New beginnings. Same warp, but a new rosepath rag rug. This one may be better than the last. We won’t know until the rugs are all unrolled from the cloth beam at the end. I varied the colors, the treadling, and the hems for the rugs on this warp. I wanted to start over with each new rug. A fresh start means a chance to make fewer mistakes, and it’s an opportunity to do something different.
Fourth rosepath rug on this warp. The stripes are created by alternating two weft colors in plain weave. The rosepath strip is created by alternating two weft colors in a rosepath treadling pattern.
Are you getting a fresh start for this new year? A new start gives us the courage to break out of a rut, or to walk away from bad habits. Who doesn’t have unstoppable optimism with new resolutions? As we are pressed by time and real life, though, our hope and enthusiasm wear away much too soon. A successful new beginning requires a new outlook; otherwise, the discouragement is even greater when we find ourselves on the old familiar path that was leading nowhere.
Our grand weaver’s perspective transcends human time. He sees the end as clearly as the beginning. Thankfully, the new beginning that he offers brings us a hope-filled outlook that makes corrective change possible. He opens our eyes to see the threads he is faithfully weaving that bring our new beginnings into his story.
(Thank you for coming into my *virtual* weaving studio for a friendly chat. Warped for Good still feels like a new endeavor to me after these nine months of getting started. I deeply appreciate all the encouragement you have given me!)
My grandmother believed in wearing clothing until it wore out; and even then, she would darn thin areas inconspicuously, to make something last longer. So, it made perfect sense for her to turn scraps of dresses into quilts, and anything that was left could go to the lady across town who made rag rugs. Fortunately, I have a few of Grandma’s hand-sewn quilts, and two of those memory-filled rag rugs. As I weave new rag rugs, I think of the stories woven into her old rugs.
This old rag rug is made of clothing fabrics that are very similar to those in this quilt my grandmother hand-stitched.This old rug is right beside my big loom. I like to imagine that the green denim in this rug was my grandfather’s worn out overalls he wore on the farm.Close-up view shows the interesting pattern in the rug.Rag rug on the loom, with the distinctive Swedish rosepath motif right at the breast beam. (Click picture to enlarge)In contrast to the muted tones of my grandmother’s rugs, the new cotton fabrics I used in these rosepath rag rugs are colorful and bright.Double-faced rag rug. Flip the rug over for a different look. (Click picture to enlarge)Twill rag rug in the making.Sturdy rug, perfect for the entry hall. This is our “Welcome to our home” rug.The treadling pattern in this diamond twill rag rug took full concentration. I did a fair amount of “unweaving” and do-it-over’s with this rug. Perhaps someday a grandchild of mine will put this rug in a special place and wonder about the stories woven into it.
May you find something old and something new; ponder stories of the past and make new stories yourself.
At Jason Collingwood’s Plain Weave Rug Workshop in Waco, Texas last week, I completed a technique sampler. I was not one of the fastest guns in the West, so I have a couple yards (or more…) of that linen warp still on my little loom. One piece of advice Jason gave in class was to use the intricacies of these techniques sparingly–to keep it simple when it comes to rug design. That is what I am aiming for as I finish off this warp, hoping to end up with some miniature rugs (the warp is only 11 1/4″ wide) as design samples.
Finished sample of plain weave rug techniques. The sample begins with countered twining that extends past the selvedge with a four-strand braid. My favorite technique is the crossed weft combined with meet and separate, seen at the far end of the sample.
Jason was kind enough to converse with me on topics that would benefit you, my blog friends. You can catch the first part of that conversation, covering Jason’s perspective as a rug weaver and a teacher of rug weaving, here.
Now, enjoy Part 2 of our conversation.
Me: Once someone has mastered the technical aspects, and is producing quality handwoven goods, they may want to sell what they have produced. What advice do you have for someone just starting out?
Jason: You need to be very determined. You have to accept that it’s not going to happen instantly. And you have to be prepared to sacrifice certain things in life that a normal job may give you–be that security, spare income, or, possibly, medical insurance coverage.
Me: It’s challenging to get started, then?
Jason: I look back to my early years, and it’s interesting… And Akiko, my wife, is a very successful ceramicist now, but when she started off, to save money, she would walk across London four or five miles, with a little dolly on wheels. She would buy her bags of clay, put them on the dolly, and wheel them back across London. And you know, there are all these early little sacrifices that you don’t see, when you see the person in the galleries successfully selling their work.
Me: Your father, Peter Collingwood, was well-known as an extraordinary rug weaver. But you still needed to put in a lot of hard work, yourself, for people to associate Jason Collingwood with high quality handwoven rugs. So, if someone aspires to succeed as a weaver, how can they make it work?
Jason: I think you need to have determination, and some amount of grit, and self-discipline. At the end of the day, there’s no one telling you to sit at that loom, and weave again the same things you did yesterday, and again, and again, and again. I think it’s just perseverance. As long as you are producing something of quality, eventually, if you persevere, it’ll pay off.
Me: Okay, that gives hope to someone willing to work hard. If we look beyond the present challenges, and work, with determination, we have something to look forward to.
Jason: You know, those barren early years are almost like an investment in your future life, your weaving life. I mean, I didn’t particularly enjoy those years, but I think they were almost a necessary test of whether I was going to stick it out. I think a lot of people would’ve folded in those early years, and said, Okay, this isn’t working. But, you know, it was kind of a test of my resolve that I carried on.
Me: Thank you for sharing your story! Your insights bring considerable value to weavers, but also to people in other fields interested in improving their craft. I appreciate the encouragement of your example of determination. Thanks again!
Please visit Jason Collingwood’s website, here, to see the stunning rugs he weaves and sells, as well as descriptions of his workshops. You can also enjoy the artistry of Jason’s wife, Akiko, at her website, here.
Everyone has a unique story. Most of us are engaged in our own narrative, watching the chapters go by. Discovering the meaning in our personal story is a lifelong pursuit. Where do I fit?… Who am I meant to be?… Do I add value anywhere?…
After many hours of planning, warping, weaving, and finishing, this warp rep rug is ready to be put to use!
The colors and graphic boldness of this design won’t fit just any ol’ room. But don’t worry! This rug will be perfect for one special room, and we’ll all exclaim, This rug was made for this very place!Don’t we all hope to say that about ourselves? I was made for this… I’m in my sweet spot… My life is making a difference…
If I’m in a story, surely there is an author! When I delve into the author’s story, I end up finding where I belong. My story is being written within a much, much bigger story–one that I can base my life on. (Handweaving is one element in this current chapter of my story; and for that, I’m incredibly grateful.)
