Year,
      Karen

  • Johanna McGuirk says:

    Dear Karen

    I am very keen to get the details for the electric bobbin winder as I am frustrated using the hand drill. Would it be possible to supply me with more details please? Hopefully my husband or son can put one together for me.
    Kind regards
    Johanna

    • Karen says:

      Hi Johanna, I am happy to share the details for the electric bobbin winder that Steve made for me.

      I will send you an email with the information.

      All the best,
      Karen

  • Karen, thank you so much for sharing your video. It was both inspiring and calming. A beautiful expression of pure creativity expressed through our traditional craft. Love your work.
    Barbara

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