If you are a weaver, you know this thrill. I weave the very last pick, and then I hold my breath as the finished cloth is unrolled from the cloth beam. All ten meters / eleven yards of it! I don’t usually have an audience for the unrolling, but this time I want to share the experience with you, my friends.
If you stay to the end, you will see the cap I made from the sample pieces at the beginning and end of the warp.
And, one more thing, I added a little 3 1/2-minute time-lapse video at the very end. I hope it makes you smile.
Final pick in place.Release ratchets on cloth and warp beams to loosen warp tension.Get out the big Gingher shears and start cutting.First good view of the last towel on the warp. The last shall be first…The Nine Color Towel.Keep unrolling.Still more to come..Each one is different.Seeing brown now, so we know we are getting near the end/beginning.Finally, we made it to the tie-on bar!I love the final sound–warping slats falling to the floor as the last round of cloth is pulled from the cloth beam.There it is. Now I want to get something else on the loom so I can do this all over again!Ta da!
And now I invite you to join me as I weave the Nine Color Towel. Remember that this is time lapse–I really do not weave this fast.
When I was a girl I dreamed of being a flying trapeze artist. No fooling! I practiced stunts on our backyard swingset, including hanging from my toes. I grew out of that. My new stunt now, is with a different kind of trapeze. A warping trapeze. (Some people call it a warping valet, but let’s call it a trapeze, okay?)
The warping trapeze is used for beaming the warp. The warp comes over the breast beam, under the foot beam, and then over the cross bar of the trapeze. I use two-pound walking weights and S-hooks to weight the warp bouts, since the warp needs to be under sufficient tension as it is wound onto the warp beam. The warping trapeze makes it easy to single-handedly beam a warp with even tension.
Warping Trapeze: Two tall boards set into place just inside the sides of the loom, angled at the base, between the cloth beam and the breast beam. I clamp them on the sides for extra security. The top piece slips into a cut-out opening at the top of the side boards. Reed will be moved to the beater before beaming.Two-pound walking weights are perfect for hanging from S-hooks to weight the warpbouts. I can easily increase the amount of weight by adding more walking weights, as needed. For a longer warp, I tie a piece of texsolv cord in a slip knot around the warp bout, and hang the S-hooks and weights on that cord, moving it down as the warp is wound on.The trapeze is ready, with the warp weighted. Next steps: Remove the support sticks; move the lease sticks to behind the reed; straighten warp ends; place reed in the beater; slide lease sticks toward the reed. Okay, go! Wind the warp onto the beam.
Enjoy this little time-lapse video I created of myself dressing the loom using the warping trapeze. (You will not see me hanging from my toes.)
I fly through the air with the greatest of ease, my threads all in place with the warping trapeze…
Thank you to Becky Ashenden for introducing me to a warping trapeze at Vävstuga Weaving School. Many thanks to my talented husband for creating my very own warping trapeze. He’s the best!
