Made to Fade?

You will always come back to what you love. I came back to this arrangement of stripes because I love the harmonious way the colors work together. Now used as a weft sequence, this is one of the color wrappings that I did when planning this towel warp. (You can see the rest of the color wrappings HERE.) But really, it’s just towels, it’s just colors, it’s just things that wear out.

Color wrapping used to inspire weft sequence. Karen Isenhower
Color wrapping for possible warp arrangement is now used as weft sequence. Except, since I ran out of light blue thread (remember THIS?), I am using dark blue in its place.

Everything we can touch and everything we can see is in the process of fading. Physical things deteriorate over time; they just do. The handwoven articles I so carefully make may last a human lifetime, or maybe longer. But eventually they will be no more, and any meaning they have now will be lost. (Even with my grandmother’s quilts and rugs, like THESE, I don’t know what they meant to her, and she’s no longer around to ask.) It doesn’t make sense to love things. Sure, we can touch and see them, and our me-first self wants them. But they are all going away.

It does make sense to investigate the non-physical things that never decay. When we align with the desires of our grand weaver and discover the plans he has had from the beginning of time, we are investing in heavenly pursuits that carry rewards that never fade. Ever.

May the work of your hands outlast you.

101 Thanks! Thank you, dear friend, for coming to my virtual weaving studio again and again. If you are one of the small handful (there are about eight or ten of you) that started with me 101 blog posts ago (HERE is the first post), a BIG thank-you to YOU! If you are one of the more recent guests, helping to grow this space to more than 1,200 guests a month, I am HUGELY grateful to YOU, too! You are welcome here. I am so glad you came!

Gratefully Yours,
Karen

Quiet Friday: Rag Rugs

My grandmother believed in wearing clothing until it wore out; and even then, she would darn thin areas inconspicuously, to make something last longer. So, it made perfect sense for her to turn scraps of dresses into quilts, and anything that was left could go to the lady across town who made rag rugs. Fortunately, I have a few of Grandma’s hand-sewn quilts, and two of those memory-filled rag rugs. As I weave new rag rugs, I think of the stories woven into her old rugs.

My grandmother's quilt and rag rug from old clothes
This old rag rug is made of clothing fabrics that are very similar to those in this quilt my grandmother hand-stitched.
Vintage Rag Rug from Missouri
This old rug is right beside my big loom. I like to imagine that the green denim in this rug was my grandfather’s worn out overalls he wore on the farm.
Detail of vintage rag rug
Close-up view shows the interesting pattern in the rug.
Rosepath Rag Rug on the Loom
Rag rug on the loom, with the distinctive Swedish rosepath motif right at the breast beam. (Click picture to enlarge)
Rosepath Rag Rugs, Karen Isenhower
In contrast to the muted tones of my grandmother’s rugs, the new cotton fabrics I used in these rosepath rag rugs are colorful and bright.
Double-Faced Rag Rug
Double-faced rag rug. Flip the rug over for a different look. (Click picture to enlarge)
Twill rag rug on the loom
Twill rag rug in the making.
Blue Twill Rag Rug
Sturdy rug, perfect for the entry hall. This is our “Welcome to our home” rug.
Diamond Twill Rag Rug
The treadling pattern in this diamond twill rag rug took full concentration. I did a fair amount of “unweaving” and do-it-over’s with this rug. Perhaps someday a grandchild of mine will put this rug in a special place and wonder about the stories woven into it.

May you find something old and something new; ponder stories of the past and make new stories yourself.

Happy weaving,

Karen