Tapestry the Slow Way

I weave small tapestries from the back, using a blunt tapestry needle to go under three warp ends at a time. I love blending the colorful strands of Fåro wool to get the shading I need. Every pick is purposeful; and I turn the little loom over frequently to keep an eye on the front side. If I weave all the way across at once, the selvedges start pulling in, despite bubbling the weft. Going under just a few warps at a time like this is the slow way, but it helps me control the amount of weft being placed across the tapestry.

Small tapestry. Weaving from the back.
Tapestry needle takes the weft under three warp ends at a time. Weft is bubbled and then tapped into place with my fingertips.
Weaving small tapestry on travel loom.
Upper part of cartoon is held out of the way to examine the front of the weaving. Bottom half of cartoon stays in position, being held in place with small magnets.
Small tapestry in progress, "Bridge." Karen Isenhower
Bridge progresses one row at a time.

We can often avoid big problems by saying fewer words. When we keep talking, we lose control of the words that come out of our mouths. Words can hurt or heal. Unlike erring tapestry threads that can be pulled out and woven back in correctly, words can’t be undone. A wise person errs on the side of saying too little. Three warp ends at a time, weave across the row, and check the front frequently to see how the words are coming across.

May you choose your words wisely.

With you,
Karen

Tools Day: Magnets

I am trying a new thing–magnets. Little magnets hold a cartoon in place behind my small tapestry. The magnets need to be strong so the cartoon does not shift. Yet, I want to be able to adjust or to completely remove the cartoon easily.

Small tapestry woven from the back, line by line.
Small tapestry is woven from the back, line by line. Three strands of Fåro wool are blended for the weft.

I have noticed other tapestry weavers using small rare earth magnets for this purpose, so I decided to give it a try. “Steve, do we have any rare earth magnets on hand?,” I asked. Steve went out to the garage, and came back with these. Perfect! Finally, a use for the magnets he had salvaged from worn out electric toothbrushes over the years!

Magnets for holding a cartoon behind a small tapestry weaving.
Magnets, salvaged from worn-out electric toothbrushes, give an extremely tight grasp for holding a cartoon behind a small tapestry.
Magnets hold the cartoon behind the weaving. Old toothbrush magnets!
With magnets in place, it is easy to raise the cartoon to ink the warp at strategic points, and then to let the cartoon drop out of the way while weaving. The tight toothbrush magnets keep the cartoon from shifting out of place.
Bridge under construction... Small tapestry.
Bridge under construction…

May you know what to discard and what to keep.

Until next time,
Karen

Tapestry Imagining

Tapestry in the evening is a pleasant way to end the day. It does not need to be fast. I am not in a hurry. No need to be. The little girl is taking her sweet time. With innocence, she is daydreaming, wondering about things, and purely enjoying the moment. At least, that’s what I imagine she is doing.

Little girl small tapestry progress.
Little girl small tapestry grows a line at a time, evening by evening.

May you take time to wonder.

Happy weaving,
Karen

Big Dream Tapestry Starts Here

I dream of doing four-shaft tapestry with rosepath threading on my floor loom. I’m not there yet. It is an ambitious goal. I am inching my way toward that goal by facing little problems on my tiny frame loom and working out solutions as I go. Learning to follow a cartoon is part of the process.

Little girl tapestry in process, with Borgs Faro wool.
Little girl is being woven from the back, one row across at a time. The weft is Borgs Fåro wool, a single-ply that packs together nicely for tapestry weaving.

I derived the cartoon for this tapestry from a picture in a children’s book. The cartoon, held in place behind the warp threads, is my constant guide. As I make ongoing judgments about colors and other details, the cartoon keeps me on course and shows me the desired outcome.

Life is full of choices. If I purposely align myself with integrity, like a tapestry weaver following a cartoon, I have a guideline for decisions. But if I carelessly keep things in my path that tempt me, it’s like covering up parts of the cartoon with random post-it notes. The picture gets obscured. Our surroundings can set the stage for making good choices. And one good choice leads to another good choice. That’s the beauty of practicing with small things. When the time comes for four-shaft tapestry, I’ll be ready.

May you flourish in your surroundings.

A step at a time,
Karen

Little Chapel Tapestry

This little chapel tapestry is growing line by line. I am weaving from the back, left to right, a single line at a time, following a cartoon. I create shades of color by blending three strands of soft Fåro wool in seemingly thousands of combinations.

Weaving small tapestry while traveling.
Weaving small chapel while waiting for my delayed flight at the airport. Chapel steeple in cartoon presents a challenge.

I knew all along that the slim spire of the steeple would be a challenge. Will I have to leave off the uppermost thin line and cross? Honestly, leave the cross off the chapel? I don’t think so. Maybe wrap around a single warp end with half-hitches, and weave the short horizontal line over just three warps… Hmm, that doesn’t work–too robust for this little chapel spire.

First steeple cross attempt fails.
First attempt to weave the steeple cross. Bulky and distracting.

Take it out.

Working on the steeple cross.
Black yarn that formed the cross is removed, leaving a gap.

Weave through the empty spaces.

Undoing part of the tapestry.
Some of the sky is removed in order to sufficiently weave over the gap.
Weaving small tapestry from the back.
Closing the gap by weaving existing threads across, and weaving removed threads back in.

Study the scene…

Adding a cross to the small chapel steeple.
Chapel steeple without a cross.

Aha! …Embroider a single-thread cross.

Embroidery on a small tapestry.
Single strand of Fåro wool is used to backstitch a cross on the steeple top.

Yes, that works.

Small tapestry chapel. Karen Isenhower
Elevated cross on the chapel’s steeple gives meaning to the woven scene.

Keep your eyes on the destination. If a cross is needed on the tip of the spire, keep trying until you find a way. With your heart set on the destination, the Lord gives strength for the journey. Don’t give up when things are not working out. Take a step back to view the whole scene, and you will see how the cross completes the picture.

May you have strength for the journey.

With love,
Karen